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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23D882 it is the complementary color #DC277D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23D882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23D882 shade: #28D87D, #39EA90, #4AFCA3, #5BFFB6 and #6CFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23D882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23D882 shade: #23D882, #12C66F, #01B45C, #00A249 and #009036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23D882 shade: #23D781, #23D751, #26D723, #56D723 and #87D723

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23D882 shade: #23D781, #23D7B2, #23CBD7, #239BD7 and #236AD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23D882 shade matches the following richer shades: #23D781 and #0FEB82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23D882 shade: #23D781, #37C380, #4BAE7F, #609A7E and #74867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23D882 shade: #26D723, #23D750, #23D780, #23D7B0 and #23CED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23D882 shade: #179057, #1DB36C, #23D781, #43E095 and #66E6A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23D882 shade: #23D882, #2356D7 and #D73823

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23D882 shade: #23D882, #8023D7 and #D78023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23D882 shade: #23D882, #2356D7, #D7237A and #D7A423

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23D882 shade: #23D882, #2623D7, #D7237A and #D4D723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 40 / 15

HEX #23D882

RGB 35 216 130

HSL 151.49, 0.72%, 0.49%

LAB 76.73, -62.01, 30.56

 

Complementary color

CMYK 0 / 82 / 43 / 14

HEX #DC277D

RGB 220 39 125

HSL 331.49, 0.72%, 0.51%

LAB 49.67, 71.66, -2.53

 

CMYK 81 / 0 / 42 / 15

HEX #28D87D

RGB 40 216 125

HSL 148.98, 0.69%, 0.5%

LAB 76.71, -62.47, 33.08

 

CMYK 76 / 0 / 38 / 8

HEX #39EA90

RGB 57 234 144

HSL 149.49, 0.81%, 0.57%

LAB 82.77, -63.48, 31.49

 

CMYK 71 / 0 / 35 / 1

HEX #4AFCA3

RGB 74 252 163

HSL 150, 0.97%, 0.64%

LAB 88.79, -64.18, 30.01

 

CMYK 64 / 0 / 29 / 0

HEX #5BFFB6

RGB 91 255 182

HSL 153.29, 1%, 0.68%

LAB 90.38, -58.92, 22.61

 

CMYK 58 / 0 / 21 / 0

HEX #6CFFC9

RGB 108 255 201

HSL 157.96, 1%, 0.71%

LAB 91.2, -51.86, 14.1

 

CMYK 84 / 0 / 40 / 15

HEX #23D882

RGB 35 216 130

HSL 151.49, 0.72%, 0.49%

LAB 76.73, -62.01, 30.56

 

CMYK 91 / 0 / 44 / 22

HEX #12C66F

RGB 18 198 111

HSL 151, 0.83%, 0.42%

LAB 70.64, -60.46, 32.28

 

CMYK 99 / 0 / 49 / 29

HEX #01B45C

RGB 1 180 92

HSL 150.5, 0.99%, 0.35%

LAB 64.5, -58.45, 34.11

 

CMYK 100 / 0 / 55 / 36

HEX #00A249

RGB 0 162 73

HSL 147.04, 1%, 0.32%

LAB 58.34, -55.61, 36.05

 

CMYK 100 / 0 / 63 / 44

HEX #009036

RGB 0 144 54

HSL 142.5, 1%, 0.28%

LAB 52.08, -52.47, 37.9

 

CMYK 84 / 0 / 40 / 16

HEX #23D781

RGB 35 215 129

HSL 151.33, 0.72%, 0.49%

LAB 76.4, -61.85, 30.64

 

CMYK 84 / 0 / 62 / 16

HEX #23D751

RGB 35 215 81

HSL 135.33, 0.72%, 0.49%

LAB 75.79, -69.11, 52.83

 

CMYK 82 / 0 / 84 / 16

HEX #26D723

RGB 38 215 35

HSL 119, 0.72%, 0.49%

LAB 75.53, -72.47, 68.39

 

CMYK 60 / 0 / 84 / 16

HEX #56D723

RGB 86 215 35

HSL 103, 0.72%, 0.49%

LAB 76.5, -64.26, 69.61

 

CMYK 37 / 0 / 84 / 16

HEX #87D723

RGB 135 215 35

HSL 86.67, 0.72%, 0.49%

LAB 78.39, -49.85, 72.01

 

CMYK 84 / 0 / 40 / 16

HEX #23D781

RGB 35 215 129

HSL 151.33, 0.72%, 0.49%

LAB 76.4, -61.85, 30.64

 

CMYK 84 / 0 / 17 / 16

HEX #23D7B2

RGB 35 215 178

HSL 167.67, 0.72%, 0.49%

LAB 77.38, -50.99, 6.25

 

CMYK 84 / 6 / 0 / 16

HEX #23CBD7

RGB 35 203 215

HSL 184, 0.72%, 0.49%

LAB 74.81, -35.39, -17.47

 

CMYK 84 / 28 / 0 / 16

HEX #239BD7

RGB 35 155 215

HSL 200, 0.72%, 0.49%

LAB 60.52, -10.85, -39.46

 

CMYK 84 / 51 / 0 / 16

HEX #236AD7

RGB 35 106 215

HSL 216.33, 0.72%, 0.49%

LAB 46.41, 18.73, -61.95

 

CMYK 84 / 0 / 40 / 16

HEX #23D781

RGB 35 215 129

HSL 151.33, 0.72%, 0.49%

LAB 76.4, -61.85, 30.64

 

CMYK 94 / 0 / 45 / 8

HEX #0FEB82

RGB 15 235 130

HSL 151.36, 0.88%, 0.49%

LAB 82.45, -69.64, 37.98

 

CMYK 84 / 0 / 40 / 16

HEX #23D781

RGB 35 215 129

HSL 151.33, 0.72%, 0.49%

LAB 76.4, -61.85, 30.64

 

CMYK 72 / 0 / 34 / 24

HEX #37C380

RGB 55 195 128

HSL 151.29, 0.56%, 0.49%

LAB 70.46, -52.35, 23.26

 

CMYK 57 / 0 / 27 / 32

HEX #4BAE7F

RGB 75 174 127

HSL 151.52, 0.4%, 0.49%

LAB 64.4, -40.18, 15.58

 

CMYK 38 / 0 / 18 / 40

HEX #609A7E

RGB 96 154 126

HSL 151.03, 0.23%, 0.49%

LAB 59.07, -25.47, 8.77

 

CMYK 13 / 0 / 7 / 47

HEX #74867D

RGB 116 134 125

HSL 150, 0.07%, 0.49%

LAB 54.28, -8.41, 2.64

 

CMYK 82 / 0 / 84 / 16

HEX #26D723

RGB 38 215 35

HSL 119, 0.72%, 0.49%

LAB 75.53, -72.47, 68.39

 

CMYK 84 / 0 / 63 / 16

HEX #23D750

RGB 35 215 80

HSL 135, 0.72%, 0.49%

LAB 75.78, -69.22, 53.25

 

CMYK 84 / 0 / 40 / 16

HEX #23D780

RGB 35 215 128

HSL 151, 0.72%, 0.49%

LAB 76.39, -62.03, 31.13

 

CMYK 84 / 0 / 18 / 16

HEX #23D7B0

RGB 35 215 176

HSL 167, 0.72%, 0.49%

LAB 77.34, -51.49, 7.25

 

CMYK 84 / 4 / 0 / 16

HEX #23CED7

RGB 35 206 215

HSL 183, 0.72%, 0.49%

LAB 75.7, -36.79, -16.12

 

CMYK 84 / 0 / 40 / 44

HEX #179057

RGB 23 144 87

HSL 151.74, 0.72%, 0.33%

LAB 52.75, -45.17, 21.59

 

CMYK 84 / 0 / 40 / 30

HEX #1DB36C

RGB 29 179 108

HSL 151.6, 0.72%, 0.41%

LAB 64.63, -53.49, 26

 

CMYK 84 / 0 / 40 / 16

HEX #23D781

RGB 35 215 129

HSL 151.33, 0.72%, 0.49%

LAB 76.4, -61.85, 30.64

 

CMYK 70 / 0 / 33 / 12

HEX #43E095

RGB 67 224 149

HSL 151.34, 0.72%, 0.57%

LAB 80, -57.47, 25.24

 

CMYK 56 / 0 / 27 / 10

HEX #66E6A9

RGB 102 230 169

HSL 151.41, 0.72%, 0.65%

LAB 83.06, -49.4, 19.22

 

CMYK 84 / 0 / 40 / 15

HEX #23D882

RGB 35 216 130

HSL 151.49, 0.72%, 0.49%

LAB 76.73, -62.01, 30.56

 

CMYK 84 / 60 / 0 / 16

HEX #2356D7

RGB 35 86 215

HSL 223, 0.72%, 0.49%

LAB 41.09, 31.65, -70.61

 

CMYK 0 / 74 / 84 / 16

HEX #D73823

RGB 215 56 35

HSL 7, 0.72%, 0.49%

LAB 48.76, 60.33, 48.79

 

CMYK 84 / 0 / 40 / 15

HEX #23D882

RGB 35 216 130

HSL 151.49, 0.72%, 0.49%

LAB 76.73, -62.01, 30.56

 

CMYK 40 / 84 / 0 / 16

HEX #8023D7

RGB 128 35 215

HSL 271, 0.72%, 0.49%

LAB 39.07, 68.56, -73.64

 

CMYK 0 / 40 / 84 / 16

HEX #D78023

RGB 215 128 35

HSL 31, 0.72%, 0.49%

LAB 61.66, 27.18, 60.05

 

CMYK 84 / 0 / 40 / 15

HEX #23D882

RGB 35 216 130

HSL 151.49, 0.72%, 0.49%

LAB 76.73, -62.01, 30.56

 

CMYK 84 / 60 / 0 / 16

HEX #2356D7

RGB 35 86 215

HSL 223, 0.72%, 0.49%

LAB 41.09, 31.65, -70.61

 

CMYK 0 / 84 / 43 / 16

HEX #D7237A

RGB 215 35 122

HSL 331, 0.72%, 0.49%

LAB 48.33, 71.06, -2.8

 

CMYK 0 / 24 / 84 / 16

HEX #D7A423

RGB 215 164 35

HSL 43, 0.72%, 0.49%

LAB 70.26, 7.83, 67.35

 

CMYK 84 / 0 / 40 / 15

HEX #23D882

RGB 35 216 130

HSL 151.49, 0.72%, 0.49%

LAB 76.73, -62.01, 30.56

 

CMYK 82 / 84 / 0 / 16

HEX #2623D7

RGB 38 35 215

HSL 241, 0.72%, 0.49%

LAB 30.69, 60.7, -87.76

 

CMYK 0 / 84 / 43 / 16

HEX #D7237A

RGB 215 35 122

HSL 331, 0.72%, 0.49%

LAB 48.33, 71.06, -2.8

 

CMYK 1 / 0 / 84 / 16

HEX #D4D723

RGB 212 215 35

HSL 61, 0.72%, 0.49%

LAB 83.29, -19.7, 78.14

 

Description

Color code: HEX #23D882 | qconv.com Color code: HEX #23D882 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 216 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 216 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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