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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23A8E7 it is the complementary color #DC5718. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23A8E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23A8E7 shade: #28A8E2, #39BAF5, #4ACCFF, #5BDEFF and #6CF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23A8E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23A8E7 shade: #23A8E7, #1296D4, #0184C1, #0072AE and #00609B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23A8E7 shade: #23A8E7, #2373E7, #233EE7, #3C23E7 and #7123E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23A8E7 shade: #23A8E7, #2373E7, #233EE7 and #2323E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23A8E7 shade matches the following richer shades: #23A8E7 and #0FAFFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23A8E7 shade: #23A8E7, #36A0D3, #4A99BF, #5E92AB and #728B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23A8E7 shade: #23E7BC, #23DDE7, #23A9E7, #2374E7 and #2340E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23A8E7 shade: #1275A4, #1690CA, #23A8E7, #48B6EB and #6DC5EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23A8E7 shade: #23A8E7, #8823E7 and #E7D623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23A8E7 shade: #23A8E7, #E723A9 and #A9E723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23A8E7 shade: #23A8E7, #8823E7, #E76123 and #81E723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23A8E7 shade: #23A8E7, #C323E7, #E76123 and #47E723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

Complementary color

CMYK 0 / 60 / 89 / 14

HEX #DC5718

RGB 220 87 24

HSL 19.29, 0.8%, 0.48%

LAB 54.13, 49.45, 58.02

 

CMYK 82 / 26 / 0 / 11

HEX #28A8E2

RGB 40 168 226

HSL 198.71, 0.76%, 0.52%

LAB 64.92, -13.72, -38.66

 

CMYK 77 / 24 / 0 / 4

HEX #39BAF5

RGB 57 186 245

HSL 198.83, 0.9%, 0.59%

LAB 71.27, -15.31, -39.11

 

CMYK 71 / 20 / 0 / 0

HEX #4ACCFF

RGB 74 204 255

HSL 196.91, 1%, 0.65%

LAB 77.2, -19.47, -35.25

 

CMYK 64 / 13 / 0 / 0

HEX #5BDEFF

RGB 91 222 255

HSL 192.07, 1%, 0.68%

LAB 82.75, -26.12, -26.69

 

CMYK 58 / 6 / 0 / 0

HEX #6CF0FF

RGB 108 240 255

HSL 186.12, 1%, 0.71%

LAB 88.32, -32, -18.19

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 92 / 29 / 0 / 17

HEX #1296D4

RGB 18 150 212

HSL 199.18, 0.84%, 0.45%

LAB 58.69, -10.19, -40.68

 

CMYK 99 / 32 / 0 / 24

HEX #0184C1

RGB 1 132 193

HSL 199.06, 0.99%, 0.38%

LAB 52.24, -7.6, -40.1

 

CMYK 100 / 34 / 0 / 32

HEX #0072AE

RGB 0 114 174

HSL 200.69, 1%, 0.34%

LAB 45.76, -4.31, -39.38

 

CMYK 100 / 38 / 0 / 39

HEX #00609B

RGB 0 96 155

HSL 202.84, 1%, 0.3%

LAB 39.13, -0.79, -38.68

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 85 / 50 / 0 / 9

HEX #2373E7

RGB 35 115 231

HSL 215.51, 0.8%, 0.52%

LAB 49.96, 19.13, -65.25

 

CMYK 85 / 73 / 0 / 9

HEX #233EE7

RGB 35 62 231

HSL 231.73, 0.8%, 0.52%

LAB 37.06, 52.1, -86.36

 

CMYK 74 / 85 / 0 / 9

HEX #3C23E7

RGB 60 35 231

HSL 247.65, 0.8%, 0.52%

LAB 33.84, 66.26, -91.67

 

CMYK 51 / 85 / 0 / 9

HEX #7123E7

RGB 113 35 231

HSL 263.88, 0.8%, 0.52%

LAB 38.69, 70.47, -83.48

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 85 / 50 / 0 / 9

HEX #2373E7

RGB 35 115 231

HSL 215.51, 0.8%, 0.52%

LAB 49.96, 19.13, -65.25

 

CMYK 85 / 73 / 0 / 9

HEX #233EE7

RGB 35 62 231

HSL 231.73, 0.8%, 0.52%

LAB 37.06, 52.1, -86.36

 

CMYK 85 / 85 / 0 / 9

HEX #2323E7

RGB 35 35 231

HSL 240, 0.8%, 0.52%

LAB 32.54, 65.2, -93.86

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 94 / 30 / 0 / 2

HEX #0FAFFA

RGB 15 175 250

HSL 199.15, 0.96%, 0.52%

LAB 67.77, -10.44, -47.33

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 74 / 24 / 0 / 17

HEX #36A0D3

RGB 54 160 211

HSL 199.49, 0.64%, 0.52%

LAB 62.19, -13.09, -34.6

 

CMYK 61 / 20 / 0 / 25

HEX #4A99BF

RGB 74 153 191

HSL 199.49, 0.48%, 0.52%

LAB 59.89, -12.76, -26.93

 

CMYK 45 / 15 / 0 / 33

HEX #5E92AB

RGB 94 146 171

HSL 199.48, 0.31%, 0.52%

LAB 57.92, -10.49, -18.54

 

CMYK 25 / 8 / 0 / 41

HEX #728B97

RGB 114 139 151

HSL 199.46, 0.15%, 0.52%

LAB 56.36, -6.05, -9.33

 

CMYK 85 / 0 / 19 / 9

HEX #23E7BC

RGB 35 231 188

HSL 166.84, 0.8%, 0.52%

LAB 82.45, -54.91, 8.22

 

CMYK 85 / 4 / 0 / 9

HEX #23DDE7

RGB 35 221 231

HSL 183.06, 0.8%, 0.52%

LAB 80.65, -38.88, -17.23

 

CMYK 85 / 27 / 0 / 9

HEX #23A9E7

RGB 35 169 231

HSL 198.98, 0.8%, 0.52%

LAB 65.36, -12.91, -40.73

 

CMYK 85 / 50 / 0 / 9

HEX #2374E7

RGB 35 116 231

HSL 215.2, 0.8%, 0.52%

LAB 50.24, 18.5, -64.81

 

CMYK 85 / 72 / 0 / 9

HEX #2340E7

RGB 35 64 231

HSL 231.12, 0.8%, 0.52%

LAB 37.47, 50.97, -85.69

 

CMYK 89 / 29 / 0 / 36

HEX #1275A4

RGB 18 117 164

HSL 199.32, 0.8%, 0.36%

LAB 46.35, -9.11, -32.58

 

CMYK 89 / 29 / 0 / 21

HEX #1690CA

RGB 22 144 202

HSL 199.33, 0.8%, 0.44%

LAB 56.47, -10.26, -38.55

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 69 / 23 / 0 / 8

HEX #48B6EB

RGB 72 182 235

HSL 199.51, 0.8%, 0.6%

LAB 70.06, -14.63, -35.54

 

CMYK 54 / 18 / 0 / 6

HEX #6DC5EF

RGB 109 197 239

HSL 199.38, 0.8%, 0.68%

LAB 75.71, -14.91, -28.88

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 41 / 85 / 0 / 9

HEX #8823E7

RGB 136 35 231

HSL 270.92, 0.8%, 0.52%

LAB 41.54, 73.1, -78.69

 

CMYK 0 / 7 / 85 / 9

HEX #E7D623

RGB 231 214 35

HSL 54.8, 0.8%, 0.52%

LAB 84.59, -11.17, 79.84

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 0 / 85 / 27 / 9

HEX #E723A9

RGB 231 35 169

HSL 318.98, 0.8%, 0.52%

LAB 53.01, 79.46, -23.6

 

CMYK 27 / 0 / 85 / 9

HEX #A9E723

RGB 169 231 35

HSL 78.98, 0.8%, 0.52%

LAB 84.85, -44.29, 78.28

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 41 / 85 / 0 / 9

HEX #8823E7

RGB 136 35 231

HSL 270.92, 0.8%, 0.52%

LAB 41.54, 73.1, -78.69

 

CMYK 0 / 58 / 85 / 9

HEX #E76123

RGB 231 97 35

HSL 18.98, 0.8%, 0.52%

LAB 57.71, 49.1, 57.61

 

CMYK 44 / 0 / 85 / 9

HEX #81E723

RGB 129 231 35

HSL 91.22, 0.8%, 0.52%

LAB 82.88, -58.09, 75.82

 

CMYK 85 / 27 / 0 / 9

HEX #23A8E7

RGB 35 168 231

HSL 199.29, 0.8%, 0.52%

LAB 65.07, -12.36, -41.19

 

CMYK 16 / 85 / 0 / 9

HEX #C323E7

RGB 195 35 231

HSL 288.98, 0.8%, 0.52%

LAB 50.18, 81.54, -64.24

 

CMYK 0 / 58 / 85 / 9

HEX #E76123

RGB 231 97 35

HSL 18.98, 0.8%, 0.52%

LAB 57.71, 49.1, 57.61

 

CMYK 69 / 0 / 85 / 9

HEX #47E723

RGB 71 231 35

HSL 108.98, 0.8%, 0.52%

LAB 81.08, -72.51, 73.54

 

Description

Color code: HEX #23A8E7 | qconv.com Color code: HEX #23A8E7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 168 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 168 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 27 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 27% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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