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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23C03D it is the complementary color #DC3FC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23C03D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23C03D shade: #28C038, #39D24B, #4AE45E, #5BF671 and #6CFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23C03D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23C03D shade: #23C03D, #12AE2A, #019C17, #008A04 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23C03D shade: #24C23E, #34C224, #5FC224, #89C224 and #B4C224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23C03D shade: #24C23E, #24C269, #24C293, #24C2BE and #249BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23C03D shade matches the following richer shades: #24C23E and #11D431

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23C03D shade: #24C23E, #36AF4A, #499D57, #5B8A63 and #6E786F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23C03D shade: #60C224, #36C224, #24C23B, #24C266 and #24C290

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23C03D shade: #177C28, #1D9F33, #24C23E, #35DA50 and #58E06E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23C03D shade: #23C03D, #248BC2 and #C2244B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23C03D shade: #23C03D, #3B24C2 and #C23B24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23C03D shade: #23C03D, #248BC2, #C224AA and #C25B24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23C03D shade: #23C03D, #245BC2, #C224AA and #C28B24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 68 / 25

HEX #23C03D

RGB 35 192 61

HSL 129.94, 0.69%, 0.45%

LAB 68.31, -64.11, 52.92

 

Complementary color

CMYK 0 / 71 / 12 / 14

HEX #DC3FC2

RGB 220 63 194

HSL 309.94, 0.69%, 0.55%

LAB 54.73, 73.03, -35.63

 

CMYK 79 / 0 / 71 / 25

HEX #28C038

RGB 40 192 56

HSL 126.32, 0.66%, 0.45%

LAB 68.34, -63.98, 54.93

 

CMYK 73 / 0 / 64 / 18

HEX #39D24B

RGB 57 210 75

HSL 127.06, 0.63%, 0.52%

LAB 74.49, -65.45, 54

 

CMYK 68 / 0 / 59 / 11

HEX #4AE45E

RGB 74 228 94

HSL 127.79, 0.74%, 0.59%

LAB 80.6, -66.43, 52.83

 

CMYK 63 / 0 / 54 / 4

HEX #5BF671

RGB 91 246 113

HSL 128.52, 0.9%, 0.66%

LAB 86.67, -67.05, 51.54

 

CMYK 58 / 0 / 48 / 0

HEX #6CFF84

RGB 108 255 132

HSL 129.8, 1%, 0.71%

LAB 90.03, -64.16, 46.94

 

CMYK 82 / 0 / 68 / 25

HEX #23C03D

RGB 35 192 61

HSL 129.94, 0.69%, 0.45%

LAB 68.31, -64.11, 52.92

 

CMYK 90 / 0 / 76 / 32

HEX #12AE2A

RGB 18 174 42

HSL 129.23, 0.81%, 0.38%

LAB 62.14, -61.87, 53.63

 

CMYK 99 / 0 / 85 / 39

HEX #019C17

RGB 1 156 23

HSL 128.52, 0.99%, 0.31%

LAB 55.93, -58.83, 53.48

 

CMYK 100 / 0 / 97 / 46

HEX #008A04

RGB 0 138 4

HSL 121.74, 1%, 0.27%

LAB 49.72, -54.45, 51.95

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 81 / 0 / 68 / 24

HEX #24C23E

RGB 36 194 62

HSL 129.87, 0.69%, 0.45%

LAB 68.97, -64.52, 53.23

 

CMYK 73 / 0 / 81 / 24

HEX #34C224

RGB 52 194 36

HSL 113.92, 0.69%, 0.45%

LAB 69.07, -64.28, 62.3

 

CMYK 51 / 0 / 81 / 24

HEX #5FC224

RGB 95 194 36

HSL 97.59, 0.69%, 0.45%

LAB 70.28, -54.41, 63.86

 

CMYK 29 / 0 / 81 / 24

HEX #89C224

RGB 137 194 36

HSL 81.65, 0.69%, 0.45%

LAB 72.25, -40.22, 66.37

 

CMYK 7 / 0 / 81 / 24

HEX #B4C224

RGB 180 194 36

HSL 65.32, 0.69%, 0.45%

LAB 75.09, -22.87, 69.96

 

CMYK 81 / 0 / 68 / 24

HEX #24C23E

RGB 36 194 62

HSL 129.87, 0.69%, 0.45%

LAB 68.97, -64.52, 53.23

 

CMYK 81 / 0 / 46 / 24

HEX #24C269

RGB 36 194 105

HSL 146.2, 0.69%, 0.45%

LAB 69.45, -58.72, 33.85

 

CMYK 81 / 0 / 24 / 24

HEX #24C293

RGB 36 194 147

HSL 162.15, 0.69%, 0.45%

LAB 70.22, -50.07, 12.71

 

CMYK 81 / 0 / 2 / 24

HEX #24C2BE

RGB 36 194 190

HSL 178.48, 0.69%, 0.45%

LAB 71.33, -38.63, -9.1

 

CMYK 81 / 20 / 0 / 24

HEX #249BC2

RGB 36 155 194

HSL 194.81, 0.69%, 0.45%

LAB 59.63, -18.12, -29.1

 

CMYK 81 / 0 / 68 / 24

HEX #24C23E

RGB 36 194 62

HSL 129.87, 0.69%, 0.45%

LAB 68.97, -64.52, 53.23

 

CMYK 92 / 0 / 77 / 17

HEX #11D431

RGB 17 212 49

HSL 129.85, 0.85%, 0.45%

LAB 74.46, -72.46, 63.45

 

CMYK 81 / 0 / 68 / 24

HEX #24C23E

RGB 36 194 62

HSL 129.87, 0.69%, 0.45%

LAB 68.97, -64.52, 53.23

 

CMYK 69 / 0 / 58 / 31

HEX #36AF4A

RGB 54 175 74

HSL 129.92, 0.53%, 0.45%

LAB 63.29, -54.18, 41.65

 

CMYK 54 / 0 / 45 / 38

HEX #499D57

RGB 73 157 87

HSL 130, 0.37%, 0.45%

LAB 58.24, -40.95, 29.01

 

CMYK 34 / 0 / 28 / 46

HEX #5B8A63

RGB 91 138 99

HSL 130.21, 0.21%, 0.45%

LAB 53.28, -24.54, 15.94

 

CMYK 8 / 0 / 8 / 53

HEX #6E786F

RGB 110 120 111

HSL 126, 0.04%, 0.45%

LAB 49.37, -5.59, 3.66

 

CMYK 51 / 0 / 81 / 24

HEX #60C224

RGB 96 194 36

HSL 97.22, 0.69%, 0.45%

LAB 70.31, -54.12, 63.9

 

CMYK 72 / 0 / 81 / 24

HEX #36C224

RGB 54 194 36

HSL 113.16, 0.69%, 0.45%

LAB 69.11, -63.95, 62.35

 

CMYK 81 / 0 / 70 / 24

HEX #24C23B

RGB 36 194 59

HSL 128.73, 0.69%, 0.45%

LAB 68.95, -64.81, 54.4

 

CMYK 81 / 0 / 47 / 24

HEX #24C266

RGB 36 194 102

HSL 145.06, 0.69%, 0.45%

LAB 69.41, -59.23, 35.31

 

CMYK 81 / 0 / 26 / 24

HEX #24C290

RGB 36 194 144

HSL 161.01, 0.69%, 0.45%

LAB 70.16, -50.78, 14.24

 

CMYK 81 / 0 / 68 / 51

HEX #177C28

RGB 23 124 40

HSL 130.1, 0.69%, 0.29%

LAB 45.29, -45.57, 36.86

 

CMYK 82 / 0 / 68 / 38

HEX #1D9F33

RGB 29 159 51

HSL 130.15, 0.69%, 0.37%

LAB 57.36, -55.33, 45.23

 

CMYK 81 / 0 / 68 / 24

HEX #24C23E

RGB 36 194 62

HSL 129.87, 0.69%, 0.45%

LAB 68.97, -64.52, 53.23

 

CMYK 76 / 0 / 63 / 15

HEX #35DA50

RGB 53 218 80

HSL 129.82, 0.69%, 0.53%

LAB 76.97, -68.08, 54.64

 

CMYK 61 / 0 / 51 / 12

HEX #58E06E

RGB 88 224 110

HSL 129.71, 0.69%, 0.61%

LAB 79.9, -60.21, 44.72

 

CMYK 82 / 0 / 68 / 25

HEX #23C03D

RGB 35 192 61

HSL 129.94, 0.69%, 0.45%

LAB 68.31, -64.11, 52.92

 

CMYK 81 / 28 / 0 / 24

HEX #248BC2

RGB 36 139 194

HSL 200.89, 0.69%, 0.45%

LAB 54.8, -9.28, -36.62

 

CMYK 0 / 81 / 61 / 24

HEX #C2244B

RGB 194 36 75

HSL 345.19, 0.69%, 0.45%

LAB 43.12, 61.85, 18.38

 

CMYK 82 / 0 / 68 / 25

HEX #23C03D

RGB 35 192 61

HSL 129.94, 0.69%, 0.45%

LAB 68.31, -64.11, 52.92

 

CMYK 70 / 81 / 0 / 24

HEX #3B24C2

RGB 59 36 194

HSL 248.73, 0.69%, 0.45%

LAB 29.63, 55.35, -77.23

 

CMYK 0 / 70 / 81 / 24

HEX #C23B24

RGB 194 59 36

HSL 8.73, 0.69%, 0.45%

LAB 45.25, 52.57, 43.64

 

CMYK 82 / 0 / 68 / 25

HEX #23C03D

RGB 35 192 61

HSL 129.94, 0.69%, 0.45%

LAB 68.31, -64.11, 52.92

 

CMYK 81 / 28 / 0 / 24

HEX #248BC2

RGB 36 139 194

HSL 200.89, 0.69%, 0.45%

LAB 54.8, -9.28, -36.62

 

CMYK 0 / 81 / 12 / 24

HEX #C224AA

RGB 194 36 170

HSL 309.11, 0.69%, 0.45%

LAB 46.49, 71.59, -34.85

 

CMYK 0 / 53 / 81 / 24

HEX #C25B24

RGB 194 91 36

HSL 20.89, 0.69%, 0.45%

LAB 50.78, 38.01, 48.84

 

CMYK 82 / 0 / 68 / 25

HEX #23C03D

RGB 35 192 61

HSL 129.94, 0.69%, 0.45%

LAB 68.31, -64.11, 52.92

 

CMYK 81 / 53 / 0 / 24

HEX #245BC2

RGB 36 91 194

HSL 219.11, 0.69%, 0.45%

LAB 40.82, 20.44, -58.92

 

CMYK 0 / 81 / 12 / 24

HEX #C224AA

RGB 194 36 170

HSL 309.11, 0.69%, 0.45%

LAB 46.49, 71.59, -34.85

 

CMYK 0 / 28 / 81 / 24

HEX #C28B24

RGB 194 139 36

HSL 39.11, 0.69%, 0.45%

LAB 61.71, 12.16, 58.75

 

Description

Color code: HEX #23C03D | qconv.com Color code: HEX #23C03D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 192 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 192 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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