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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #239177 it is the complementary color #DC6E88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #239177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #239177 shade: #289172, #39A385, #4AB598, #5BC7AB and #6CD9BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #239177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #239177 shade: #239177, #127F64, #016D51, #005B3E and #00492B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #239177 shade: #239076, #239059, #23903B, #289023 and #459023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #239177 shade: #239076, #238C90, #236F90, #235190 and #233490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #239177 shade matches the following richer shades: #239076, #149E7E and #06AD85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #239177 shade: #239076, #31816E, #407367, #4E645F and #5D5657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #239177 shade: #23903A, #239057, #239074, #238E90 and #237190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #239177 shade: #134D3F, #1B6E5B, #239076, #2BB191 and #37CEAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #239177 shade: #239177, #232890 and #904923

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #239177 shade: #239177, #742390 and #907423

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #239177 shade: #239177, #232890, #90233E and #908A23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #239177 shade: #239177, #3E2390, #90233E and #749023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 18 / 43

HEX #239177

RGB 35 145 119

HSL 165.82, 0.61%, 0.35%

LAB 53.96, -36.58, 5.18

 

Complementary color

CMYK 0 / 50 / 38 / 14

HEX #DC6E88

RGB 220 110 136

HSL 345.82, 0.61%, 0.65%

LAB 60.02, 45.57, 5.98

 

CMYK 72 / 0 / 21 / 43

HEX #289172

RGB 40 145 114

HSL 162.29, 0.57%, 0.36%

LAB 53.94, -37.16, 8.02

 

CMYK 65 / 0 / 18 / 36

HEX #39A385

RGB 57 163 133

HSL 163.02, 0.48%, 0.43%

LAB 60.57, -37.58, 6.77

 

CMYK 59 / 0 / 16 / 29

HEX #4AB598

RGB 74 181 152

HSL 163.74, 0.42%, 0.5%

LAB 67.1, -37.78, 5.65

 

CMYK 54 / 0 / 14 / 22

HEX #5BC7AB

RGB 91 199 171

HSL 164.44, 0.49%, 0.57%

LAB 73.55, -37.85, 4.64

 

CMYK 50 / 0 / 12 / 15

HEX #6CD9BE

RGB 108 217 190

HSL 165.14, 0.59%, 0.64%

LAB 79.92, -37.83, 3.71

 

CMYK 76 / 0 / 18 / 43

HEX #239177

RGB 35 145 119

HSL 165.82, 0.61%, 0.35%

LAB 53.96, -36.58, 5.18

 

CMYK 86 / 0 / 21 / 50

HEX #127F64

RGB 18 127 100

HSL 165.14, 0.75%, 0.28%

LAB 47.27, -35.59, 6.59

 

CMYK 99 / 0 / 26 / 57

HEX #016D51

RGB 1 109 81

HSL 164.44, 0.98%, 0.22%

LAB 40.47, -34.17, 8.21

 

CMYK 100 / 0 / 32 / 64

HEX #005B3E

RGB 0 91 62

HSL 160.88, 1%, 0.18%

LAB 33.63, -31.55, 10.2

 

CMYK 100 / 0 / 41 / 71

HEX #00492B

RGB 0 73 43

HSL 155.34, 1%, 0.14%

LAB 26.56, -28.69, 12.38

 

CMYK 76 / 0 / 18 / 44

HEX #239076

RGB 35 144 118

HSL 165.69, 0.61%, 0.35%

LAB 53.61, -36.4, 5.25

 

CMYK 76 / 0 / 38 / 44

HEX #239059

RGB 35 144 89

HSL 149.72, 0.61%, 0.35%

LAB 52.98, -43.25, 20.82

 

CMYK 76 / 0 / 59 / 44

HEX #23903B

RGB 35 144 59

HSL 133.21, 0.61%, 0.35%

LAB 52.53, -48.41, 36.12

 

CMYK 72 / 0 / 76 / 44

HEX #289023

RGB 40 144 35

HSL 117.25, 0.61%, 0.35%

LAB 52.42, -50.13, 46.52

 

CMYK 52 / 0 / 76 / 44

HEX #459023

RGB 69 144 35

HSL 101.28, 0.61%, 0.35%

LAB 53.31, -42.93, 47.71

 

CMYK 76 / 0 / 18 / 44

HEX #239076

RGB 35 144 118

HSL 165.69, 0.61%, 0.35%

LAB 53.61, -36.4, 5.25

 

CMYK 76 / 3 / 0 / 44

HEX #238C90

RGB 35 140 144

HSL 182.2, 0.61%, 0.35%

LAB 53.09, -26.96, -10.54

 

CMYK 76 / 23 / 0 / 44

HEX #236F90

RGB 35 111 144

HSL 198.17, 0.61%, 0.35%

LAB 43.86, -11.34, -24.64

 

CMYK 76 / 44 / 0 / 44

HEX #235190

RGB 35 81 144

HSL 214.68, 0.61%, 0.35%

LAB 34.51, 7.36, -39.37

 

CMYK 76 / 64 / 0 / 44

HEX #233490

RGB 35 52 144

HSL 230.64, 0.61%, 0.35%

LAB 26.24, 27.08, -52.75

 

CMYK 76 / 0 / 18 / 44

HEX #239076

RGB 35 144 118

HSL 165.69, 0.61%, 0.35%

LAB 53.61, -36.4, 5.25

 

CMYK 87 / 0 / 20 / 38

HEX #149E7E

RGB 20 158 126

HSL 166.09, 0.78%, 0.35%

LAB 58.14, -41.88, 7.15

 

CMYK 97 / 0 / 23 / 32

HEX #06AD85

RGB 6 173 133

HSL 165.63, 0.93%, 0.35%

LAB 63.03, -46.99, 10.17

 

CMYK 76 / 0 / 18 / 44

HEX #239076

RGB 35 144 118

HSL 165.69, 0.61%, 0.35%

LAB 53.61, -36.4, 5.25

 

CMYK 62 / 0 / 15 / 49

HEX #31816E

RGB 49 129 110

HSL 165.75, 0.45%, 0.35%

LAB 48.86, -29.21, 3.09

 

CMYK 44 / 0 / 10 / 55

HEX #407367

RGB 64 115 103

HSL 165.88, 0.28%, 0.35%

LAB 44.7, -20.28, 1.29

 

CMYK 22 / 0 / 5 / 61

HEX #4E645F

RGB 78 100 95

HSL 166.36, 0.12%, 0.35%

LAB 40.51, -9.4, 0.11

 

CMYK 0 / 8 / 6 / 64

HEX #5D5657

RGB 93 86 87

HSL 351.43, 0.04%, 0.35%

LAB 37.25, 3.04, 0.44

 

CMYK 76 / 0 / 60 / 44

HEX #23903A

RGB 35 144 58

HSL 132.66, 0.61%, 0.35%

LAB 52.52, -48.54, 36.6

 

CMYK 76 / 0 / 40 / 44

HEX #239057

RGB 35 144 87

HSL 148.62, 0.61%, 0.35%

LAB 52.94, -43.66, 21.88

 

CMYK 76 / 0 / 19 / 44

HEX #239074

RGB 35 144 116

HSL 164.59, 0.61%, 0.35%

LAB 53.56, -36.92, 6.33

 

CMYK 76 / 1 / 0 / 44

HEX #238E90

RGB 35 142 144

HSL 181.1, 0.61%, 0.35%

LAB 53.73, -27.96, -9.59

 

CMYK 76 / 22 / 0 / 44

HEX #237190

RGB 35 113 144

HSL 197.06, 0.61%, 0.35%

LAB 44.49, -12.5, -23.65

 

CMYK 75 / 0 / 18 / 70

HEX #134D3F

RGB 19 77 63

HSL 165.52, 0.6%, 0.19%

LAB 28.92, -22.34, 2.97

 

CMYK 75 / 0 / 17 / 57

HEX #1B6E5B

RGB 27 110 91

HSL 166.27, 0.61%, 0.27%

LAB 41.44, -29.22, 3.61

 

CMYK 76 / 0 / 18 / 44

HEX #239076

RGB 35 144 118

HSL 165.69, 0.61%, 0.35%

LAB 53.61, -36.4, 5.25

 

CMYK 76 / 0 / 18 / 31

HEX #2BB191

RGB 43 177 145

HSL 165.67, 0.61%, 0.43%

LAB 64.96, -42.79, 6.34

 

CMYK 73 / 0 / 17 / 19

HEX #37CEAB

RGB 55 206 171

HSL 166.09, 0.61%, 0.51%

LAB 74.76, -47.04, 6.26

 

CMYK 76 / 0 / 18 / 43

HEX #239177

RGB 35 145 119

HSL 165.82, 0.61%, 0.35%

LAB 53.96, -36.58, 5.18

 

CMYK 76 / 72 / 0 / 44

HEX #232890

RGB 35 40 144

HSL 237.25, 0.61%, 0.35%

LAB 23.3, 34.93, -57.57

 

CMYK 0 / 49 / 76 / 44

HEX #904923

RGB 144 73 35

HSL 20.92, 0.61%, 0.35%

LAB 39.27, 27.01, 35.36

 

CMYK 76 / 0 / 18 / 43

HEX #239177

RGB 35 145 119

HSL 165.82, 0.61%, 0.35%

LAB 53.96, -36.58, 5.18

 

CMYK 19 / 76 / 0 / 44

HEX #742390

RGB 116 35 144

HSL 284.59, 0.61%, 0.35%

LAB 31.64, 51.18, -43.58

 

CMYK 0 / 19 / 76 / 44

HEX #907423

RGB 144 116 35

HSL 44.59, 0.61%, 0.35%

LAB 50.15, 2.29, 46.38

 

CMYK 76 / 0 / 18 / 43

HEX #239177

RGB 35 145 119

HSL 165.82, 0.61%, 0.35%

LAB 53.96, -36.58, 5.18

 

CMYK 76 / 72 / 0 / 44

HEX #232890

RGB 35 40 144

HSL 237.25, 0.61%, 0.35%

LAB 23.3, 34.93, -57.57

 

CMYK 0 / 76 / 57 / 44

HEX #90233E

RGB 144 35 62

HSL 345.14, 0.61%, 0.35%

LAB 32.87, 46.77, 11.16

 

CMYK 0 / 4 / 76 / 44

HEX #908A23

RGB 144 138 35

HSL 56.7, 0.61%, 0.35%

LAB 56.31, -9.94, 52.28

 

CMYK 76 / 0 / 18 / 43

HEX #239177

RGB 35 145 119

HSL 165.82, 0.61%, 0.35%

LAB 53.96, -36.58, 5.18

 

CMYK 57 / 76 / 0 / 44

HEX #3E2390

RGB 62 35 144

HSL 254.86, 0.61%, 0.35%

LAB 24.45, 41.26, -55.6

 

CMYK 0 / 76 / 57 / 44

HEX #90233E

RGB 144 35 62

HSL 345.14, 0.61%, 0.35%

LAB 32.87, 46.77, 11.16

 

CMYK 19 / 0 / 76 / 44

HEX #749023

RGB 116 144 35

HSL 75.41, 0.61%, 0.35%

LAB 55.87, -25.44, 51.07

 

Description

Color code: HEX #239177 | qconv.com Color code: HEX #239177 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 145 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 145 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 18 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 18% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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