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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23EDCF it is the complementary color #DC1230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23EDCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23EDCF shade: #28EDCA, #39FFDD, #4AFFF0, #5BFFFF and #6CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23EDCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23EDCF shade: #23EDCF, #12DBBC, #01C9A9, #00B796 and #00A583

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23EDCF shade: #21EDCF, #21ED98, #21ED61, #21ED2A and #50ED21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23EDCF shade: #21EDCF, #21D4ED, #219DED, #2166ED and #2130ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23EDCF shade matches the following richer shades: #21EDCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23EDCF shade: #21EDCF, #35DAC1, #48C6B4, #5BB3A6 and #6F9F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23EDCF shade: #21ED62, #21ED98, #21EDCE, #21D5ED and #219FED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23EDCF shade: #0EAE96, #11D4B7, #21EDCF, #47F0D7 and #6EF3DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23EDCF shade: #23EDCF, #2B21ED and #ED7D21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23EDCF shade: #23EDCF, #CE21ED and #EDCE21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23EDCF shade: #23EDCF, #2B21ED, #ED2140 and #E3ED21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23EDCF shade: #23EDCF, #6921ED, #ED2140 and #A6ED21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 13 / 7

HEX #23EDCF

RGB 35 237 207

HSL 171.09, 0.85%, 0.53%

LAB 84.71, -52.51, 1.48

 

Complementary color

CMYK 0 / 92 / 78 / 14

HEX #DC1230

RGB 220 18 48

HSL 351.09, 0.85%, 0.47%

LAB 46.79, 70.77, 40.35

 

CMYK 83 / 0 / 15 / 7

HEX #28EDCA

RGB 40 237 202

HSL 169.34, 0.85%, 0.54%

LAB 84.63, -53.46, 4

 

CMYK 78 / 0 / 13 / 0

HEX #39FFDD

RGB 57 255 221

HSL 169.7, 1%, 0.61%

LAB 90.6, -54.53, 2.78

 

CMYK 71 / 0 / 6 / 0

HEX #4AFFF0

RGB 74 255 240

HSL 175.03, 1%, 0.65%

LAB 91.36, -47.82, -5.93

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 85 / 0 / 13 / 7

HEX #23EDCF

RGB 35 237 207

HSL 171.09, 0.85%, 0.53%

LAB 84.71, -52.51, 1.48

 

CMYK 92 / 0 / 14 / 14

HEX #12DBBC

RGB 18 219 188

HSL 170.75, 0.85%, 0.46%

LAB 78.71, -51.01, 2.81

 

CMYK 100 / 0 / 16 / 21

HEX #01C9A9

RGB 1 201 169

HSL 170.4, 0.99%, 0.4%

LAB 72.66, -49.21, 4.24

 

CMYK 100 / 0 / 18 / 28

HEX #00B796

RGB 0 183 150

HSL 169.18, 1%, 0.36%

LAB 66.57, -46.89, 5.84

 

CMYK 100 / 0 / 21 / 35

HEX #00A583

RGB 0 165 131

HSL 167.64, 1%, 0.32%

LAB 60.38, -44.5, 7.52

 

CMYK 86 / 0 / 13 / 7

HEX #21EDCF

RGB 33 237 207

HSL 171.18, 0.85%, 0.53%

LAB 84.69, -52.64, 1.45

 

CMYK 86 / 0 / 36 / 7

HEX #21ED98

RGB 33 237 152

HSL 155, 0.85%, 0.53%

LAB 83.53, -65.3, 28.39

 

CMYK 86 / 0 / 59 / 7

HEX #21ED61

RGB 33 237 97

HSL 138.82, 0.85%, 0.53%

LAB 82.78, -74.12, 53.88

 

CMYK 86 / 0 / 82 / 7

HEX #21ED2A

RGB 33 237 42

HSL 122.65, 0.85%, 0.53%

LAB 82.41, -78.79, 72.93

 

CMYK 66 / 0 / 86 / 7

HEX #50ED21

RGB 80 237 33

HSL 106.18, 0.85%, 0.53%

LAB 83.12, -72.76, 75.82

 

CMYK 86 / 0 / 13 / 7

HEX #21EDCF

RGB 33 237 207

HSL 171.18, 0.85%, 0.53%

LAB 84.69, -52.64, 1.45

 

CMYK 86 / 11 / 0 / 7

HEX #21D4ED

RGB 33 212 237

HSL 187.35, 0.85%, 0.53%

LAB 78.18, -32.97, -24.17

 

CMYK 86 / 34 / 0 / 7

HEX #219DED

RGB 33 157 237

HSL 203.53, 0.85%, 0.53%

LAB 62.13, -4.18, -49.12

 

CMYK 86 / 57 / 0 / 7

HEX #2166ED

RGB 33 102 237

HSL 219.71, 0.85%, 0.53%

LAB 46.9, 29.55, -73.6

 

CMYK 86 / 80 / 0 / 7

HEX #2130ED

RGB 33 48 237

HSL 235.59, 0.85%, 0.53%

LAB 35.11, 61.26, -93.01

 

CMYK 86 / 0 / 13 / 7

HEX #21EDCF

RGB 33 237 207

HSL 171.18, 0.85%, 0.53%

LAB 84.69, -52.64, 1.45

 

CMYK 86 / 0 / 13 / 7

HEX #21EDCF

RGB 33 237 207

HSL 171.18, 0.85%, 0.53%

LAB 84.69, -52.64, 1.45

 

CMYK 76 / 0 / 11 / 15

HEX #35DAC1

RGB 53 218 193

HSL 170.91, 0.69%, 0.53%

LAB 78.9, -46.72, 0.46

 

CMYK 64 / 0 / 9 / 22

HEX #48C6B4

RGB 72 198 180

HSL 171.43, 0.53%, 0.53%

LAB 72.93, -38.77, -1.21

 

CMYK 49 / 0 / 7 / 30

HEX #5BB3A6

RGB 91 179 166

HSL 171.14, 0.37%, 0.53%

LAB 67.44, -29.69, -1.52

 

CMYK 30 / 0 / 4 / 38

HEX #6F9F98

RGB 111 159 152

HSL 171.25, 0.2%, 0.53%

LAB 62.03, -17.62, -1.52

 

CMYK 86 / 0 / 59 / 7

HEX #21ED62

RGB 33 237 98

HSL 139.12, 0.85%, 0.53%

LAB 82.79, -74, 53.45

 

CMYK 86 / 0 / 36 / 7

HEX #21ED98

RGB 33 237 152

HSL 155, 0.85%, 0.53%

LAB 83.53, -65.3, 28.39

 

CMYK 86 / 0 / 13 / 7

HEX #21EDCE

RGB 33 237 206

HSL 170.88, 0.85%, 0.53%

LAB 84.66, -52.9, 1.94

 

CMYK 86 / 10 / 0 / 7

HEX #21D5ED

RGB 33 213 237

HSL 187.06, 0.85%, 0.53%

LAB 78.48, -33.45, -23.73

 

CMYK 86 / 33 / 0 / 7

HEX #219FED

RGB 33 159 237

HSL 202.94, 0.85%, 0.53%

LAB 62.7, -5.32, -48.21

 

CMYK 92 / 0 / 14 / 32

HEX #0EAE96

RGB 14 174 150

HSL 171, 0.85%, 0.37%

LAB 63.81, -42.59, 1.86

 

CMYK 92 / 0 / 14 / 17

HEX #11D4B7

RGB 17 212 183

HSL 171.08, 0.85%, 0.45%

LAB 76.45, -49.5, 2.2

 

CMYK 86 / 0 / 13 / 7

HEX #21EDCF

RGB 33 237 207

HSL 171.18, 0.85%, 0.53%

LAB 84.69, -52.64, 1.45

 

CMYK 70 / 0 / 10 / 6

HEX #47F0D7

RGB 71 240 215

HSL 171.12, 0.85%, 0.61%

LAB 86.29, -48.27, -0.35

 

CMYK 55 / 0 / 8 / 5

HEX #6EF3DF

RGB 110 243 223

HSL 170.98, 0.85%, 0.69%

LAB 88.33, -41.26, -1.44

 

CMYK 85 / 0 / 13 / 7

HEX #23EDCF

RGB 35 237 207

HSL 171.09, 0.85%, 0.53%

LAB 84.71, -52.51, 1.48

 

CMYK 82 / 86 / 0 / 7

HEX #2B21ED

RGB 43 33 237

HSL 242.94, 0.85%, 0.53%

LAB 33.38, 67.89, -95.87

 

CMYK 0 / 47 / 86 / 7

HEX #ED7D21

RGB 237 125 33

HSL 27.06, 0.85%, 0.53%

LAB 63.98, 37.69, 63.86

 

CMYK 85 / 0 / 13 / 7

HEX #23EDCF

RGB 35 237 207

HSL 171.09, 0.85%, 0.53%

LAB 84.71, -52.51, 1.48

 

CMYK 13 / 86 / 0 / 7

HEX #CE21ED

RGB 206 33 237

HSL 290.88, 0.85%, 0.53%

LAB 52.2, 84.69, -64.28

 

CMYK 0 / 13 / 86 / 7

HEX #EDCE21

RGB 237 206 33

HSL 50.88, 0.85%, 0.53%

LAB 83.05, -4.63, 79.24

 

CMYK 85 / 0 / 13 / 7

HEX #23EDCF

RGB 35 237 207

HSL 171.09, 0.85%, 0.53%

LAB 84.71, -52.51, 1.48

 

CMYK 82 / 86 / 0 / 7

HEX #2B21ED

RGB 43 33 237

HSL 242.94, 0.85%, 0.53%

LAB 33.38, 67.89, -95.87

 

CMYK 0 / 86 / 73 / 7

HEX #ED2140

RGB 237 33 64

HSL 350.88, 0.85%, 0.53%

LAB 51.22, 73.32, 36.99

 

CMYK 4 / 0 / 86 / 7

HEX #E3ED21

RGB 227 237 33

HSL 62.94, 0.85%, 0.53%

LAB 90.33, -24.12, 84.78

 

CMYK 85 / 0 / 13 / 7

HEX #23EDCF

RGB 35 237 207

HSL 171.09, 0.85%, 0.53%

LAB 84.71, -52.51, 1.48

 

CMYK 56 / 86 / 0 / 7

HEX #6921ED

RGB 105 33 237

HSL 261.18, 0.85%, 0.53%

LAB 38.21, 71.73, -87.72

 

CMYK 0 / 86 / 73 / 7

HEX #ED2140

RGB 237 33 64

HSL 350.88, 0.85%, 0.53%

LAB 51.22, 73.32, 36.99

 

CMYK 30 / 0 / 86 / 7

HEX #A6ED21

RGB 166 237 33

HSL 80.88, 0.85%, 0.53%

LAB 86.4, -48, 79.93

 

Description

Color code: HEX #23EDCF | qconv.com Color code: HEX #23EDCF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 237 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 237 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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