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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23EC81 it is the complementary color #DC137E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23EC81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23EC81 shade: #28EC7C, #39FE8F, #4AFFA2, #5BFFB5 and #6CFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23EC81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23EC81 shade: #23EC81, #12DA6E, #01C85B, #00B648 and #00A435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23EC81 shade: #22EC81, #22EC4A, #31EC22, #67EC22 and #9DEC22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23EC81 shade: #22EC81, #22ECB7, #22EAEC, #22B4EC and #227EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23EC81 shade matches the following richer shades: #22EC81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23EC81 shade: #22EC81, #36D882, #49C583, #5DB284 and #709E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23EC81 shade: #30EC22, #22EC4B, #22EC80, #22ECB6 and #22ECEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23EC81 shade: #0FAD59, #12D36C, #22EC81, #48EF96 and #6EF2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23EC81 shade: #23EC81, #2266EC and #EC3022

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23EC81 shade: #23EC81, #8022EC and #EC8022

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23EC81 shade: #23EC81, #2266EC, #EC228E and #ECA922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23EC81 shade: #23EC81, #2229EC, #EC228E and #ECE522

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 45 / 7

HEX #23EC81

RGB 35 236 129

HSL 148.06, 0.84%, 0.53%

LAB 82.88, -69.01, 39.05

 

Complementary color

CMYK 0 / 91 / 43 / 14

HEX #DC137E

RGB 220 19 126

HSL 328.06, 0.84%, 0.47%

LAB 48.5, 75.24, -4.88

 

CMYK 83 / 0 / 47 / 7

HEX #28EC7C

RGB 40 236 124

HSL 145.71, 0.84%, 0.54%

LAB 82.86, -69.42, 41.48

 

CMYK 78 / 0 / 44 / 0

HEX #39FE8F

RGB 57 254 143

HSL 146.19, 0.99%, 0.61%

LAB 88.8, -70.61, 39.87

 

CMYK 71 / 0 / 36 / 0

HEX #4AFFA2

RGB 74 255 162

HSL 149.17, 1%, 0.65%

LAB 89.67, -65.45, 31.68

 

CMYK 64 / 0 / 29 / 0

HEX #5BFFB5

RGB 91 255 181

HSL 152.93, 1%, 0.68%

LAB 90.36, -59.13, 23.1

 

CMYK 58 / 0 / 22 / 0

HEX #6CFFC8

RGB 108 255 200

HSL 157.55, 1%, 0.71%

LAB 91.18, -52.07, 14.59

 

CMYK 85 / 0 / 45 / 7

HEX #23EC81

RGB 35 236 129

HSL 148.06, 0.84%, 0.53%

LAB 82.88, -69.01, 39.05

 

CMYK 92 / 0 / 50 / 15

HEX #12DA6E

RGB 18 218 110

HSL 147.6, 0.85%, 0.46%

LAB 76.92, -67.29, 40.77

 

CMYK 100 / 0 / 55 / 22

HEX #01C85B

RGB 1 200 91

HSL 147.14, 0.99%, 0.39%

LAB 70.92, -65.1, 42.53

 

CMYK 100 / 0 / 60 / 29

HEX #00B648

RGB 0 182 72

HSL 143.74, 1%, 0.36%

LAB 64.9, -62.13, 44.31

 

CMYK 100 / 0 / 68 / 36

HEX #00A435

RGB 0 164 53

HSL 139.39, 1%, 0.32%

LAB 58.8, -58.86, 45.86

 

CMYK 86 / 0 / 45 / 7

HEX #22EC81

RGB 34 236 129

HSL 148.22, 0.84%, 0.53%

LAB 82.87, -69.09, 39.04

 

CMYK 86 / 0 / 69 / 7

HEX #22EC4A

RGB 34 236 74

HSL 131.88, 0.84%, 0.53%

LAB 82.28, -76.2, 62.75

 

CMYK 79 / 0 / 86 / 7

HEX #31EC22

RGB 49 236 34

HSL 115.54, 0.84%, 0.53%

LAB 82.25, -77.29, 74.64

 

CMYK 56 / 0 / 86 / 7

HEX #67EC22

RGB 103 236 34

HSL 99.5, 0.84%, 0.53%

LAB 83.44, -67.25, 76.14

 

CMYK 33 / 0 / 86 / 7

HEX #9DEC22

RGB 157 236 34

HSL 83.47, 0.84%, 0.53%

LAB 85.64, -50.77, 78.91

 

CMYK 86 / 0 / 45 / 7

HEX #22EC81

RGB 34 236 129

HSL 148.22, 0.84%, 0.53%

LAB 82.87, -69.09, 39.04

 

CMYK 86 / 0 / 22 / 7

HEX #22ECB7

RGB 34 236 183

HSL 164.26, 0.84%, 0.53%

LAB 83.84, -58.14, 12.81

 

CMYK 86 / 1 / 0 / 7

HEX #22EAEC

RGB 34 234 236

HSL 180.59, 0.84%, 0.53%

LAB 84.61, -43.32, -13.93

 

CMYK 86 / 24 / 0 / 7

HEX #22B4EC

RGB 34 180 236

HSL 196.63, 0.84%, 0.53%

LAB 68.78, -17.15, -38.13

 

CMYK 86 / 47 / 0 / 7

HEX #227EEC

RGB 34 126 236

HSL 212.67, 0.84%, 0.53%

LAB 53.3, 14.06, -62.67

 

CMYK 86 / 0 / 45 / 7

HEX #22EC81

RGB 34 236 129

HSL 148.22, 0.84%, 0.53%

LAB 82.87, -69.09, 39.04

 

CMYK 86 / 0 / 45 / 7

HEX #22EC81

RGB 34 236 129

HSL 148.22, 0.84%, 0.53%

LAB 82.87, -69.09, 39.04

 

CMYK 75 / 0 / 40 / 15

HEX #36D882

RGB 54 216 130

HSL 148.15, 0.68%, 0.53%

LAB 76.99, -59.97, 30.94

 

CMYK 63 / 0 / 34 / 23

HEX #49C583

RGB 73 197 131

HSL 148.06, 0.52%, 0.53%

LAB 71.55, -49.44, 23.22

 

CMYK 48 / 0 / 26 / 30

HEX #5DB284

RGB 93 178 132

HSL 147.53, 0.36%, 0.53%

LAB 66.39, -36.5, 15.71

 

CMYK 29 / 0 / 15 / 38

HEX #709E86

RGB 112 158 134

HSL 148.7, 0.19%, 0.53%

LAB 61.32, -20.76, 7.59

 

CMYK 80 / 0 / 86 / 7

HEX #30EC22

RGB 48 236 34

HSL 115.84, 0.84%, 0.53%

LAB 82.24, -77.41, 74.63

 

CMYK 86 / 0 / 68 / 7

HEX #22EC4B

RGB 34 236 75

HSL 132.18, 0.84%, 0.53%

LAB 82.29, -76.11, 62.38

 

CMYK 86 / 0 / 46 / 7

HEX #22EC80

RGB 34 236 128

HSL 147.92, 0.84%, 0.53%

LAB 82.85, -69.25, 39.51

 

CMYK 86 / 0 / 23 / 7

HEX #22ECB6

RGB 34 236 182

HSL 163.96, 0.84%, 0.53%

LAB 83.81, -58.37, 13.3

 

CMYK 86 / 0 / 0 / 7

HEX #22ECEC

RGB 34 236 236

HSL 180, 0.84%, 0.53%

LAB 85.19, -44.2, -13.06

 

CMYK 91 / 0 / 49 / 32

HEX #0FAD59

RGB 15 173 89

HSL 148.1, 0.84%, 0.37%

LAB 62.26, -55.93, 32.83

 

CMYK 91 / 0 / 49 / 17

HEX #12D36C

RGB 18 211 108

HSL 147.98, 0.84%, 0.45%

LAB 74.7, -65.33, 38.96

 

CMYK 86 / 0 / 45 / 7

HEX #22EC81

RGB 34 236 129

HSL 148.22, 0.84%, 0.53%

LAB 82.87, -69.09, 39.04

 

CMYK 70 / 0 / 37 / 6

HEX #48EF96

RGB 72 239 150

HSL 148.02, 0.84%, 0.61%

LAB 84.64, -62.13, 31

 

CMYK 55 / 0 / 29 / 5

HEX #6EF2AC

RGB 110 242 172

HSL 148.18, 0.84%, 0.69%

LAB 86.9, -52.02, 23.01

 

CMYK 85 / 0 / 45 / 7

HEX #23EC81

RGB 35 236 129

HSL 148.06, 0.84%, 0.53%

LAB 82.88, -69.01, 39.05

 

CMYK 86 / 57 / 0 / 7

HEX #2266EC

RGB 34 102 236

HSL 219.8, 0.84%, 0.53%

LAB 46.84, 29.23, -73.13

 

CMYK 0 / 80 / 86 / 7

HEX #EC3022

RGB 236 48 34

HSL 4.16, 0.84%, 0.53%

LAB 51.91, 68.85, 53.54

 

CMYK 85 / 0 / 45 / 7

HEX #23EC81

RGB 35 236 129

HSL 148.06, 0.84%, 0.53%

LAB 82.88, -69.01, 39.05

 

CMYK 46 / 86 / 0 / 7

HEX #8022EC

RGB 128 34 236

HSL 267.92, 0.84%, 0.53%

LAB 40.88, 73.53, -82.65

 

CMYK 0 / 46 / 86 / 7

HEX #EC8022

RGB 236 128 34

HSL 27.92, 0.84%, 0.53%

LAB 64.47, 35.78, 63.87

 

CMYK 85 / 0 / 45 / 7

HEX #23EC81

RGB 35 236 129

HSL 148.06, 0.84%, 0.53%

LAB 82.88, -69.01, 39.05

 

CMYK 86 / 57 / 0 / 7

HEX #2266EC

RGB 34 102 236

HSL 219.8, 0.84%, 0.53%

LAB 46.84, 29.23, -73.13

 

CMYK 0 / 86 / 40 / 7

HEX #EC228E

RGB 236 34 142

HSL 327.92, 0.84%, 0.53%

LAB 52.87, 77.97, -7.71

 

CMYK 0 / 28 / 86 / 7

HEX #ECA922

RGB 236 169 34

HSL 40.1, 0.84%, 0.53%

LAB 73.76, 14.23, 71.44

 

CMYK 85 / 0 / 45 / 7

HEX #23EC81

RGB 35 236 129

HSL 148.06, 0.84%, 0.53%

LAB 82.88, -69.01, 39.05

 

CMYK 86 / 83 / 0 / 7

HEX #2229EC

RGB 34 41 236

HSL 237.92, 0.84%, 0.53%

LAB 33.95, 64.16, -94.37

 

CMYK 0 / 86 / 40 / 7

HEX #EC228E

RGB 236 34 142

HSL 327.92, 0.84%, 0.53%

LAB 52.87, 77.97, -7.71

 

CMYK 0 / 3 / 86 / 7

HEX #ECE522

RGB 236 229 34

HSL 57.92, 0.84%, 0.53%

LAB 88.92, -16.51, 83.74

 

Description

Color code: HEX #23EC81 | qconv.com Color code: HEX #23EC81 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 236 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 236 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 45 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 45% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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