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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #240BED it is the complementary color #DBF412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #240BED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #240BED shade: #290BE8, #3A1DFB, #4B2FFF, #5C41FF and #6D53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #240BED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #240BED shade: #240BED, #1300DA, #0200C7, #0000B4 and #0000A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #240BED shade: #240BEF, #620BEF, #9F0BEF, #DC0BEF and #EF0BC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #240BED shade: #240BEF and #0B0BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #240BED shade matches the following richer shades: #240BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #240BED shade: #240BEF, #341FDA, #4434C6, #5448B2 and #635C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #240BED shade: #0B6EEF, #0B31EF, #220BEF, #5F0BEF and #9B0BEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #240BED shade: #1808A0, #1E09C7, #240BEF, #442EF5 and #6755F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #240BED shade: #240BED, #EF0BAA and #4FEF0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #240BED shade: #240BED, #EF220B and #0BEF22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #240BED shade: #240BED, #EF0BAA, #D8EF0B and #0BEF4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #240BED shade: #240BED, #EF0B66, #D8EF0B and #0BEF94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 95 / 0 / 7

HEX #240BED

RGB 36 11 237

HSL 246.64, 0.91%, 0.49%

LAB 31.18, 73.47, -99.55

 

Complementary color

CMYK 10 / 0 / 93 / 4

HEX #DBF412

RGB 219 244 18

HSL 66.64, 0.91%, 0.51%

LAB 91.6, -30.91, 87.73

 

CMYK 82 / 95 / 0 / 9

HEX #290BE8

RGB 41 11 232

HSL 248.14, 0.91%, 0.48%

LAB 30.73, 72.34, -97.45

 

CMYK 77 / 88 / 0 / 2

HEX #3A1DFB

RGB 58 29 251

HSL 247.84, 0.97%, 0.55%

LAB 35.49, 73.46, -100.26

 

CMYK 71 / 82 / 0 / 0

HEX #4B2FFF

RGB 75 47 255

HSL 248.08, 1%, 0.59%

LAB 39.15, 69.11, -96.37

 

CMYK 64 / 75 / 0 / 0

HEX #5C41FF

RGB 92 65 255

HSL 248.53, 1%, 0.63%

LAB 43.18, 62.51, -89.68

 

CMYK 57 / 67 / 0 / 0

HEX #6D53FF

RGB 109 83 255

HSL 249.07, 1%, 0.66%

LAB 47.83, 55.39, -81.98

 

CMYK 85 / 95 / 0 / 7

HEX #240BED

RGB 36 11 237

HSL 246.64, 0.91%, 0.49%

LAB 31.18, 73.47, -99.55

 

CMYK 91 / 100 / 0 / 15

HEX #1300DA

RGB 19 0 218

HSL 245.23, 1%, 0.43%

LAB 27.3, 70.48, -95.17

 

CMYK 99 / 100 / 0 / 22

HEX #0200C7

RGB 2 0 199

HSL 240.6, 1%, 0.39%

LAB 24.12, 65.72, -89.42

 

CMYK 100 / 100 / 0 / 29

HEX #0000B4

RGB 0 0 180

HSL 240, 1%, 0.35%

LAB 21.19, 60.98, -83.05

 

CMYK 100 / 100 / 0 / 37

HEX #0000A1

RGB 0 0 161

HSL 240, 1%, 0.32%

LAB 18.25, 56.15, -76.48

 

CMYK 85 / 95 / 0 / 6

HEX #240BEF

RGB 36 11 239

HSL 246.58, 0.91%, 0.49%

LAB 31.45, 73.97, -100.23

 

CMYK 59 / 95 / 0 / 6

HEX #620BEF

RGB 98 11 239

HSL 262.89, 0.91%, 0.49%

LAB 36.11, 76.37, -92.34

 

CMYK 33 / 95 / 0 / 6

HEX #9F0BEF

RGB 159 11 239

HSL 278.95, 0.91%, 0.49%

LAB 44.01, 81.78, -79.06

 

CMYK 8 / 95 / 0 / 6

HEX #DC0BEF

RGB 220 11 239

HSL 295, 0.91%, 0.49%

LAB 53.69, 89.91, -62.88

 

CMYK 0 / 95 / 18 / 6

HEX #EF0BC4

RGB 239 11 196

HSL 311.32, 0.91%, 0.49%

LAB 54.63, 87.2, -36.7

 

CMYK 85 / 95 / 0 / 6

HEX #240BEF

RGB 36 11 239

HSL 246.58, 0.91%, 0.49%

LAB 31.45, 73.97, -100.23

 

CMYK 95 / 95 / 0 / 6

HEX #0B0BEF

RGB 11 11 239

HSL 240, 0.91%, 0.49%

LAB 30.74, 73.67, -101.44

 

CMYK 85 / 95 / 0 / 6

HEX #240BEF

RGB 36 11 239

HSL 246.58, 0.91%, 0.49%

LAB 31.45, 73.97, -100.23

 

CMYK 85 / 95 / 0 / 6

HEX #240BEF

RGB 36 11 239

HSL 246.58, 0.91%, 0.49%

LAB 31.45, 73.97, -100.23

 

CMYK 76 / 86 / 0 / 15

HEX #341FDA

RGB 52 31 218

HSL 246.74, 0.75%, 0.49%

LAB 31.28, 63.74, -88.48

 

CMYK 66 / 74 / 0 / 22

HEX #4434C6

RGB 68 52 198

HSL 246.58, 0.58%, 0.49%

LAB 33.48, 49.54, -73.19

 

CMYK 53 / 60 / 0 / 30

HEX #5448B2

RGB 84 72 178

HSL 246.79, 0.42%, 0.49%

LAB 37.36, 34.12, -55.03

 

CMYK 37 / 42 / 0 / 38

HEX #635C9E

RGB 99 92 158

HSL 246.36, 0.26%, 0.49%

LAB 42.42, 19.24, -34.98

 

CMYK 95 / 54 / 0 / 6

HEX #0B6EEF

RGB 11 110 239

HSL 213.95, 0.91%, 0.49%

LAB 48.83, 24.24, -71.59

 

CMYK 95 / 79 / 0 / 6

HEX #0B31EF

RGB 11 49 239

HSL 230, 0.91%, 0.49%

LAB 35, 60.86, -94.33

 

CMYK 86 / 95 / 0 / 6

HEX #220BEF

RGB 34 11 239

HSL 246.05, 0.91%, 0.49%

LAB 31.37, 73.93, -100.37

 

CMYK 60 / 95 / 0 / 6

HEX #5F0BEF

RGB 95 11 239

HSL 262.11, 0.91%, 0.49%

LAB 35.8, 76.18, -92.88

 

CMYK 35 / 95 / 0 / 6

HEX #9B0BEF

RGB 155 11 239

HSL 277.89, 0.91%, 0.49%

LAB 43.42, 81.33, -80.04

 

CMYK 85 / 95 / 0 / 37

HEX #1808A0

RGB 24 8 160

HSL 246.32, 0.9%, 0.33%

LAB 19.66, 53.94, -73.48

 

CMYK 85 / 95 / 0 / 22

HEX #1E09C7

RGB 30 9 199

HSL 246.63, 0.91%, 0.41%

LAB 25.55, 64.15, -87.01

 

CMYK 85 / 95 / 0 / 6

HEX #240BEF

RGB 36 11 239

HSL 246.58, 0.91%, 0.49%

LAB 31.45, 73.97, -100.23

 

CMYK 72 / 81 / 0 / 4

HEX #442EF5

RGB 68 46 245

HSL 246.63, 0.91%, 0.57%

LAB 37.44, 66.28, -93.62

 

CMYK 58 / 66 / 0 / 3

HEX #6755F7

RGB 103 85 247

HSL 246.67, 0.91%, 0.65%

LAB 47.1, 51.05, -78.73

 

CMYK 85 / 95 / 0 / 7

HEX #240BED

RGB 36 11 237

HSL 246.64, 0.91%, 0.49%

LAB 31.18, 73.47, -99.55

 

CMYK 0 / 95 / 29 / 6

HEX #EF0BAA

RGB 239 11 170

HSL 318.16, 0.91%, 0.49%

LAB 53.48, 84.25, -23.34

 

CMYK 67 / 0 / 95 / 6

HEX #4FEF0B

RGB 79 239 11

HSL 102.11, 0.91%, 0.49%

LAB 83.66, -74.12, 79.37

 

CMYK 85 / 95 / 0 / 7

HEX #240BED

RGB 36 11 237

HSL 246.64, 0.91%, 0.49%

LAB 31.18, 73.47, -99.55

 

CMYK 0 / 86 / 95 / 6

HEX #EF220B

RGB 239 34 11

HSL 6.05, 0.91%, 0.49%

LAB 51.29, 72.49, 61.75

 

CMYK 95 / 0 / 86 / 6

HEX #0BEF22

RGB 11 239 34

HSL 126.05, 0.91%, 0.49%

LAB 82.87, -80.91, 75.07

 

CMYK 85 / 95 / 0 / 7

HEX #240BED

RGB 36 11 237

HSL 246.64, 0.91%, 0.49%

LAB 31.18, 73.47, -99.55

 

CMYK 0 / 95 / 29 / 6

HEX #EF0BAA

RGB 239 11 170

HSL 318.16, 0.91%, 0.49%

LAB 53.48, 84.25, -23.34

 

CMYK 10 / 0 / 95 / 6

HEX #D8EF0B

RGB 216 239 11

HSL 66.05, 0.91%, 0.49%

LAB 90.02, -29.89, 87.09

 

CMYK 95 / 0 / 67 / 6

HEX #0BEF4F

RGB 11 239 79

HSL 137.89, 0.91%, 0.49%

LAB 83.11, -77.86, 61.67

 

CMYK 85 / 95 / 0 / 7

HEX #240BED

RGB 36 11 237

HSL 246.64, 0.91%, 0.49%

LAB 31.18, 73.47, -99.55

 

CMYK 0 / 95 / 57 / 6

HEX #EF0B66

RGB 239 11 102

HSL 336.05, 0.91%, 0.49%

LAB 51.32, 78.52, 14.33

 

CMYK 10 / 0 / 95 / 6

HEX #D8EF0B

RGB 216 239 11

HSL 66.05, 0.91%, 0.49%

LAB 90.02, -29.89, 87.09

 

CMYK 95 / 0 / 38 / 6

HEX #0BEF94

RGB 11 239 148

HSL 156.05, 0.91%, 0.49%

LAB 83.94, -67.83, 30.95

 

Description

Color code: HEX #240BED | qconv.com Color code: HEX #240BED | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 11 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 11 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 95 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 95% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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