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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23CD65 it is the complementary color #DC329A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23CD65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23CD65 shade: #28CD60, #39DF73, #4AF186, #5BFF99 and #6CFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23CD65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23CD65 shade: #23CD65, #12BB52, #01A93F, #00972C and #008519

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23CD65 shade: #23CD65, #23CD37, #3CCD23, #6ACD23 and #98CD23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23CD65 shade: #23CD65, #23CD93, #23CDC1, #23ABCD and #237DCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23CD65 shade matches the following richer shades: #23CD65 and #0FE060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23CD65 shade: #23CD65, #36BA69, #4AA66D, #5D9372 and #707F76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23CD65 shade: #3CCD23, #23CD37, #23CD64, #23CD91 and #23CDBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23CD65 shade: #178642, #1DAA53, #23CD65, #3BDE7A and #5EE492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23CD65 shade: #23CD65, #236ACD and #CD2326

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23CD65 shade: #23CD65, #6423CD and #CD6423

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23CD65 shade: #23CD65, #236ACD, #CD238C and #CD8623

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23CD65 shade: #23CD65, #2337CD, #CD238C and #CDB923

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

Complementary color

CMYK 0 / 77 / 30 / 14

HEX #DC329A

RGB 220 50 154

HSL 323.29, 0.71%, 0.53%

LAB 51.64, 71.82, -17

 

CMYK 80 / 0 / 53 / 20

HEX #28CD60

RGB 40 205 96

HSL 140.36, 0.67%, 0.48%

LAB 72.86, -63.46, 42.57

 

CMYK 74 / 0 / 48 / 13

HEX #39DF73

RGB 57 223 115

HSL 140.96, 0.72%, 0.55%

LAB 78.97, -64.57, 41

 

CMYK 69 / 0 / 44 / 5

HEX #4AF186

RGB 74 241 134

HSL 141.56, 0.86%, 0.62%

LAB 85.04, -65.31, 39.49

 

CMYK 64 / 0 / 40 / 0

HEX #5BFF99

RGB 91 255 153

HSL 142.68, 1%, 0.68%

LAB 89.88, -64.32, 36.5

 

CMYK 58 / 0 / 33 / 0

HEX #6CFFAC

RGB 108 255 172

HSL 146.12, 1%, 0.71%

LAB 90.64, -57.66, 28.11

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 90 / 0 / 56 / 27

HEX #12BB52

RGB 18 187 82

HSL 142.72, 0.82%, 0.4%

LAB 66.73, -61.49, 41.8

 

CMYK 99 / 0 / 63 / 34

HEX #01A93F

RGB 1 169 63

HSL 142.14, 0.99%, 0.33%

LAB 60.55, -59.18, 43.42

 

CMYK 100 / 0 / 71 / 41

HEX #00972C

RGB 0 151 44

HSL 137.48, 1%, 0.3%

LAB 54.36, -55.82, 44.85

 

CMYK 100 / 0 / 81 / 48

HEX #008519

RGB 0 133 25

HSL 131.28, 1%, 0.26%

LAB 48.06, -51.99, 45.56

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 83 / 0 / 73 / 20

HEX #23CD37

RGB 35 205 55

HSL 127.06, 0.71%, 0.47%

LAB 72.43, -68.6, 59.48

 

CMYK 71 / 0 / 83 / 20

HEX #3CCD23

RGB 60 205 35

HSL 111.18, 0.71%, 0.47%

LAB 72.72, -66.41, 65.97

 

CMYK 48 / 0 / 83 / 20

HEX #6ACD23

RGB 106 205 35

HSL 94.94, 0.71%, 0.47%

LAB 74.09, -55.33, 67.72

 

CMYK 26 / 0 / 83 / 20

HEX #98CD23

RGB 152 205 35

HSL 78.71, 0.71%, 0.47%

LAB 76.35, -39.39, 70.58

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 83 / 0 / 28 / 20

HEX #23CD93

RGB 35 205 147

HSL 159.53, 0.71%, 0.47%

LAB 73.63, -54.46, 17.47

 

CMYK 83 / 0 / 6 / 20

HEX #23CDC1

RGB 35 205 193

HSL 175.76, 0.71%, 0.47%

LAB 74.74, -42.76, -5.67

 

CMYK 83 / 17 / 0 / 20

HEX #23ABCD

RGB 35 171 205

HSL 192, 0.71%, 0.47%

LAB 64.88, -22.89, -27.14

 

CMYK 83 / 39 / 0 / 20

HEX #237DCD

RGB 35 125 205

HSL 208.24, 0.71%, 0.47%

LAB 51.19, 2.98, -48.58

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 93 / 0 / 57 / 12

HEX #0FE060

RGB 15 224 96

HSL 143.25, 0.87%, 0.47%

LAB 78.61, -71.34, 49.41

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 71 / 0 / 44 / 27

HEX #36BA69

RGB 54 186 105

HSL 143.18, 0.55%, 0.47%

LAB 67.22, -53.44, 31.03

 

CMYK 55 / 0 / 34 / 35

HEX #4AA66D

RGB 74 166 109

HSL 142.83, 0.38%, 0.47%

LAB 61.51, -40.61, 21.46

 

CMYK 37 / 0 / 22 / 42

HEX #5D9372

RGB 93 147 114

HSL 143.33, 0.23%, 0.47%

LAB 56.5, -25.43, 11.91

 

CMYK 12 / 0 / 7 / 50

HEX #707F76

RGB 112 127 118

HSL 144, 0.06%, 0.47%

LAB 51.76, -7.39, 3.02

 

CMYK 71 / 0 / 83 / 20

HEX #3CCD23

RGB 60 205 35

HSL 111.18, 0.71%, 0.47%

LAB 72.72, -66.41, 65.97

 

CMYK 83 / 0 / 73 / 20

HEX #23CD37

RGB 35 205 55

HSL 127.06, 0.71%, 0.47%

LAB 72.43, -68.6, 59.48

 

CMYK 83 / 0 / 51 / 20

HEX #23CD64

RGB 35 205 100

HSL 142.94, 0.71%, 0.47%

LAB 72.85, -63.38, 40.61

 

CMYK 83 / 0 / 29 / 20

HEX #23CD91

RGB 35 205 145

HSL 158.82, 0.71%, 0.47%

LAB 73.59, -54.91, 18.48

 

CMYK 83 / 0 / 7 / 20

HEX #23CDBF

RGB 35 205 191

HSL 175.06, 0.71%, 0.47%

LAB 74.69, -43.32, -4.67

 

CMYK 83 / 0 / 51 / 47

HEX #178642

RGB 23 134 66

HSL 143.24, 0.71%, 0.31%

LAB 49.04, -45.39, 28.24

 

CMYK 83 / 0 / 51 / 33

HEX #1DAA53

RGB 29 170 83

HSL 142.98, 0.71%, 0.39%

LAB 61.34, -54.75, 34.77

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 73 / 0 / 45 / 13

HEX #3BDE7A

RGB 59 222 122

HSL 143.19, 0.71%, 0.55%

LAB 78.8, -62.82, 37.34

 

CMYK 59 / 0 / 36 / 11

HEX #5EE492

RGB 94 228 146

HSL 143.28, 0.71%, 0.63%

LAB 81.81, -54.7, 29.34

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 83 / 48 / 0 / 20

HEX #236ACD

RGB 35 106 205

HSL 214.94, 0.71%, 0.47%

LAB 45.73, 14.88, -57.33

 

CMYK 0 / 83 / 81 / 20

HEX #CD2326

RGB 205 35 38

HSL 358.94, 0.71%, 0.47%

LAB 44.69, 63.51, 42.78

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 51 / 83 / 0 / 20

HEX #6423CD

RGB 100 35 205

HSL 262.94, 0.71%, 0.47%

LAB 34.64, 62.76, -75.26

 

CMYK 0 / 51 / 83 / 20

HEX #CD6423

RGB 205 100 35

HSL 22.94, 0.71%, 0.47%

LAB 54.25, 37.75, 53.05

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 83 / 48 / 0 / 20

HEX #236ACD

RGB 35 106 205

HSL 214.94, 0.71%, 0.47%

LAB 45.73, 14.88, -57.33

 

CMYK 0 / 83 / 32 / 20

HEX #CD238C

RGB 205 35 140

HSL 322.94, 0.71%, 0.47%

LAB 47.07, 70.49, -15.82

 

CMYK 0 / 35 / 83 / 20

HEX #CD8623

RGB 205 134 35

HSL 34.94, 0.71%, 0.47%

LAB 61.78, 19.68, 59.66

 

CMYK 83 / 0 / 51 / 20

HEX #23CD65

RGB 35 205 101

HSL 143.29, 0.71%, 0.47%

LAB 72.87, -63.22, 40.14

 

CMYK 83 / 73 / 0 / 20

HEX #2337CD

RGB 35 55 205

HSL 232.94, 0.71%, 0.47%

LAB 32.91, 47.3, -78.27

 

CMYK 0 / 83 / 32 / 20

HEX #CD238C

RGB 205 35 140

HSL 322.94, 0.71%, 0.47%

LAB 47.07, 70.49, -15.82

 

CMYK 0 / 10 / 83 / 20

HEX #CDB923

RGB 205 185 35

HSL 52.94, 0.71%, 0.47%

LAB 74.7, -7.61, 70.7

 

Description

Color code: HEX #23CD65 | qconv.com Color code: HEX #23CD65 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 205 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 205 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 51 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 51% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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