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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23DAAA it is the complementary color #DC2555. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23DAAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23DAAA shade: #28DAA5, #39ECB8, #4AFECB, #5BFFDE and #6CFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23DAAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23DAAA shade: #23DAAA, #12C897, #01B684, #00A471 and #00925E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23DAAA shade: #24DBAB, #24DB7A, #24DB48, #31DB24 and #62DB24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23DAAA shade: #24DBAB, #24DADB, #24A8DB, #2477DB and #2445DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23DAAA shade matches the following richer shades: #24DBAB and #0FF0B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23DAAA shade: #24DBAB, #38C7A1, #4DB298, #629D8E and #768984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23DAAA shade: #24DB48, #24DB79, #24DBAA, #24DBDB and #24AADB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23DAAA shade: #189474, #1EB88F, #24DBAB, #47E1B9 and #6BE7C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23DAAA shade: #23DAAA, #2430DB and #DB6124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23DAAA shade: #23DAAA, #AA24DB and #DBAA24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23DAAA shade: #23DAAA, #2430DB, #DB2455 and #DBCF24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23DAAA shade: #23DAAA, #4F24DB, #DB2455 and #B0DB24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 22 / 15

HEX #23DAAA

RGB 35 218 170

HSL 164.26, 0.72%, 0.5%

LAB 78.11, -54.16, 11.54

 

Complementary color

CMYK 0 / 83 / 61 / 14

HEX #DC2555

RGB 220 37 85

HSL 344.26, 0.72%, 0.5%

LAB 48.5, 69.13, 20.27

 

CMYK 82 / 0 / 24 / 15

HEX #28DAA5

RGB 40 218 165

HSL 162.13, 0.71%, 0.51%

LAB 78.06, -54.93, 14.12

 

CMYK 76 / 0 / 22 / 7

HEX #39ECB8

RGB 57 236 184

HSL 162.57, 0.82%, 0.57%

LAB 84.13, -55.87, 12.75

 

CMYK 71 / 0 / 20 / 0

HEX #4AFECB

RGB 74 254 203

HSL 163, 0.99%, 0.64%

LAB 90.16, -56.55, 11.49

 

CMYK 64 / 0 / 13 / 0

HEX #5BFFDE

RGB 91 255 222

HSL 167.93, 1%, 0.68%

LAB 91.24, -50.04, 3.27

 

CMYK 58 / 0 / 5 / 0

HEX #6CFFF1

RGB 108 255 241

HSL 174.29, 1%, 0.71%

LAB 92.16, -42.54, -5.18

 

CMYK 84 / 0 / 22 / 15

HEX #23DAAA

RGB 35 218 170

HSL 164.26, 0.72%, 0.5%

LAB 78.11, -54.16, 11.54

 

CMYK 91 / 0 / 25 / 22

HEX #12C897

RGB 18 200 151

HSL 163.85, 0.83%, 0.43%

LAB 72.01, -52.75, 13.04

 

CMYK 99 / 0 / 27 / 29

HEX #01B684

RGB 1 182 132

HSL 163.43, 0.99%, 0.36%

LAB 65.85, -50.98, 14.68

 

CMYK 100 / 0 / 31 / 36

HEX #00A471

RGB 0 164 113

HSL 161.34, 1%, 0.32%

LAB 59.66, -48.56, 16.52

 

CMYK 100 / 0 / 36 / 43

HEX #00925E

RGB 0 146 94

HSL 158.63, 1%, 0.29%

LAB 53.35, -46.01, 18.46

 

CMYK 84 / 0 / 22 / 14

HEX #24DBAB

RGB 36 219 171

HSL 164.26, 0.72%, 0.5%

LAB 78.45, -54.24, 11.49

 

CMYK 84 / 0 / 44 / 14

HEX #24DB7A

RGB 36 219 122

HSL 148.2, 0.72%, 0.5%

LAB 77.55, -64.41, 35.67

 

CMYK 84 / 0 / 67 / 14

HEX #24DB48

RGB 36 219 72

HSL 131.8, 0.72%, 0.5%

LAB 76.98, -71.19, 57.86

 

CMYK 78 / 0 / 84 / 14

HEX #31DB24

RGB 49 219 36

HSL 115.74, 0.72%, 0.5%

LAB 76.95, -72.29, 69.48

 

CMYK 55 / 0 / 84 / 14

HEX #62DB24

RGB 98 219 36

HSL 99.67, 0.72%, 0.5%

LAB 78.1, -62.6, 70.95

 

CMYK 84 / 0 / 22 / 14

HEX #24DBAB

RGB 36 219 171

HSL 164.26, 0.72%, 0.5%

LAB 78.45, -54.24, 11.49

 

CMYK 84 / 0 / 0 / 14

HEX #24DADB

RGB 36 218 219

HSL 180.33, 0.72%, 0.5%

LAB 79.4, -41, -12.71

 

CMYK 84 / 23 / 0 / 14

HEX #24A8DB

RGB 36 168 219

HSL 196.72, 0.72%, 0.5%

LAB 64.56, -16.47, -35.37

 

CMYK 84 / 46 / 0 / 14

HEX #2477DB

RGB 36 119 219

HSL 212.79, 0.72%, 0.5%

LAB 50.31, 12.1, -57.92

 

CMYK 84 / 68 / 0 / 14

HEX #2445DB

RGB 36 69 219

HSL 229.18, 0.72%, 0.5%

LAB 37.38, 43.91, -78.98

 

CMYK 84 / 0 / 22 / 14

HEX #24DBAB

RGB 36 219 171

HSL 164.26, 0.72%, 0.5%

LAB 78.45, -54.24, 11.49

 

CMYK 94 / 0 / 25 / 6

HEX #0FF0B5

RGB 15 240 181

HSL 164.27, 0.88%, 0.5%

LAB 84.87, -61.05, 15.3

 

CMYK 84 / 0 / 22 / 14

HEX #24DBAB

RGB 36 219 171

HSL 164.26, 0.72%, 0.5%

LAB 78.45, -54.24, 11.49

 

CMYK 72 / 0 / 19 / 22

HEX #38C7A1

RGB 56 199 161

HSL 164.06, 0.56%, 0.5%

LAB 72.4, -46.43, 8.28

 

CMYK 57 / 0 / 15 / 30

HEX #4DB298

RGB 77 178 152

HSL 164.55, 0.4%, 0.5%

LAB 66.28, -35.8, 4.47

 

CMYK 38 / 0 / 10 / 38

HEX #629D8E

RGB 98 157 142

HSL 164.75, 0.23%, 0.5%

LAB 60.48, -22.79, 1.78

 

CMYK 14 / 0 / 4 / 46

HEX #768984

RGB 118 137 132

HSL 164.21, 0.07%, 0.5%

LAB 55.49, -7.9, 0.36

 

CMYK 84 / 0 / 67 / 14

HEX #24DB48

RGB 36 219 72

HSL 131.8, 0.72%, 0.5%

LAB 76.98, -71.19, 57.86

 

CMYK 84 / 0 / 45 / 14

HEX #24DB79

RGB 36 219 121

HSL 147.87, 0.72%, 0.5%

LAB 77.53, -64.58, 36.15

 

CMYK 84 / 0 / 22 / 14

HEX #24DBAA

RGB 36 219 170

HSL 163.93, 0.72%, 0.5%

LAB 78.43, -54.48, 11.99

 

CMYK 84 / 0 / 0 / 14

HEX #24DBDB

RGB 36 219 219

HSL 180, 0.72%, 0.5%

LAB 79.7, -41.45, -12.26

 

CMYK 84 / 22 / 0 / 14

HEX #24AADB

RGB 36 170 219

HSL 196.07, 0.72%, 0.5%

LAB 65.15, -17.54, -34.45

 

CMYK 84 / 0 / 22 / 42

HEX #189474

RGB 24 148 116

HSL 164.52, 0.72%, 0.34%

LAB 54.69, -39.91, 7.92

 

CMYK 84 / 0 / 22 / 28

HEX #1EB88F

RGB 30 184 143

HSL 164.03, 0.72%, 0.42%

LAB 66.93, -47.54, 10.22

 

CMYK 84 / 0 / 22 / 14

HEX #24DBAB

RGB 36 219 171

HSL 164.26, 0.72%, 0.5%

LAB 78.45, -54.24, 11.49

 

CMYK 68 / 0 / 18 / 12

HEX #47E1B9

RGB 71 225 185

HSL 164.42, 0.72%, 0.58%

LAB 81.12, -49.38, 7.97

 

CMYK 54 / 0 / 14 / 9

HEX #6BE7C6

RGB 107 231 198

HSL 164.03, 0.72%, 0.66%

LAB 84.15, -42.47, 5.59

 

CMYK 84 / 0 / 22 / 15

HEX #23DAAA

RGB 35 218 170

HSL 164.26, 0.72%, 0.5%

LAB 78.11, -54.16, 11.54

 

CMYK 84 / 78 / 0 / 14

HEX #2430DB

RGB 36 48 219

HSL 236.07, 0.72%, 0.5%

LAB 33.14, 55.78, -85.99

 

CMYK 0 / 56 / 84 / 14

HEX #DB6124

RGB 219 97 36

HSL 20, 0.72%, 0.5%

LAB 55.82, 44.68, 54.84

 

CMYK 84 / 0 / 22 / 15

HEX #23DAAA

RGB 35 218 170

HSL 164.26, 0.72%, 0.5%

LAB 78.11, -54.16, 11.54

 

CMYK 22 / 84 / 0 / 14

HEX #AA24DB

RGB 170 36 219

HSL 283.93, 0.72%, 0.5%

LAB 45.53, 75.21, -65.14

 

CMYK 0 / 22 / 84 / 14

HEX #DBAA24

RGB 219 170 36

HSL 43.93, 0.72%, 0.5%

LAB 72.19, 6.4, 68.86

 

CMYK 84 / 0 / 22 / 15

HEX #23DAAA

RGB 35 218 170

HSL 164.26, 0.72%, 0.5%

LAB 78.11, -54.16, 11.54

 

CMYK 84 / 78 / 0 / 14

HEX #2430DB

RGB 36 48 219

HSL 236.07, 0.72%, 0.5%

LAB 33.14, 55.78, -85.99

 

CMYK 0 / 84 / 61 / 14

HEX #DB2455

RGB 219 36 85

HSL 343.93, 0.72%, 0.5%

LAB 48.23, 69.09, 19.88

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF24

RGB 219 207 36

HSL 56.07, 0.72%, 0.5%

LAB 81.74, -12.75, 76.85

 

CMYK 84 / 0 / 22 / 15

HEX #23DAAA

RGB 35 218 170

HSL 164.26, 0.72%, 0.5%

LAB 78.11, -54.16, 11.54

 

CMYK 64 / 84 / 0 / 14

HEX #4F24DB

RGB 79 36 219

HSL 254.1, 0.72%, 0.5%

LAB 34.06, 63.93, -84.38

 

CMYK 0 / 84 / 61 / 14

HEX #DB2455

RGB 219 36 85

HSL 343.93, 0.72%, 0.5%

LAB 48.23, 69.09, 19.88

 

CMYK 20 / 0 / 84 / 14

HEX #B0DB24

RGB 176 219 36

HSL 74.1, 0.72%, 0.5%

LAB 81.85, -36.28, 75.67

 

Description

Color code: HEX #23DAAA | qconv.com Color code: HEX #23DAAA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 218 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 218 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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