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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23D8AE it is the complementary color #DC2751. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23D8AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23D8AE shade: #28D8A9, #39EABC, #4AFCCF, #5BFFE2 and #6CFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23D8AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23D8AE shade: #23D8AE, #12C69B, #01B488, #00A275 and #009062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23D8AE shade: #23D7AD, #23D77D, #23D74C, #2AD723 and #5BD723

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23D8AE shade: #23D7AD, #23D0D7, #23A0D7, #236FD7 and #233FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23D8AE shade matches the following richer shades: #23D7AD and #0FEBB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23D8AE shade: #23D7AD, #37C3A2, #4BAE97, #609A8D and #748682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23D8AE shade: #23D74D, #23D77D, #23D7AD, #23D1D7 and #23A1D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23D8AE shade: #179074, #1DB391, #23D7AD, #43E0BC and #66E6C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23D8AE shade: #23D8AE, #2329D7 and #D76523

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23D8AE shade: #23D8AE, #AD23D7 and #D7AD23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23D8AE shade: #23D8AE, #2329D7, #D7234D and #D7D123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23D8AE shade: #23D8AE, #5323D7, #D7234D and #A7D723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 19 / 15

HEX #23D8AE

RGB 35 216 174

HSL 166.08, 0.72%, 0.49%

LAB 77.59, -52.39, 8.68

 

Complementary color

CMYK 0 / 82 / 63 / 14

HEX #DC2751

RGB 220 39 81

HSL 346.08, 0.72%, 0.51%

LAB 48.59, 68.45, 22.83

 

CMYK 81 / 0 / 22 / 15

HEX #28D8A9

RGB 40 216 169

HSL 163.98, 0.69%, 0.5%

LAB 77.54, -53.2, 11.27

 

CMYK 76 / 0 / 20 / 8

HEX #39EABC

RGB 57 234 188

HSL 164.41, 0.81%, 0.57%

LAB 83.62, -54.14, 9.93

 

CMYK 71 / 0 / 18 / 1

HEX #4AFCCF

RGB 74 252 207

HSL 164.83, 0.97%, 0.64%

LAB 89.66, -54.81, 8.71

 

CMYK 64 / 0 / 11 / 0

HEX #5BFFE2

RGB 91 255 226

HSL 169.39, 1%, 0.68%

LAB 91.34, -49.07, 1.34

 

CMYK 58 / 0 / 4 / 0

HEX #6CFFF5

RGB 108 255 245

HSL 175.92, 1%, 0.71%

LAB 92.27, -41.53, -7.09

 

CMYK 84 / 0 / 19 / 15

HEX #23D8AE

RGB 35 216 174

HSL 166.08, 0.72%, 0.49%

LAB 77.59, -52.39, 8.68

 

CMYK 91 / 0 / 22 / 22

HEX #12C69B

RGB 18 198 155

HSL 165.67, 0.83%, 0.42%

LAB 71.48, -50.98, 10.13

 

CMYK 99 / 0 / 24 / 29

HEX #01B488

RGB 1 180 136

HSL 165.25, 0.99%, 0.35%

LAB 65.3, -49.23, 11.73

 

CMYK 100 / 0 / 28 / 36

HEX #00A275

RGB 0 162 117

HSL 163.33, 1%, 0.32%

LAB 59.09, -46.83, 13.52

 

CMYK 100 / 0 / 32 / 44

HEX #009062

RGB 0 144 98

HSL 160.83, 1%, 0.28%

LAB 52.76, -44.32, 15.41

 

CMYK 84 / 0 / 20 / 16

HEX #23D7AD

RGB 35 215 173

HSL 166, 0.72%, 0.49%

LAB 77.27, -52.24, 8.74

 

CMYK 84 / 0 / 42 / 16

HEX #23D77D

RGB 35 215 125

HSL 150, 0.72%, 0.49%

LAB 76.34, -62.58, 32.59

 

CMYK 84 / 0 / 65 / 16

HEX #23D74C

RGB 35 215 76

HSL 133.67, 0.72%, 0.49%

LAB 75.75, -69.66, 54.89

 

CMYK 80 / 0 / 84 / 16

HEX #2AD723

RGB 42 215 35

HSL 117.67, 0.72%, 0.49%

LAB 75.58, -72.03, 68.45

 

CMYK 58 / 0 / 84 / 16

HEX #5BD723

RGB 91 215 35

HSL 101.33, 0.72%, 0.49%

LAB 76.65, -63.05, 69.8

 

CMYK 84 / 0 / 20 / 16

HEX #23D7AD

RGB 35 215 173

HSL 166, 0.72%, 0.49%

LAB 77.27, -52.24, 8.74

 

CMYK 84 / 3 / 0 / 16

HEX #23D0D7

RGB 35 208 215

HSL 182.33, 0.72%, 0.49%

LAB 76.3, -37.71, -15.22

 

CMYK 84 / 26 / 0 / 16

HEX #23A0D7

RGB 35 160 215

HSL 198.33, 0.72%, 0.49%

LAB 62, -13.61, -37.15

 

CMYK 84 / 48 / 0 / 16

HEX #236FD7

RGB 35 111 215

HSL 214.67, 0.72%, 0.49%

LAB 47.79, 15.54, -59.71

 

CMYK 84 / 71 / 0 / 16

HEX #233FD7

RGB 35 63 215

HSL 230.67, 0.72%, 0.49%

LAB 35.63, 46.05, -79.57

 

CMYK 84 / 0 / 20 / 16

HEX #23D7AD

RGB 35 215 173

HSL 166, 0.72%, 0.49%

LAB 77.27, -52.24, 8.74

 

CMYK 94 / 0 / 22 / 8

HEX #0FEBB8

RGB 15 235 184

HSL 166.09, 0.88%, 0.49%

LAB 83.43, -58.45, 11.7

 

CMYK 84 / 0 / 20 / 16

HEX #23D7AD

RGB 35 215 173

HSL 166, 0.72%, 0.49%

LAB 77.27, -52.24, 8.74

 

CMYK 72 / 0 / 17 / 24

HEX #37C3A2

RGB 55 195 162

HSL 165.86, 0.56%, 0.49%

LAB 71.18, -44.63, 5.98

 

CMYK 57 / 0 / 13 / 32

HEX #4BAE97

RGB 75 174 151

HSL 166.06, 0.4%, 0.49%

LAB 64.96, -34.62, 3.12

 

CMYK 38 / 0 / 8 / 40

HEX #609A8D

RGB 96 154 141

HSL 166.55, 0.23%, 0.49%

LAB 59.45, -22.06, 0.83

 

CMYK 13 / 0 / 3 / 47

HEX #748682

RGB 116 134 130

HSL 166.67, 0.07%, 0.49%

LAB 54.42, -7.36, -0.06

 

CMYK 84 / 0 / 64 / 16

HEX #23D74D

RGB 35 215 77

HSL 134, 0.72%, 0.49%

LAB 75.76, -69.55, 54.48

 

CMYK 84 / 0 / 42 / 16

HEX #23D77D

RGB 35 215 125

HSL 150, 0.72%, 0.49%

LAB 76.34, -62.58, 32.59

 

CMYK 84 / 0 / 20 / 16

HEX #23D7AD

RGB 35 215 173

HSL 166, 0.72%, 0.49%

LAB 77.27, -52.24, 8.74

 

CMYK 84 / 3 / 0 / 16

HEX #23D1D7

RGB 35 209 215

HSL 182, 0.72%, 0.49%

LAB 76.6, -38.17, -14.77

 

CMYK 84 / 25 / 0 / 16

HEX #23A1D7

RGB 35 161 215

HSL 198, 0.72%, 0.49%

LAB 62.3, -14.16, -36.68

 

CMYK 84 / 0 / 19 / 44

HEX #179074

RGB 23 144 116

HSL 166.12, 0.72%, 0.33%

LAB 53.37, -38.28, 6.03

 

CMYK 84 / 0 / 19 / 30

HEX #1DB391

RGB 29 179 145

HSL 166.4, 0.72%, 0.41%

LAB 65.39, -45.06, 6.93

 

CMYK 84 / 0 / 20 / 16

HEX #23D7AD

RGB 35 215 173

HSL 166, 0.72%, 0.49%

LAB 77.27, -52.24, 8.74

 

CMYK 70 / 0 / 16 / 12

HEX #43E0BC

RGB 67 224 188

HSL 166.24, 0.72%, 0.57%

LAB 80.81, -48.81, 5.93

 

CMYK 56 / 0 / 13 / 10

HEX #66E6C8

RGB 102 230 200

HSL 165.94, 0.72%, 0.65%

LAB 83.75, -42.58, 3.94

 

CMYK 84 / 0 / 19 / 15

HEX #23D8AE

RGB 35 216 174

HSL 166.08, 0.72%, 0.49%

LAB 77.59, -52.39, 8.68

 

CMYK 84 / 81 / 0 / 16

HEX #2329D7

RGB 35 41 215

HSL 238, 0.72%, 0.49%

LAB 31.46, 57.91, -86.47

 

CMYK 0 / 53 / 84 / 16

HEX #D76523

RGB 215 101 35

HSL 22, 0.72%, 0.49%

LAB 55.96, 41.17, 55.13

 

CMYK 84 / 0 / 19 / 15

HEX #23D8AE

RGB 35 216 174

HSL 166.08, 0.72%, 0.49%

LAB 77.59, -52.39, 8.68

 

CMYK 20 / 84 / 0 / 16

HEX #AD23D7

RGB 173 35 215

HSL 286, 0.72%, 0.49%

LAB 45.62, 75.19, -62.67

 

CMYK 0 / 20 / 84 / 16

HEX #D7AD23

RGB 215 173 35

HSL 46, 0.72%, 0.49%

LAB 72.53, 3.04, 69.26

 

CMYK 84 / 0 / 19 / 15

HEX #23D8AE

RGB 35 216 174

HSL 166.08, 0.72%, 0.49%

LAB 77.59, -52.39, 8.68

 

CMYK 84 / 81 / 0 / 16

HEX #2329D7

RGB 35 41 215

HSL 238, 0.72%, 0.49%

LAB 31.46, 57.91, -86.47

 

CMYK 0 / 84 / 64 / 16

HEX #D7234D

RGB 215 35 77

HSL 346, 0.72%, 0.49%

LAB 47.22, 67.82, 23.3

 

CMYK 0 / 3 / 84 / 16

HEX #D7D123

RGB 215 209 35

HSL 58, 0.72%, 0.49%

LAB 81.93, -15.47, 77.1

 

CMYK 84 / 0 / 19 / 15

HEX #23D8AE

RGB 35 216 174

HSL 166.08, 0.72%, 0.49%

LAB 77.59, -52.39, 8.68

 

CMYK 61 / 84 / 0 / 16

HEX #5323D7

RGB 83 35 215

HSL 256, 0.72%, 0.49%

LAB 33.87, 63.58, -82.38

 

CMYK 0 / 84 / 64 / 16

HEX #D7234D

RGB 215 35 77

HSL 346, 0.72%, 0.49%

LAB 47.22, 67.82, 23.3

 

CMYK 22 / 0 / 84 / 16

HEX #A7D723

RGB 167 215 35

HSL 76, 0.72%, 0.49%

LAB 80.14, -38.04, 74.22

 

Description

Color code: HEX #23D8AE | qconv.com Color code: HEX #23D8AE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 216 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 216 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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