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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #242343 it is the complementary color #DBDCBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #242343. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #242343 shade: #29233E, #3A3551, #4B4764, #5C5977 and #6D6B8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #242343. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #242343 shade: #242343, #131130, #02001D, #00000A and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #242343 shade: #242343, #2D2343, #352343, #3E2343 and #43233F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #242343 shade: #242343 and #232343

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #242343 shade matches the following richer shades: #242343, #1C1B4B, #151353, #0D0A5C and #050264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #242343 shade: #242343, #2C2B3B, #343432, #3B3C2A and #434422

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #242343 shade: #233443, #232B43, #242343, #2C2343 and #352343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #242343 shade: #07070D, #161528, #242343, #33315E and #414079

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #242343 shade: #242343, #43233C and #2F4323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #242343 shade: #242343, #432423 and #234324

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #242343 shade: #242343, #43233C, #424323 and #23432A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #242343 shade: #242343, #432332, #424323 and #234334

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

Complementary color

CMYK 0 / 0 / 15 / 14

HEX #DBDCBC

RGB 219 220 188

HSL 61.88, 0.31%, 0.8%

LAB 86.94, -5.71, 15.63

 

CMYK 34 / 44 / 0 / 76

HEX #29233E

RGB 41 35 62

HSL 253.33, 0.28%, 0.19%

LAB 15.6, 10.18, -16.28

 

CMYK 28 / 35 / 0 / 68

HEX #3A3551

RGB 58 53 81

HSL 250.71, 0.21%, 0.26%

LAB 23.8, 9.36, -16.27

 

CMYK 25 / 29 / 0 / 61

HEX #4B4764

RGB 75 71 100

HSL 248.28, 0.17%, 0.34%

LAB 31.63, 8.73, -16.36

 

CMYK 23 / 25 / 0 / 53

HEX #5C5977

RGB 92 89 119

HSL 246, 0.14%, 0.41%

LAB 39.16, 8.22, -16.53

 

CMYK 21 / 22 / 0 / 46

HEX #6D6B8A

RGB 109 107 138

HSL 243.87, 0.13%, 0.48%

LAB 46.45, 7.78, -16.74

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 60 / 65 / 0 / 81

HEX #131130

RGB 19 17 48

HSL 243.87, 0.48%, 0.13%

LAB 6.8, 11.38, -20.34

 

CMYK 93 / 100 / 0 / 89

HEX #02001D

RGB 2 0 29

HSL 244.14, 1%, 0.06%

LAB 0.92, 6.15, -14.95

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 33 / 48 / 0 / 74

HEX #2D2343

RGB 45 35 67

HSL 258.75, 0.31%, 0.2%

LAB 16.33, 13.13, -18.57

 

CMYK 21 / 48 / 0 / 74

HEX #352343

RGB 53 35 67

HSL 273.75, 0.31%, 0.2%

LAB 17.29, 15.94, -16.99

 

CMYK 7 / 48 / 0 / 74

HEX #3E2343

RGB 62 35 67

HSL 290.63, 0.31%, 0.2%

LAB 18.5, 19.21, -15.01

 

CMYK 0 / 48 / 6 / 74

HEX #43233F

RGB 67 35 63

HSL 307.5, 0.31%, 0.2%

LAB 19.03, 20.17, -11.38

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 48 / 48 / 0 / 74

HEX #232343

RGB 35 35 67

HSL 240, 0.31%, 0.2%

LAB 15.3, 9.86, -20.27

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 63 / 64 / 0 / 71

HEX #1C1B4B

RGB 28 27 75

HSL 241.25, 0.47%, 0.2%

LAB 12.85, 16.84, -29.76

 

CMYK 75 / 77 / 0 / 67

HEX #151353

RGB 21 19 83

HSL 241.88, 0.63%, 0.2%

LAB 10.92, 24.35, -38.44

 

CMYK 86 / 89 / 0 / 64

HEX #0D0A5C

RGB 13 10 92

HSL 242.2, 0.8%, 0.2%

LAB 9.6, 32.27, -46.74

 

CMYK 95 / 98 / 0 / 61

HEX #050264

RGB 5 2 100

HSL 241.84, 0.96%, 0.2%

LAB 8.96, 38.8, -53.19

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 25 / 27 / 0 / 77

HEX #2C2B3B

RGB 44 43 59

HSL 243.75, 0.16%, 0.2%

LAB 18.27, 4.69, -10.03

 

CMYK 0 / 0 / 4 / 80

HEX #343432

RGB 52 52 50

HSL 60, 0.02%, 0.2%

LAB 21.64, -0.45, 1.26

 

CMYK 2 / 0 / 30 / 76

HEX #3B3C2A

RGB 59 60 42

HSL 63.33, 0.18%, 0.2%

LAB 24.73, -4.03, 11.02

 

CMYK 1 / 0 / 50 / 73

HEX #434422

RGB 67 68 34

HSL 61.76, 0.33%, 0.2%

LAB 27.96, -6.35, 20.37

 

CMYK 48 / 22 / 0 / 74

HEX #233443

RGB 35 52 67

HSL 208.13, 0.31%, 0.2%

LAB 20.9, -2.19, -11.53

 

CMYK 48 / 36 / 0 / 74

HEX #232B43

RGB 35 43 67

HSL 225, 0.31%, 0.2%

LAB 17.87, 4.06, -16.22

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 34 / 48 / 0 / 74

HEX #2C2343

RGB 44 35 67

HSL 256.88, 0.31%, 0.2%

LAB 16.22, 12.79, -18.76

 

CMYK 21 / 48 / 0 / 74

HEX #352343

RGB 53 35 67

HSL 273.75, 0.31%, 0.2%

LAB 17.29, 15.94, -16.99

 

CMYK 46 / 46 / 0 / 95

HEX #07070D

RGB 7 7 13

HSL 240, 0.3%, 0.04%

LAB 2.04, 0.87, -2.37

 

CMYK 45 / 48 / 0 / 84

HEX #161528

RGB 22 21 40

HSL 243.16, 0.31%, 0.12%

LAB 7.77, 6.45, -12.84

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 46 / 48 / 0 / 63

HEX #33315E

RGB 51 49 94

HSL 242.67, 0.31%, 0.28%

LAB 22.68, 13.93, -26.65

 

CMYK 46 / 47 / 0 / 53

HEX #414079

RGB 65 64 121

HSL 241.05, 0.31%, 0.36%

LAB 29.84, 16.53, -32.51

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 0 / 48 / 10 / 74

HEX #43233C

RGB 67 35 60

HSL 313.13, 0.31%, 0.2%

LAB 18.89, 19.54, -9.52

 

CMYK 30 / 0 / 48 / 74

HEX #2F4323

RGB 47 67 35

HSL 97.5, 0.31%, 0.2%

LAB 25.98, -14.88, 16.92

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 0 / 46 / 48 / 74

HEX #432423

RGB 67 36 35

HSL 1.87, 0.31%, 0.2%

LAB 18.26, 14.6, 7.05

 

CMYK 48 / 0 / 46 / 74

HEX #234324

RGB 35 67 36

HSL 121.88, 0.31%, 0.2%

LAB 25.26, -19.49, 15.23

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 0 / 48 / 10 / 74

HEX #43233C

RGB 67 35 60

HSL 313.13, 0.31%, 0.2%

LAB 18.89, 19.54, -9.52

 

CMYK 1 / 0 / 48 / 74

HEX #424323

RGB 66 67 35

HSL 61.88, 0.31%, 0.2%

LAB 27.56, -6.1, 19.24

 

CMYK 48 / 0 / 37 / 74

HEX #23432A

RGB 35 67 42

HSL 133.13, 0.31%, 0.2%

LAB 25.38, -18.29, 11.6

 

CMYK 46 / 48 / 0 / 74

HEX #242343

RGB 36 35 67

HSL 241.88, 0.31%, 0.2%

LAB 15.39, 10.17, -20.11

 

CMYK 0 / 48 / 25 / 74

HEX #432332

RGB 67 35 50

HSL 331.88, 0.31%, 0.2%

LAB 18.48, 17.6, -3.17

 

CMYK 1 / 0 / 48 / 74

HEX #424323

RGB 66 67 35

HSL 61.88, 0.31%, 0.2%

LAB 27.56, -6.1, 19.24

 

CMYK 48 / 0 / 22 / 74

HEX #234334

RGB 35 67 52

HSL 151.88, 0.31%, 0.2%

LAB 25.62, -15.96, 5.47

 

Description

Color code: HEX #242343 | qconv.com Color code: HEX #242343 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 35 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 35 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 48 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 48% 0% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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