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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2399CD3F it is the complementary color #DC66323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2399CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2399CD3F shade: #2899C83F, #39ABDB3F, #4ABDEE3F, #5BCFFF3F and #6CE1FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2399CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2399CD3F shade: #2399CD3F, #1287BA3F, #0175A73F, #0063943F and #0051813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2399CD3F shade: #2399CD, #236BCD, #233DCD, #3623CD and #6423CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2399CD3F shade: #2399CD, #236BCD, #233DCD and #2323CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2399CD3F shade matches the following richer shades: #2399CD and #0FA0E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2399CD3F shade: #2399CD, #3691BA, #4A8AA6, #5D8293 and #707B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2399CD3F shade: #23CDA5, #23C7CD, #239ACD, #236DCD and #233FCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2399CD3F shade: #176486, #1D7FAA, #2399CD, #3BACDE and #5EBBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2399CD3F shade: #2399CD, #7823CD and #CDBC23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2399CD3F shade: #2399CD, #CD239A and #9ACD23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2399CD3F shade: #2399CD, #7823CD, #CD5623 and #78CD23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2399CD3F shade: #2399CD, #AB23CD, #CD5623 and #45CD23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 6 / 0 / 5

HEX #2399CD3F

RGBA 35 153 205 0.25

HSLA 198.35, 0.71%, 0.47%, 0.25

LABA 59.48, -13.29, -35.51, 0.25

 

Complementary color

CMYK 0 / 13 / 19 / 3

HEX #DC66323F

RGBA 220 102 50 0.25

HSLA 18.35, 0.71%, 0.53%, 0.25

LABA 57.03, 43.08, 49.81, 0.25

 

CMYK 20 / 6 / 0 / 5

HEX #2899C83F

RGBA 40 153 200 0.25

HSLA 197.63, 0.67%, 0.47%, 0.25

LABA 59.35, -14.59, -32.9, 0.25

 

CMYK 18 / 5 / 0 / 4

HEX #39ABDB3F

RGBA 57 171 219 0.25

HSLA 197.78, 0.69%, 0.54%, 0.25

LABA 65.83, -15.99, -33.36, 0.25

 

CMYK 17 / 5 / 0 / 2

HEX #4ABDEE3F

RGBA 74 189 238 0.25

HSLA 197.93, 0.83%, 0.61%, 0.25

LABA 72.24, -17.09, -33.77, 0.25

 

CMYK 16 / 5 / 0 / 0

HEX #5BCFFF3F

RGBA 91 207 255 0.25

HSLA 197.56, 1%, 0.68%, 0.25

LABA 78.5, -18.57, -33.2, 0.25

 

CMYK 14 / 3 / 0 / 0

HEX #6CE1FF3F

RGBA 108 225 255 0.25

HSLA 192.24, 1%, 0.71%, 0.25

LABA 84.1, -24.74, -24.58, 0.25

 

CMYK 21 / 6 / 0 / 5

HEX #2399CD3F

RGBA 35 153 205 0.25

HSLA 198.35, 0.71%, 0.47%, 0.25

LABA 59.48, -13.29, -35.51, 0.25

 

CMYK 23 / 7 / 0 / 7

HEX #1287BA3F

RGBA 18 135 186 0.25

HSLA 198.21, 0.82%, 0.4%, 0.25

LABA 52.95, -11.27, -34.98, 0.25

 

CMYK 25 / 7 / 0 / 9

HEX #0175A73F

RGBA 1 117 167 0.25

HSLA 198.07, 0.99%, 0.33%, 0.25

LABA 46.34, -8.79, -34.38, 0.25

 

CMYK 25 / 8 / 0 / 10

HEX #0063943F

RGBA 0 99 148 0.25

HSLA 199.86, 1%, 0.29%, 0.25

LABA 39.68, -5.5, -33.6, 0.25

 

CMYK 25 / 9 / 0 / 12

HEX #0051813F

RGBA 0 81 129 0.25

HSLA 202.33, 1%, 0.25%, 0.25

LABA 32.85, -1.95, -32.86, 0.25

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 83 / 48 / 0 / 20

HEX #236BCD

RGB 35 107 205

HSL 214.59, 0.71%, 0.47%

LAB 46.02, 14.24, -56.87

 

CMYK 83 / 70 / 0 / 20

HEX #233DCD

RGB 35 61 205

HSL 230.82, 0.71%, 0.47%

LAB 34.2, 43.75, -76.15

 

CMYK 74 / 83 / 0 / 20

HEX #3623CD

RGB 54 35 205

HSL 246.71, 0.71%, 0.47%

LAB 30.39, 58.61, -82.43

 

CMYK 51 / 83 / 0 / 20

HEX #6423CD

RGB 100 35 205

HSL 262.94, 0.71%, 0.47%

LAB 34.64, 62.76, -75.26

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 83 / 48 / 0 / 20

HEX #236BCD

RGB 35 107 205

HSL 214.59, 0.71%, 0.47%

LAB 46.02, 14.24, -56.87

 

CMYK 83 / 70 / 0 / 20

HEX #233DCD

RGB 35 61 205

HSL 230.82, 0.71%, 0.47%

LAB 34.2, 43.75, -76.15

 

CMYK 83 / 83 / 0 / 20

HEX #2323CD

RGB 35 35 205

HSL 240, 0.71%, 0.47%

LAB 29.33, 57.61, -84.21

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 93 / 29 / 0 / 12

HEX #0FA0E0

RGB 15 160 224

HSL 198.37, 0.87%, 0.47%

LAB 62.19, -11.53, -41.86

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 71 / 22 / 0 / 27

HEX #3691BA

RGB 54 145 186

HSL 198.64, 0.55%, 0.47%

LAB 56.66, -13.31, -29.14

 

CMYK 55 / 17 / 0 / 35

HEX #4A8AA6

RGB 74 138 166

HSL 198.26, 0.38%, 0.47%

LAB 54.43, -12.29, -21.09

 

CMYK 37 / 12 / 0 / 42

HEX #5D8293

RGB 93 130 147

HSL 198.89, 0.23%, 0.47%

LAB 52.29, -8.47, -13.28

 

CMYK 12 / 3 / 0 / 50

HEX #707B7F

RGB 112 123 127

HSL 196, 0.06%, 0.47%

LAB 50.85, -3.2, -3.58

 

CMYK 83 / 0 / 20 / 20

HEX #23CDA5

RGB 35 205 165

HSL 165.88, 0.71%, 0.47%

LAB 74.02, -50.2, 8.39

 

CMYK 83 / 3 / 0 / 20

HEX #23C7CD

RGB 35 199 205

HSL 182.12, 0.71%, 0.47%

LAB 73.29, -36.56, -14.33

 

CMYK 83 / 25 / 0 / 20

HEX #239ACD

RGB 35 154 205

HSL 198, 0.71%, 0.47%

LAB 59.78, -13.84, -35.04

 

CMYK 83 / 47 / 0 / 20

HEX #236DCD

RGB 35 109 205

HSL 213.88, 0.71%, 0.47%

LAB 46.58, 12.96, -55.96

 

CMYK 83 / 69 / 0 / 20

HEX #233FCD

RGB 35 63 205

HSL 230.12, 0.71%, 0.47%

LAB 34.64, 42.53, -75.42

 

CMYK 83 / 25 / 0 / 47

HEX #176486

RGB 23 100 134

HSL 198.38, 0.71%, 0.31%

LAB 39.61, -10.01, -25.26

 

CMYK 83 / 25 / 0 / 33

HEX #1D7FAA

RGB 29 127 170

HSL 198.3, 0.71%, 0.39%

LAB 49.91, -11.79, -30.51

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 73 / 23 / 0 / 13

HEX #3BACDE

RGB 59 172 222

HSL 198.4, 0.71%, 0.55%

LAB 66.3, -15.28, -34.29

 

CMYK 59 / 18 / 0 / 11

HEX #5EBBE4

RGB 94 187 228

HSL 198.36, 0.71%, 0.63%

LAB 71.91, -15.85, -28.82

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 41 / 83 / 0 / 20

HEX #7823CD

RGB 120 35 205

HSL 270, 0.71%, 0.47%

LAB 37.12, 65.25, -71.09

 

CMYK 0 / 8 / 83 / 20

HEX #CDBC23

RGB 205 188 35

HSL 54, 0.71%, 0.47%

LAB 75.49, -9.16, 71.37

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 0 / 83 / 25 / 20

HEX #CD239A

RGB 205 35 154

HSL 318, 0.71%, 0.47%

LAB 47.64, 72.1, -23.37

 

CMYK 25 / 0 / 83 / 20

HEX #9ACD23

RGB 154 205 35

HSL 78, 0.71%, 0.47%

LAB 76.47, -38.62, 70.73

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 41 / 83 / 0 / 20

HEX #7823CD

RGB 120 35 205

HSL 270, 0.71%, 0.47%

LAB 37.12, 65.25, -71.09

 

CMYK 0 / 58 / 83 / 20

HEX #CD5623

RGB 205 86 35

HSL 18, 0.71%, 0.47%

LAB 51.56, 44.65, 50.64

 

CMYK 41 / 0 / 83 / 20

HEX #78CD23

RGB 120 205 35

HSL 90, 0.71%, 0.47%

LAB 74.68, -50.9, 68.47

 

CMYK 83 / 25 / 0 / 20

HEX #2399CD

RGB 35 153 205

HSL 198.35, 0.71%, 0.47%

LAB 59.48, -13.29, -35.51

 

CMYK 17 / 83 / 0 / 20

HEX #AB23CD

RGB 171 35 205

HSL 288, 0.71%, 0.47%

LAB 44.61, 73.06, -58.56

 

CMYK 0 / 58 / 83 / 20

HEX #CD5623

RGB 205 86 35

HSL 18, 0.71%, 0.47%

LAB 51.56, 44.65, 50.64

 

CMYK 66 / 0 / 83 / 20

HEX #45CD23

RGB 69 205 35

HSL 108, 0.71%, 0.47%

LAB 72.92, -64.7, 66.23

 

Description

Color code: HEX #2399CD3F | qconv.com Color code: HEX #2399CD3F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 153 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 153 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 6 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 6% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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