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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23FB70 it is the complementary color #DC048F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23FB70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23FB70 shade: #28FB6B, #39FF7E, #4AFF91, #5BFFA4 and #6CFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23FB70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23FB70 shade: #23FB70, #12E95D, #01D74A, #00C537 and #00B324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23FB70 shade: #23FB70, #23FB36, #4AFB23, #85FB23 and #BFFB23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23FB70 shade: #23FB70, #23FBAA, #23FBE4, #23D7FB and #239DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23FB70 shade matches the following richer shades: #23FB70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23FB70 shade: #23FB70, #35E875, #47D67A, #5AC480 and #6CB285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23FB70 shade: #4BFB23, #23FB35, #23FB6E, #23FBA8 and #23FBE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23FB70 shade: #04C74A, #05EF59, #23FB70, #4CFB8A and #74FCA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23FB70 shade: #23FB70, #2384FB and #FB232E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23FB70 shade: #23FB70, #6E23FB and #FB6E23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23FB70 shade: #23FB70, #2384FB, #FB23AF and #FB9A23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23FB70 shade: #23FB70, #2343FB, #FB23AF and #FBDA23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

Complementary color

CMYK 0 / 98 / 35 / 14

HEX #DC048F

RGB 220 4 143

HSL 321.39, 0.96%, 0.44%

LAB 48.62, 78.2, -15.02

 

CMYK 84 / 0 / 57 / 2

HEX #28FB6B

RGB 40 251 107

HSL 139.05, 0.96%, 0.57%

LAB 87.24, -76.59, 54.71

 

CMYK 78 / 0 / 51 / 0

HEX #39FF7E

RGB 57 255 126

HSL 140.91, 1%, 0.61%

LAB 88.87, -73.6, 48.08

 

CMYK 71 / 0 / 43 / 0

HEX #4AFF91

RGB 74 255 145

HSL 143.54, 1%, 0.65%

LAB 89.4, -68.43, 39.73

 

CMYK 64 / 0 / 36 / 0

HEX #5BFFA4

RGB 91 255 164

HSL 146.71, 1%, 0.68%

LAB 90.06, -62.38, 31.27

 

CMYK 58 / 0 / 28 / 0

HEX #6CFFB7

RGB 108 255 183

HSL 150.61, 1%, 0.71%

LAB 90.84, -55.56, 22.81

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 92 / 0 / 60 / 9

HEX #12E95D

RGB 18 233 93

HSL 140.93, 0.86%, 0.49%

LAB 81.4, -74.31, 54

 

CMYK 100 / 0 / 66 / 16

HEX #01D74A

RGB 1 215 74

HSL 140.47, 0.99%, 0.42%

LAB 75.51, -71.77, 55.39

 

CMYK 100 / 0 / 72 / 23

HEX #00C537

RGB 0 197 55

HSL 136.75, 1%, 0.39%

LAB 69.62, -68.43, 56.53

 

CMYK 100 / 0 / 80 / 30

HEX #00B324

RGB 0 179 36

HSL 132.07, 1%, 0.35%

LAB 63.65, -64.72, 57.01

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 86 / 0 / 78 / 2

HEX #23FB36

RGB 35 251 54

HSL 125.28, 0.96%, 0.56%

LAB 86.81, -81.86, 73.88

 

CMYK 71 / 0 / 86 / 2

HEX #4AFB23

RGB 74 251 35

HSL 109.17, 0.96%, 0.56%

LAB 87.28, -78.03, 79.01

 

CMYK 47 / 0 / 86 / 2

HEX #85FB23

RGB 133 251 35

HSL 92.78, 0.96%, 0.56%

LAB 88.97, -64.29, 81.13

 

CMYK 24 / 0 / 86 / 2

HEX #BFFB23

RGB 191 251 35

HSL 76.67, 0.96%, 0.56%

LAB 91.77, -44.65, 84.62

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 86 / 0 / 32 / 2

HEX #23FBAA

RGB 35 251 170

HSL 157.5, 0.96%, 0.56%

LAB 88.09, -66.49, 25.43

 

CMYK 86 / 0 / 9 / 2

HEX #23FBE4

RGB 35 251 228

HSL 173.61, 0.96%, 0.56%

LAB 89.37, -52.74, -2.68

 

CMYK 86 / 14 / 0 / 2

HEX #23D7FB

RGB 35 215 251

HSL 190, 0.96%, 0.56%

LAB 79.57, -29.88, -29.52

 

CMYK 86 / 37 / 0 / 2

HEX #239DFB

RGB 35 157 251

HSL 206.11, 0.96%, 0.56%

LAB 62.87, 1.07, -55.62

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 77 / 0 / 50 / 9

HEX #35E875

RGB 53 232 117

HSL 141.45, 0.8%, 0.56%

LAB 81.7, -67.83, 43.44

 

CMYK 67 / 0 / 43 / 16

HEX #47D67A

RGB 71 214 122

HSL 141.4, 0.64%, 0.56%

LAB 76.58, -58.03, 34.54

 

CMYK 54 / 0 / 35 / 23

HEX #5AC480

RGB 90 196 128

HSL 141.51, 0.47%, 0.56%

LAB 71.7, -45.9, 25.1

 

CMYK 39 / 0 / 25 / 30

HEX #6CB285

RGB 108 178 133

HSL 141.43, 0.31%, 0.56%

LAB 67.07, -32.08, 16.2

 

CMYK 70 / 0 / 86 / 2

HEX #4BFB23

RGB 75 251 35

HSL 108.89, 0.96%, 0.56%

LAB 87.3, -77.86, 79.03

 

CMYK 86 / 0 / 79 / 2

HEX #23FB35

RGB 35 251 53

HSL 125, 0.96%, 0.56%

LAB 86.8, -81.92, 74.15

 

CMYK 86 / 0 / 56 / 2

HEX #23FB6E

RGB 35 251 110

HSL 140.83, 0.96%, 0.56%

LAB 87.23, -76.6, 53.35

 

CMYK 86 / 0 / 33 / 2

HEX #23FBA8

RGB 35 251 168

HSL 156.94, 0.96%, 0.56%

LAB 88.05, -66.89, 26.4

 

CMYK 86 / 0 / 10 / 2

HEX #23FBE1

RGB 35 251 225

HSL 172.78, 0.96%, 0.56%

LAB 89.29, -53.53, -1.23

 

CMYK 98 / 0 / 63 / 22

HEX #04C74A

RGB 4 199 74

HSL 141.54, 0.96%, 0.4%

LAB 70.43, -66.92, 49.74

 

CMYK 98 / 0 / 63 / 6

HEX #05EF59

RGB 5 239 89

HSL 141.54, 0.96%, 0.48%

LAB 83.17, -76.99, 57.7

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 70 / 0 / 45 / 2

HEX #4CFB8A

RGB 76 251 138

HSL 141.26, 0.96%, 0.64%

LAB 88.14, -67.86, 41.53

 

CMYK 54 / 0 / 35 / 1

HEX #74FCA5

RGB 116 252 165

HSL 141.62, 0.96%, 0.72%

LAB 89.88, -56.01, 30.65

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 86 / 47 / 0 / 2

HEX #2384FB

RGB 35 132 251

HSL 213.06, 0.96%, 0.56%

LAB 55.91, 16.09, -66.77

 

CMYK 0 / 86 / 82 / 2

HEX #FB232E

RGB 251 35 46

HSL 356.94, 0.96%, 0.56%

LAB 53.93, 75.99, 50.62

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 56 / 86 / 0 / 2

HEX #6E23FB

RGB 110 35 251

HSL 260.83, 0.96%, 0.56%

LAB 40.38, 74.95, -92

 

CMYK 0 / 56 / 86 / 2

HEX #FB6E23

RGB 251 110 35

HSL 20.83, 0.96%, 0.56%

LAB 63.16, 50.38, 63.38

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 86 / 47 / 0 / 2

HEX #2384FB

RGB 35 132 251

HSL 213.06, 0.96%, 0.56%

LAB 55.91, 16.09, -66.77

 

CMYK 0 / 86 / 30 / 2

HEX #FB23AF

RGB 251 35 175

HSL 321.11, 0.96%, 0.56%

LAB 56.89, 84.35, -20.85

 

CMYK 0 / 39 / 86 / 2

HEX #FB9A23

RGB 251 154 35

HSL 33.06, 0.96%, 0.56%

LAB 72.06, 28.45, 70.53

 

CMYK 86 / 0 / 55 / 2

HEX #23FB70

RGB 35 251 112

HSL 141.39, 0.96%, 0.56%

LAB 87.25, -76.34, 52.48

 

CMYK 86 / 73 / 0 / 2

HEX #2343FB

RGB 35 67 251

HSL 231.11, 0.96%, 0.56%

LAB 40.14, 55.96, -92.55

 

CMYK 0 / 86 / 30 / 2

HEX #FB23AF

RGB 251 35 175

HSL 321.11, 0.96%, 0.56%

LAB 56.89, 84.35, -20.85

 

CMYK 0 / 13 / 86 / 2

HEX #FBDA23

RGB 251 218 35

HSL 50.83, 0.96%, 0.56%

LAB 87.37, -4.71, 82.83

 

Description

Color code: HEX #23FB70 | qconv.com Color code: HEX #23FB70 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 251 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 251 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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