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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23AFD0 it is the complementary color #DC502F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23AFD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23AFD0 shade: #28AFCB, #39C1DE, #4AD3F1, #5BE5FF and #6CF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23AFD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23AFD0 shade: #23AFD0, #129DBD, #018BAA, #007997 and #006784

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23AFD0 shade: #23B0D1, #2381D1, #2352D1, #2324D1 and #5223D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23AFD0 shade: #23B0D1, #2381D1, #2352D1, #2324D1 and #2323D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23AFD0 shade matches the following richer shades: #23B0D1 and #10BCE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23AFD0 shade: #23B0D1, #37A4BD, #4B98AA, #5F8B96 and #737F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23AFD0 shade: #23D194, #23D1C3, #23B1D1, #2383D1 and #2355D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23AFD0 shade: #18758B, #1E92AE, #23B0D1, #40C0DF and #63CCE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23AFD0 shade: #23AFD0, #6623D1 and #D1AC23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23AFD0 shade: #23AFD0, #D123B1 and #B1D123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23AFD0 shade: #23AFD0, #6623D1, #D14323 and #8FD123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23AFD0 shade: #23AFD0, #9A23D1, #D14323 and #5BD123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 16 / 0 / 18

HEX #23AFD0

RGB 35 175 208

HSL 191.45, 0.71%, 0.48%

LAB 66.19, -23.94, -26.78

 

Complementary color

CMYK 0 / 64 / 79 / 14

HEX #DC502F

RGB 220 80 47

HSL 11.45, 0.71%, 0.52%

LAB 53.12, 53.11, 47.37

 

CMYK 80 / 14 / 0 / 20

HEX #28AFCB

RGB 40 175 203

HSL 190.31, 0.67%, 0.48%

LAB 66.08, -25.16, -24.18

 

CMYK 74 / 13 / 0 / 13

HEX #39C1DE

RGB 57 193 222

HSL 190.55, 0.71%, 0.55%

LAB 72.42, -26.38, -24.86

 

CMYK 69 / 12 / 0 / 5

HEX #4AD3F1

RGB 74 211 241

HSL 190.78, 0.86%, 0.62%

LAB 78.69, -27.33, -25.48

 

CMYK 64 / 10 / 0 / 0

HEX #5BE5FF

RGB 91 229 255

HSL 189.51, 1%, 0.68%

LAB 84.73, -29.53, -23.66

 

CMYK 58 / 3 / 0 / 0

HEX #6CF7FF

RGB 108 247 255

HSL 183.27, 1%, 0.71%

LAB 90.29, -35.28, -15.23

 

CMYK 83 / 16 / 0 / 18

HEX #23AFD0

RGB 35 175 208

HSL 191.45, 0.71%, 0.48%

LAB 66.19, -23.94, -26.78

 

CMYK 90 / 17 / 0 / 26

HEX #129DBD

RGB 18 157 189

HSL 191.23, 0.83%, 0.41%

LAB 59.81, -22.17, -26.02

 

CMYK 99 / 18 / 0 / 33

HEX #018BAA

RGB 1 139 170

HSL 191.01, 0.99%, 0.34%

LAB 53.36, -20.02, -25.18

 

CMYK 100 / 20 / 0 / 41

HEX #007997

RGB 0 121 151

HSL 191.92, 1%, 0.3%

LAB 46.86, -17.18, -24.18

 

CMYK 100 / 22 / 0 / 48

HEX #006784

RGB 0 103 132

HSL 193.18, 1%, 0.26%

LAB 40.19, -14.18, -23.17

 

CMYK 83 / 16 / 0 / 18

HEX #23B0D1

RGB 35 176 209

HSL 191.38, 0.71%, 0.48%

LAB 66.53, -24.12, -26.81

 

CMYK 83 / 38 / 0 / 18

HEX #2381D1

RGB 35 129 209

HSL 207.59, 0.71%, 0.48%

LAB 52.58, 2.06, -48.64

 

CMYK 83 / 61 / 0 / 18

HEX #2352D1

RGB 35 82 209

HSL 223.79, 0.71%, 0.48%

LAB 39.57, 31.97, -69.64

 

CMYK 83 / 83 / 0 / 18

HEX #2324D1

RGB 35 36 209

HSL 239.66, 0.71%, 0.48%

LAB 29.97, 58.37, -85.48

 

CMYK 61 / 83 / 0 / 18

HEX #5223D1

RGB 82 35 209

HSL 256.21, 0.71%, 0.48%

LAB 33.13, 61.91, -80.13

 

CMYK 83 / 16 / 0 / 18

HEX #23B0D1

RGB 35 176 209

HSL 191.38, 0.71%, 0.48%

LAB 66.53, -24.12, -26.81

 

CMYK 83 / 38 / 0 / 18

HEX #2381D1

RGB 35 129 209

HSL 207.59, 0.71%, 0.48%

LAB 52.58, 2.06, -48.64

 

CMYK 83 / 61 / 0 / 18

HEX #2352D1

RGB 35 82 209

HSL 223.79, 0.71%, 0.48%

LAB 39.57, 31.97, -69.64

 

CMYK 83 / 83 / 0 / 18

HEX #2324D1

RGB 35 36 209

HSL 239.66, 0.71%, 0.48%

LAB 29.97, 58.37, -85.48

 

CMYK 83 / 83 / 0 / 18

HEX #2323D1

RGB 35 35 209

HSL 240, 0.71%, 0.48%

LAB 29.82, 58.81, -85.73

 

CMYK 83 / 16 / 0 / 18

HEX #23B0D1

RGB 35 176 209

HSL 191.38, 0.71%, 0.48%

LAB 66.53, -24.12, -26.81

 

CMYK 93 / 18 / 0 / 10

HEX #10BCE5

RGB 16 188 229

HSL 191.55, 0.87%, 0.48%

LAB 70.69, -24.59, -31.37

 

CMYK 83 / 16 / 0 / 18

HEX #23B0D1

RGB 35 176 209

HSL 191.38, 0.71%, 0.48%

LAB 66.53, -24.12, -26.81

 

CMYK 71 / 13 / 0 / 26

HEX #37A4BD

RGB 55 164 189

HSL 191.19, 0.55%, 0.48%

LAB 62.54, -22.34, -21.78

 

CMYK 56 / 11 / 0 / 33

HEX #4B98AA

RGB 75 152 170

HSL 191.37, 0.39%, 0.48%

LAB 58.84, -18.47, -16.65

 

CMYK 37 / 7 / 0 / 41

HEX #5F8B96

RGB 95 139 150

HSL 192, 0.22%, 0.48%

LAB 55.18, -12.11, -10.65

 

CMYK 12 / 2 / 0 / 49

HEX #737F82

RGB 115 127 130

HSL 192, 0.06%, 0.48%

LAB 52.33, -3.76, -3.14

 

CMYK 83 / 0 / 29 / 18

HEX #23D194

RGB 35 209 148

HSL 158.97, 0.71%, 0.48%

LAB 74.89, -55.77, 18.68

 

CMYK 83 / 0 / 7 / 18

HEX #23D1C3

RGB 35 209 195

HSL 175.17, 0.71%, 0.48%

LAB 76.01, -43.94, -4.88

 

CMYK 83 / 15 / 0 / 18

HEX #23B1D1

RGB 35 177 209

HSL 191.03, 0.71%, 0.48%

LAB 66.83, -24.63, -26.35

 

CMYK 83 / 37 / 0 / 18

HEX #2383D1

RGB 35 131 209

HSL 206.9, 0.71%, 0.48%

LAB 53.16, 0.86, -47.72

 

CMYK 83 / 59 / 0 / 18

HEX #2355D1

RGB 35 85 209

HSL 222.76, 0.71%, 0.48%

LAB 40.34, 30.03, -68.38

 

CMYK 83 / 16 / 0 / 45

HEX #18758B

RGB 24 117 139

HSL 191.48, 0.71%, 0.32%

LAB 45.33, -17.8, -19.4

 

CMYK 83 / 16 / 0 / 32

HEX #1E92AE

RGB 30 146 174

HSL 191.67, 0.71%, 0.4%

LAB 55.98, -20.72, -23.41

 

CMYK 83 / 16 / 0 / 18

HEX #23B0D1

RGB 35 176 209

HSL 191.38, 0.71%, 0.48%

LAB 66.53, -24.12, -26.81

 

CMYK 71 / 14 / 0 / 13

HEX #40C0DF

RGB 64 192 223

HSL 191.7, 0.71%, 0.56%

LAB 72.31, -24.71, -25.56

 

CMYK 57 / 11 / 0 / 10

HEX #63CCE5

RGB 99 204 229

HSL 191.54, 0.71%, 0.64%

LAB 76.98, -23.34, -21.59

 

CMYK 83 / 16 / 0 / 18

HEX #23AFD0

RGB 35 175 208

HSL 191.45, 0.71%, 0.48%

LAB 66.19, -23.94, -26.78

 

CMYK 51 / 83 / 0 / 18

HEX #6623D1

RGB 102 35 209

HSL 263.1, 0.71%, 0.48%

LAB 35.26, 63.97, -76.55

 

CMYK 0 / 18 / 83 / 18

HEX #D1AC23

RGB 209 172 35

HSL 47.24, 0.71%, 0.48%

LAB 71.68, 0.94, 68.3

 

CMYK 83 / 16 / 0 / 18

HEX #23AFD0

RGB 35 175 208

HSL 191.45, 0.71%, 0.48%

LAB 66.19, -23.94, -26.78

 

CMYK 0 / 83 / 15 / 18

HEX #D123B1

RGB 209 35 177

HSL 311.03, 0.71%, 0.48%

LAB 49.41, 75.85, -34.2

 

CMYK 15 / 0 / 83 / 18

HEX #B1D123

RGB 177 209 35

HSL 71.03, 0.71%, 0.48%

LAB 79.08, -31.32, 73.56

 

CMYK 83 / 16 / 0 / 18

HEX #23AFD0

RGB 35 175 208

HSL 191.45, 0.71%, 0.48%

LAB 66.19, -23.94, -26.78

 

CMYK 51 / 83 / 0 / 18

HEX #6623D1

RGB 102 35 209

HSL 263.1, 0.71%, 0.48%

LAB 35.26, 63.97, -76.55

 

CMYK 0 / 68 / 83 / 18

HEX #D14323

RGB 209 67 35

HSL 11.03, 0.71%, 0.48%

LAB 49.12, 54.39, 48.7

 

CMYK 32 / 0 / 83 / 18

HEX #8FD123

RGB 143 209 35

HSL 82.76, 0.71%, 0.48%

LAB 77.02, -44.51, 70.97

 

CMYK 83 / 16 / 0 / 18

HEX #23AFD0

RGB 35 175 208

HSL 191.45, 0.71%, 0.48%

LAB 66.19, -23.94, -26.78

 

CMYK 26 / 83 / 0 / 18

HEX #9A23D1

RGB 154 35 209

HSL 281.03, 0.71%, 0.48%

LAB 42.27, 71.05, -64.79

 

CMYK 0 / 68 / 83 / 18

HEX #D14323

RGB 209 67 35

HSL 11.03, 0.71%, 0.48%

LAB 49.12, 54.39, 48.7

 

CMYK 56 / 0 / 83 / 18

HEX #5BD123

RGB 91 209 35

HSL 100.69, 0.71%, 0.48%

LAB 74.79, -60.97, 68.14

 

Description

Color code: HEX #23AFD0 | qconv.com Color code: HEX #23AFD0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 175 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 175 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 16 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 16% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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