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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23D956 it is the complementary color #DC26A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23D956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23D956 shade: #28D951, #39EB64, #4AFD77, #5BFF8A and #6CFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23D956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23D956 shade: #23D956, #12C743, #01B530, #00A31D and #00910A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23D956 shade: #23D755, #23D725, #52D723, #82D723 and #B3D723

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23D956 shade: #23D755, #23D786, #23D7B6, #23C7D7 and #2396D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23D956 shade matches the following richer shades: #23D755 and #0FEB4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23D956 shade: #23D755, #37C35E, #4BAE67, #609A70 and #748679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23D956 shade: #53D723, #23D723, #23D753, #23D783 and #23D7B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23D956 shade: #179039, #1DB347, #23D755, #43E06F and #66E68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23D956 shade: #23D956, #2383D7 and #D7233B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23D956 shade: #23D956, #5323D7 and #D75323

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23D956 shade: #23D956, #2383D7, #D723A7 and #D77723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23D956 shade: #23D956, #234DD7, #D723A7 and #D7AD23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 60 / 15

HEX #23D956

RGB 35 217 86

HSL 136.81, 0.72%, 0.49%

LAB 76.47, -69.14, 51.42

 

Complementary color

CMYK 0 / 83 / 23 / 14

HEX #DC26A9

RGB 220 38 169

HSL 316.81, 0.72%, 0.51%

LAB 51.23, 76.52, -26.52

 

CMYK 82 / 0 / 63 / 15

HEX #28D951

RGB 40 217 81

HSL 133.9, 0.7%, 0.5%

LAB 76.48, -69.23, 53.62

 

CMYK 76 / 0 / 57 / 8

HEX #39EB64

RGB 57 235 100

HSL 134.49, 0.82%, 0.57%

LAB 82.49, -70.65, 52.28

 

CMYK 71 / 0 / 53 / 1

HEX #4AFD77

RGB 74 253 119

HSL 135.08, 0.98%, 0.64%

LAB 88.47, -71.64, 50.88

 

CMYK 64 / 0 / 46 / 0

HEX #5BFF8A

RGB 91 255 138

HSL 137.2, 1%, 0.68%

LAB 89.66, -66.73, 43.53

 

CMYK 58 / 0 / 38 / 0

HEX #6CFF9D

RGB 108 255 157

HSL 140, 1%, 0.71%

LAB 90.39, -60.31, 35.28

 

CMYK 84 / 0 / 60 / 15

HEX #23D956

RGB 35 217 86

HSL 136.81, 0.72%, 0.49%

LAB 76.47, -69.14, 51.42

 

CMYK 91 / 0 / 66 / 22

HEX #12C743

RGB 18 199 67

HSL 136.24, 0.83%, 0.43%

LAB 70.44, -67.07, 52.74

 

CMYK 99 / 0 / 73 / 29

HEX #01B530

RGB 1 181 48

HSL 135.67, 0.99%, 0.36%

LAB 64.38, -64.35, 53.72

 

CMYK 100 / 0 / 82 / 36

HEX #00A31D

RGB 0 163 29

HSL 130.67, 1%, 0.32%

LAB 58.3, -60.57, 54.03

 

CMYK 100 / 0 / 93 / 43

HEX #00910A

RGB 0 145 10

HSL 124.14, 1%, 0.28%

LAB 52.14, -56.27, 52.92

 

CMYK 84 / 0 / 60 / 16

HEX #23D755

RGB 35 215 85

HSL 136.67, 0.72%, 0.49%

LAB 75.83, -68.64, 51.13

 

CMYK 84 / 0 / 83 / 16

HEX #23D725

RGB 35 215 37

HSL 120.67, 0.72%, 0.49%

LAB 75.51, -72.68, 67.87

 

CMYK 62 / 0 / 84 / 16

HEX #52D723

RGB 82 215 35

HSL 104.33, 0.72%, 0.49%

LAB 76.38, -65.19, 69.47

 

CMYK 40 / 0 / 84 / 16

HEX #82D723

RGB 130 215 35

HSL 88.33, 0.72%, 0.49%

LAB 78.15, -51.55, 71.71

 

CMYK 17 / 0 / 84 / 16

HEX #B3D723

RGB 179 215 35

HSL 72, 0.72%, 0.49%

LAB 80.91, -33.3, 75.17

 

CMYK 84 / 0 / 60 / 16

HEX #23D755

RGB 35 215 85

HSL 136.67, 0.72%, 0.49%

LAB 75.83, -68.64, 51.13

 

CMYK 84 / 0 / 38 / 16

HEX #23D786

RGB 35 215 134

HSL 153, 0.72%, 0.49%

LAB 76.48, -60.89, 28.18

 

CMYK 84 / 0 / 15 / 16

HEX #23D7B6

RGB 35 215 182

HSL 169, 0.72%, 0.49%

LAB 77.48, -49.97, 4.25

 

CMYK 84 / 7 / 0 / 16

HEX #23C7D7

RGB 35 199 215

HSL 185.33, 0.72%, 0.49%

LAB 73.62, -33.51, -19.27

 

CMYK 84 / 30 / 0 / 16

HEX #2396D7

RGB 35 150 215

HSL 201.67, 0.72%, 0.49%

LAB 59.04, -8.03, -41.78

 

CMYK 84 / 0 / 60 / 16

HEX #23D755

RGB 35 215 85

HSL 136.67, 0.72%, 0.49%

LAB 75.83, -68.64, 51.13

 

CMYK 94 / 0 / 67 / 8

HEX #0FEB4D

RGB 15 235 77

HSL 136.91, 0.88%, 0.49%

LAB 81.87, -76.77, 61.11

 

CMYK 84 / 0 / 60 / 16

HEX #23D755

RGB 35 215 85

HSL 136.67, 0.72%, 0.49%

LAB 75.83, -68.64, 51.13

 

CMYK 72 / 0 / 52 / 24

HEX #37C35E

RGB 55 195 94

HSL 136.71, 0.56%, 0.49%

LAB 69.93, -58.31, 40

 

CMYK 57 / 0 / 41 / 32

HEX #4BAE67

RGB 75 174 103

HSL 136.97, 0.4%, 0.49%

LAB 63.96, -44.85, 27.94

 

CMYK 38 / 0 / 27 / 40

HEX #609A70

RGB 96 154 112

HSL 136.55, 0.23%, 0.49%

LAB 58.76, -28.33, 16.2

 

CMYK 13 / 0 / 10 / 47

HEX #748679

RGB 116 134 121

HSL 136.67, 0.07%, 0.49%

LAB 54.18, -9.23, 4.8

 

CMYK 61 / 0 / 84 / 16

HEX #53D723

RGB 83 215 35

HSL 104, 0.72%, 0.49%

LAB 76.41, -64.96, 69.51

 

CMYK 84 / 0 / 84 / 16

HEX #23D723

RGB 35 215 35

HSL 120, 0.72%, 0.49%

LAB 75.5, -72.78, 68.34

 

CMYK 84 / 0 / 61 / 16

HEX #23D753

RGB 35 215 83

HSL 136, 0.72%, 0.49%

LAB 75.81, -68.88, 51.98

 

CMYK 84 / 0 / 39 / 16

HEX #23D783

RGB 35 215 131

HSL 152, 0.72%, 0.49%

LAB 76.43, -61.47, 29.65

 

CMYK 84 / 0 / 17 / 16

HEX #23D7B3

RGB 35 215 179

HSL 168, 0.72%, 0.49%

LAB 77.41, -50.74, 5.75

 

CMYK 84 / 0 / 60 / 44

HEX #179039

RGB 23 144 57

HSL 136.86, 0.72%, 0.33%

LAB 52.31, -50.31, 36.79

 

CMYK 84 / 0 / 60 / 30

HEX #1DB347

RGB 29 179 71

HSL 136.8, 0.72%, 0.41%

LAB 64.13, -59.5, 43.92

 

CMYK 84 / 0 / 60 / 16

HEX #23D755

RGB 35 215 85

HSL 136.67, 0.72%, 0.49%

LAB 75.83, -68.64, 51.13

 

CMYK 70 / 0 / 50 / 12

HEX #43E06F

RGB 67 224 111

HSL 136.82, 0.72%, 0.57%

LAB 79.42, -64.02, 43.52

 

CMYK 56 / 0 / 40 / 10

HEX #66E68A

RGB 102 230 138

HSL 136.88, 0.72%, 0.65%

LAB 82.51, -55.12, 34.37

 

CMYK 84 / 0 / 60 / 15

HEX #23D956

RGB 35 217 86

HSL 136.81, 0.72%, 0.49%

LAB 76.47, -69.14, 51.42

 

CMYK 84 / 39 / 0 / 16

HEX #2383D7

RGB 35 131 215

HSL 208, 0.72%, 0.49%

LAB 53.49, 3.11, -50.58

 

CMYK 0 / 84 / 73 / 16

HEX #D7233B

RGB 215 35 59

HSL 352, 0.72%, 0.49%

LAB 46.93, 66.96, 33.82

 

CMYK 84 / 0 / 60 / 15

HEX #23D956

RGB 35 217 86

HSL 136.81, 0.72%, 0.49%

LAB 76.47, -69.14, 51.42

 

CMYK 61 / 84 / 0 / 16

HEX #5323D7

RGB 83 35 215

HSL 256, 0.72%, 0.49%

LAB 33.87, 63.58, -82.38

 

CMYK 0 / 61 / 84 / 16

HEX #D75323

RGB 215 83 35

HSL 16, 0.72%, 0.49%

LAB 52.68, 49.69, 52.26

 

CMYK 84 / 0 / 60 / 15

HEX #23D956

RGB 35 217 86

HSL 136.81, 0.72%, 0.49%

LAB 76.47, -69.14, 51.42

 

CMYK 84 / 39 / 0 / 16

HEX #2383D7

RGB 35 131 215

HSL 208, 0.72%, 0.49%

LAB 53.49, 3.11, -50.58

 

CMYK 0 / 84 / 22 / 16

HEX #D723A7

RGB 215 35 167

HSL 316, 0.72%, 0.49%

LAB 50.02, 75.83, -27.27

 

CMYK 0 / 45 / 84 / 16

HEX #D77723

RGB 215 119 35

HSL 28, 0.72%, 0.49%

LAB 59.67, 31.95, 58.34

 

CMYK 84 / 0 / 60 / 15

HEX #23D956

RGB 35 217 86

HSL 136.81, 0.72%, 0.49%

LAB 76.47, -69.14, 51.42

 

CMYK 84 / 64 / 0 / 16

HEX #234DD7

RGB 35 77 215

HSL 226, 0.72%, 0.49%

LAB 38.85, 37.41, -74.27

 

CMYK 0 / 84 / 22 / 16

HEX #D723A7

RGB 215 35 167

HSL 316, 0.72%, 0.49%

LAB 50.02, 75.83, -27.27

 

CMYK 0 / 20 / 84 / 16

HEX #D7AD23

RGB 215 173 35

HSL 46, 0.72%, 0.49%

LAB 72.53, 3.04, 69.26

 

Description

Color code: HEX #23D956 | qconv.com Color code: HEX #23D956 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 217 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 217 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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