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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23EF15 it is the complementary color #DC10EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23EF15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23EF15 shade: #28EF10, #39FF23, #4AFF36, #5BFF49 and #6CFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23EF15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23EF15 shade: #23EF15, #12DD02, #01CB00, #00B900 and #00A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23EF15 shade: #23EF15, #5EEF15, #99EF15, #D3EF15 and #EFD015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23EF15 shade: #23EF15, #15EF42, #15EF7D, #15EFB7 and #15ECEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23EF15 shade matches the following richer shades: #23EF15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23EF15 shade: #23EF15, #35DB2A, #47C63E, #58B252 and #6A9E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23EF15 shade: #98EF15, #5EEF15, #24EF15, #15EF41 and #15EF7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23EF15 shade: #15A60C, #1ACD0E, #23EF15, #48F13C and #6CF462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23EF15 shade: #23EF15, #15D2EF and #EF157B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23EF15 shade: #23EF15, #1524EF and #EF1524

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23EF15 shade: #23EF15, #15D2EF, #E015EF and #EF3215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23EF15 shade: #23EF15, #1591EF, #E015EF and #EF7415

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

Complementary color

CMYK 6 / 93 / 0 / 8

HEX #DC10EA

RGB 220 16 234

HSL 296.15, 0.87%, 0.49%

LAB 53.52, 88.74, -60.34

 

CMYK 83 / 0 / 93 / 6

HEX #28EF10

RGB 40 239 16

HSL 113.54, 0.87%, 0.5%

LAB 83.03, -79.62, 78.1

 

CMYK 78 / 0 / 86 / 0

HEX #39FF23

RGB 57 255 35

HSL 114, 1%, 0.57%

LAB 88.21, -81.66, 79.71

 

CMYK 71 / 0 / 79 / 0

HEX #4AFF36

RGB 74 255 54

HSL 114.03, 1%, 0.61%

LAB 88.56, -78.37, 75.72

 

CMYK 64 / 0 / 71 / 0

HEX #5BFF49

RGB 91 255 73

HSL 114.07, 1%, 0.64%

LAB 89.03, -74.07, 70.4

 

CMYK 58 / 0 / 64 / 0

HEX #6CFF5C

RGB 108 255 92

HSL 114.11, 1%, 0.68%

LAB 89.62, -68.82, 64.06

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 92 / 0 / 99 / 13

HEX #12DD02

RGB 18 221 2

HSL 115.62, 0.98%, 0.44%

LAB 77.19, -76.61, 74.57

 

CMYK 100 / 0 / 100 / 20

HEX #01CB00

RGB 1 203 0

HSL 119.7, 1%, 0.4%

LAB 71.36, -72.54, 70.05

 

CMYK 100 / 0 / 100 / 27

HEX #00B900

RGB 0 185 0

HSL 120, 1%, 0.36%

LAB 65.51, -67.72, 65.36

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 61 / 0 / 91 / 6

HEX #5EEF15

RGB 94 239 21

HSL 99.91, 0.87%, 0.51%

LAB 84.05, -70.78, 78.75

 

CMYK 36 / 0 / 91 / 6

HEX #99EF15

RGB 153 239 21

HSL 83.67, 0.87%, 0.51%

LAB 86.29, -53.69, 81.5

 

CMYK 12 / 0 / 91 / 6

HEX #D3EF15

RGB 211 239 21

HSL 67.71, 0.87%, 0.51%

LAB 89.69, -31.79, 85.65

 

CMYK 0 / 13 / 91 / 6

HEX #EFD015

RGB 239 208 21

HSL 51.47, 0.87%, 0.51%

LAB 83.71, -5, 81.99

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 91 / 0 / 72 / 6

HEX #15EF42

RGB 21 239 66

HSL 132.39, 0.87%, 0.51%

LAB 83.07, -78.59, 66.41

 

CMYK 91 / 0 / 48 / 6

HEX #15EF7D

RGB 21 239 125

HSL 148.62, 0.87%, 0.51%

LAB 83.64, -71.51, 41.94

 

CMYK 91 / 0 / 23 / 6

HEX #15EFB7

RGB 21 239 183

HSL 164.59, 0.87%, 0.51%

LAB 84.64, -59.98, 13.94

 

CMYK 91 / 1 / 0 / 6

HEX #15ECEF

RGB 21 236 239

HSL 180.83, 0.87%, 0.51%

LAB 85.19, -43.93, -14.65

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 76 / 0 / 81 / 14

HEX #35DB2A

RGB 53 219 42

HSL 116.27, 0.71%, 0.51%

LAB 77.03, -71.44, 68.07

 

CMYK 64 / 0 / 69 / 22

HEX #47C63E

RGB 71 198 62

HSL 116.03, 0.54%, 0.51%

LAB 70.92, -60.13, 55.52

 

CMYK 51 / 0 / 54 / 30

HEX #58B252

RGB 88 178 82

HSL 116.25, 0.38%, 0.51%

LAB 65.38, -46.26, 40.54

 

CMYK 33 / 0 / 35 / 38

HEX #6A9E66

RGB 106 158 102

HSL 115.71, 0.22%, 0.51%

LAB 60.32, -28.77, 23.92

 

CMYK 36 / 0 / 91 / 6

HEX #98EF15

RGB 152 239 21

HSL 83.94, 0.87%, 0.51%

LAB 86.24, -54.03, 81.44

 

CMYK 61 / 0 / 91 / 6

HEX #5EEF15

RGB 94 239 21

HSL 99.91, 0.87%, 0.51%

LAB 84.05, -70.78, 78.75

 

CMYK 85 / 0 / 91 / 6

HEX #24EF15

RGB 36 239 21

HSL 115.87, 0.87%, 0.51%

LAB 83, -79.87, 77.44

 

CMYK 91 / 0 / 73 / 6

HEX #15EF41

RGB 21 239 65

HSL 132.11, 0.87%, 0.51%

LAB 83.06, -78.67, 66.75

 

CMYK 91 / 0 / 49 / 6

HEX #15EF7B

RGB 21 239 123

HSL 148.07, 0.87%, 0.51%

LAB 83.61, -71.83, 42.87

 

CMYK 87 / 0 / 93 / 35

HEX #15A60C

RGB 21 166 12

HSL 116.49, 0.87%, 0.35%

LAB 59.4, -60.85, 58.81

 

CMYK 87 / 0 / 93 / 20

HEX #1ACD0E

RGB 26 205 14

HSL 116.23, 0.87%, 0.43%

LAB 72.17, -71.49, 69.26

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 70 / 0 / 75 / 5

HEX #48F13C

RGB 72 241 60

HSL 116.02, 0.87%, 0.59%

LAB 84.28, -74.07, 69.83

 

CMYK 56 / 0 / 60 / 4

HEX #6CF462

RGB 108 244 98

HSL 115.89, 0.87%, 0.67%

LAB 86.39, -64.35, 57.98

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 91 / 12 / 0 / 6

HEX #15D2EF

RGB 21 210 239

HSL 187.98, 0.87%, 0.51%

LAB 77.57, -31.98, -26.19

 

CMYK 0 / 91 / 49 / 6

HEX #EF157B

RGB 239 21 123

HSL 331.93, 0.87%, 0.51%

LAB 52.19, 79, 2.79

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 91 / 85 / 0 / 6

HEX #1524EF

RGB 21 36 239

HSL 235.87, 0.87%, 0.51%

LAB 33.25, 66.75, -97.25

 

CMYK 0 / 91 / 85 / 6

HEX #EF1524

RGB 239 21 36

HSL 355.87, 0.87%, 0.51%

LAB 50.7, 74.86, 51.83

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 91 / 12 / 0 / 6

HEX #15D2EF

RGB 21 210 239

HSL 187.98, 0.87%, 0.51%

LAB 77.57, -31.98, -26.19

 

CMYK 6 / 91 / 0 / 6

HEX #E015EF

RGB 224 21 239

HSL 295.87, 0.87%, 0.51%

LAB 54.67, 89.6, -61.26

 

CMYK 0 / 79 / 91 / 6

HEX #EF3215

RGB 239 50 21

HSL 7.98, 0.87%, 0.51%

LAB 52.6, 68.96, 59.54

 

CMYK 85 / 0 / 91 / 6

HEX #23EF15

RGB 35 239 21

HSL 116.15, 0.87%, 0.51%

LAB 82.99, -79.96, 77.43

 

CMYK 91 / 39 / 0 / 6

HEX #1591EF

RGB 21 145 239

HSL 205.87, 0.87%, 0.51%

LAB 58.64, 2.9, -55.77

 

CMYK 6 / 91 / 0 / 6

HEX #E015EF

RGB 224 21 239

HSL 295.87, 0.87%, 0.51%

LAB 54.67, 89.6, -61.26

 

CMYK 0 / 51 / 91 / 6

HEX #EF7415

RGB 239 116 21

HSL 26.15, 0.87%, 0.51%

LAB 62.42, 42.75, 66.26

 

Description

Color code: HEX #23EF15 | qconv.com Color code: HEX #23EF15 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 239 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 239 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 91 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 91% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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