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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23DC5A it is the complementary color #DC23A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23DC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23DC5A shade: #28DC55, #39EE68, #4AFF7B, #5BFF8E and #6CFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23DC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23DC5A shade: #23DC5A, #12CA47, #01B834, #00A621 and #00940E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23DC5A shade: #22DD5A, #22DD28, #4FDD22, #82DD22 and #B4DD22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23DC5A shade: #22DD5A, #22DD8C, #22DDBE, #22C9DD and #2297DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23DC5A shade matches the following richer shades: #22DD5A and #0EF151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23DC5A shade: #22DD5A, #37C862, #4CB36A, #609F73 and #758A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23DC5A shade: #51DD22, #22DD26, #22DD57, #22DD89 and #22DDBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23DC5A shade: #17953D, #1DB94B, #22DD5A, #46E275 and #6AE88F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23DC5A shade: #23DC5A, #2283DD and #DD2238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23DC5A shade: #23DC5A, #5722DD and #DD5722

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23DC5A shade: #23DC5A, #2283DD, #DD22A8 and #DD7C22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23DC5A shade: #23DC5A, #224BDD, #DD22A8 and #DDB422

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 59 / 14

HEX #23DC5A

RGB 35 220 90

HSL 137.84, 0.73%, 0.5%

LAB 77.45, -69.58, 50.78

 

Complementary color

CMYK 0 / 84 / 25 / 14

HEX #DC23A5

RGB 220 35 165

HSL 317.84, 0.73%, 0.5%

LAB 50.84, 76.66, -24.75

 

CMYK 82 / 0 / 61 / 14

HEX #28DC55

RGB 40 220 85

HSL 135, 0.72%, 0.51%

LAB 77.46, -69.71, 53

 

CMYK 76 / 0 / 56 / 7

HEX #39EE68

RGB 57 238 104

HSL 135.58, 0.84%, 0.58%

LAB 83.45, -71.11, 51.62

 

CMYK 71 / 0 / 52 / 0

HEX #4AFF7B

RGB 74 255 123

HSL 136.24, 1%, 0.65%

LAB 89.11, -71.76, 49.83

 

CMYK 64 / 0 / 44 / 0

HEX #5BFF8E

RGB 91 255 142

HSL 138.66, 1%, 0.68%

LAB 89.72, -66.11, 41.67

 

CMYK 58 / 0 / 37 / 0

HEX #6CFFA1

RGB 108 255 161

HSL 141.63, 1%, 0.71%

LAB 90.45, -59.63, 33.37

 

CMYK 84 / 0 / 59 / 14

HEX #23DC5A

RGB 35 220 90

HSL 137.84, 0.73%, 0.5%

LAB 77.45, -69.58, 50.78

 

CMYK 91 / 0 / 65 / 21

HEX #12CA47

RGB 18 202 71

HSL 137.28, 0.84%, 0.43%

LAB 71.44, -67.54, 52.17

 

CMYK 99 / 0 / 72 / 28

HEX #01B834

RGB 1 184 52

HSL 136.72, 0.99%, 0.36%

LAB 65.39, -64.88, 53.27

 

CMYK 100 / 0 / 80 / 35

HEX #00A621

RGB 0 166 33

HSL 131.93, 1%, 0.33%

LAB 59.33, -61.19, 53.8

 

CMYK 100 / 0 / 91 / 42

HEX #00940E

RGB 0 148 14

HSL 125.68, 1%, 0.29%

LAB 53.18, -57, 53.08

 

CMYK 85 / 0 / 59 / 13

HEX #22DD5A

RGB 34 221 90

HSL 137.97, 0.73%, 0.5%

LAB 77.75, -69.98, 51.13

 

CMYK 85 / 0 / 82 / 13

HEX #22DD28

RGB 34 221 40

HSL 121.93, 0.73%, 0.5%

LAB 77.4, -74.33, 68.84

 

CMYK 64 / 0 / 85 / 13

HEX #4FDD22

RGB 79 221 34

HSL 105.56, 0.73%, 0.5%

LAB 78.16, -67.85, 71.25

 

CMYK 41 / 0 / 85 / 13

HEX #82DD22

RGB 130 221 34

HSL 89.2, 0.73%, 0.5%

LAB 79.94, -53.96, 73.49

 

CMYK 19 / 0 / 85 / 13

HEX #B4DD22

RGB 180 221 34

HSL 73.16, 0.73%, 0.5%

LAB 82.66, -35.67, 76.9

 

CMYK 85 / 0 / 59 / 13

HEX #22DD5A

RGB 34 221 90

HSL 137.97, 0.73%, 0.5%

LAB 77.75, -69.98, 51.13

 

CMYK 85 / 0 / 37 / 13

HEX #22DD8C

RGB 34 221 140

HSL 154.01, 0.73%, 0.5%

LAB 78.43, -61.93, 27.69

 

CMYK 85 / 0 / 14 / 13

HEX #22DDBE

RGB 34 221 190

HSL 170.05, 0.73%, 0.5%

LAB 79.48, -50.44, 2.88

 

CMYK 85 / 9 / 0 / 13

HEX #22C9DD

RGB 34 201 221

HSL 186.42, 0.73%, 0.5%

LAB 74.4, -32.66, -21.33

 

CMYK 85 / 32 / 0 / 13

HEX #2297DD

RGB 34 151 221

HSL 202.46, 0.73%, 0.5%

LAB 59.61, -6.5, -44.24

 

CMYK 85 / 0 / 59 / 13

HEX #22DD5A

RGB 34 221 90

HSL 137.97, 0.73%, 0.5%

LAB 77.75, -69.98, 51.13

 

CMYK 94 / 0 / 66 / 5

HEX #0EF151

RGB 14 241 81

HSL 137.71, 0.89%, 0.5%

LAB 83.76, -78.13, 61.59

 

CMYK 85 / 0 / 59 / 13

HEX #22DD5A

RGB 34 221 90

HSL 137.97, 0.73%, 0.5%

LAB 77.75, -69.98, 51.13

 

CMYK 73 / 0 / 51 / 22

HEX #37C862

RGB 55 200 98

HSL 137.79, 0.57%, 0.5%

LAB 71.56, -59.47, 40.05

 

CMYK 58 / 0 / 41 / 30

HEX #4CB36A

RGB 76 179 106

HSL 137.48, 0.4%, 0.5%

LAB 65.61, -46.15, 28.52

 

CMYK 40 / 0 / 28 / 38

HEX #609F73

RGB 96 159 115

HSL 138.1, 0.25%, 0.5%

LAB 60.36, -30.17, 16.73

 

CMYK 15 / 0 / 11 / 46

HEX #758A7B

RGB 117 138 123

HSL 137.14, 0.08%, 0.5%

LAB 55.47, -10.67, 5.51

 

CMYK 63 / 0 / 85 / 13

HEX #51DD22

RGB 81 221 34

HSL 104.92, 0.73%, 0.5%

LAB 78.21, -67.42, 71.32

 

CMYK 85 / 0 / 83 / 13

HEX #22DD26

RGB 34 221 38

HSL 121.28, 0.73%, 0.5%

LAB 77.4, -74.43, 69.34

 

CMYK 85 / 0 / 61 / 13

HEX #22DD57

RGB 34 221 87

HSL 137.01, 0.73%, 0.5%

LAB 77.72, -70.35, 52.42

 

CMYK 85 / 0 / 38 / 13

HEX #22DD89

RGB 34 221 137

HSL 153.05, 0.73%, 0.5%

LAB 78.38, -62.52, 29.16

 

CMYK 85 / 0 / 16 / 13

HEX #22DDBA

RGB 34 221 186

HSL 168.77, 0.73%, 0.5%

LAB 79.38, -51.47, 4.87

 

CMYK 85 / 0 / 59 / 42

HEX #17953D

RGB 23 149 61

HSL 138.1, 0.73%, 0.34%

LAB 54.04, -51.47, 36.87

 

CMYK 84 / 0 / 59 / 27

HEX #1DB94B

RGB 29 185 75

HSL 137.69, 0.73%, 0.42%

LAB 66.11, -60.93, 44.38

 

CMYK 85 / 0 / 59 / 13

HEX #22DD5A

RGB 34 221 90

HSL 137.97, 0.73%, 0.5%

LAB 77.75, -69.98, 51.13

 

CMYK 69 / 0 / 48 / 11

HEX #46E275

RGB 70 226 117

HSL 138.08, 0.73%, 0.58%

LAB 80.17, -63.33, 41.58

 

CMYK 54 / 0 / 38 / 9

HEX #6AE88F

RGB 106 232 143

HSL 137.62, 0.73%, 0.66%

LAB 83.32, -54.15, 32.93

 

CMYK 84 / 0 / 59 / 14

HEX #23DC5A

RGB 35 220 90

HSL 137.84, 0.73%, 0.5%

LAB 77.45, -69.58, 50.78

 

CMYK 85 / 41 / 0 / 13

HEX #2283DD

RGB 34 131 221

HSL 208.88, 0.73%, 0.5%

LAB 53.81, 5.3, -53.45

 

CMYK 0 / 85 / 75 / 13

HEX #DD2238

RGB 221 34 56

HSL 352.94, 0.73%, 0.5%

LAB 48.01, 68.66, 37.13

 

CMYK 84 / 0 / 59 / 14

HEX #23DC5A

RGB 35 220 90

HSL 137.84, 0.73%, 0.5%

LAB 77.45, -69.58, 50.78

 

CMYK 61 / 85 / 0 / 13

HEX #5722DD

RGB 87 34 221

HSL 257.01, 0.73%, 0.5%

LAB 34.78, 65.84, -84.31

 

CMYK 0 / 61 / 85 / 13

HEX #DD5722

RGB 221 87 34

HSL 17.01, 0.73%, 0.5%

LAB 54.35, 50.02, 54.52

 

CMYK 84 / 0 / 59 / 14

HEX #23DC5A

RGB 35 220 90

HSL 137.84, 0.73%, 0.5%

LAB 77.45, -69.58, 50.78

 

CMYK 85 / 41 / 0 / 13

HEX #2283DD

RGB 34 131 221

HSL 208.88, 0.73%, 0.5%

LAB 53.81, 5.3, -53.45

 

CMYK 0 / 85 / 24 / 13

HEX #DD22A8

RGB 221 34 168

HSL 317.01, 0.73%, 0.5%

LAB 51.09, 77.42, -26.13

 

CMYK 0 / 44 / 85 / 13

HEX #DD7C22

RGB 221 124 34

HSL 28.88, 0.73%, 0.5%

LAB 61.57, 31.76, 60.63

 

CMYK 84 / 0 / 59 / 14

HEX #23DC5A

RGB 35 220 90

HSL 137.84, 0.73%, 0.5%

LAB 77.45, -69.58, 50.78

 

CMYK 85 / 66 / 0 / 13

HEX #224BDD

RGB 34 75 221

HSL 226.84, 0.73%, 0.5%

LAB 38.89, 40.8, -77.65

 

CMYK 0 / 85 / 24 / 13

HEX #DD22A8

RGB 221 34 168

HSL 317.01, 0.73%, 0.5%

LAB 51.09, 77.42, -26.13

 

CMYK 0 / 19 / 85 / 13

HEX #DDB422

RGB 221 180 34

HSL 46.84, 0.73%, 0.5%

LAB 74.91, 1.94, 71.74

 

Description

Color code: HEX #23DC5A | qconv.com Color code: HEX #23DC5A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 220 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 220 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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