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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23ED0F it is the complementary color #DC12F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23ED0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23ED0F shade: #28ED0A, #39FF1D, #4AFF30, #5BFF43 and #6CFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23ED0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23ED0F shade: #23ED0F, #12DB00, #01C900, #00B700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23ED0F shade: #23EB0F, #5EEB0F, #99EB0F, #D5EB0F and #EBC60F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23ED0F shade: #23EB0F, #0FEB36, #0FEB72, #0FEBAD and #0FEBE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23ED0F shade matches the following richer shades: #23EB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23ED0F shade: #23EB0F, #33D723, #44C237, #55AE4C and #659A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23ED0F shade: #9AEB0F, #60EB0F, #25EB0F, #0FEB34 and #0FEB6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23ED0F shade: #179D0A, #1DC40D, #23EB0F, #43F231 and #66F458

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23ED0F shade: #23ED0F, #0FD5EB and #EB0F7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23ED0F shade: #23ED0F, #0F25EB and #EB0F25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23ED0F shade: #23ED0F, #0FD5EB, #D50FEB and #EB250F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23ED0F shade: #23ED0F, #0F93EB, #D50FEB and #EB670F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 94 / 7

HEX #23ED0F

RGB 35 237 15

HSL 114.59, 0.88%, 0.49%

LAB 82.36, -79.55, 77.63

 

Complementary color

CMYK 8 / 93 / 0 / 6

HEX #DC12F0

RGB 220 18 240

HSL 294.59, 0.88%, 0.51%

LAB 53.96, 89.46, -63.01

 

CMYK 83 / 0 / 96 / 7

HEX #28ED0A

RGB 40 237 10

HSL 112.07, 0.92%, 0.48%

LAB 82.4, -79.18, 78.16

 

CMYK 78 / 0 / 89 / 0

HEX #39FF1D

RGB 57 255 29

HSL 112.57, 1%, 0.56%

LAB 88.2, -81.86, 80.75

 

CMYK 71 / 0 / 81 / 0

HEX #4AFF30

RGB 74 255 48

HSL 112.46, 1%, 0.59%

LAB 88.54, -78.68, 77.26

 

CMYK 64 / 0 / 74 / 0

HEX #5BFF43

RGB 91 255 67

HSL 112.34, 1%, 0.63%

LAB 88.99, -74.5, 72.37

 

CMYK 58 / 0 / 66 / 0

HEX #6CFF56

RGB 108 255 86

HSL 112.19, 1%, 0.67%

LAB 89.57, -69.36, 66.36

 

CMYK 85 / 0 / 94 / 7

HEX #23ED0F

RGB 35 237 15

HSL 114.59, 0.88%, 0.49%

LAB 82.36, -79.55, 77.63

 

CMYK 92 / 0 / 100 / 14

HEX #12DB00

RGB 18 219 0

HSL 115.07, 1%, 0.43%

LAB 76.55, -76.11, 74.25

 

CMYK 100 / 0 / 100 / 21

HEX #01C900

RGB 1 201 0

HSL 119.7, 1%, 0.39%

LAB 70.72, -72, 69.54

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 85 / 0 / 94 / 8

HEX #23EB0F

RGB 35 235 15

HSL 114.55, 0.88%, 0.49%

LAB 81.73, -79, 77.12

 

CMYK 60 / 0 / 94 / 8

HEX #5EEB0F

RGB 94 235 15

HSL 98.45, 0.88%, 0.49%

LAB 82.82, -69.6, 78.46

 

CMYK 35 / 0 / 94 / 8

HEX #99EB0F

RGB 153 235 15

HSL 82.36, 0.88%, 0.49%

LAB 85.11, -52.19, 81.26

 

CMYK 9 / 0 / 94 / 8

HEX #D5EB0F

RGB 213 235 15

HSL 66, 0.88%, 0.49%

LAB 88.73, -29.2, 85.65

 

CMYK 0 / 16 / 94 / 8

HEX #EBC60F

RGB 235 198 15

HSL 49.91, 0.88%, 0.49%

LAB 80.79, -1.69, 80.44

 

CMYK 85 / 0 / 94 / 8

HEX #23EB0F

RGB 35 235 15

HSL 114.55, 0.88%, 0.49%

LAB 81.73, -79, 77.12

 

CMYK 94 / 0 / 77 / 8

HEX #0FEB36

RGB 15 235 54

HSL 130.64, 0.88%, 0.49%

LAB 81.72, -78.63, 68.96

 

CMYK 94 / 0 / 51 / 8

HEX #0FEB72

RGB 15 235 114

HSL 147, 0.88%, 0.49%

LAB 82.24, -72.21, 45.44

 

CMYK 94 / 0 / 26 / 8

HEX #0FEBAD

RGB 15 235 173

HSL 163.09, 0.88%, 0.49%

LAB 83.2, -61.02, 17.11

 

CMYK 94 / 0 / 1 / 8

HEX #0FEBE8

RGB 15 235 232

HSL 179.18, 0.88%, 0.49%

LAB 84.66, -45.72, -11.76

 

CMYK 85 / 0 / 94 / 8

HEX #23EB0F

RGB 35 235 15

HSL 114.55, 0.88%, 0.49%

LAB 81.73, -79, 77.12

 

CMYK 85 / 0 / 94 / 8

HEX #23EB0F

RGB 35 235 15

HSL 114.55, 0.88%, 0.49%

LAB 81.73, -79, 77.12

 

CMYK 76 / 0 / 84 / 16

HEX #33D723

RGB 51 215 35

HSL 114.67, 0.72%, 0.49%

LAB 75.72, -70.88, 68.62

 

CMYK 65 / 0 / 72 / 24

HEX #44C237

RGB 68 194 55

HSL 114.39, 0.56%, 0.49%

LAB 69.53, -59.99, 56.72

 

CMYK 51 / 0 / 56 / 32

HEX #55AE4C

RGB 85 174 76

HSL 114.49, 0.39%, 0.49%

LAB 63.94, -46.24, 41.69

 

CMYK 34 / 0 / 38 / 40

HEX #659A60

RGB 101 154 96

HSL 114.83, 0.23%, 0.49%

LAB 58.72, -29.53, 25.02

 

CMYK 34 / 0 / 94 / 8

HEX #9AEB0F

RGB 154 235 15

HSL 82.09, 0.88%, 0.49%

LAB 85.16, -51.84, 81.32

 

CMYK 59 / 0 / 94 / 8

HEX #60EB0F

RGB 96 235 15

HSL 97.91, 0.88%, 0.49%

LAB 82.88, -69.13, 78.53

 

CMYK 84 / 0 / 94 / 8

HEX #25EB0F

RGB 37 235 15

HSL 114, 0.88%, 0.49%

LAB 81.75, -78.82, 77.14

 

CMYK 94 / 0 / 78 / 8

HEX #0FEB34

RGB 15 235 52

HSL 130.09, 0.88%, 0.49%

LAB 81.71, -78.76, 69.54

 

CMYK 94 / 0 / 53 / 8

HEX #0FEB6E

RGB 15 235 110

HSL 145.91, 0.88%, 0.49%

LAB 82.19, -72.8, 47.26

 

CMYK 85 / 0 / 94 / 38

HEX #179D0A

RGB 23 157 10

HSL 114.69, 0.88%, 0.33%

LAB 56.4, -58.06, 56.6

 

CMYK 85 / 0 / 93 / 23

HEX #1DC40D

RGB 29 196 13

HSL 114.75, 0.88%, 0.41%

LAB 69.31, -68.73, 67.01

 

CMYK 85 / 0 / 94 / 8

HEX #23EB0F

RGB 35 235 15

HSL 114.55, 0.88%, 0.49%

LAB 81.73, -79, 77.12

 

CMYK 72 / 0 / 80 / 5

HEX #43F231

RGB 67 242 49

HSL 114.4, 0.88%, 0.57%

LAB 84.44, -75.86, 73.17

 

CMYK 58 / 0 / 64 / 4

HEX #66F458

RGB 102 244 88

HSL 114.62, 0.88%, 0.65%

LAB 86.12, -66.76, 61.79

 

CMYK 85 / 0 / 94 / 7

HEX #23ED0F

RGB 35 237 15

HSL 114.59, 0.88%, 0.49%

LAB 82.36, -79.55, 77.63

 

CMYK 94 / 9 / 0 / 8

HEX #0FD5EB

RGB 15 213 235

HSL 186, 0.88%, 0.49%

LAB 78.28, -34.87, -22.97

 

CMYK 0 / 94 / 47 / 8

HEX #EB0F7D

RGB 235 15 125

HSL 330, 0.88%, 0.49%

LAB 51.25, 78.91, 0.11

 

CMYK 85 / 0 / 94 / 7

HEX #23ED0F

RGB 35 237 15

HSL 114.59, 0.88%, 0.49%

LAB 82.36, -79.55, 77.63

 

CMYK 94 / 84 / 0 / 8

HEX #0F25EB

RGB 15 37 235

HSL 234, 0.88%, 0.49%

LAB 32.75, 65.1, -95.81

 

CMYK 0 / 94 / 84 / 8

HEX #EB0F25

RGB 235 15 37

HSL 354, 0.88%, 0.49%

LAB 49.66, 74.55, 50.12

 

CMYK 85 / 0 / 94 / 7

HEX #23ED0F

RGB 35 237 15

HSL 114.59, 0.88%, 0.49%

LAB 82.36, -79.55, 77.63

 

CMYK 94 / 9 / 0 / 8

HEX #0FD5EB

RGB 15 213 235

HSL 186, 0.88%, 0.49%

LAB 78.28, -34.87, -22.97

 

CMYK 9 / 94 / 0 / 8

HEX #D50FEB

RGB 213 15 235

HSL 294, 0.88%, 0.49%

LAB 52.38, 87.91, -62.8

 

CMYK 0 / 84 / 94 / 8

HEX #EB250F

RGB 235 37 15

HSL 6, 0.88%, 0.49%

LAB 50.71, 70.87, 59.91

 

CMYK 85 / 0 / 94 / 7

HEX #23ED0F

RGB 35 237 15

HSL 114.59, 0.88%, 0.49%

LAB 82.36, -79.55, 77.63

 

CMYK 94 / 37 / 0 / 8

HEX #0F93EB

RGB 15 147 235

HSL 204, 0.88%, 0.49%

LAB 58.94, -0.02, -53.08

 

CMYK 9 / 94 / 0 / 8

HEX #D50FEB

RGB 213 15 235

HSL 294, 0.88%, 0.49%

LAB 52.38, 87.91, -62.8

 

CMYK 0 / 56 / 94 / 8

HEX #EB670F

RGB 235 103 15

HSL 24, 0.88%, 0.49%

LAB 59.34, 47.43, 65.27

 

Description

Color code: HEX #23ED0F | qconv.com Color code: HEX #23ED0F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 237 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 237 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 94 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 94% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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