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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23A51C it is the complementary color #DC5AE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23A51C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23A51C shade: #28A517, #39B72A, #4AC93D, #5BDB50 and #6CED63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23A51C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23A51C shade: #23A51C, #129309, #018100, #006F00 and #005D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23A51C shade: #23A61C, #48A61C, #6DA61C, #92A61C and #A6941C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23A51C shade: #23A61C, #1CA63A, #1CA65F, #1CA684 and #1CA2A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23A51C shade matches the following richer shades: #23A61C and #15B50C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23A51C shade: #23A61C, #31962C, #3F863B, #4D774B and #5B675B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23A51C shade: #6FA61C, #4AA61C, #25A61C, #1CA638 and #1CA65C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23A51C shade: #145F10, #1C8216, #23A61C, #2BC922 and #40DD37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23A51C shade: #23A51C, #1C93A6 and #A61C5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23A51C shade: #23A51C, #1C25A6 and #A61C25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23A51C shade: #23A51C, #1C93A6, #9D1CA6 and #A62E1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23A51C shade: #23A51C, #1C6AA6, #9D1CA6 and #A6581C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 83 / 35

HEX #23A51C

RGB 35 165 28

HSL 116.93, 0.71%, 0.38%

LAB 59.3, -58.27, 55.35

 

Complementary color

CMYK 3 / 60 / 0 / 11

HEX #DC5AE3

RGB 220 90 227

HSL 296.93, 0.71%, 0.62%

LAB 59.96, 68.1, -46.15

 

CMYK 76 / 0 / 86 / 35

HEX #28A517

RGB 40 165 23

HSL 112.82, 0.76%, 0.37%

LAB 59.36, -57.77, 56.73

 

CMYK 69 / 0 / 77 / 28

HEX #39B72A

RGB 57 183 42

HSL 113.62, 0.63%, 0.44%

LAB 65.67, -59.49, 57.32

 

CMYK 63 / 0 / 70 / 21

HEX #4AC93D

RGB 74 201 61

HSL 114.43, 0.56%, 0.51%

LAB 71.94, -60.6, 57

 

CMYK 58 / 0 / 63 / 14

HEX #5BDB50

RGB 91 219 80

HSL 115.25, 0.66%, 0.59%

LAB 78.15, -61.3, 56.2

 

CMYK 54 / 0 / 58 / 7

HEX #6CED63

RGB 108 237 99

HSL 116.09, 0.79%, 0.66%

LAB 84.31, -61.7, 55.15

 

CMYK 79 / 0 / 83 / 35

HEX #23A51C

RGB 35 165 28

HSL 116.93, 0.71%, 0.38%

LAB 59.3, -58.27, 55.35

 

CMYK 88 / 0 / 94 / 42

HEX #129309

RGB 18 147 9

HSL 116.09, 0.88%, 0.31%

LAB 52.97, -55.6, 53.84

 

CMYK 99 / 0 / 100 / 49

HEX #018100

RGB 1 129 0

HSL 119.53, 1%, 0.25%

LAB 46.59, -51.91, 50.19

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 79 / 0 / 83 / 35

HEX #23A61C

RGB 35 166 28

HSL 116.96, 0.71%, 0.38%

LAB 59.63, -58.58, 55.66

 

CMYK 57 / 0 / 83 / 35

HEX #48A61C

RGB 72 166 28

HSL 100.87, 0.71%, 0.38%

LAB 60.55, -50.91, 56.84

 

CMYK 34 / 0 / 83 / 35

HEX #6DA61C

RGB 109 166 28

HSL 84.78, 0.71%, 0.38%

LAB 62.17, -38.81, 58.91

 

CMYK 12 / 0 / 83 / 35

HEX #92A61C

RGB 146 166 28

HSL 68.7, 0.71%, 0.38%

LAB 64.54, -23.82, 61.9

 

CMYK 0 / 11 / 83 / 35

HEX #A6941C

RGB 166 148 28

HSL 52.17, 0.71%, 0.38%

LAB 61.11, -5.61, 59.6

 

CMYK 79 / 0 / 83 / 35

HEX #23A61C

RGB 35 166 28

HSL 116.96, 0.71%, 0.38%

LAB 59.63, -58.58, 55.66

 

CMYK 83 / 0 / 65 / 35

HEX #1CA63A

RGB 28 166 58

HSL 133.04, 0.71%, 0.38%

LAB 59.73, -56.95, 44.79

 

CMYK 83 / 0 / 43 / 35

HEX #1CA65F

RGB 28 166 95

HSL 149.13, 0.71%, 0.38%

LAB 60.2, -51.33, 27.07

 

CMYK 83 / 0 / 20 / 35

HEX #1CA684

RGB 28 166 132

HSL 165.22, 0.71%, 0.38%

LAB 60.94, -43.05, 7.79

 

CMYK 83 / 2 / 0 / 35

HEX #1CA2A6

RGB 28 162 166

HSL 181.74, 0.71%, 0.38%

LAB 60.64, -31.56, -11.78

 

CMYK 79 / 0 / 83 / 35

HEX #23A61C

RGB 35 166 28

HSL 116.96, 0.71%, 0.38%

LAB 59.63, -58.58, 55.66

 

CMYK 88 / 0 / 93 / 29

HEX #15B50C

RGB 21 181 12

HSL 116.8, 0.88%, 0.38%

LAB 64.35, -65.18, 62.97

 

CMYK 79 / 0 / 83 / 35

HEX #23A61C

RGB 35 166 28

HSL 116.96, 0.71%, 0.38%

LAB 59.63, -58.58, 55.66

 

CMYK 67 / 0 / 71 / 41

HEX #31962C

RGB 49 150 44

HSL 117.17, 0.55%, 0.38%

LAB 54.71, -49.64, 45.43

 

CMYK 53 / 0 / 56 / 47

HEX #3F863B

RGB 63 134 59

HSL 116.8, 0.39%, 0.38%

LAB 50, -38.18, 33.32

 

CMYK 35 / 0 / 37 / 53

HEX #4D774B

RGB 77 119 75

HSL 117.27, 0.23%, 0.38%

LAB 46.01, -24.18, 19.7

 

CMYK 12 / 0 / 12 / 60

HEX #5B675B

RGB 91 103 91

HSL 120, 0.06%, 0.38%

LAB 42.28, -7.14, 5.23

 

CMYK 33 / 0 / 83 / 35

HEX #6FA61C

RGB 111 166 28

HSL 83.91, 0.71%, 0.38%

LAB 62.28, -38.06, 59.05

 

CMYK 55 / 0 / 83 / 35

HEX #4AA61C

RGB 74 166 28

HSL 100, 0.71%, 0.38%

LAB 60.62, -50.36, 56.92

 

CMYK 78 / 0 / 83 / 35

HEX #25A61C

RGB 37 166 28

HSL 116.09, 0.71%, 0.38%

LAB 59.66, -58.3, 55.7

 

CMYK 83 / 0 / 66 / 35

HEX #1CA638

RGB 28 166 56

HSL 132.17, 0.71%, 0.38%

LAB 59.71, -57.17, 45.65

 

CMYK 83 / 0 / 45 / 35

HEX #1CA65C

RGB 28 166 92

HSL 147.83, 0.71%, 0.38%

LAB 60.15, -51.89, 28.6

 

CMYK 79 / 0 / 83 / 63

HEX #145F10

RGB 20 95 16

HSL 116.96, 0.71%, 0.22%

LAB 34.74, -38.18, 35.89

 

CMYK 78 / 0 / 83 / 49

HEX #1C8216

RGB 28 130 22

HSL 116.67, 0.71%, 0.3%

LAB 47.33, -48.44, 45.92

 

CMYK 79 / 0 / 83 / 35

HEX #23A61C

RGB 35 166 28

HSL 116.96, 0.71%, 0.38%

LAB 59.63, -58.58, 55.66

 

CMYK 79 / 0 / 83 / 21

HEX #2BC922

RGB 43 201 34

HSL 116.77, 0.71%, 0.46%

LAB 71.15, -67.84, 64.68

 

CMYK 71 / 0 / 75 / 13

HEX #40DD37

RGB 64 221 55

HSL 116.75, 0.71%, 0.54%

LAB 77.92, -69.55, 65.12

 

CMYK 79 / 0 / 83 / 35

HEX #23A51C

RGB 35 165 28

HSL 116.93, 0.71%, 0.38%

LAB 59.3, -58.27, 55.35

 

CMYK 83 / 11 / 0 / 35

HEX #1C93A6

RGB 28 147 166

HSL 188.26, 0.71%, 0.38%

LAB 55.95, -24.11, -18.87

 

CMYK 0 / 83 / 45 / 35

HEX #A61C5C

RGB 166 28 92

HSL 332.17, 0.71%, 0.38%

LAB 37.32, 57.7, -1.35

 

CMYK 79 / 0 / 83 / 35

HEX #23A51C

RGB 35 165 28

HSL 116.93, 0.71%, 0.38%

LAB 59.3, -58.27, 55.35

 

CMYK 83 / 78 / 0 / 35

HEX #1C25A6

RGB 28 37 166

HSL 236.09, 0.71%, 0.38%

LAB 24.71, 43.85, -68.72

 

CMYK 0 / 83 / 78 / 35

HEX #A61C25

RGB 166 28 37

HSL 356.09, 0.71%, 0.38%

LAB 36.12, 54.12, 32.03

 

CMYK 79 / 0 / 83 / 35

HEX #23A51C

RGB 35 165 28

HSL 116.93, 0.71%, 0.38%

LAB 59.3, -58.27, 55.35

 

CMYK 83 / 11 / 0 / 35

HEX #1C93A6

RGB 28 147 166

HSL 188.26, 0.71%, 0.38%

LAB 55.95, -24.11, -18.87

 

CMYK 5 / 83 / 0 / 35

HEX #9D1CA6

RGB 157 28 166

HSL 296.09, 0.71%, 0.38%

LAB 39.16, 65.49, -44.51

 

CMYK 0 / 72 / 83 / 35

HEX #A62E1C

RGB 166 46 28

HSL 7.83, 0.71%, 0.38%

LAB 38.1, 48.03, 39.09

 

CMYK 79 / 0 / 83 / 35

HEX #23A51C

RGB 35 165 28

HSL 116.93, 0.71%, 0.38%

LAB 59.3, -58.27, 55.35

 

CMYK 83 / 36 / 0 / 35

HEX #1C6AA6

RGB 28 106 166

HSL 206.09, 0.71%, 0.38%

LAB 43.22, -0.9, -38.68

 

CMYK 5 / 83 / 0 / 35

HEX #9D1CA6

RGB 157 28 166

HSL 296.09, 0.71%, 0.38%

LAB 39.16, 65.49, -44.51

 

CMYK 0 / 47 / 83 / 35

HEX #A6581C

RGB 166 88 28

HSL 26.09, 0.71%, 0.38%

LAB 45.87, 27.85, 46.24

 

Description

Color code: HEX #23A51C | qconv.com Color code: HEX #23A51C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 165 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 165 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 83 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 83% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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