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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #239230 it is the complementary color #DC6DCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #239230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #239230 shade: #28922B, #39A43E, #4AB651, #5BC864 and #6CDA77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #239230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #239230 shade: #239230, #12801D, #016E0A, #005C00 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #239230 shade: #239030, #339023, #519023, #6E9023 and #8C9023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #239230 shade: #239030, #23904D, #23906A, #239088 and #237A90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #239230 shade matches the following richer shades: #239030, #149E25 and #06AD19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #239230 shade: #239030, #31813B, #407346, #4E6451 and #5D565C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #239230 shade: #509023, #339023, #239030, #23904D and #23906A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #239230 shade: #134D1A, #1B6E25, #239030, #2BB13B and #37CE48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #239230 shade: #239230, #236D90 and #902342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #239230 shade: #239230, #302390 and #903023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #239230 shade: #239230, #236D90, #902383 and #904523

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #239230 shade: #239230, #234D90, #902383 and #906623

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 67 / 43

HEX #239230

RGB 35 146 48

HSL 127.03, 0.61%, 0.35%

LAB 53.09, -50.46, 41.9

 

Complementary color

CMYK 0 / 50 / 6 / 14

HEX #DC6DCF

RGB 220 109 207

HSL 307.03, 0.61%, 0.65%

LAB 62.22, 56.12, -31.37

 

CMYK 73 / 0 / 71 / 43

HEX #28922B

RGB 40 146 43

HSL 121.7, 0.57%, 0.36%

LAB 53.15, -50.12, 44.13

 

CMYK 65 / 0 / 62 / 36

HEX #39A43E

RGB 57 164 62

HSL 122.8, 0.48%, 0.43%

LAB 59.68, -51.09, 43.09

 

CMYK 59 / 0 / 55 / 29

HEX #4AB651

RGB 74 182 81

HSL 123.89, 0.43%, 0.5%

LAB 66.14, -51.6, 41.82

 

CMYK 55 / 0 / 50 / 22

HEX #5BC864

RGB 91 200 100

HSL 124.95, 0.5%, 0.57%

LAB 72.53, -51.82, 40.49

 

CMYK 50 / 0 / 45 / 15

HEX #6CDA77

RGB 108 218 119

HSL 126, 0.6%, 0.64%

LAB 78.85, -51.86, 39.16

 

CMYK 76 / 0 / 67 / 43

HEX #239230

RGB 35 146 48

HSL 127.03, 0.61%, 0.35%

LAB 53.09, -50.46, 41.9

 

CMYK 86 / 0 / 77 / 50

HEX #12801D

RGB 18 128 29

HSL 126, 0.75%, 0.29%

LAB 46.52, -48.63, 42.71

 

CMYK 99 / 0 / 91 / 57

HEX #016E0A

RGB 1 110 10

HSL 124.95, 0.98%, 0.22%

LAB 39.88, -45.81, 42.31

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 76 / 0 / 67 / 44

HEX #239030

RGB 35 144 48

HSL 127.16, 0.61%, 0.35%

LAB 52.42, -49.77, 41.16

 

CMYK 65 / 0 / 76 / 44

HEX #339023

RGB 51 144 35

HSL 111.19, 0.61%, 0.35%

LAB 52.7, -47.8, 46.89

 

CMYK 44 / 0 / 76 / 44

HEX #519023

RGB 81 144 35

HSL 94.68, 0.61%, 0.35%

LAB 53.83, -39.04, 48.4

 

CMYK 24 / 0 / 76 / 44

HEX #6E9023

RGB 110 144 35

HSL 78.72, 0.61%, 0.35%

LAB 55.46, -27.95, 50.55

 

CMYK 3 / 0 / 76 / 44

HEX #8C9023

RGB 140 144 35

HSL 62.2, 0.61%, 0.35%

LAB 57.7, -14.95, 53.46

 

CMYK 76 / 0 / 67 / 44

HEX #239030

RGB 35 144 48

HSL 127.16, 0.61%, 0.35%

LAB 52.42, -49.77, 41.16

 

CMYK 76 / 0 / 47 / 44

HEX #23904D

RGB 35 144 77

HSL 143.12, 0.61%, 0.35%

LAB 52.77, -45.56, 27.12

 

CMYK 76 / 0 / 26 / 44

HEX #23906A

RGB 35 144 106

HSL 159.08, 0.61%, 0.35%

LAB 53.32, -39.44, 11.71

 

CMYK 76 / 0 / 6 / 44

HEX #239088

RGB 35 144 136

HSL 175.6, 0.61%, 0.35%

LAB 54.11, -31.35, -4.39

 

CMYK 76 / 15 / 0 / 44

HEX #237A90

RGB 35 122 144

HSL 192.11, 0.61%, 0.35%

LAB 47.35, -17.54, -19.25

 

CMYK 76 / 0 / 67 / 44

HEX #239030

RGB 35 144 48

HSL 127.16, 0.61%, 0.35%

LAB 52.42, -49.77, 41.16

 

CMYK 87 / 0 / 77 / 38

HEX #149E25

RGB 20 158 37

HSL 127.39, 0.78%, 0.35%

LAB 56.82, -57.25, 50.09

 

CMYK 97 / 0 / 86 / 32

HEX #06AD19

RGB 6 173 25

HSL 126.83, 0.93%, 0.35%

LAB 61.65, -63.34, 58.16

 

CMYK 76 / 0 / 67 / 44

HEX #239030

RGB 35 144 48

HSL 127.16, 0.61%, 0.35%

LAB 52.42, -49.77, 41.16

 

CMYK 62 / 0 / 54 / 49

HEX #31813B

RGB 49 129 59

HSL 127.5, 0.45%, 0.35%

LAB 47.84, -39.87, 30.59

 

CMYK 44 / 0 / 39 / 55

HEX #407346

RGB 64 115 70

HSL 127.06, 0.28%, 0.35%

LAB 43.94, -27.52, 19.7

 

CMYK 22 / 0 / 19 / 61

HEX #4E6451

RGB 78 100 81

HSL 128.18, 0.12%, 0.35%

LAB 40.13, -12.49, 8.11

 

CMYK 0 / 8 / 1 / 64

HEX #5D565C

RGB 93 86 92

HSL 308.57, 0.04%, 0.35%

LAB 37.4, 4.08, -2.45

 

CMYK 44 / 0 / 76 / 44

HEX #509023

RGB 80 144 35

HSL 95.23, 0.61%, 0.35%

LAB 53.79, -39.38, 48.34

 

CMYK 65 / 0 / 76 / 44

HEX #339023

RGB 51 144 35

HSL 111.19, 0.61%, 0.35%

LAB 52.7, -47.8, 46.89

 

CMYK 76 / 0 / 67 / 44

HEX #239030

RGB 35 144 48

HSL 127.16, 0.61%, 0.35%

LAB 52.42, -49.77, 41.16

 

CMYK 76 / 0 / 47 / 44

HEX #23904D

RGB 35 144 77

HSL 143.12, 0.61%, 0.35%

LAB 52.77, -45.56, 27.12

 

CMYK 76 / 0 / 26 / 44

HEX #23906A

RGB 35 144 106

HSL 159.08, 0.61%, 0.35%

LAB 53.32, -39.44, 11.71

 

CMYK 75 / 0 / 66 / 70

HEX #134D1A

RGB 19 77 26

HSL 127.24, 0.6%, 0.19%

LAB 28.17, -30.48, 24.47

 

CMYK 75 / 0 / 66 / 57

HEX #1B6E25

RGB 27 110 37

HSL 127.23, 0.61%, 0.27%

LAB 40.44, -40.27, 32.89

 

CMYK 76 / 0 / 67 / 44

HEX #239030

RGB 35 144 48

HSL 127.16, 0.61%, 0.35%

LAB 52.42, -49.77, 41.16

 

CMYK 76 / 0 / 67 / 31

HEX #2BB13B

RGB 43 177 59

HSL 127.16, 0.61%, 0.43%

LAB 63.57, -58.48, 48.65

 

CMYK 73 / 0 / 65 / 19

HEX #37CE48

RGB 55 206 72

HSL 126.75, 0.61%, 0.51%

LAB 73.17, -64.78, 53.79

 

CMYK 76 / 0 / 67 / 43

HEX #239230

RGB 35 146 48

HSL 127.03, 0.61%, 0.35%

LAB 53.09, -50.46, 41.9

 

CMYK 76 / 24 / 0 / 44

HEX #236D90

RGB 35 109 144

HSL 199.27, 0.61%, 0.35%

LAB 43.22, -10.18, -25.62

 

CMYK 0 / 76 / 54 / 44

HEX #902342

RGB 144 35 66

HSL 342.94, 0.61%, 0.35%

LAB 32.97, 47.09, 8.68

 

CMYK 76 / 0 / 67 / 43

HEX #239230

RGB 35 146 48

HSL 127.03, 0.61%, 0.35%

LAB 53.09, -50.46, 41.9

 

CMYK 67 / 76 / 0 / 44

HEX #302390

RGB 48 35 144

HSL 247.16, 0.61%, 0.35%

LAB 23.15, 39.37, -57.79

 

CMYK 0 / 67 / 76 / 44

HEX #903023

RGB 144 48 35

HSL 7.16, 0.61%, 0.35%

LAB 34.32, 39.79, 30.01

 

CMYK 76 / 0 / 67 / 43

HEX #239230

RGB 35 146 48

HSL 127.03, 0.61%, 0.35%

LAB 53.09, -50.46, 41.9

 

CMYK 76 / 24 / 0 / 44

HEX #236D90

RGB 35 109 144

HSL 199.27, 0.61%, 0.35%

LAB 43.22, -10.18, -25.62

 

CMYK 0 / 76 / 9 / 44

HEX #902383

RGB 144 35 131

HSL 307.16, 0.61%, 0.35%

LAB 35.54, 55.07, -29.05

 

CMYK 0 / 52 / 76 / 44

HEX #904523

RGB 144 69 35

HSL 18.72, 0.61%, 0.35%

LAB 38.39, 29.21, 34.42

 

CMYK 76 / 0 / 67 / 43

HEX #239230

RGB 35 146 48

HSL 127.03, 0.61%, 0.35%

LAB 53.09, -50.46, 41.9

 

CMYK 76 / 47 / 0 / 44

HEX #234D90

RGB 35 77 144

HSL 216.88, 0.61%, 0.35%

LAB 33.3, 10.03, -41.3

 

CMYK 0 / 76 / 9 / 44

HEX #902383

RGB 144 35 131

HSL 307.16, 0.61%, 0.35%

LAB 35.54, 55.07, -29.05

 

CMYK 0 / 29 / 76 / 44

HEX #906623

RGB 144 102 35

HSL 36.88, 0.61%, 0.35%

LAB 46.38, 10.35, 42.66

 

Description

Color code: HEX #239230 | qconv.com Color code: HEX #239230 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 146 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 146 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 67 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 67% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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