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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23AFB1 it is the complementary color #DC504E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23AFB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23AFB1 shade: #28AFAC, #39C1BF, #4AD3D2, #5BE5E5 and #6CF7F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23AFB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23AFB1 shade: #23AFB1, #129D9E, #018B8B, #007978 and #006765

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23AFB1 shade: #23B1B3, #238AB3, #2363B3, #233DB3 and #3123B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23AFB1 shade: #23B1B3, #238AB3, #2363B3, #233DB3 and #2323B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23AFB1 shade matches the following richer shades: #23B1B3, #12C2C4 and #01D2D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23AFB1 shade: #23B1B3, #35A0A2, #468F90, #577E7F and #696D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23AFB1 shade: #23B366, #23B38D, #23B3B3, #238DB3 and #2366B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23AFB1 shade: #166D6E, #1D8F90, #23B1B3, #2AD3D5 and #4DDADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23AFB1 shade: #23AFB1, #4023B3 and #B37923

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23AFB1 shade: #23AFB1, #B323B3 and #B3B323

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23AFB1 shade: #23AFB1, #4023B3, #B32323 and #96B323

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23AFB1 shade: #23AFB1, #6B23B3, #B32323 and #6BB323

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 1 / 0 / 31

HEX #23AFB1

RGB 35 175 177

HSL 180.85, 0.67%, 0.42%

LAB 65.11, -33.78, -11.22

 

Complementary color

CMYK 0 / 64 / 65 / 14

HEX #DC504E

RGB 220 80 78

HSL 0.85, 0.67%, 0.58%

LAB 53.5, 54.55, 30.87

 

CMYK 77 / 0 / 2 / 31

HEX #28AFAC

RGB 40 175 172

HSL 178.67, 0.63%, 0.42%

LAB 65.03, -34.79, -8.56

 

CMYK 70 / 0 / 1 / 24

HEX #39C1BF

RGB 57 193 191

HSL 179.12, 0.54%, 0.49%

LAB 71.4, -35.68, -9.51

 

CMYK 65 / 0 / 0 / 17

HEX #4AD3D2

RGB 74 211 210

HSL 179.56, 0.61%, 0.56%

LAB 77.7, -36.33, -10.37

 

CMYK 60 / 0 / 0 / 10

HEX #5BE5E5

RGB 91 229 229

HSL 180, 0.73%, 0.63%

LAB 83.92, -36.79, -11.16

 

CMYK 56 / 0 / 0 / 3

HEX #6CF7F8

RGB 108 247 248

HSL 180.43, 0.91%, 0.7%

LAB 90.08, -37.13, -11.89

 

CMYK 80 / 1 / 0 / 31

HEX #23AFB1

RGB 35 175 177

HSL 180.85, 0.67%, 0.42%

LAB 65.11, -33.78, -11.22

 

CMYK 89 / 1 / 0 / 38

HEX #129D9E

RGB 18 157 158

HSL 180.43, 0.8%, 0.35%

LAB 58.71, -32.36, -10.17

 

CMYK 99 / 0 / 0 / 45

HEX #018B8B

RGB 1 139 139

HSL 180, 0.99%, 0.27%

LAB 52.21, -30.57, -8.99

 

CMYK 100 / 0 / 1 / 53

HEX #007978

RGB 0 121 120

HSL 179.5, 1%, 0.24%

LAB 45.68, -28.03, -7.6

 

CMYK 100 / 0 / 2 / 60

HEX #006765

RGB 0 103 101

HSL 178.83, 1%, 0.2%

LAB 38.97, -25.38, -6.14

 

CMYK 80 / 1 / 0 / 30

HEX #23B1B3

RGB 35 177 179

HSL 180.83, 0.67%, 0.42%

LAB 65.79, -34.12, -11.32

 

CMYK 80 / 23 / 0 / 30

HEX #238AB3

RGB 35 138 179

HSL 197.08, 0.67%, 0.42%

LAB 53.8, -14.18, -29.62

 

CMYK 80 / 45 / 0 / 30

HEX #2363B3

RGB 35 99 179

HSL 213.33, 0.67%, 0.42%

LAB 42.06, 9.29, -48.18

 

CMYK 80 / 66 / 0 / 30

HEX #233DB3

RGB 35 61 179

HSL 229.17, 0.67%, 0.42%

LAB 31.69, 34.33, -65

 

CMYK 73 / 80 / 0 / 30

HEX #3123B3

RGB 49 35 179

HSL 245.83, 0.67%, 0.42%

LAB 27.05, 50.54, -72.64

 

CMYK 80 / 1 / 0 / 30

HEX #23B1B3

RGB 35 177 179

HSL 180.83, 0.67%, 0.42%

LAB 65.79, -34.12, -11.32

 

CMYK 80 / 23 / 0 / 30

HEX #238AB3

RGB 35 138 179

HSL 197.08, 0.67%, 0.42%

LAB 53.8, -14.18, -29.62

 

CMYK 80 / 45 / 0 / 30

HEX #2363B3

RGB 35 99 179

HSL 213.33, 0.67%, 0.42%

LAB 42.06, 9.29, -48.18

 

CMYK 80 / 66 / 0 / 30

HEX #233DB3

RGB 35 61 179

HSL 229.17, 0.67%, 0.42%

LAB 31.69, 34.33, -65

 

CMYK 80 / 80 / 0 / 30

HEX #2323B3

RGB 35 35 179

HSL 240, 0.67%, 0.42%

LAB 26.2, 49.59, -74.07

 

CMYK 80 / 1 / 0 / 30

HEX #23B1B3

RGB 35 177 179

HSL 180.83, 0.67%, 0.42%

LAB 65.79, -34.12, -11.32

 

CMYK 91 / 1 / 0 / 23

HEX #12C2C4

RGB 18 194 196

HSL 180.67, 0.83%, 0.42%

LAB 71.35, -37.96, -12.37

 

CMYK 100 / 2 / 0 / 16

HEX #01D2D6

RGB 1 210 214

HSL 181.13, 0.99%, 0.42%

LAB 76.65, -40.31, -14.17

 

CMYK 80 / 1 / 0 / 30

HEX #23B1B3

RGB 35 177 179

HSL 180.83, 0.67%, 0.42%

LAB 65.79, -34.12, -11.32

 

CMYK 67 / 1 / 0 / 36

HEX #35A0A2

RGB 53 160 162

HSL 181.1, 0.51%, 0.42%

LAB 60.34, -28.92, -9.92

 

CMYK 51 / 1 / 0 / 44

HEX #468F90

RGB 70 143 144

HSL 180.81, 0.35%, 0.42%

LAB 55.03, -22.36, -7.53

 

CMYK 31 / 1 / 0 / 50

HEX #577E7F

RGB 87 126 127

HSL 181.5, 0.19%, 0.42%

LAB 50.07, -13.27, -4.92

 

CMYK 5 / 1 / 0 / 57

HEX #696D6E

RGB 105 109 110

HSL 192, 0.02%, 0.42%

LAB 45.72, -1.31, -1.1

 

CMYK 80 / 0 / 43 / 30

HEX #23B366

RGB 35 179 102

HSL 147.92, 0.67%, 0.42%

LAB 64.61, -54.02, 29.14

 

CMYK 80 / 0 / 21 / 30

HEX #23B38D

RGB 35 179 141

HSL 164.17, 0.67%, 0.42%

LAB 65.37, -45.53, 9.12

 

CMYK 80 / 0 / 0 / 30

HEX #23B3B3

RGB 35 179 179

HSL 180, 0.67%, 0.42%

LAB 66.41, -35.06, -10.4

 

CMYK 80 / 21 / 0 / 30

HEX #238DB3

RGB 35 141 179

HSL 195.83, 0.67%, 0.42%

LAB 54.72, -15.83, -28.2

 

CMYK 80 / 43 / 0 / 30

HEX #2366B3

RGB 35 102 179

HSL 212.08, 0.67%, 0.42%

LAB 42.94, 7.37, -46.77

 

CMYK 80 / 1 / 0 / 57

HEX #166D6E

RGB 22 109 110

HSL 180.68, 0.67%, 0.26%

LAB 41.59, -23.62, -7.69

 

CMYK 80 / 1 / 0 / 44

HEX #1D8F90

RGB 29 143 144

HSL 180.52, 0.66%, 0.34%

LAB 53.94, -29.11, -9.27

 

CMYK 80 / 1 / 0 / 30

HEX #23B1B3

RGB 35 177 179

HSL 180.83, 0.67%, 0.42%

LAB 65.79, -34.12, -11.32

 

CMYK 80 / 1 / 0 / 16

HEX #2AD3D5

RGB 42 211 213

HSL 180.7, 0.67%, 0.5%

LAB 77.21, -39.15, -12.77

 

CMYK 65 / 1 / 0 / 14

HEX #4DDADC

RGB 77 218 220

HSL 180.84, 0.67%, 0.58%

LAB 80.12, -36.35, -12.1

 

CMYK 80 / 1 / 0 / 31

HEX #23AFB1

RGB 35 175 177

HSL 180.85, 0.67%, 0.42%

LAB 65.11, -33.78, -11.22

 

CMYK 64 / 80 / 0 / 30

HEX #4023B3

RGB 64 35 179

HSL 252.08, 0.67%, 0.42%

LAB 28.24, 51.88, -70.63

 

CMYK 0 / 32 / 80 / 30

HEX #B37923

RGB 179 121 35

HSL 35.83, 0.67%, 0.42%

LAB 55.46, 15.43, 52.82

 

CMYK 80 / 1 / 0 / 31

HEX #23AFB1

RGB 35 175 177

HSL 180.85, 0.67%, 0.42%

LAB 65.11, -33.78, -11.22

 

CMYK 0 / 80 / 0 / 30

HEX #B323B3

RGB 179 35 179

HSL 300, 0.67%, 0.42%

LAB 44.29, 70.14, -43.82

 

CMYK 0 / 0 / 80 / 30

HEX #B3B323

RGB 179 179 35

HSL 60, 0.67%, 0.42%

LAB 70.83, -15.85, 66.5

 

CMYK 80 / 1 / 0 / 31

HEX #23AFB1

RGB 35 175 177

HSL 180.85, 0.67%, 0.42%

LAB 65.11, -33.78, -11.22

 

CMYK 64 / 80 / 0 / 30

HEX #4023B3

RGB 64 35 179

HSL 252.08, 0.67%, 0.42%

LAB 28.24, 51.88, -70.63

 

CMYK 0 / 80 / 80 / 30

HEX #B32323

RGB 179 35 35

HSL 0, 0.67%, 0.42%

LAB 39.42, 55.97, 37.47

 

CMYK 16 / 0 / 80 / 30

HEX #96B323

RGB 150 179 35

HSL 72.08, 0.67%, 0.42%

LAB 68.64, -28.21, 63.73

 

CMYK 80 / 1 / 0 / 31

HEX #23AFB1

RGB 35 175 177

HSL 180.85, 0.67%, 0.42%

LAB 65.11, -33.78, -11.22

 

CMYK 40 / 80 / 0 / 30

HEX #6B23B3

RGB 107 35 179

HSL 270, 0.67%, 0.42%

LAB 33.1, 57.37, -62.46

 

CMYK 0 / 80 / 80 / 30

HEX #B32323

RGB 179 35 35

HSL 0, 0.67%, 0.42%

LAB 39.42, 55.97, 37.47

 

CMYK 40 / 0 / 80 / 30

HEX #6BB323

RGB 107 179 35

HSL 90, 0.67%, 0.42%

LAB 66.13, -44.75, 60.52

 

Description

Color code: HEX #23AFB1 | qconv.com Color code: HEX #23AFB1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 175 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 175 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 1 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 1% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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