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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23AF1B it is the complementary color #DC50E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23AF1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23AF1B shade: #28AF16, #39C129, #4AD33C, #5BE54F and #6CF762

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23AF1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23AF1B shade: #23AF1B, #129D08, #018B00, #007900 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23AF1B shade: #24B01C, #4CB01C, #74B01C, #9CB01C and #B09D1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23AF1B shade: #24B01C, #1CB03C, #1CB064, #1CB08C and #1CADB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23AF1B shade matches the following richer shades: #24B01C and #15C10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23AF1B shade: #24B01C, #32A02C, #418F3D, #507F4D and #5E6E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23AF1B shade: #75B01C, #4DB01C, #25B01C, #1CB039 and #1CB061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23AF1B shade: #156910, #1C8D16, #24B01C, #2BD421 and #46E13E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23AF1B shade: #23AF1B, #1C9DB0 and #B01C61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23AF1B shade: #23AF1B, #1C25B0 and #B01C25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23AF1B shade: #23AF1B, #1C9DB0, #A71CB0 and #B02F1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23AF1B shade: #23AF1B, #1C70B0, #A71CB0 and #B05C1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 85 / 31

HEX #23AF1B

RGB 35 175 27

HSL 116.76, 0.73%, 0.4%

LAB 62.59, -61.4, 58.62

 

Complementary color

CMYK 4 / 65 / 0 / 11

HEX #DC50E4

RGB 220 80 228

HSL 296.76, 0.73%, 0.6%

LAB 58.56, 72.28, -48.92

 

CMYK 77 / 0 / 87 / 31

HEX #28AF16

RGB 40 175 22

HSL 112.94, 0.78%, 0.39%

LAB 62.65, -60.93, 59.86

 

CMYK 70 / 0 / 79 / 24

HEX #39C129

RGB 57 193 41

HSL 113.68, 0.65%, 0.46%

LAB 68.87, -62.81, 60.71

 

CMYK 65 / 0 / 72 / 17

HEX #4AD33C

RGB 74 211 60

HSL 114.44, 0.63%, 0.53%

LAB 75.06, -64.08, 60.6

 

CMYK 60 / 0 / 66 / 10

HEX #5BE54F

RGB 91 229 79

HSL 115.2, 0.74%, 0.6%

LAB 81.2, -64.9, 59.94

 

CMYK 56 / 0 / 60 / 3

HEX #6CF762

RGB 108 247 98

HSL 115.97, 0.9%, 0.68%

LAB 87.29, -65.42, 58.99

 

CMYK 80 / 0 / 85 / 31

HEX #23AF1B

RGB 35 175 27

HSL 116.76, 0.73%, 0.4%

LAB 62.59, -61.4, 58.62

 

CMYK 89 / 0 / 95 / 38

HEX #129D08

RGB 18 157 8

HSL 115.97, 0.9%, 0.32%

LAB 56.35, -58.59, 56.83

 

CMYK 99 / 0 / 100 / 45

HEX #018B00

RGB 1 139 0

HSL 119.57, 1%, 0.27%

LAB 50.06, -54.81, 52.98

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 80 / 0 / 84 / 31

HEX #24B01C

RGB 36 176 28

HSL 116.76, 0.73%, 0.4%

LAB 62.94, -61.53, 58.69

 

CMYK 57 / 0 / 84 / 31

HEX #4CB01C

RGB 76 176 28

HSL 100.54, 0.73%, 0.4%

LAB 63.89, -53.48, 59.91

 

CMYK 34 / 0 / 84 / 31

HEX #74B01C

RGB 116 176 28

HSL 84.32, 0.73%, 0.4%

LAB 65.63, -40.56, 62.11

 

CMYK 11 / 0 / 84 / 31

HEX #9CB01C

RGB 156 176 28

HSL 68.11, 0.73%, 0.4%

LAB 68.17, -24.48, 65.3

 

CMYK 0 / 11 / 84 / 31

HEX #B09D1C

RGB 176 157 28

HSL 52.3, 0.73%, 0.4%

LAB 64.51, -5.93, 62.86

 

CMYK 80 / 0 / 84 / 31

HEX #24B01C

RGB 36 176 28

HSL 116.76, 0.73%, 0.4%

LAB 62.94, -61.53, 58.69

 

CMYK 84 / 0 / 66 / 31

HEX #1CB03C

RGB 28 176 60

HSL 132.97, 0.73%, 0.4%

LAB 63.03, -59.94, 47.58

 

CMYK 84 / 0 / 43 / 31

HEX #1CB064

RGB 28 176 100

HSL 149.19, 0.73%, 0.4%

LAB 63.52, -54.03, 28.76

 

CMYK 84 / 0 / 20 / 31

HEX #1CB08C

RGB 28 176 140

HSL 165.41, 0.73%, 0.4%

LAB 64.32, -45.18, 8.15

 

CMYK 84 / 2 / 0 / 31

HEX #1CADB0

RGB 28 173 176

HSL 181.22, 0.73%, 0.4%

LAB 64.38, -33.71, -11.78

 

CMYK 80 / 0 / 84 / 31

HEX #24B01C

RGB 36 176 28

HSL 116.76, 0.73%, 0.4%

LAB 62.94, -61.53, 58.69

 

CMYK 89 / 0 / 94 / 24

HEX #15C10B

RGB 21 193 11

HSL 116.7, 0.89%, 0.4%

LAB 68.26, -68.59, 66.36

 

CMYK 80 / 0 / 84 / 31

HEX #24B01C

RGB 36 176 28

HSL 116.76, 0.73%, 0.4%

LAB 62.94, -61.53, 58.69

 

CMYK 69 / 0 / 73 / 37

HEX #32A02C

RGB 50 160 44

HSL 116.9, 0.57%, 0.4%

LAB 58.04, -52.95, 48.91

 

CMYK 55 / 0 / 57 / 44

HEX #418F3D

RGB 65 143 61

HSL 117.07, 0.4%, 0.4%

LAB 53.06, -41.11, 35.97

 

CMYK 37 / 0 / 39 / 50

HEX #507F4D

RGB 80 127 77

HSL 116.4, 0.25%, 0.4%

LAB 48.78, -26.77, 22.26

 

CMYK 15 / 0 / 15 / 57

HEX #5E6E5E

RGB 94 110 94

HSL 120, 0.08%, 0.4%

LAB 44.72, -9.4, 6.93

 

CMYK 34 / 0 / 84 / 31

HEX #75B01C

RGB 117 176 28

HSL 83.92, 0.73%, 0.4%

LAB 65.68, -40.19, 62.18

 

CMYK 56 / 0 / 84 / 31

HEX #4DB01C

RGB 77 176 28

HSL 100.14, 0.73%, 0.4%

LAB 63.93, -53.21, 59.95

 

CMYK 79 / 0 / 84 / 31

HEX #25B01C

RGB 37 176 28

HSL 116.35, 0.73%, 0.4%

LAB 62.95, -61.39, 58.71

 

CMYK 84 / 0 / 68 / 31

HEX #1CB039

RGB 28 176 57

HSL 131.76, 0.73%, 0.4%

LAB 63.01, -60.25, 48.82

 

CMYK 84 / 0 / 45 / 31

HEX #1CB061

RGB 28 176 97

HSL 147.97, 0.73%, 0.4%

LAB 63.48, -54.58, 30.27

 

CMYK 80 / 0 / 85 / 59

HEX #156910

RGB 21 105 16

HSL 116.63, 0.74%, 0.24%

LAB 38.38, -41.52, 39.35

 

CMYK 80 / 0 / 84 / 45

HEX #1C8D16

RGB 28 141 22

HSL 116.97, 0.73%, 0.32%

LAB 51.1, -52.02, 49.43

 

CMYK 80 / 0 / 84 / 31

HEX #24B01C

RGB 36 176 28

HSL 116.76, 0.73%, 0.4%

LAB 62.94, -61.53, 58.69

 

CMYK 80 / 0 / 84 / 17

HEX #2BD421

RGB 43 212 33

HSL 116.65, 0.73%, 0.48%

LAB 74.64, -71.13, 68.07

 

CMYK 69 / 0 / 72 / 12

HEX #46E13E

RGB 70 225 62

HSL 117.06, 0.73%, 0.56%

LAB 79.33, -69.26, 64.21

 

CMYK 80 / 0 / 85 / 31

HEX #23AF1B

RGB 35 175 27

HSL 116.76, 0.73%, 0.4%

LAB 62.59, -61.4, 58.62

 

CMYK 84 / 11 / 0 / 31

HEX #1C9DB0

RGB 28 157 176

HSL 187.7, 0.73%, 0.4%

LAB 59.43, -25.9, -19.26

 

CMYK 0 / 84 / 45 / 31

HEX #B01C61

RGB 176 28 97

HSL 332.03, 0.73%, 0.4%

LAB 39.45, 60.73, -1.18

 

CMYK 80 / 0 / 85 / 31

HEX #23AF1B

RGB 35 175 27

HSL 116.76, 0.73%, 0.4%

LAB 62.59, -61.4, 58.62

 

CMYK 84 / 79 / 0 / 31

HEX #1C25B0

RGB 28 37 176

HSL 236.35, 0.73%, 0.4%

LAB 25.88, 47.2, -72.82

 

CMYK 0 / 84 / 79 / 31

HEX #B01C25

RGB 176 28 37

HSL 356.35, 0.73%, 0.4%

LAB 38.19, 56.99, 34.86

 

CMYK 80 / 0 / 85 / 31

HEX #23AF1B

RGB 35 175 27

HSL 116.76, 0.73%, 0.4%

LAB 62.59, -61.4, 58.62

 

CMYK 84 / 11 / 0 / 31

HEX #1C9DB0

RGB 28 157 176

HSL 187.7, 0.73%, 0.4%

LAB 59.43, -25.9, -19.26

 

CMYK 5 / 84 / 0 / 31

HEX #A71CB0

RGB 167 28 176

HSL 296.35, 0.73%, 0.4%

LAB 41.5, 69, -46.62

 

CMYK 0 / 73 / 84 / 31

HEX #B02F1C

RGB 176 47 28

HSL 7.7, 0.73%, 0.4%

LAB 40.16, 50.96, 41.7

 

CMYK 80 / 0 / 85 / 31

HEX #23AF1B

RGB 35 175 27

HSL 116.76, 0.73%, 0.4%

LAB 62.59, -61.4, 58.62

 

CMYK 84 / 36 / 0 / 31

HEX #1C70B0

RGB 28 112 176

HSL 205.95, 0.73%, 0.4%

LAB 45.59, -0.74, -40.79

 

CMYK 5 / 84 / 0 / 31

HEX #A71CB0

RGB 167 28 176

HSL 296.35, 0.73%, 0.4%

LAB 41.5, 69, -46.62

 

CMYK 0 / 48 / 84 / 31

HEX #B05C1C

RGB 176 92 28

HSL 25.95, 0.73%, 0.4%

LAB 48.22, 29.91, 48.89

 

Description

Color code: HEX #23AF1B | qconv.com Color code: HEX #23AF1B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 175 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 175 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 85 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 85% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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