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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23C58ACE it is the complementary color #DC3A75CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23C58ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23C58ACE shade: #28C585CE, #39D798CE, #4AE9ABCE, #5BFBBECE and #6CFFD1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23C58ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23C58ACE shade: #23C58ACE, #12B377CE, #01A164CE, #008F51CE and #007D3ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23C58ACE shade: #22C389, #22C35D, #22C332, #3EC322 and #6AC322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23C58ACE shade: #22C389, #22C3B4, #22A7C3, #227CC3 and #2250C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23C58ACE shade matches the following richer shades: #22C389 and #10D68E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23C58ACE shade: #22C389, #35B184, #489E7E, #5A8B79 and #6D7974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23C58ACE shade: #22C332, #22C35D, #22C388, #22C3B3 and #22A8C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23C58ACE shade: #167D57, #1CA070, #22C389, #34DB9E and #57E1AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23C58ACE shade: #23C58A, #223DC3 and #C34822

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23C58ACE shade: #23C58A, #8822C3 and #C38822

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23C58ACE shade: #23C58A, #223DC3, #C3225D and #C3A822

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23C58ACE shade: #23C58A, #3822C3, #C3225D and #AEC322

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 24 / 18

HEX #23C58ACE

RGBA 35 197 138 0.81

HSLA 158.15, 0.7%, 0.45%, 0.81

LABA 70.96, -53.4, 18.57, 0.81

 

Complementary color

CMYK 0 / 60 / 38 / 11

HEX #DC3A75CE

RGBA 220 58 117 0.81

HSLA 338.15, 0.7%, 0.55%, 0.81

LABA 51.3, 65.69, 4.67, 0.81

 

CMYK 65 / 0 / 26 / 18

HEX #28C585CE

RGBA 40 197 133 0.81

HSLA 155.54, 0.66%, 0.46%, 0.81

LABA 70.92, -53.99, 21.2, 0.81

 

CMYK 60 / 0 / 24 / 13

HEX #39D798CE

RGBA 57 215 152 0.81

HSLA 156.08, 0.66%, 0.53%, 0.81

LABA 77.12, -54.81, 19.72, 0.81

 

CMYK 55 / 0 / 22 / 7

HEX #4AE9ABCE

RGBA 74 233 171 0.81

HSLA 156.6, 0.78%, 0.6%, 0.81

LABA 83.27, -55.35, 18.36, 0.81

 

CMYK 52 / 0 / 20 / 1

HEX #5BFBBECE

RGBA 91 251 190 0.81

HSLA 157.13, 0.95%, 0.67%, 0.81

LABA 89.36, -55.69, 17.11, 0.81

 

CMYK 47 / 0 / 15 / 0

HEX #6CFFD1CE

RGBA 108 255 209 0.81

HSLA 161.22, 1%, 0.71%, 0.81

LABA 91.38, -50.11, 10.23, 0.81

 

CMYK 67 / 0 / 24 / 18

HEX #23C58ACE

RGBA 35 197 138 0.81

HSLA 158.15, 0.7%, 0.45%, 0.81

LABA 70.96, -53.4, 18.57, 0.81

 

CMYK 73 / 0 / 27 / 24

HEX #12B377CE

RGBA 18 179 119 0.81

HSLA 157.64, 0.82%, 0.39%, 0.81

LABA 64.72, -52.05, 20.21, 0.81

 

CMYK 80 / 0 / 31 / 30

HEX #01A164CE

RGBA 1 161 100 0.81

HSLA 157.13, 0.99%, 0.32%, 0.81

LABA 58.43, -50.27, 22, 0.81

 

CMYK 81 / 0 / 35 / 36

HEX #008F51CE

RGBA 0 143 81 0.81

HSLA 153.99, 1%, 0.28%, 0.81

LABA 52.11, -47.65, 24.01, 0.81

 

CMYK 81 / 0 / 41 / 41

HEX #007D3ECE

RGBA 0 125 62 0.81

HSLA 149.76, 1%, 0.25%, 0.81

LABA 45.65, -44.79, 26.09, 0.81

 

CMYK 83 / 0 / 30 / 24

HEX #22C389

RGB 34 195 137

HSL 158.39, 0.7%, 0.45%

LAB 70.3, -52.95, 18.2

 

CMYK 83 / 0 / 52 / 24

HEX #22C35D

RGB 34 195 93

HSL 141.99, 0.7%, 0.45%

LAB 69.58, -61.2, 39.99

 

CMYK 83 / 0 / 74 / 24

HEX #22C332

RGB 34 195 50

HSL 125.96, 0.7%, 0.45%

LAB 69.18, -66.1, 57.95

 

CMYK 68 / 0 / 83 / 24

HEX #3EC322

RGB 62 195 34

HSL 109.57, 0.7%, 0.45%

LAB 69.59, -62.91, 63.39

 

CMYK 46 / 0 / 83 / 24

HEX #6AC322

RGB 106 195 34

HSL 93.17, 0.7%, 0.45%

LAB 71.02, -51.54, 65.21

 

CMYK 83 / 0 / 30 / 24

HEX #22C389

RGB 34 195 137

HSL 158.39, 0.7%, 0.45%

LAB 70.3, -52.95, 18.2

 

CMYK 83 / 0 / 8 / 24

HEX #22C3B4

RGB 34 195 180

HSL 174.41, 0.7%, 0.45%

LAB 71.33, -42.09, -3.65

 

CMYK 83 / 14 / 0 / 24

HEX #22A7C3

RGB 34 167 195

HSL 190.43, 0.7%, 0.45%

LAB 63.27, -24.24, -24.04

 

CMYK 83 / 36 / 0 / 24

HEX #227CC3

RGB 34 124 195

HSL 206.46, 0.7%, 0.45%

LAB 50.33, -0.28, -44.25

 

CMYK 83 / 59 / 0 / 24

HEX #2250C3

RGB 34 80 195

HSL 222.86, 0.7%, 0.45%

LAB 37.87, 27.88, -64.3

 

CMYK 83 / 0 / 30 / 24

HEX #22C389

RGB 34 195 137

HSL 158.39, 0.7%, 0.45%

LAB 70.3, -52.95, 18.2

 

CMYK 93 / 0 / 34 / 16

HEX #10D68E

RGB 16 214 142

HSL 158.18, 0.86%, 0.45%

LAB 76.17, -60.1, 23.57

 

CMYK 83 / 0 / 30 / 24

HEX #22C389

RGB 34 195 137

HSL 158.39, 0.7%, 0.45%

LAB 70.3, -52.95, 18.2

 

CMYK 70 / 0 / 25 / 31

HEX #35B184

RGB 53 177 132

HSL 158.23, 0.54%, 0.45%

LAB 64.86, -44.56, 13.38

 

CMYK 54 / 0 / 20 / 38

HEX #489E7E

RGB 72 158 126

HSL 157.67, 0.37%, 0.45%

LAB 59.29, -33.88, 8.94

 

CMYK 35 / 0 / 13 / 45

HEX #5A8B79

RGB 90 139 121

HSL 157.96, 0.21%, 0.45%

LAB 54.05, -20.77, 4.4

 

CMYK 10 / 0 / 4 / 53

HEX #6D7974

RGB 109 121 116

HSL 155, 0.05%, 0.45%

LAB 49.72, -5.51, 1.21

 

CMYK 83 / 0 / 74 / 24

HEX #22C332

RGB 34 195 50

HSL 125.96, 0.7%, 0.45%

LAB 69.18, -66.1, 57.95

 

CMYK 83 / 0 / 52 / 24

HEX #22C35D

RGB 34 195 93

HSL 141.99, 0.7%, 0.45%

LAB 69.58, -61.2, 39.99

 

CMYK 83 / 0 / 30 / 24

HEX #22C388

RGB 34 195 136

HSL 158.01, 0.7%, 0.45%

LAB 70.28, -53.17, 18.71

 

CMYK 83 / 0 / 8 / 24

HEX #22C3B3

RGB 34 195 179

HSL 174.04, 0.7%, 0.45%

LAB 71.3, -42.37, -3.15

 

CMYK 83 / 14 / 0 / 24

HEX #22A8C3

RGB 34 168 195

HSL 190.06, 0.7%, 0.45%

LAB 63.58, -24.75, -23.58

 

CMYK 82 / 0 / 30 / 51

HEX #167D57

RGB 22 125 87

HSL 157.86, 0.7%, 0.29%

LAB 46.35, -37.63, 12.9

 

CMYK 83 / 0 / 30 / 37

HEX #1CA070

RGB 28 160 112

HSL 158.18, 0.7%, 0.37%

LAB 58.56, -45.46, 15.6

 

CMYK 83 / 0 / 30 / 24

HEX #22C389

RGB 34 195 137

HSL 158.39, 0.7%, 0.45%

LAB 70.3, -52.95, 18.2

 

CMYK 76 / 0 / 28 / 14

HEX #34DB9E

RGB 52 219 158

HSL 158.08, 0.7%, 0.53%

LAB 78.38, -55.68, 18.29

 

CMYK 61 / 0 / 22 / 12

HEX #57E1AF

RGB 87 225 175

HSL 158.26, 0.7%, 0.61%

LAB 81.28, -49.04, 13.51

 

CMYK 82 / 0 / 30 / 23

HEX #23C58A

RGB 35 197 138

HSL 158.15, 0.7%, 0.45%

LAB 70.96, -53.4, 18.57

 

CMYK 83 / 69 / 0 / 24

HEX #223DC3

RGB 34 61 195

HSL 229.94, 0.7%, 0.45%

LAB 33.17, 40.12, -72.01

 

CMYK 0 / 63 / 83 / 24

HEX #C34822

RGB 195 72 34

HSL 14.16, 0.7%, 0.45%

LAB 47.43, 47.42, 46.72

 

CMYK 82 / 0 / 30 / 23

HEX #23C58A

RGB 35 197 138

HSL 158.15, 0.7%, 0.45%

LAB 70.96, -53.4, 18.57

 

CMYK 30 / 83 / 0 / 24

HEX #8822C3

RGB 136 34 195

HSL 278.01, 0.7%, 0.45%

LAB 38.41, 65.7, -63.06

 

CMYK 0 / 30 / 83 / 24

HEX #C38822

RGB 195 136 34

HSL 38.01, 0.7%, 0.45%

LAB 61.07, 14.18, 58.91

 

CMYK 82 / 0 / 30 / 23

HEX #23C58A

RGB 35 197 138

HSL 158.15, 0.7%, 0.45%

LAB 70.96, -53.4, 18.57

 

CMYK 83 / 69 / 0 / 24

HEX #223DC3

RGB 34 61 195

HSL 229.94, 0.7%, 0.45%

LAB 33.17, 40.12, -72.01

 

CMYK 0 / 83 / 52 / 24

HEX #C3225D

RGB 195 34 93

HSL 338.01, 0.7%, 0.45%

LAB 43.56, 63.86, 7.75

 

CMYK 0 / 14 / 83 / 24

HEX #C3A822

RGB 195 168 34

HSL 49.94, 0.7%, 0.45%

LAB 69.27, -3.14, 65.99

 

CMYK 82 / 0 / 30 / 23

HEX #23C58A

RGB 35 197 138

HSL 158.15, 0.7%, 0.45%

LAB 70.96, -53.4, 18.57

 

CMYK 71 / 83 / 0 / 24

HEX #3822C3

RGB 56 34 195

HSL 248.2, 0.7%, 0.45%

LAB 29.22, 56.28, -78.5

 

CMYK 0 / 83 / 52 / 24

HEX #C3225D

RGB 195 34 93

HSL 338.01, 0.7%, 0.45%

LAB 43.56, 63.86, 7.75

 

CMYK 11 / 0 / 83 / 24

HEX #AEC322

RGB 174 195 34

HSL 67.83, 0.7%, 0.45%

LAB 74.92, -25.95, 70.14

 

Description

Color code: HEX #23C58ACE | qconv.com Color code: HEX #23C58ACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 197 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 197 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 24 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 24% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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