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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #239497 it is the complementary color #DC6B68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #239497. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #239497 shade: #289492, #39A6A5, #4AB8B8, #5BCACB and #6CDCDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #239497. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #239497 shade: #239497, #128284, #017071, #005E5E and #004C4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #239497 shade: #239295, #237395, #235495, #233695 and #2F2395

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #239497 shade: #239295, #237395, #235495, #233695 and #232395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #239497 shade matches the following richer shades: #239295, #14A0A4 and #05AEB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #239497 shade: #239295, #328486, #417677, #4F6868 and #5E5959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #239497 shade: #23955A, #239578, #239395, #237495 and #235695

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #239497 shade: #135052, #1B7173, #239295, #2BB3B6 and #39CDD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #239497 shade: #239497, #3C2395 and #956923

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #239497 shade: #239497, #952393 and #939523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #239497 shade: #239497, #3C2395, #952523 and #7C9523

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #239497 shade: #239497, #5E2395, #952523 and #5A9523

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 2 / 0 / 41

HEX #239497

RGB 35 148 151

HSL 181.55, 0.62%, 0.36%

LAB 55.86, -28.75, -10.42

 

Complementary color

CMYK 0 / 51 / 53 / 14

HEX #DC6B68

RGB 220 107 104

HSL 1.55, 0.62%, 0.64%

LAB 58.72, 43.89, 22.66

 

CMYK 73 / 0 / 1 / 42

HEX #289492

RGB 40 148 146

HSL 178.89, 0.57%, 0.37%

LAB 55.79, -29.67, -7.64

 

CMYK 66 / 0 / 1 / 35

HEX #39A6A5

RGB 57 166 165

HSL 179.45, 0.49%, 0.44%

LAB 62.39, -30.35, -8.55

 

CMYK 60 / 0 / 0 / 28

HEX #4AB8B8

RGB 74 184 184

HSL 180, 0.44%, 0.51%

LAB 68.89, -30.81, -9.36

 

CMYK 55 / 0 / 0 / 20

HEX #5BCACB

RGB 91 202 203

HSL 180.54, 0.52%, 0.58%

LAB 75.31, -31.11, -10.1

 

CMYK 51 / 1 / 0 / 13

HEX #6CDCDE

RGB 108 220 222

HSL 181.05, 0.63%, 0.65%

LAB 81.65, -31.3, -10.79

 

CMYK 77 / 2 / 0 / 41

HEX #239497

RGB 35 148 151

HSL 181.55, 0.62%, 0.36%

LAB 55.86, -28.75, -10.42

 

CMYK 86 / 2 / 0 / 48

HEX #128284

RGB 18 130 132

HSL 181.05, 0.76%, 0.29%

LAB 49.2, -27.48, -9.4

 

CMYK 99 / 1 / 0 / 56

HEX #017071

RGB 1 112 113

HSL 180.54, 0.98%, 0.22%

LAB 42.44, -25.81, -8.24

 

CMYK 100 / 0 / 0 / 63

HEX #005E5E

RGB 0 94 94

HSL 180, 1%, 0.18%

LAB 35.62, -23.17, -6.81

 

CMYK 100 / 0 / 1 / 70

HEX #004C4B

RGB 0 76 75

HSL 179.21, 1%, 0.15%

LAB 28.58, -20.38, -5.3

 

CMYK 77 / 2 / 0 / 42

HEX #239295

RGB 35 146 149

HSL 181.58, 0.62%, 0.36%

LAB 55.16, -28.38, -10.32

 

CMYK 77 / 23 / 0 / 42

HEX #237395

RGB 35 115 149

HSL 197.89, 0.62%, 0.36%

LAB 45.34, -11.86, -25.3

 

CMYK 77 / 44 / 0 / 42

HEX #235495

RGB 35 84 149

HSL 214.21, 0.62%, 0.36%

LAB 35.73, 7.34, -40.45

 

CMYK 77 / 64 / 0 / 42

HEX #233695

RGB 35 54 149

HSL 230, 0.62%, 0.36%

LAB 27.2, 27.65, -54.25

 

CMYK 68 / 77 / 0 / 42

HEX #2F2395

RGB 47 35 149

HSL 246.32, 0.62%, 0.36%

LAB 23.59, 40.88, -60.15

 

CMYK 77 / 2 / 0 / 42

HEX #239295

RGB 35 146 149

HSL 181.58, 0.62%, 0.36%

LAB 55.16, -28.38, -10.32

 

CMYK 77 / 23 / 0 / 42

HEX #237395

RGB 35 115 149

HSL 197.89, 0.62%, 0.36%

LAB 45.34, -11.86, -25.3

 

CMYK 77 / 44 / 0 / 42

HEX #235495

RGB 35 84 149

HSL 214.21, 0.62%, 0.36%

LAB 35.73, 7.34, -40.45

 

CMYK 77 / 64 / 0 / 42

HEX #233695

RGB 35 54 149

HSL 230, 0.62%, 0.36%

LAB 27.2, 27.65, -54.25

 

CMYK 77 / 77 / 0 / 42

HEX #232395

RGB 35 35 149

HSL 240, 0.62%, 0.36%

LAB 22.76, 39.69, -61.56

 

CMYK 77 / 2 / 0 / 42

HEX #239295

RGB 35 146 149

HSL 181.58, 0.62%, 0.36%

LAB 55.16, -28.38, -10.32

 

CMYK 88 / 2 / 0 / 36

HEX #14A0A4

RGB 20 160 164

HSL 181.67, 0.78%, 0.36%

LAB 59.86, -31.79, -11.83

 

CMYK 97 / 2 / 0 / 30

HEX #05AEB2

RGB 5 174 178

HSL 181.39, 0.95%, 0.36%

LAB 64.58, -34.69, -12.61

 

CMYK 77 / 2 / 0 / 42

HEX #239295

RGB 35 146 149

HSL 181.58, 0.62%, 0.36%

LAB 55.16, -28.38, -10.32

 

CMYK 63 / 1 / 0 / 47

HEX #328486

RGB 50 132 134

HSL 181.43, 0.46%, 0.36%

LAB 50.57, -23.71, -8.45

 

CMYK 45 / 1 / 0 / 53

HEX #417677

RGB 65 118 119

HSL 181.11, 0.29%, 0.36%

LAB 46.19, -17.33, -6.07

 

CMYK 24 / 0 / 0 / 59

HEX #4F6868

RGB 79 104 104

HSL 180, 0.14%, 0.36%

LAB 42.1, -9.19, -3.03

 

CMYK 0 / 5 / 5 / 63

HEX #5E5959

RGB 94 89 89

HSL 0, 0.03%, 0.36%

LAB 38.28, 2.01, 0.71

 

CMYK 77 / 0 / 40 / 42

HEX #23955A

RGB 35 149 90

HSL 148.95, 0.62%, 0.36%

LAB 54.65, -45.03, 22.49

 

CMYK 77 / 0 / 19 / 42

HEX #239578

RGB 35 149 120

HSL 164.74, 0.62%, 0.36%

LAB 55.29, -38.09, 6.5

 

CMYK 77 / 1 / 0 / 42

HEX #239395

RGB 35 147 149

HSL 181.05, 0.62%, 0.36%

LAB 55.48, -28.87, -9.84

 

CMYK 77 / 22 / 0 / 42

HEX #237495

RGB 35 116 149

HSL 197.37, 0.62%, 0.36%

LAB 45.66, -12.43, -24.81

 

CMYK 77 / 42 / 0 / 42

HEX #235695

RGB 35 86 149

HSL 213.16, 0.62%, 0.36%

LAB 36.33, 6.02, -39.49

 

CMYK 77 / 2 / 0 / 68

HEX #135052

RGB 19 80 82

HSL 181.9, 0.62%, 0.2%

LAB 30.6, -17.88, -6.73

 

CMYK 77 / 2 / 0 / 55

HEX #1B7173

RGB 27 113 115

HSL 181.36, 0.62%, 0.28%

LAB 43.18, -23.46, -8.3

 

CMYK 77 / 2 / 0 / 42

HEX #239295

RGB 35 146 149

HSL 181.58, 0.62%, 0.36%

LAB 55.16, -28.38, -10.32

 

CMYK 76 / 2 / 0 / 29

HEX #2BB3B6

RGB 43 179 182

HSL 181.29, 0.62%, 0.44%

LAB 66.62, -33.39, -11.73

 

CMYK 73 / 2 / 0 / 18

HEX #39CDD1

RGB 57 205 209

HSL 181.58, 0.62%, 0.52%

LAB 75.54, -36.08, -13.1

 

CMYK 77 / 2 / 0 / 41

HEX #239497

RGB 35 148 151

HSL 181.55, 0.62%, 0.36%

LAB 55.86, -28.75, -10.42

 

CMYK 60 / 77 / 0 / 42

HEX #3C2395

RGB 60 35 149

HSL 253.16, 0.62%, 0.36%

LAB 24.74, 42.5, -58.22

 

CMYK 0 / 30 / 77 / 42

HEX #956923

RGB 149 105 35

HSL 36.84, 0.62%, 0.36%

LAB 47.77, 10.92, 44.24

 

CMYK 77 / 2 / 0 / 41

HEX #239497

RGB 35 148 151

HSL 181.55, 0.62%, 0.36%

LAB 55.86, -28.75, -10.42

 

CMYK 0 / 77 / 1 / 42

HEX #952393

RGB 149 35 147

HSL 301.05, 0.62%, 0.36%

LAB 37.3, 58.8, -36.07

 

CMYK 1 / 0 / 77 / 42

HEX #939523

RGB 147 149 35

HSL 61.05, 0.62%, 0.36%

LAB 59.73, -14.45, 55.56

 

CMYK 77 / 2 / 0 / 41

HEX #239497

RGB 35 148 151

HSL 181.55, 0.62%, 0.36%

LAB 55.86, -28.75, -10.42

 

CMYK 60 / 77 / 0 / 42

HEX #3C2395

RGB 60 35 149

HSL 253.16, 0.62%, 0.36%

LAB 24.74, 42.5, -58.22

 

CMYK 0 / 75 / 77 / 42

HEX #952523

RGB 149 37 35

HSL 1.05, 0.62%, 0.36%

LAB 33.63, 46.02, 29.52

 

CMYK 17 / 0 / 77 / 42

HEX #7C9523

RGB 124 149 35

HSL 73.16, 0.62%, 0.36%

LAB 57.94, -24.52, 53.25

 

CMYK 77 / 2 / 0 / 41

HEX #239497

RGB 35 148 151

HSL 181.55, 0.62%, 0.36%

LAB 55.86, -28.75, -10.42

 

CMYK 37 / 77 / 0 / 42

HEX #5E2395

RGB 94 35 149

HSL 271.05, 0.62%, 0.36%

LAB 28.78, 47.98, -51.45

 

CMYK 0 / 75 / 77 / 42

HEX #952523

RGB 149 37 35

HSL 1.05, 0.62%, 0.36%

LAB 33.63, 46.02, 29.52

 

CMYK 40 / 0 / 77 / 42

HEX #5A9523

RGB 90 149 35

HSL 91.05, 0.62%, 0.36%

LAB 55.88, -38.02, 50.55

 

Description

Color code: HEX #239497 | qconv.com Color code: HEX #239497 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 148 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 148 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 2 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 2% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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