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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #243271 it is the complementary color #DBCD8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #243271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #243271 shade: #29326C, #3A447F, #4B5692, #5C68A5 and #6D7AB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #243271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #243271 shade: #243271, #13205E, #020E4B, #000038 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #243271 shade: #233170, #2A2370, #3F2370, #542370 and #682370

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #243271 shade: #233170 and #232370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #243271 shade matches the following richer shades: #233170, #182A7C and #0C2288

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #243271 shade: #233170, #2F3964, #3B4158, #47484D and #535041

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #243271 shade: #235B70, #234670, #233270, #2A2370 and #3E2370

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #243271 shade: #101632, #1A2451, #233170, #2D3F90 and #374DAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #243271 shade: #243271, #70236F and #507023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #243271 shade: #243271, #702332 and #327023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #243271 shade: #243271, #70236F, #706223 and #237025

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #243271 shade: #243271, #702358, #706223 and #23703C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 56 / 0 / 56

HEX #243271

RGB 36 50 113

HSL 229.09, 0.52%, 0.29%

LAB 23.16, 16.63, -38.26

 

Complementary color

CMYK 0 / 6 / 35 / 14

HEX #DBCD8E

RGB 219 205 142

HSL 49.09, 0.52%, 0.71%

LAB 82.2, -4.31, 33.16

 

CMYK 62 / 54 / 0 / 58

HEX #29326C

RGB 41 50 108

HSL 231.94, 0.45%, 0.29%

LAB 23.12, 15.71, -35.1

 

CMYK 54 / 46 / 0 / 50

HEX #3A447F

RGB 58 68 127

HSL 231.3, 0.37%, 0.36%

LAB 30.8, 14.1, -34.76

 

CMYK 49 / 41 / 0 / 43

HEX #4B5692

RGB 75 86 146

HSL 230.7, 0.32%, 0.43%

LAB 38.25, 12.89, -34.51

 

CMYK 44 / 37 / 0 / 35

HEX #5C68A5

RGB 92 104 165

HSL 230.14, 0.29%, 0.5%

LAB 45.49, 11.94, -34.33

 

CMYK 41 / 34 / 0 / 28

HEX #6D7AB8

RGB 109 122 184

HSL 229.6, 0.35%, 0.57%

LAB 52.54, 11.17, -34.22

 

CMYK 68 / 56 / 0 / 56

HEX #243271

RGB 36 50 113

HSL 229.09, 0.52%, 0.29%

LAB 23.16, 16.63, -38.26

 

CMYK 80 / 66 / 0 / 63

HEX #13205E

RGB 19 32 94

HSL 229.6, 0.66%, 0.22%

LAB 15.38, 19.26, -38.55

 

CMYK 97 / 81 / 0 / 71

HEX #020E4B

RGB 2 14 75

HSL 230.14, 0.95%, 0.15%

LAB 7.54, 22.59, -38.53

 

CMYK 100 / 100 / 0 / 78

HEX #000038

RGB 0 0 56

HSL 240, 1%, 0.11%

LAB 2.58, 18.12, -33.09

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 69 / 56 / 0 / 56

HEX #233170

RGB 35 49 112

HSL 229.09, 0.52%, 0.29%

LAB 22.74, 16.76, -38.31

 

CMYK 63 / 69 / 0 / 56

HEX #2A2370

RGB 42 35 112

HSL 245.45, 0.52%, 0.29%

LAB 19.49, 27.64, -43.56

 

CMYK 44 / 69 / 0 / 56

HEX #3F2370

RGB 63 35 112

HSL 261.82, 0.52%, 0.29%

LAB 21.68, 31.84, -39.9

 

CMYK 25 / 69 / 0 / 56

HEX #542370

RGB 84 35 112

HSL 278.18, 0.52%, 0.29%

LAB 24.5, 36.8, -35.2

 

CMYK 7 / 69 / 0 / 56

HEX #682370

RGB 104 35 112

HSL 293.77, 0.52%, 0.29%

LAB 27.61, 41.87, -30.05

 

CMYK 69 / 56 / 0 / 56

HEX #233170

RGB 35 49 112

HSL 229.09, 0.52%, 0.29%

LAB 22.74, 16.76, -38.31

 

CMYK 69 / 69 / 0 / 56

HEX #232370

RGB 35 35 112

HSL 240, 0.52%, 0.29%

LAB 18.93, 26.49, -44.51

 

CMYK 69 / 56 / 0 / 56

HEX #233170

RGB 35 49 112

HSL 229.09, 0.52%, 0.29%

LAB 22.74, 16.76, -38.31

 

CMYK 81 / 66 / 0 / 51

HEX #182A7C

RGB 24 42 124

HSL 229.2, 0.68%, 0.29%

LAB 21.23, 24.9, -48.46

 

CMYK 91 / 75 / 0 / 47

HEX #0C2288

RGB 12 34 136

HSL 229.35, 0.84%, 0.29%

LAB 20.04, 34.06, -57.99

 

CMYK 69 / 56 / 0 / 56

HEX #233170

RGB 35 49 112

HSL 229.09, 0.52%, 0.29%

LAB 22.74, 16.76, -38.31

 

CMYK 53 / 43 / 0 / 61

HEX #2F3964

RGB 47 57 100

HSL 228.68, 0.36%, 0.29%

LAB 25.11, 9.35, -26.73

 

CMYK 33 / 26 / 0 / 65

HEX #3B4158

RGB 59 65 88

HSL 227.59, 0.2%, 0.29%

LAB 27.89, 3.71, -14.54

 

CMYK 8 / 6 / 0 / 70

HEX #47484D

RGB 71 72 77

HSL 230, 0.04%, 0.29%

LAB 30.66, 0.73, -3.13

 

CMYK 0 / 4 / 22 / 67

HEX #535041

RGB 83 80 65

HSL 50, 0.12%, 0.29%

LAB 33.9, -1.66, 9.3

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 69 / 38 / 0 / 56

HEX #234670

RGB 35 70 112

HSL 212.73, 0.52%, 0.29%

LAB 29.18, 2.21, -28.01

 

CMYK 69 / 55 / 0 / 56

HEX #233270

RGB 35 50 112

HSL 228.31, 0.52%, 0.29%

LAB 23.03, 16.06, -37.84

 

CMYK 63 / 69 / 0 / 56

HEX #2A2370

RGB 42 35 112

HSL 245.45, 0.52%, 0.29%

LAB 19.49, 27.64, -43.56

 

CMYK 45 / 69 / 0 / 56

HEX #3E2370

RGB 62 35 112

HSL 261.04, 0.52%, 0.29%

LAB 21.56, 31.62, -40.1

 

CMYK 68 / 56 / 0 / 80

HEX #101632

RGB 16 22 50

HSL 229.41, 0.52%, 0.13%

LAB 8.26, 7.73, -19.49

 

CMYK 68 / 56 / 0 / 68

HEX #1A2451

RGB 26 36 81

HSL 229.09, 0.51%, 0.21%

LAB 15.88, 12.12, -28.98

 

CMYK 69 / 56 / 0 / 56

HEX #233170

RGB 35 49 112

HSL 229.09, 0.52%, 0.29%

LAB 22.74, 16.76, -38.31

 

CMYK 69 / 56 / 0 / 44

HEX #2D3F90

RGB 45 63 144

HSL 229.09, 0.52%, 0.37%

LAB 29.73, 21.04, -47.04

 

CMYK 69 / 56 / 0 / 31

HEX #374DAF

RGB 55 77 175

HSL 229, 0.52%, 0.45%

LAB 36.4, 24.76, -54.91

 

CMYK 68 / 56 / 0 / 56

HEX #243271

RGB 36 50 113

HSL 229.09, 0.52%, 0.29%

LAB 23.16, 16.63, -38.26

 

CMYK 0 / 69 / 1 / 56

HEX #70236F

RGB 112 35 111

HSL 300.78, 0.52%, 0.29%

LAB 28.89, 43.75, -27.31

 

CMYK 29 / 0 / 69 / 56

HEX #507023

RGB 80 112 35

HSL 84.94, 0.52%, 0.29%

LAB 43.38, -24.69, 37.7

 

CMYK 68 / 56 / 0 / 56

HEX #243271

RGB 36 50 113

HSL 229.09, 0.52%, 0.29%

LAB 23.16, 16.63, -38.26

 

CMYK 0 / 69 / 55 / 56

HEX #702332

RGB 112 35 50

HSL 348.31, 0.52%, 0.29%

LAB 26.38, 35.15, 9.21

 

CMYK 55 / 0 / 69 / 56

HEX #327023

RGB 50 112 35

HSL 108.31, 0.52%, 0.29%

LAB 41.83, -35.62, 35.56

 

CMYK 68 / 56 / 0 / 56

HEX #243271

RGB 36 50 113

HSL 229.09, 0.52%, 0.29%

LAB 23.16, 16.63, -38.26

 

CMYK 0 / 69 / 1 / 56

HEX #70236F

RGB 112 35 111

HSL 300.78, 0.52%, 0.29%

LAB 28.89, 43.75, -27.31

 

CMYK 0 / 13 / 69 / 56

HEX #706223

RGB 112 98 35

HSL 49.09, 0.52%, 0.29%

LAB 41.69, -2.43, 36.7

 

CMYK 69 / 0 / 67 / 56

HEX #237025

RGB 35 112 37

HSL 121.56, 0.52%, 0.29%

LAB 41.34, -39.38, 33.95

 

CMYK 68 / 56 / 0 / 56

HEX #243271

RGB 36 50 113

HSL 229.09, 0.52%, 0.29%

LAB 23.16, 16.63, -38.26

 

CMYK 0 / 69 / 21 / 56

HEX #702358

RGB 112 35 88

HSL 318.7, 0.52%, 0.29%

LAB 27.71, 39.85, -14.23

 

CMYK 0 / 13 / 69 / 56

HEX #706223

RGB 112 98 35

HSL 49.09, 0.52%, 0.29%

LAB 41.69, -2.43, 36.7

 

CMYK 69 / 0 / 46 / 56

HEX #23703C

RGB 35 112 60

HSL 139.48, 0.52%, 0.29%

LAB 41.65, -35.91, 22.2

 

Description

Color code: HEX #243271 | qconv.com Color code: HEX #243271 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 50 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 50 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 56 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 56% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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