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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23ECFF it is the complementary color #DC1300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23ECFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #23ECFF: #28ECFA, #39FEFF, #4AFFFF, #5BFFFF and #6CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23ECFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #23ECFF: #23ECFF, #12DAEC, #01C8D9, #00B6C6 and #00A4B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 7 / 0 / 0

HEX #23ECFF

RGB 35 236 255

HSL 185.18, 1%, 0.57%

LAB 85.79, -38.55, -22.14

 

Complementary color

CMYK 0 / 91 / 100 / 14

HEX #DC1300

RGB 220 19 0

HSL 5.18, 1%, 0.43%

LAB 46.55, 69.85, 60.35

 

CMYK 84 / 6 / 0 / 2

HEX #28ECFA

RGB 40 236 250

HSL 184, 0.95%, 0.57%

LAB 85.68, -39.74, -19.68

 

CMYK 78 / 0 / 0 / 0

HEX #39FEFF

RGB 57 254 255

HSL 180.3, 1%, 0.61%

LAB 91.22, -45.06, -13.94

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 86 / 7 / 0 / 0

HEX #23ECFF

RGB 35 236 255

HSL 185.18, 1%, 0.57%

LAB 85.79, -38.55, -22.14

 

CMYK 92 / 8 / 0 / 7

HEX #12DAEC

RGB 18 218 236

HSL 184.95, 0.86%, 0.5%

LAB 79.8, -36.8, -21.19

 

CMYK 100 / 8 / 0 / 15

HEX #01C8D9

RGB 1 200 217

HSL 184.72, 0.99%, 0.43%

LAB 73.76, -34.78, -20.16

 

CMYK 100 / 8 / 0 / 22

HEX #00B6C6

RGB 0 182 198

HSL 184.85, 1%, 0.39%

LAB 67.68, -32.31, -19.02

 

CMYK 100 / 8 / 0 / 30

HEX #00A4B3

RGB 0 164 179

HSL 185.03, 1%, 0.35%

LAB 61.49, -29.76, -17.85

 

CMYK 86 / 7 / 0 / 0

HEX #23ECFF

RGB 35 236 255

HSL 185.18, 1%, 0.57%

LAB 85.79, -38.55, -22.14

 

CMYK 86 / 22 / 0 / 0

HEX #23C8FF

RGB 35 200 255

HSL 195, 1%, 0.57%

LAB 75.38, -21.08, -38.12

 

CMYK 86 / 36 / 0 / 0

HEX #23A3FF

RGB 35 163 255

HSL 205.09, 1%, 0.57%

LAB 64.78, -0.94, -54.77

 

CMYK 86 / 50 / 0 / 0

HEX #237FFF

RGB 35 127 255

HSL 214.91, 1%, 0.57%

LAB 54.82, 20.69, -70.74

 

CMYK 86 / 65 / 0 / 0

HEX #235AFF

RGB 35 90 255

HSL 225, 1%, 0.57%

LAB 45.48, 43.83, -85.97

 

CMYK 86 / 7 / 0 / 0

HEX #23ECFF

RGB 35 236 255

HSL 185.18, 1%, 0.57%

LAB 85.79, -38.55, -22.14

 

CMYK 86 / 8 / 0 / 80

HEX #072F33

RGB 7 47 51

HSL 185.45, 0.76%, 0.11%

LAB 17.07, -11.74, -6.51

 

CMYK 86 / 8 / 0 / 60

HEX #0E5E66

RGB 14 94 102

HSL 185.45, 0.76%, 0.23%

LAB 36.1, -19.22, -11.06

 

CMYK 86 / 7 / 0 / 40

HEX #158E99

RGB 21 142 153

HSL 185, 0.76%, 0.34%

LAB 53.82, -26.42, -14.66

 

CMYK 86 / 7 / 0 / 20

HEX #1CBDCC

RGB 28 189 204

HSL 185.11, 0.76%, 0.45%

LAB 70.18, -32.63, -18.5

 

CMYK 86 / 7 / 0 / 0

HEX #23ECFF

RGB 35 236 255

HSL 185.18, 1%, 0.57%

LAB 85.79, -38.55, -22.14

 

CMYK 62 / 86 / 0 / 0

HEX #6123FF

RGB 97 35 255

HSL 256.91, 1%, 0.57%

LAB 39.52, 74.87, -95.71

 

CMYK 0 / 27 / 86 / 0

HEX #FFB923

RGB 255 185 35

HSL 40.91, 1%, 0.57%

LAB 79.66, 13.94, 76.82

 

CMYK 86 / 7 / 0 / 0

HEX #23ECFF

RGB 35 236 255

HSL 185.18, 1%, 0.57%

LAB 85.79, -38.55, -22.14

 

CMYK 0 / 86 / 7 / 0

HEX #FF23EC

RGB 255 35 236

HSL 305.18, 1%, 0.57%

LAB 60.35, 92.49, -50.21

 

CMYK 7 / 0 / 86 / 0

HEX #ECFF23

RGB 236 255 35

HSL 65.18, 1%, 0.57%

LAB 95.78, -28.86, 89.12

 

CMYK 86 / 7 / 0 / 0

HEX #23ECFF

RGB 35 236 255

HSL 185.18, 1%, 0.57%

LAB 85.79, -38.55, -22.14

 

CMYK 62 / 86 / 0 / 0

HEX #6123FF

RGB 97 35 255

HSL 256.91, 1%, 0.57%

LAB 39.52, 74.87, -95.71

 

CMYK 0 / 79 / 86 / 0

HEX #FF3523

RGB 255 53 35

HSL 4.91, 1%, 0.57%

LAB 56.02, 72.88, 57.95

 

CMYK 25 / 0 / 86 / 0

HEX #C0FF23

RGB 192 255 35

HSL 77.18, 1%, 0.57%

LAB 92.95, -45.99, 85.63

 

CMYK 86 / 7 / 0 / 0

HEX #23ECFF

RGB 35 236 255

HSL 185.18, 1%, 0.57%

LAB 85.79, -38.55, -22.14

 

CMYK 36 / 86 / 0 / 0

HEX #A323FF

RGB 163 35 255

HSL 274.91, 1%, 0.57%

LAB 47.25, 81.47, -82.7

 

CMYK 0 / 79 / 86 / 0

HEX #FF3523

RGB 255 53 35

HSL 4.91, 1%, 0.57%

LAB 56.02, 72.88, 57.95

 

CMYK 50 / 0 / 86 / 0

HEX #7FFF23

RGB 127 255 35

HSL 94.91, 1%, 0.57%

LAB 89.93, -67.43, 81.87

 

Description

Color code: HEX #23ECFF | qconv.com Color code: HEX #23ECFF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 236 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 236 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 7 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 7% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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