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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #239235 it is the complementary color #DC6DCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #239235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #239235 shade: #289230, #39A443, #4AB656, #5BC869 and #6CDA7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #239235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #239235 shade: #239235, #128022, #016E0F, #005C00 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #239235 shade: #239034, #2F9023, #4C9023, #699023 and #879023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #239235 shade: #239034, #239052, #23906F, #23908D and #237590

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #239235 shade matches the following richer shades: #239034, #149E2B and #06AD21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #239235 shade: #239034, #31813E, #407348, #4E6452 and #5D565B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #239235 shade: #4D9023, #309023, #239033, #239050 and #23906D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #239235 shade: #134D1C, #1B6E28, #239034, #2BB141 and #37CE4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #239235 shade: #239235, #236A90 and #90233E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #239235 shade: #239235, #332390 and #903323

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #239235 shade: #239235, #236A90, #90237F and #904923

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #239235 shade: #239235, #234990, #90237F and #906A23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 64 / 43

HEX #239235

RGB 35 146 53

HSL 129.73, 0.61%, 0.35%

LAB 53.14, -49.89, 39.69

 

Complementary color

CMYK 0 / 50 / 8 / 14

HEX #DC6DCA

RGB 220 109 202

HSL 309.73, 0.61%, 0.65%

LAB 62.01, 55.29, -28.86

 

CMYK 73 / 0 / 67 / 43

HEX #289230

RGB 40 146 48

HSL 124.53, 0.57%, 0.36%

LAB 53.19, -49.61, 42.04

 

CMYK 65 / 0 / 59 / 36

HEX #39A443

RGB 57 164 67

HSL 125.61, 0.48%, 0.43%

LAB 59.73, -50.49, 40.82

 

CMYK 59 / 0 / 53 / 29

HEX #4AB656

RGB 74 182 86

HSL 126.67, 0.43%, 0.5%

LAB 66.2, -50.93, 39.47

 

CMYK 55 / 0 / 48 / 22

HEX #5BC869

RGB 91 200 105

HSL 127.71, 0.5%, 0.57%

LAB 72.6, -51.11, 38.1

 

CMYK 50 / 0 / 43 / 15

HEX #6CDA7C

RGB 108 218 124

HSL 128.73, 0.6%, 0.64%

LAB 78.92, -51.11, 36.77

 

CMYK 76 / 0 / 64 / 43

HEX #239235

RGB 35 146 53

HSL 129.73, 0.61%, 0.35%

LAB 53.14, -49.89, 39.69

 

CMYK 86 / 0 / 73 / 50

HEX #128022

RGB 18 128 34

HSL 128.73, 0.75%, 0.29%

LAB 46.56, -48.19, 40.79

 

CMYK 99 / 0 / 86 / 57

HEX #016E0F

RGB 1 110 15

HSL 127.71, 0.98%, 0.22%

LAB 39.9, -45.54, 40.99

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 76 / 0 / 64 / 44

HEX #239034

RGB 35 144 52

HSL 129.36, 0.61%, 0.35%

LAB 52.46, -49.31, 39.38

 

CMYK 67 / 0 / 76 / 44

HEX #2F9023

RGB 47 144 35

HSL 113.39, 0.61%, 0.35%

LAB 52.59, -48.71, 46.75

 

CMYK 47 / 0 / 76 / 44

HEX #4C9023

RGB 76 144 35

HSL 97.43, 0.61%, 0.35%

LAB 53.6, -40.72, 48.1

 

CMYK 27 / 0 / 76 / 44

HEX #699023

RGB 105 144 35

HSL 81.47, 0.61%, 0.35%

LAB 55.15, -30, 50.13

 

CMYK 6 / 0 / 76 / 44

HEX #879023

RGB 135 144 35

HSL 64.95, 0.61%, 0.35%

LAB 57.29, -17.18, 52.92

 

CMYK 76 / 0 / 64 / 44

HEX #239034

RGB 35 144 52

HSL 129.36, 0.61%, 0.35%

LAB 52.46, -49.31, 39.38

 

CMYK 76 / 0 / 43 / 44

HEX #239052

RGB 35 144 82

HSL 145.87, 0.61%, 0.35%

LAB 52.85, -44.64, 24.51

 

CMYK 76 / 0 / 23 / 44

HEX #23906F

RGB 35 144 111

HSL 161.83, 0.61%, 0.35%

LAB 53.44, -38.21, 9.02

 

CMYK 76 / 0 / 2 / 44

HEX #23908D

RGB 35 144 141

HSL 178.35, 0.61%, 0.35%

LAB 54.27, -29.86, -7.05

 

CMYK 76 / 19 / 0 / 44

HEX #237590

RGB 35 117 144

HSL 194.86, 0.61%, 0.35%

LAB 45.76, -14.77, -21.69

 

CMYK 76 / 0 / 64 / 44

HEX #239034

RGB 35 144 52

HSL 129.36, 0.61%, 0.35%

LAB 52.46, -49.31, 39.38

 

CMYK 87 / 0 / 73 / 38

HEX #149E2B

RGB 20 158 43

HSL 130, 0.78%, 0.35%

LAB 56.86, -56.75, 47.91

 

CMYK 97 / 0 / 81 / 32

HEX #06AD21

RGB 6 173 33

HSL 129.7, 0.93%, 0.35%

LAB 61.68, -62.9, 56.05

 

CMYK 76 / 0 / 64 / 44

HEX #239034

RGB 35 144 52

HSL 129.36, 0.61%, 0.35%

LAB 52.46, -49.31, 39.38

 

CMYK 62 / 0 / 52 / 49

HEX #31813E

RGB 49 129 62

HSL 129.75, 0.45%, 0.35%

LAB 47.88, -39.42, 29.06

 

CMYK 44 / 0 / 37 / 55

HEX #407348

RGB 64 115 72

HSL 129.41, 0.28%, 0.35%

LAB 43.97, -27.16, 18.59

 

CMYK 22 / 0 / 18 / 61

HEX #4E6452

RGB 78 100 82

HSL 130.91, 0.12%, 0.35%

LAB 40.15, -12.28, 7.53

 

CMYK 0 / 8 / 2 / 64

HEX #5D565B

RGB 93 86 91

HSL 317.14, 0.04%, 0.35%

LAB 37.37, 3.87, -1.87

 

CMYK 47 / 0 / 76 / 44

HEX #4D9023

RGB 77 144 35

HSL 96.88, 0.61%, 0.35%

LAB 53.65, -40.39, 48.15

 

CMYK 67 / 0 / 76 / 44

HEX #309023

RGB 48 144 35

HSL 112.84, 0.61%, 0.35%

LAB 52.62, -48.49, 46.78

 

CMYK 76 / 0 / 65 / 44

HEX #239033

RGB 35 144 51

HSL 128.81, 0.61%, 0.35%

LAB 52.45, -49.43, 39.83

 

CMYK 76 / 0 / 44 / 44

HEX #239050

RGB 35 144 80

HSL 144.77, 0.61%, 0.35%

LAB 52.82, -45.02, 25.56

 

CMYK 76 / 0 / 24 / 44

HEX #23906D

RGB 35 144 109

HSL 160.73, 0.61%, 0.35%

LAB 53.39, -38.7, 10.1

 

CMYK 75 / 0 / 64 / 70

HEX #134D1C

RGB 19 77 28

HSL 129.31, 0.6%, 0.19%

LAB 28.19, -30.19, 23.42

 

CMYK 75 / 0 / 64 / 57

HEX #1B6E28

RGB 27 110 40

HSL 129.4, 0.61%, 0.27%

LAB 40.47, -39.88, 31.46

 

CMYK 76 / 0 / 64 / 44

HEX #239034

RGB 35 144 52

HSL 129.36, 0.61%, 0.35%

LAB 52.46, -49.31, 39.38

 

CMYK 76 / 0 / 63 / 31

HEX #2BB141

RGB 43 177 65

HSL 129.85, 0.61%, 0.43%

LAB 63.62, -57.82, 46.12

 

CMYK 73 / 0 / 62 / 19

HEX #37CE4F

RGB 55 206 79

HSL 129.54, 0.61%, 0.51%

LAB 73.23, -64.02, 50.87

 

CMYK 76 / 0 / 64 / 43

HEX #239235

RGB 35 146 53

HSL 129.73, 0.61%, 0.35%

LAB 53.14, -49.89, 39.69

 

CMYK 76 / 26 / 0 / 44

HEX #236A90

RGB 35 106 144

HSL 200.92, 0.61%, 0.35%

LAB 42.28, -8.41, -27.1

 

CMYK 0 / 76 / 57 / 44

HEX #90233E

RGB 144 35 62

HSL 345.14, 0.61%, 0.35%

LAB 32.87, 46.77, 11.16

 

CMYK 76 / 0 / 64 / 43

HEX #239235

RGB 35 146 53

HSL 129.73, 0.61%, 0.35%

LAB 53.14, -49.89, 39.69

 

CMYK 65 / 76 / 0 / 44

HEX #332390

RGB 51 35 144

HSL 248.81, 0.61%, 0.35%

LAB 23.4, 39.74, -57.36

 

CMYK 0 / 65 / 76 / 44

HEX #903323

RGB 144 51 35

HSL 8.81, 0.61%, 0.35%

LAB 34.84, 38.41, 30.58

 

CMYK 76 / 0 / 64 / 43

HEX #239235

RGB 35 146 53

HSL 129.73, 0.61%, 0.35%

LAB 53.14, -49.89, 39.69

 

CMYK 76 / 26 / 0 / 44

HEX #236A90

RGB 35 106 144

HSL 200.92, 0.61%, 0.35%

LAB 42.28, -8.41, -27.1

 

CMYK 0 / 76 / 12 / 44

HEX #90237F

RGB 144 35 127

HSL 309.36, 0.61%, 0.35%

LAB 35.33, 54.45, -26.89

 

CMYK 0 / 49 / 76 / 44

HEX #904923

RGB 144 73 35

HSL 20.92, 0.61%, 0.35%

LAB 39.27, 27.01, 35.36

 

CMYK 76 / 0 / 64 / 43

HEX #239235

RGB 35 146 53

HSL 129.73, 0.61%, 0.35%

LAB 53.14, -49.89, 39.69

 

CMYK 76 / 49 / 0 / 44

HEX #234990

RGB 35 73 144

HSL 219.08, 0.61%, 0.35%

LAB 32.11, 12.73, -43.21

 

CMYK 0 / 76 / 12 / 44

HEX #90237F

RGB 144 35 127

HSL 309.36, 0.61%, 0.35%

LAB 35.33, 54.45, -26.89

 

CMYK 0 / 26 / 76 / 44

HEX #906A23

RGB 144 106 35

HSL 39.08, 0.61%, 0.35%

LAB 47.44, 8.03, 43.72

 

Description

Color code: HEX #239235 | qconv.com Color code: HEX #239235 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 146 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 146 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 64 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 64% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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