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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23A91D it is the complementary color #DC56E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23A91D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23A91D shade: #28A918, #39BB2B, #4ACD3E, #5BDF51 and #6CF164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23A91D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23A91D shade: #23A91D, #12970A, #018500, #007300 and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23A91D shade: #23AA1D, #49AA1D, #6FAA1D, #95AA1D and #AA991D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23A91D shade: #23AA1D, #1DAA3D, #1DAA63, #1DAA89 and #1DA5AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23A91D shade matches the following richer shades: #23AA1D and #14BA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23A91D shade: #23AA1D, #329A2D, #408A3D, #4F7A4D and #5E6A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23A91D shade: #6FAA1D, #4AAA1D, #24AA1D, #1DAA3B and #1DAA61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23A91D shade: #146411, #1C8717, #23AA1D, #2ACD23 and #43DE3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23A91D shade: #23A91D, #1D95AA and #AA1D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23A91D shade: #23A91D, #1D24AA and #AA1D24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23A91D shade: #23A91D, #1D95AA, #A31DAA and #AA321D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23A91D shade: #23A91D, #1D6BAA, #A31DAA and #AA5C1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 83 / 34

HEX #23A91D

RGB 35 169 29

HSL 117.43, 0.71%, 0.39%

LAB 60.62, -59.46, 56.3

 

Complementary color

CMYK 3 / 62 / 0 / 11

HEX #DC56E2

RGB 220 86 226

HSL 297.43, 0.71%, 0.61%

LAB 59.31, 69.58, -46.61

 

CMYK 76 / 0 / 86 / 34

HEX #28A918

RGB 40 169 24

HSL 113.38, 0.75%, 0.38%

LAB 60.69, -58.98, 57.67

 

CMYK 70 / 0 / 77 / 27

HEX #39BB2B

RGB 57 187 43

HSL 114.17, 0.63%, 0.45%

LAB 66.96, -60.74, 58.25

 

CMYK 64 / 0 / 70 / 20

HEX #4ACD3E

RGB 74 205 62

HSL 114.97, 0.59%, 0.52%

LAB 73.2, -61.89, 57.93

 

CMYK 59 / 0 / 64 / 13

HEX #5BDF51

RGB 91 223 81

HSL 115.77, 0.69%, 0.6%

LAB 79.38, -62.62, 57.14

 

CMYK 55 / 0 / 59 / 5

HEX #6CF164

RGB 108 241 100

HSL 116.6, 0.83%, 0.67%

LAB 85.51, -63.05, 56.11

 

CMYK 79 / 0 / 83 / 34

HEX #23A91D

RGB 35 169 29

HSL 117.43, 0.71%, 0.39%

LAB 60.62, -59.46, 56.3

 

CMYK 88 / 0 / 93 / 41

HEX #12970A

RGB 18 151 10

HSL 116.6, 0.88%, 0.32%

LAB 54.33, -56.76, 54.83

 

CMYK 99 / 0 / 100 / 48

HEX #018500

RGB 1 133 0

HSL 119.55, 1%, 0.26%

LAB 47.98, -53.08, 51.31

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 79 / 0 / 83 / 33

HEX #23AA1D

RGB 35 170 29

HSL 117.45, 0.71%, 0.39%

LAB 60.95, -59.77, 56.61

 

CMYK 57 / 0 / 83 / 33

HEX #49AA1D

RGB 73 170 29

HSL 101.28, 0.71%, 0.39%

LAB 61.87, -52.06, 57.79

 

CMYK 35 / 0 / 83 / 33

HEX #6FAA1D

RGB 111 170 29

HSL 85.11, 0.71%, 0.39%

LAB 63.52, -39.77, 59.89

 

CMYK 12 / 0 / 83 / 33

HEX #95AA1D

RGB 149 170 29

HSL 68.94, 0.71%, 0.39%

LAB 65.93, -24.48, 62.93

 

CMYK 0 / 10 / 83 / 33

HEX #AA991D

RGB 170 153 29

HSL 52.77, 0.71%, 0.39%

LAB 62.86, -6.46, 60.97

 

CMYK 79 / 0 / 83 / 33

HEX #23AA1D

RGB 35 170 29

HSL 117.45, 0.71%, 0.39%

LAB 60.95, -59.77, 56.61

 

CMYK 83 / 0 / 64 / 33

HEX #1DAA3D

RGB 29 170 61

HSL 133.62, 0.71%, 0.39%

LAB 61.09, -57.79, 44.99

 

CMYK 83 / 0 / 42 / 33

HEX #1DAA63

RGB 29 170 99

HSL 149.79, 0.71%, 0.39%

LAB 61.58, -51.94, 26.75

 

CMYK 83 / 0 / 19 / 33

HEX #1DAA89

RGB 29 170 137

HSL 165.96, 0.71%, 0.39%

LAB 62.35, -43.35, 7.02

 

CMYK 83 / 3 / 0 / 33

HEX #1DA5AA

RGB 29 165 170

HSL 182.13, 0.71%, 0.39%

LAB 61.72, -31.68, -12.42

 

CMYK 79 / 0 / 83 / 33

HEX #23AA1D

RGB 35 170 29

HSL 117.45, 0.71%, 0.39%

LAB 60.95, -59.77, 56.61

 

CMYK 89 / 0 / 93 / 27

HEX #14BA0D

RGB 20 186 13

HSL 117.57, 0.87%, 0.39%

LAB 65.98, -66.65, 64.2

 

CMYK 79 / 0 / 83 / 33

HEX #23AA1D

RGB 35 170 29

HSL 117.45, 0.71%, 0.39%

LAB 60.95, -59.77, 56.61

 

CMYK 68 / 0 / 71 / 40

HEX #329A2D

RGB 50 154 45

HSL 117.25, 0.55%, 0.39%

LAB 56.07, -50.76, 46.46

 

CMYK 54 / 0 / 56 / 46

HEX #408A3D

RGB 64 138 61

HSL 117.66, 0.39%, 0.39%

LAB 51.39, -39.31, 33.97

 

CMYK 35 / 0 / 37 / 52

HEX #4F7A4D

RGB 79 122 77

HSL 117.33, 0.23%, 0.39%

LAB 47.13, -24.63, 20.06

 

CMYK 11 / 0 / 12 / 58

HEX #5E6A5D

RGB 94 106 93

HSL 115.38, 0.07%, 0.39%

LAB 43.47, -7.31, 5.76

 

CMYK 35 / 0 / 83 / 33

HEX #6FAA1D

RGB 111 170 29

HSL 85.11, 0.71%, 0.39%

LAB 63.52, -39.77, 59.89

 

CMYK 56 / 0 / 83 / 33

HEX #4AAA1D

RGB 74 170 29

HSL 100.85, 0.71%, 0.39%

LAB 61.91, -51.79, 57.83

 

CMYK 79 / 0 / 83 / 33

HEX #24AA1D

RGB 36 170 29

HSL 117.02, 0.71%, 0.39%

LAB 60.97, -59.63, 56.63

 

CMYK 83 / 0 / 65 / 33

HEX #1DAA3B

RGB 29 170 59

HSL 132.77, 0.71%, 0.39%

LAB 61.07, -58.02, 45.85

 

CMYK 83 / 0 / 43 / 33

HEX #1DAA61

RGB 29 170 97

HSL 148.94, 0.71%, 0.39%

LAB 61.55, -52.32, 27.77

 

CMYK 80 / 0 / 83 / 61

HEX #146411

RGB 20 100 17

HSL 117.83, 0.71%, 0.23%

LAB 36.56, -39.88, 37.29

 

CMYK 79 / 0 / 83 / 47

HEX #1C8717

RGB 28 135 23

HSL 117.32, 0.71%, 0.31%

LAB 49.05, -50.02, 47.23

 

CMYK 79 / 0 / 83 / 33

HEX #23AA1D

RGB 35 170 29

HSL 117.45, 0.71%, 0.39%

LAB 60.95, -59.77, 56.61

 

CMYK 80 / 0 / 83 / 20

HEX #2ACD23

RGB 42 205 35

HSL 117.53, 0.71%, 0.47%

LAB 72.41, -69.11, 65.58

 

CMYK 70 / 0 / 73 / 13

HEX #43DE3C

RGB 67 222 60

HSL 117.41, 0.71%, 0.55%

LAB 78.32, -68.99, 63.87

 

CMYK 79 / 0 / 83 / 34

HEX #23A91D

RGB 35 169 29

HSL 117.43, 0.71%, 0.39%

LAB 60.62, -59.46, 56.3

 

CMYK 83 / 12 / 0 / 33

HEX #1D95AA

RGB 29 149 170

HSL 188.94, 0.71%, 0.39%

LAB 56.74, -23.72, -19.96

 

CMYK 0 / 83 / 46 / 33

HEX #AA1D5C

RGB 170 29 92

HSL 333.19, 0.71%, 0.39%

LAB 38.19, 58.49, 0.02

 

CMYK 79 / 0 / 83 / 34

HEX #23A91D

RGB 35 169 29

HSL 117.43, 0.71%, 0.39%

LAB 60.62, -59.46, 56.3

 

CMYK 83 / 79 / 0 / 33

HEX #1D24AA

RGB 29 36 170

HSL 237.02, 0.71%, 0.39%

LAB 25.03, 45.8, -70.61

 

CMYK 0 / 83 / 79 / 33

HEX #AA1D24

RGB 170 29 36

HSL 357.02, 0.71%, 0.39%

LAB 37.03, 54.99, 33.84

 

CMYK 79 / 0 / 83 / 34

HEX #23A91D

RGB 35 169 29

HSL 117.43, 0.71%, 0.39%

LAB 60.62, -59.46, 56.3

 

CMYK 83 / 12 / 0 / 33

HEX #1D95AA

RGB 29 149 170

HSL 188.94, 0.71%, 0.39%

LAB 56.74, -23.72, -19.96

 

CMYK 4 / 83 / 0 / 33

HEX #A31DAA

RGB 163 29 170

HSL 297.02, 0.71%, 0.39%

LAB 40.52, 67.05, -44.66

 

CMYK 0 / 71 / 83 / 33

HEX #AA321D

RGB 170 50 29

HSL 8.94, 0.71%, 0.39%

LAB 39.44, 47.85, 40.11

 

CMYK 79 / 0 / 83 / 34

HEX #23A91D

RGB 35 169 29

HSL 117.43, 0.71%, 0.39%

LAB 60.62, -59.46, 56.3

 

CMYK 83 / 37 / 0 / 33

HEX #1D6BAA

RGB 29 107 170

HSL 206.81, 0.71%, 0.39%

LAB 43.77, 0.12, -40.17

 

CMYK 4 / 83 / 0 / 33

HEX #A31DAA

RGB 163 29 170

HSL 297.02, 0.71%, 0.39%

LAB 40.52, 67.05, -44.66

 

CMYK 0 / 46 / 83 / 33

HEX #AA5C1D

RGB 170 92 29

HSL 26.81, 0.71%, 0.39%

LAB 47.35, 27.4, 47.38

 

Description

Color code: HEX #23A91D | qconv.com Color code: HEX #23A91D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 169 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 169 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 83 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 83% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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