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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2429554C it is the complementary color #DBD6AA4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2429554C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2429554C shade: #2929504C, #3A3B634C, #4B4D764C, #5C5F894C and #6D719C4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2429554C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2429554C shade: #2429554C, #1317424C, #02052F4C, #00001C4C and #0000094C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2429554C shade: #252A56, #2D2556, #3A2556, #472556 and #552556

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2429554C shade: #252A56 and #252556

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2429554C shade matches the following richer shades: #252A56, #1B2260, #111A69 and #071273

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2429554C shade: #252A56, #2F324C, #393942, #424138 and #4C492E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2429554C shade: #254556, #253756, #252A56, #2C2556 and #392556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2429554C shade: #0C0E1C, #181C39, #252A56, #313873 and #3D468F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2429554C shade: #242955, #562552 and #3E5625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2429554C shade: #242955, #56252A and #2A5625

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2429554C shade: #242955, #562552, #565025 and #255629

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2429554C shade: #242955, #562543, #565025 and #255637

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 16 / 0 / 20

HEX #2429554C

RGBA 36 41 85 0.3

HSLA 233.88, 0.4%, 0.24%, 0.3

LABA 18.44, 12.33, -27.53, 0.3

 

Complementary color

CMYK 0 / 1 / 7 / 4

HEX #DBD6AA4C

RGBA 219 214 170 0.3

HSLA 53.88, 0.4%, 0.76%, 0.3

LABA 85.02, -5.31, 22.4, 0.3

 

CMYK 15 / 15 / 0 / 21

HEX #2929504C

RGBA 41 41 80 0.3

HSLA 240, 0.32%, 0.24%, 0.3

LABA 18.52, 11.88, -24, 0.3

 

CMYK 12 / 12 / 0 / 18

HEX #3A3B634C

RGBA 58 59 99 0.3

HSLA 238.54, 0.26%, 0.31%, 0.3

LABA 26.53, 10.79, -23.78, 0.3

 

CMYK 11 / 10 / 0 / 16

HEX #4B4D764C

RGBA 75 77 118 0.3

HSLA 237.21, 0.22%, 0.38%, 0.3

LABA 34.21, 9.97, -23.68, 0.3

 

CMYK 10 / 9 / 0 / 14

HEX #5C5F894C

RGBA 92 95 137 0.3

HSLA 236, 0.2%, 0.45%, 0.3

LABA 41.64, 9.33, -23.66, 0.3

 

CMYK 9 / 8 / 0 / 12

HEX #6D719C4C

RGBA 109 113 156 0.3

HSLA 234.89, 0.19%, 0.52%, 0.3

LABA 48.84, 8.79, -23.72, 0.3

 

CMYK 17 / 16 / 0 / 20

HEX #2429554C

RGBA 36 41 85 0.3

HSLA 233.88, 0.4%, 0.24%, 0.3

LABA 18.44, 12.33, -27.53, 0.3

 

CMYK 21 / 20 / 0 / 22

HEX #1317424C

RGBA 19 23 66 0.3

HSLA 234.89, 0.55%, 0.17%, 0.3

LABA 10.14, 14.34, -27.92, 0.3

 

CMYK 29 / 27 / 0 / 24

HEX #02052F4C

RGBA 2 5 47 0.3

HSLA 236, 0.92%, 0.1%, 0.3

LABA 2.95, 11.55, -25.8, 0.3

 

CMYK 30 / 30 / 0 / 27

HEX #00001C4C

RGBA 0 0 28 0.3

HSLA 240, 1%, 0.05%, 0.3

LABA 0.76, 5.32, -14.39, 0.3

 

CMYK 30 / 30 / 0 / 29

HEX #0000094C

RGBA 0 0 9 0.3

HSLA 240, 1%, 0.02%, 0.3

LABA 0.18, 1.25, -3.41, 0.3

 

CMYK 57 / 51 / 0 / 66

HEX #252A56

RGB 37 42 86

HSL 233.88, 0.4%, 0.24%

LAB 18.89, 12.24, -27.47

 

CMYK 48 / 57 / 0 / 66

HEX #2D2556

RGB 45 37 86

HSL 249.8, 0.4%, 0.24%

LAB 18.16, 17.9, -28.61

 

CMYK 33 / 57 / 0 / 66

HEX #3A2556

RGB 58 37 86

HSL 265.71, 0.4%, 0.24%

LAB 19.62, 21.64, -26.19

 

CMYK 17 / 57 / 0 / 66

HEX #472556

RGB 71 37 86

HSL 281.63, 0.4%, 0.24%

LAB 21.34, 25.66, -23.35

 

CMYK 1 / 57 / 0 / 66

HEX #552556

RGB 85 37 86

HSL 298.78, 0.4%, 0.24%

LAB 23.43, 30.11, -19.92

 

CMYK 57 / 51 / 0 / 66

HEX #252A56

RGB 37 42 86

HSL 233.88, 0.4%, 0.24%

LAB 18.89, 12.24, -27.47

 

CMYK 57 / 57 / 0 / 66

HEX #252556

RGB 37 37 86

HSL 240, 0.4%, 0.24%

LAB 17.41, 15.83, -29.85

 

CMYK 57 / 51 / 0 / 66

HEX #252A56

RGB 37 42 86

HSL 233.88, 0.4%, 0.24%

LAB 18.89, 12.24, -27.47

 

CMYK 72 / 65 / 0 / 62

HEX #1B2260

RGB 27 34 96

HSL 233.91, 0.56%, 0.24%

LAB 16.61, 19.8, -37.85

 

CMYK 84 / 75 / 0 / 59

HEX #111A69

RGB 17 26 105

HSL 233.86, 0.72%, 0.24%

LAB 14.83, 27.71, -46.72

 

CMYK 94 / 84 / 0 / 55

HEX #071273

RGB 7 18 115

HSL 233.89, 0.89%, 0.24%

LAB 13.92, 35.77, -54.77

 

CMYK 57 / 51 / 0 / 66

HEX #252A56

RGB 37 42 86

HSL 233.88, 0.4%, 0.24%

LAB 18.89, 12.24, -27.47

 

CMYK 38 / 34 / 0 / 70

HEX #2F324C

RGB 47 50 76

HSL 233.79, 0.24%, 0.24%

LAB 21.61, 6.09, -16.43

 

CMYK 14 / 14 / 0 / 74

HEX #393942

RGB 57 57 66

HSL 240, 0.07%, 0.24%

LAB 24.29, 2.18, -5.55

 

CMYK 0 / 2 / 15 / 74

HEX #424138

RGB 66 65 56

HSL 54, 0.08%, 0.24%

LAB 27.36, -1.45, 5.65

 

CMYK 0 / 4 / 39 / 70

HEX #4C492E

RGB 76 73 46

HSL 54, 0.25%, 0.24%

LAB 30.64, -3.54, 16.63

 

CMYK 57 / 20 / 0 / 66

HEX #254556

RGB 37 69 86

HSL 200.82, 0.4%, 0.24%

LAB 27.63, -6.24, -13.76

 

CMYK 57 / 36 / 0 / 66

HEX #253756

RGB 37 55 86

HSL 217.96, 0.4%, 0.24%

LAB 22.99, 3.04, -20.97

 

CMYK 57 / 51 / 0 / 66

HEX #252A56

RGB 37 42 86

HSL 233.88, 0.4%, 0.24%

LAB 18.89, 12.24, -27.47

 

CMYK 49 / 57 / 0 / 66

HEX #2C2556

RGB 44 37 86

HSL 248.57, 0.4%, 0.24%

LAB 18.06, 17.63, -28.77

 

CMYK 34 / 57 / 0 / 66

HEX #392556

RGB 57 37 86

HSL 264.49, 0.4%, 0.24%

LAB 19.49, 21.34, -26.39

 

CMYK 57 / 50 / 0 / 89

HEX #0C0E1C

RGB 12 14 28

HSL 232.5, 0.4%, 0.08%

LAB 4.3, 2.69, -9.05

 

CMYK 58 / 51 / 0 / 78

HEX #181C39

RGB 24 28 57

HSL 232.73, 0.41%, 0.16%

LAB 11.42, 8.09, -19.47

 

CMYK 57 / 51 / 0 / 66

HEX #252A56

RGB 37 42 86

HSL 233.88, 0.4%, 0.24%

LAB 18.89, 12.24, -27.47

 

CMYK 57 / 51 / 0 / 55

HEX #313873

RGB 49 56 115

HSL 233.64, 0.4%, 0.32%

LAB 25.92, 15.88, -35.05

 

CMYK 57 / 51 / 0 / 44

HEX #3D468F

RGB 61 70 143

HSL 233.41, 0.4%, 0.4%

LAB 32.6, 19.01, -41.74

 

CMYK 58 / 52 / 0 / 67

HEX #242955

RGB 36 41 85

HSL 233.88, 0.4%, 0.24%

LAB 18.44, 12.33, -27.53

 

CMYK 0 / 57 / 5 / 66

HEX #562552

RGB 86 37 82

HSL 304.9, 0.4%, 0.24%

LAB 23.37, 29.62, -17.32

 

CMYK 28 / 0 / 57 / 66

HEX #3E5625

RGB 62 86 37

HSL 89.39, 0.4%, 0.24%

LAB 33.59, -18.64, 25.36

 

CMYK 58 / 52 / 0 / 67

HEX #242955

RGB 36 41 85

HSL 233.88, 0.4%, 0.24%

LAB 18.44, 12.33, -27.53

 

CMYK 0 / 57 / 51 / 66

HEX #56252A

RGB 86 37 42

HSL 353.88, 0.4%, 0.24%

LAB 21.83, 23.24, 7.63

 

CMYK 51 / 0 / 57 / 66

HEX #2A5625

RGB 42 86 37

HSL 113.88, 0.4%, 0.24%

LAB 32.44, -26.36, 23.7

 

CMYK 58 / 52 / 0 / 67

HEX #242955

RGB 36 41 85

HSL 233.88, 0.4%, 0.24%

LAB 18.44, 12.33, -27.53

 

CMYK 0 / 57 / 5 / 66

HEX #562552

RGB 86 37 82

HSL 304.9, 0.4%, 0.24%

LAB 23.37, 29.62, -17.32

 

CMYK 0 / 7 / 57 / 66

HEX #565025

RGB 86 80 37

HSL 52.65, 0.4%, 0.24%

LAB 33.67, -4.1, 25.94

 

CMYK 57 / 0 / 52 / 66

HEX #255629

RGB 37 86 41

HSL 124.9, 0.4%, 0.24%

LAB 32.28, -27.33, 21.18

 

CMYK 58 / 52 / 0 / 67

HEX #242955

RGB 36 41 85

HSL 233.88, 0.4%, 0.24%

LAB 18.44, 12.33, -27.53

 

CMYK 0 / 57 / 22 / 66

HEX #562543

RGB 86 37 67

HSL 323.27, 0.4%, 0.24%

LAB 22.68, 26.83, -8.29

 

CMYK 0 / 7 / 57 / 66

HEX #565025

RGB 86 80 37

HSL 52.65, 0.4%, 0.24%

LAB 33.67, -4.1, 25.94

 

CMYK 57 / 0 / 36 / 66

HEX #255637

RGB 37 86 55

HSL 142.04, 0.4%, 0.24%

LAB 32.54, -24.64, 13.15

 

Description

Color code: HEX #2429554C | qconv.com Color code: HEX #2429554C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 41 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 41 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 16 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 16% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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