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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23A465 it is the complementary color #DC5B9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23A465. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23A465 shade: #28A460, #39B673, #4AC886, #5BDA99 and #6CECAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23A465. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23A465 shade: #23A465, #129252, #01803F, #006E2C and #005C19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23A465 shade: #23A465, #23A442, #26A423, #49A423 and #6CA423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23A465 shade: #23A465, #23A488, #239DA4, #237BA4 and #2358A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23A465 shade matches the following richer shades: #23A465, #13B465 and #03C466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23A465 shade: #23A465, #339465, #438464, #537464 and #636463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23A465 shade: #27A423, #23A441, #23A463, #23A486 and #23A0A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23A465 shade: #14603B, #1C8250, #23A465, #2AC67A and #42D78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23A465 shade: #23A465, #234AA4 and #A43023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23A465 shade: #23A465, #6323A4 and #A46323

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23A465 shade: #23A465, #234AA4, #A42363 and #A47D23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23A465 shade: #23A465, #2323A4, #A42363 and #A4A423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

Complementary color

CMYK 0 / 59 / 30 / 14

HEX #DC5B9A

RGB 220 91 154

HSL 330.7, 0.65%, 0.61%

LAB 57.11, 56.72, -8.76

 

CMYK 76 / 0 / 41 / 36

HEX #28A460

RGB 40 164 96

HSL 147.1, 0.61%, 0.4%

LAB 59.75, -48.93, 25.99

 

CMYK 69 / 0 / 37 / 29

HEX #39B673

RGB 57 182 115

HSL 147.84, 0.52%, 0.47%

LAB 66.19, -49.55, 24.43

 

CMYK 63 / 0 / 33 / 22

HEX #4AC886

RGB 74 200 134

HSL 148.57, 0.53%, 0.54%

LAB 72.55, -49.86, 23

 

CMYK 58 / 0 / 30 / 15

HEX #5BDA99

RGB 91 218 153

HSL 149.29, 0.63%, 0.61%

LAB 78.85, -49.99, 21.7

 

CMYK 54 / 0 / 27 / 7

HEX #6CECAC

RGB 108 236 172

HSL 150, 0.77%, 0.67%

LAB 85.08, -49.98, 20.49

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 88 / 0 / 44 / 43

HEX #129252

RGB 18 146 82

HSL 150, 0.78%, 0.32%

LAB 53.27, -47.39, 25.01

 

CMYK 99 / 0 / 51 / 50

HEX #01803F

RGB 1 128 63

HSL 149.29, 0.98%, 0.25%

LAB 46.72, -45.61, 26.89

 

CMYK 100 / 0 / 60 / 57

HEX #006E2C

RGB 0 110 44

HSL 144, 1%, 0.22%

LAB 40.14, -42.55, 28.93

 

CMYK 100 / 0 / 73 / 64

HEX #005C19

RGB 0 92 25

HSL 136.3, 1%, 0.18%

LAB 33.4, -38.99, 30.71

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 79 / 0 / 60 / 36

HEX #23A442

RGB 35 164 66

HSL 134.42, 0.65%, 0.39%

LAB 59.25, -54.45, 40.62

 

CMYK 77 / 0 / 79 / 36

HEX #26A423

RGB 38 164 35

HSL 118.6, 0.65%, 0.39%

LAB 59.05, -57.09, 53.04

 

CMYK 55 / 0 / 79 / 36

HEX #49A423

RGB 73 164 35

HSL 102.33, 0.65%, 0.39%

LAB 59.97, -49.51, 54.24

 

CMYK 34 / 0 / 79 / 36

HEX #6CA423

RGB 108 164 35

HSL 86.05, 0.65%, 0.39%

LAB 61.53, -37.98, 56.27

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 79 / 0 / 17 / 36

HEX #23A488

RGB 35 164 136

HSL 166.98, 0.65%, 0.39%

LAB 60.5, -40.45, 4.93

 

CMYK 79 / 4 / 0 / 36

HEX #239DA4

RGB 35 157 164

HSL 183.26, 0.65%, 0.39%

LAB 59.11, -29.12, -12.94

 

CMYK 79 / 25 / 0 / 36

HEX #237BA4

RGB 35 123 164

HSL 199.07, 0.65%, 0.39%

LAB 48.52, -11.06, -29.18

 

CMYK 79 / 46 / 0 / 36

HEX #2358A4

RGB 35 88 164

HSL 215.35, 0.65%, 0.39%

LAB 37.87, 10.59, -46.03

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 89 / 0 / 44 / 29

HEX #13B465

RGB 19 180 101

HSL 150.56, 0.81%, 0.39%

LAB 64.74, -55.98, 29.8

 

CMYK 98 / 0 / 48 / 23

HEX #03C466

RGB 3 196 102

HSL 150.78, 0.97%, 0.39%

LAB 69.79, -62, 35.75

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 66 / 0 / 32 / 42

HEX #339465

RGB 51 148 101

HSL 150.93, 0.49%, 0.39%

LAB 54.89, -39.6, 16.76

 

CMYK 49 / 0 / 24 / 48

HEX #438464

RGB 67 132 100

HSL 150.46, 0.33%, 0.39%

LAB 50.23, -28.77, 10.97

 

CMYK 28 / 0 / 14 / 55

HEX #537464

RGB 83 116 100

HSL 150.91, 0.17%, 0.39%

LAB 45.97, -15.51, 5.05

 

CMYK 1 / 0 / 1 / 61

HEX #636463

RGB 99 100 99

HSL 120, 0.01%, 0.39%

LAB 42.26, -0.6, 0.42

 

CMYK 76 / 0 / 79 / 36

HEX #27A423

RGB 39 164 35

HSL 118.14, 0.65%, 0.39%

LAB 59.07, -56.93, 53.06

 

CMYK 79 / 0 / 60 / 36

HEX #23A441

RGB 35 164 65

HSL 133.95, 0.65%, 0.39%

LAB 59.24, -54.58, 41.08

 

CMYK 79 / 0 / 40 / 36

HEX #23A463

RGB 35 164 99

HSL 149.77, 0.65%, 0.39%

LAB 59.72, -49.02, 24.31

 

CMYK 79 / 0 / 18 / 36

HEX #23A486

RGB 35 164 134

HSL 166.05, 0.65%, 0.39%

LAB 60.45, -40.97, 5.98

 

CMYK 79 / 2 / 0 / 36

HEX #23A0A4

RGB 35 160 164

HSL 181.86, 0.65%, 0.39%

LAB 60.05, -30.58, -11.53

 

CMYK 79 / 0 / 39 / 62

HEX #14603B

RGB 20 96 59

HSL 150.79, 0.66%, 0.23%

LAB 35.66, -32.1, 14.84

 

CMYK 78 / 0 / 38 / 49

HEX #1C8250

RGB 28 130 80

HSL 150.59, 0.65%, 0.31%

LAB 48, -40.52, 19.19

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 79 / 0 / 38 / 22

HEX #2AC67A

RGB 42 198 122

HSL 150.77, 0.65%, 0.47%

LAB 71.07, -56.38, 27.2

 

CMYK 69 / 0 / 34 / 16

HEX #42D78E

RGB 66 215 142

HSL 150.6, 0.65%, 0.55%

LAB 77.11, -55.57, 24.96

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 79 / 55 / 0 / 36

HEX #234AA4

RGB 35 74 164

HSL 221.86, 0.65%, 0.39%

LAB 33.85, 19.94, -52.52

 

CMYK 0 / 71 / 79 / 36

HEX #A43023

RGB 164 48 35

HSL 6.05, 0.65%, 0.39%

LAB 38.07, 46.82, 35.15

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 40 / 79 / 0 / 36

HEX #6323A4

RGB 99 35 164

HSL 269.77, 0.65%, 0.39%

LAB 30.72, 52.52, -57.39

 

CMYK 0 / 40 / 79 / 36

HEX #A46323

RGB 164 99 35

HSL 29.77, 0.65%, 0.39%

LAB 48.18, 21.12, 45.29

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 79 / 55 / 0 / 36

HEX #234AA4

RGB 35 74 164

HSL 221.86, 0.65%, 0.39%

LAB 33.85, 19.94, -52.52

 

CMYK 0 / 79 / 40 / 36

HEX #A42363

RGB 164 35 99

HSL 330.23, 0.65%, 0.39%

LAB 37.83, 55.95, -5.1

 

CMYK 0 / 24 / 79 / 36

HEX #A47D23

RGB 164 125 35

HSL 41.86, 0.65%, 0.39%

LAB 54.74, 6.41, 51.52

 

CMYK 79 / 0 / 38 / 36

HEX #23A465

RGB 35 164 101

HSL 150.7, 0.65%, 0.39%

LAB 59.75, -48.62, 23.28

 

CMYK 79 / 79 / 0 / 36

HEX #2323A4

RGB 35 35 164

HSL 240, 0.65%, 0.39%

LAB 24.45, 44.73, -67.94

 

CMYK 0 / 79 / 40 / 36

HEX #A42363

RGB 164 35 99

HSL 330.23, 0.65%, 0.39%

LAB 37.83, 55.95, -5.1

 

CMYK 0 / 0 / 79 / 36

HEX #A4A423

RGB 164 164 35

HSL 60, 0.65%, 0.39%

LAB 65.41, -14.72, 61.25

 

Description

Color code: HEX #23A465 | qconv.com Color code: HEX #23A465 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 164 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 164 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 38 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 38% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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