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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23AF3E it is the complementary color #DC50C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23AF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23AF3E shade: #28AF39, #39C14C, #4AD35F, #5BE572 and #6CF785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23AF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23AF3E shade: #23AF3E, #129D2B, #018B18, #007905 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23AF3E shade: #23AF3E, #2DAF23, #53AF23, #79AF23 and #9FAF23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23AF3E shade: #23AF3E, #23AF63, #23AF89, #23AEAF and #2389AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23AF3E shade matches the following richer shades: #23AF3E, #12C033 and #01D029

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23AF3E shade: #23AF3E, #339E48, #448D52, #557C5D and #666B67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23AF3E shade: #54AF23, #2EAF23, #23AF3C, #23AF62 and #23AF87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23AF3E shade: #156A25, #1C8C31, #23AF3E, #29D14A and #49DB65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23AF3E shade: #23AF3E, #2379AF and #AF2341

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23AF3E shade: #23AF3E, #3C23AF and #AF3C23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23AF3E shade: #23AF3E, #2379AF, #AF2395 and #AF5823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23AF3E shade: #23AF3E, #234FAF, #AF2395 and #AF8223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

Complementary color

CMYK 0 / 64 / 12 / 14

HEX #DC50C1

RGB 220 80 193

HSL 311.57, 0.67%, 0.59%

LAB 56.88, 66.72, -31.69

 

CMYK 77 / 0 / 67 / 31

HEX #28AF39

RGB 40 175 57

HSL 127.56, 0.63%, 0.42%

LAB 62.85, -58.47, 48.7

 

CMYK 70 / 0 / 61 / 24

HEX #39C14C

RGB 57 193 76

HSL 128.38, 0.54%, 0.49%

LAB 69.13, -59.68, 47.54

 

CMYK 65 / 0 / 55 / 17

HEX #4AD35F

RGB 74 211 95

HSL 129.2, 0.61%, 0.56%

LAB 75.37, -60.42, 46.22

 

CMYK 60 / 0 / 50 / 10

HEX #5BE572

RGB 91 229 114

HSL 130, 0.73%, 0.63%

LAB 81.55, -60.85, 44.86

 

CMYK 56 / 0 / 46 / 3

HEX #6CF785

RGB 108 247 133

HSL 130.79, 0.9%, 0.7%

LAB 87.68, -61.05, 43.51

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 89 / 0 / 73 / 38

HEX #129D2B

RGB 18 157 43

HSL 130.79, 0.79%, 0.34%

LAB 56.5, -56.61, 47.54

 

CMYK 99 / 0 / 83 / 45

HEX #018B18

RGB 1 139 24

HSL 130, 0.99%, 0.27%

LAB 50.14, -53.79, 47.85

 

CMYK 100 / 0 / 96 / 53

HEX #007905

RGB 0 121 5

HSL 122.48, 1%, 0.24%

LAB 43.78, -49.44, 46.81

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 74 / 0 / 80 / 31

HEX #2DAF23

RGB 45 175 35

HSL 115.71, 0.67%, 0.41%

LAB 62.79, -59.49, 56.66

 

CMYK 53 / 0 / 80 / 31

HEX #53AF23

RGB 83 175 35

HSL 99.43, 0.67%, 0.41%

LAB 63.85, -50.81, 58.04

 

CMYK 31 / 0 / 80 / 31

HEX #79AF23

RGB 121 175 35

HSL 83.14, 0.67%, 0.41%

LAB 65.63, -37.95, 60.33

 

CMYK 9 / 0 / 80 / 31

HEX #9FAF23

RGB 159 175 35

HSL 66.86, 0.67%, 0.41%

LAB 68.13, -22.47, 63.52

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 80 / 0 / 43 / 31

HEX #23AF63

RGB 35 175 99

HSL 147.43, 0.67%, 0.41%

LAB 63.28, -53.12, 28.98

 

CMYK 80 / 0 / 22 / 31

HEX #23AF89

RGB 35 175 137

HSL 163.71, 0.67%, 0.41%

LAB 64.02, -44.86, 9.4

 

CMYK 80 / 1 / 0 / 31

HEX #23AEAF

RGB 35 174 175

HSL 180.43, 0.67%, 0.41%

LAB 64.74, -33.91, -10.67

 

CMYK 80 / 22 / 0 / 31

HEX #2389AF

RGB 35 137 175

HSL 196.29, 0.67%, 0.41%

LAB 53.32, -15.03, -28.07

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 91 / 0 / 73 / 25

HEX #12C033

RGB 18 192 51

HSL 131.38, 0.83%, 0.41%

LAB 68.07, -66.49, 56.42

 

CMYK 100 / 0 / 80 / 18

HEX #01D029

RGB 1 208 41

HSL 131.59, 0.99%, 0.41%

LAB 73.07, -72.51, 64.48

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 68 / 0 / 54 / 38

HEX #339E48

RGB 51 158 72

HSL 131.78, 0.51%, 0.41%

LAB 57.68, -48.82, 35.91

 

CMYK 52 / 0 / 42 / 45

HEX #448D52

RGB 68 141 82

HSL 131.51, 0.35%, 0.41%

LAB 52.83, -36.23, 24.66

 

CMYK 31 / 0 / 25 / 51

HEX #557C5D

RGB 85 124 93

HSL 132.31, 0.19%, 0.41%

LAB 48.43, -20.57, 12.65

 

CMYK 5 / 0 / 4 / 58

HEX #666B67

RGB 102 107 103

HSL 132, 0.02%, 0.41%

LAB 44.69, -2.75, 1.57

 

CMYK 52 / 0 / 80 / 31

HEX #54AF23

RGB 84 175 35

HSL 99, 0.67%, 0.41%

LAB 63.89, -50.52, 58.09

 

CMYK 74 / 0 / 80 / 31

HEX #2EAF23

RGB 46 175 35

HSL 115.29, 0.67%, 0.41%

LAB 62.81, -59.33, 56.69

 

CMYK 80 / 0 / 66 / 31

HEX #23AF3C

RGB 35 175 60

HSL 130.71, 0.67%, 0.41%

LAB 62.8, -58.82, 47.35

 

CMYK 80 / 0 / 44 / 31

HEX #23AF62

RGB 35 175 98

HSL 147, 0.67%, 0.41%

LAB 63.26, -53.3, 29.49

 

CMYK 80 / 0 / 23 / 31

HEX #23AF87

RGB 35 175 135

HSL 162.86, 0.67%, 0.41%

LAB 63.97, -45.36, 10.44

 

CMYK 80 / 0 / 65 / 58

HEX #156A25

RGB 21 106 37

HSL 131.29, 0.67%, 0.25%

LAB 38.9, -39.82, 31.12

 

CMYK 80 / 0 / 65 / 45

HEX #1C8C31

RGB 28 140 49

HSL 131.25, 0.67%, 0.33%

LAB 50.95, -49.34, 39.04

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 80 / 0 / 65 / 18

HEX #29D14A

RGB 41 209 74

HSL 131.79, 0.67%, 0.49%

LAB 73.91, -67.4, 53.71

 

CMYK 67 / 0 / 54 / 14

HEX #49DB65

RGB 73 219 101

HSL 131.51, 0.67%, 0.57%

LAB 77.89, -62.64, 46.43

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 80 / 31 / 0 / 31

HEX #2379AF

RGB 35 121 175

HSL 203.14, 0.67%, 0.41%

LAB 48.42, -5.87, -35.73

 

CMYK 0 / 80 / 63 / 31

HEX #AF2341

RGB 175 35 65

HSL 347.14, 0.67%, 0.41%

LAB 39.07, 56.19, 18.62

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 66 / 80 / 0 / 31

HEX #3C23AF

RGB 60 35 175

HSL 250.71, 0.67%, 0.41%

LAB 27.46, 50.31, -69.54

 

CMYK 0 / 66 / 80 / 31

HEX #AF3C23

RGB 175 60 35

HSL 10.71, 0.67%, 0.41%

LAB 41.95, 45.61, 39.75

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 80 / 31 / 0 / 31

HEX #2379AF

RGB 35 121 175

HSL 203.14, 0.67%, 0.41%

LAB 48.42, -5.87, -35.73

 

CMYK 0 / 80 / 15 / 31

HEX #AF2395

RGB 175 35 149

HSL 311.14, 0.67%, 0.41%

LAB 41.98, 64.82, -29.59

 

CMYK 0 / 50 / 80 / 31

HEX #AF5823

RGB 175 88 35

HSL 22.71, 0.67%, 0.41%

LAB 47.25, 31.87, 44.94

 

CMYK 80 / 0 / 65 / 31

HEX #23AF3E

RGB 35 175 62

HSL 131.57, 0.67%, 0.41%

LAB 62.81, -58.6, 46.5

 

CMYK 80 / 55 / 0 / 31

HEX #234FAF

RGB 35 79 175

HSL 221.14, 0.67%, 0.41%

LAB 36.07, 20.89, -55.48

 

CMYK 0 / 80 / 15 / 31

HEX #AF2395

RGB 175 35 149

HSL 311.14, 0.67%, 0.41%

LAB 41.98, 64.82, -29.59

 

CMYK 0 / 26 / 80 / 31

HEX #AF8223

RGB 175 130 35

HSL 40.71, 0.67%, 0.41%

LAB 57.27, 8.61, 54.3

 

Description

Color code: HEX #23AF3E | qconv.com Color code: HEX #23AF3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 175 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 175 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 65 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 65% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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