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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23F648 it is the complementary color #DC09B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23F648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23F648 shade: #28F643, #39FF56, #4AFF69, #5BFF7C and #6CFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23F648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23F648 shade: #23F648, #12E435, #01D222, #00C00F and #00AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23F648 shade: #23F648, #37F623, #70F623, #A8F623 and #E1F623

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23F648 shade: #23F648, #23F681, #23F6BA, #23F6F3 and #23C0F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23F648 shade matches the following richer shades: #23F648

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23F648 shade: #23F648, #35E354, #48D160, #5ABE6C and #6DAC78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23F648 shade: #70F623, #38F623, #23F646, #23F67E and #23F6B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23F648 shade: #08BE28, #0AE630, #23F648, #4AF769 and #72F98A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23F648 shade: #23F648, #23A8F6 and #F62354

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23F648 shade: #23F648, #4623F6 and #F64623

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23F648 shade: #23F648, #23A8F6, #F623D3 and #F67023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23F648 shade: #23F648, #2369F6, #F623D3 and #F6AF23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

Complementary color

CMYK 0 / 96 / 17 / 14

HEX #DC09B7

RGB 220 9 183

HSL 310.52, 0.92%, 0.45%

LAB 50.49, 82.27, -35.9

 

CMYK 84 / 0 / 73 / 4

HEX #28F643

RGB 40 246 67

HSL 127.86, 0.92%, 0.56%

LAB 85.39, -79.16, 68.48

 

CMYK 78 / 0 / 66 / 0

HEX #39FF56

RGB 57 255 86

HSL 128.79, 1%, 0.61%

LAB 88.48, -78.38, 64.87

 

CMYK 71 / 0 / 59 / 0

HEX #4AFF69

RGB 74 255 105

HSL 130.28, 1%, 0.65%

LAB 88.92, -74.04, 57.65

 

CMYK 64 / 0 / 51 / 0

HEX #5BFF7C

RGB 91 255 124

HSL 132.07, 1%, 0.68%

LAB 89.49, -68.74, 49.91

 

CMYK 58 / 0 / 44 / 0

HEX #6CFF8F

RGB 108 255 143

HSL 134.29, 1%, 0.71%

LAB 90.18, -62.56, 41.87

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 92 / 0 / 77 / 11

HEX #12E435

RGB 18 228 53

HSL 130, 0.85%, 0.48%

LAB 79.54, -76.62, 67.15

 

CMYK 100 / 0 / 84 / 18

HEX #01D222

RGB 1 210 34

HSL 129.47, 0.99%, 0.41%

LAB 73.68, -73.43, 66.86

 

CMYK 100 / 0 / 92 / 25

HEX #00C00F

RGB 0 192 15

HSL 124.69, 1%, 0.38%

LAB 67.82, -69.29, 65.42

 

CMYK 100 / 0 / 100 / 32

HEX #00AE00

RGB 0 174 0

HSL 120, 1%, 0.34%

LAB 61.89, -64.71, 62.45

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 78 / 0 / 86 / 4

HEX #37F623

RGB 55 246 35

HSL 114.31, 0.92%, 0.55%

LAB 85.43, -79.36, 77.26

 

CMYK 54 / 0 / 86 / 4

HEX #70F623

RGB 112 246 35

HSL 98.1, 0.92%, 0.55%

LAB 86.74, -68.33, 78.92

 

CMYK 32 / 0 / 86 / 4

HEX #A8F623

RGB 168 246 35

HSL 82.18, 0.92%, 0.55%

LAB 89.09, -50.95, 81.86

 

CMYK 9 / 0 / 86 / 4

HEX #E1F623

RGB 225 246 35

HSL 65.97, 0.92%, 0.55%

LAB 92.59, -29.12, 86.2

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 86 / 0 / 48 / 4

HEX #23F681

RGB 35 246 129

HSL 146.73, 0.92%, 0.55%

LAB 85.93, -72.29, 42.94

 

CMYK 86 / 0 / 24 / 4

HEX #23F6BA

RGB 35 246 186

HSL 162.94, 0.92%, 0.55%

LAB 86.91, -61.18, 15.59

 

CMYK 86 / 0 / 1 / 4

HEX #23F6F3

RGB 35 246 243

HSL 179.15, 0.92%, 0.55%

LAB 88.32, -46.51, -12.05

 

CMYK 86 / 22 / 0 / 4

HEX #23C0F6

RGB 35 192 246

HSL 195.36, 0.92%, 0.55%

LAB 72.7, -19.97, -37.45

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 77 / 0 / 63 / 11

HEX #35E354

RGB 53 227 84

HSL 130.69, 0.76%, 0.55%

LAB 79.8, -70.5, 56.13

 

CMYK 66 / 0 / 54 / 18

HEX #48D160

RGB 72 209 96

HSL 130.51, 0.6%, 0.55%

LAB 74.71, -59.97, 44.95

 

CMYK 53 / 0 / 43 / 25

HEX #5ABE6C

RGB 90 190 108

HSL 130.8, 0.43%, 0.55%

LAB 69.53, -46.87, 32.67

 

CMYK 37 / 0 / 30 / 33

HEX #6DAC78

RGB 109 172 120

HSL 130.48, 0.28%, 0.55%

LAB 65.05, -31.37, 20.52

 

CMYK 54 / 0 / 86 / 4

HEX #70F623

RGB 112 246 35

HSL 98.1, 0.92%, 0.55%

LAB 86.74, -68.33, 78.92

 

CMYK 77 / 0 / 86 / 4

HEX #38F623

RGB 56 246 35

HSL 114.03, 0.92%, 0.55%

LAB 85.44, -79.24, 77.28

 

CMYK 86 / 0 / 72 / 4

HEX #23F646

RGB 35 246 70

HSL 129.95, 0.92%, 0.55%

LAB 85.36, -79.35, 67.4

 

CMYK 86 / 0 / 49 / 4

HEX #23F67E

RGB 35 246 126

HSL 145.88, 0.92%, 0.55%

LAB 85.89, -72.76, 44.32

 

CMYK 86 / 0 / 26 / 4

HEX #23F6B6

RGB 35 246 182

HSL 161.8, 0.92%, 0.55%

LAB 86.82, -62.09, 17.54

 

CMYK 96 / 0 / 79 / 25

HEX #08BE28

RGB 8 190 40

HSL 130.55, 0.92%, 0.39%

LAB 67.3, -67.23, 59.3

 

CMYK 96 / 0 / 79 / 10

HEX #0AE630

RGB 10 230 48

HSL 130.36, 0.92%, 0.47%

LAB 80.11, -77.82, 69.16

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 70 / 0 / 57 / 3

HEX #4AF769

RGB 74 247 105

HSL 130.75, 0.92%, 0.63%

LAB 86.5, -71.44, 54.84

 

CMYK 54 / 0 / 45 / 2

HEX #72F98A

RGB 114 249 138

HSL 130.67, 0.92%, 0.71%

LAB 88.53, -59.69, 42.21

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 86 / 32 / 0 / 4

HEX #23A8F6

RGB 35 168 246

HSL 202.18, 0.92%, 0.55%

LAB 65.76, -7.03, -48.31

 

CMYK 0 / 86 / 66 / 4

HEX #F62354

RGB 246 35 84

HSL 346.07, 0.92%, 0.55%

LAB 53.42, 76.11, 28.25

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 72 / 86 / 0 / 4

HEX #4623F6

RGB 70 35 246

HSL 249.95, 0.92%, 0.55%

LAB 36.29, 70.83, -96.09

 

CMYK 0 / 72 / 86 / 4

HEX #F64623

RGB 246 70 35

HSL 9.95, 0.92%, 0.55%

LAB 56.18, 65.12, 57.38

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 86 / 32 / 0 / 4

HEX #23A8F6

RGB 35 168 246

HSL 202.18, 0.92%, 0.55%

LAB 65.76, -7.03, -48.31

 

CMYK 0 / 86 / 14 / 4

HEX #F623D3

RGB 246 35 211

HSL 309.95, 0.92%, 0.55%

LAB 57.56, 87.55, -40.62

 

CMYK 0 / 54 / 86 / 4

HEX #F67023

RGB 246 112 35

HSL 21.9, 0.92%, 0.55%

LAB 62.76, 47.6, 62.74

 

CMYK 86 / 0 / 71 / 4

HEX #23F648

RGB 35 246 72

HSL 130.52, 0.92%, 0.55%

LAB 85.37, -79.18, 66.71

 

CMYK 86 / 57 / 0 / 4

HEX #2369F6

RGB 35 105 246

HSL 220.09, 0.92%, 0.55%

LAB 48.4, 31.15, -76.18

 

CMYK 0 / 86 / 14 / 4

HEX #F623D3

RGB 246 35 211

HSL 309.95, 0.92%, 0.55%

LAB 57.56, 87.55, -40.62

 

CMYK 0 / 29 / 86 / 4

HEX #F6AF23

RGB 246 175 35

HSL 39.81, 0.92%, 0.55%

LAB 76.3, 15.35, 73.7

 

Description

Color code: HEX #23F648 | qconv.com Color code: HEX #23F648 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 246 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 246 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 71 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 71% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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