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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #239152 it is the complementary color #DC6EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #239152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #239152 shade: #28914D, #39A360, #4AB573, #5BC786 and #6CD999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #239152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #239152 shade: #239152, #127F3F, #016D2C, #005B19 and #004906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #239152 shade: #239051, #239034, #2F9023, #4C9023 and #6A9023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #239152 shade: #239051, #23906F, #23908C, #237690 and #235990

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #239152 shade matches the following richer shades: #239051, #149E4F and #06AD4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #239152 shade: #239051, #318153, #407356, #4E6458 and #5D565A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #239152 shade: #309023, #239033, #239050, #23906D and #23908A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #239152 shade: #134D2C, #1B6E3F, #239051, #2BB164 and #37CE77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #239152 shade: #239152, #234D90 and #902523

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #239152 shade: #239152, #502390 and #905023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #239152 shade: #239152, #234D90, #902362 and #906623

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #239152 shade: #239152, #232C90, #902362 and #908723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 43 / 43

HEX #239152

RGB 35 145 82

HSL 145.64, 0.61%, 0.35%

LAB 53.19, -45.03, 24.95

 

Complementary color

CMYK 0 / 50 / 21 / 14

HEX #DC6EAD

RGB 220 110 173

HSL 325.64, 0.61%, 0.65%

LAB 61.12, 50.33, -13.72

 

CMYK 72 / 0 / 47 / 43

HEX #28914D

RGB 40 145 77

HSL 141.14, 0.57%, 0.36%

LAB 53.21, -45.13, 27.7

 

CMYK 65 / 0 / 41 / 36

HEX #39A360

RGB 57 163 96

HSL 142.08, 0.48%, 0.43%

LAB 59.81, -45.61, 26.13

 

CMYK 59 / 0 / 36 / 29

HEX #4AB573

RGB 74 181 115

HSL 142.99, 0.42%, 0.5%

LAB 66.32, -45.8, 24.69

 

CMYK 54 / 0 / 33 / 22

HEX #5BC786

RGB 91 199 134

HSL 143.89, 0.49%, 0.57%

LAB 72.75, -45.8, 23.36

 

CMYK 50 / 0 / 29 / 15

HEX #6CD999

RGB 108 217 153

HSL 144.77, 0.59%, 0.64%

LAB 79.11, -45.69, 22.14

 

CMYK 76 / 0 / 43 / 43

HEX #239152

RGB 35 145 82

HSL 145.64, 0.61%, 0.35%

LAB 53.19, -45.03, 24.95

 

CMYK 86 / 0 / 50 / 50

HEX #127F3F

RGB 18 127 63

HSL 144.77, 0.75%, 0.28%

LAB 46.53, -43.89, 26.69

 

CMYK 99 / 0 / 60 / 57

HEX #016D2C

RGB 1 109 44

HSL 143.89, 0.98%, 0.22%

LAB 39.79, -42.11, 28.52

 

CMYK 100 / 0 / 73 / 64

HEX #005B19

RGB 0 91 25

HSL 136.48, 1%, 0.18%

LAB 33.03, -38.65, 30.31

 

CMYK 100 / 0 / 92 / 71

HEX #004906

RGB 0 73 6

HSL 124.93, 1%, 0.14%

LAB 26.09, -34.44, 31.15

 

CMYK 76 / 0 / 44 / 44

HEX #239051

RGB 35 144 81

HSL 145.32, 0.61%, 0.35%

LAB 52.84, -44.83, 25.04

 

CMYK 76 / 0 / 64 / 44

HEX #239034

RGB 35 144 52

HSL 129.36, 0.61%, 0.35%

LAB 52.46, -49.31, 39.38

 

CMYK 67 / 0 / 76 / 44

HEX #2F9023

RGB 47 144 35

HSL 113.39, 0.61%, 0.35%

LAB 52.59, -48.71, 46.75

 

CMYK 47 / 0 / 76 / 44

HEX #4C9023

RGB 76 144 35

HSL 97.43, 0.61%, 0.35%

LAB 53.6, -40.72, 48.1

 

CMYK 26 / 0 / 76 / 44

HEX #6A9023

RGB 106 144 35

HSL 80.92, 0.61%, 0.35%

LAB 55.21, -29.59, 50.21

 

CMYK 76 / 0 / 44 / 44

HEX #239051

RGB 35 144 81

HSL 145.32, 0.61%, 0.35%

LAB 52.84, -44.83, 25.04

 

CMYK 76 / 0 / 23 / 44

HEX #23906F

RGB 35 144 111

HSL 161.83, 0.61%, 0.35%

LAB 53.44, -38.21, 9.02

 

CMYK 76 / 0 / 3 / 44

HEX #23908C

RGB 35 144 140

HSL 177.8, 0.61%, 0.35%

LAB 54.24, -30.16, -6.52

 

CMYK 76 / 18 / 0 / 44

HEX #237690

RGB 35 118 144

HSL 194.31, 0.61%, 0.35%

LAB 46.08, -15.33, -21.2

 

CMYK 76 / 38 / 0 / 44

HEX #235990

RGB 35 89 144

HSL 210.28, 0.61%, 0.35%

LAB 36.96, 2.13, -35.47

 

CMYK 76 / 0 / 44 / 44

HEX #239051

RGB 35 144 81

HSL 145.32, 0.61%, 0.35%

LAB 52.84, -44.83, 25.04

 

CMYK 87 / 0 / 50 / 38

HEX #149E4F

RGB 20 158 79

HSL 145.65, 0.78%, 0.35%

LAB 57.24, -52.08, 31.68

 

CMYK 97 / 0 / 55 / 32

HEX #06AD4D

RGB 6 173 77

HSL 145.51, 0.93%, 0.35%

LAB 62.05, -58.3, 38.58

 

CMYK 76 / 0 / 44 / 44

HEX #239051

RGB 35 144 81

HSL 145.32, 0.61%, 0.35%

LAB 52.84, -44.83, 25.04

 

CMYK 62 / 0 / 36 / 49

HEX #318153

RGB 49 129 83

HSL 145.5, 0.45%, 0.35%

LAB 48.23, -35.6, 17.89

 

CMYK 44 / 0 / 25 / 55

HEX #407356

RGB 64 115 86

HSL 145.88, 0.28%, 0.35%

LAB 44.27, -24.32, 10.79

 

CMYK 22 / 0 / 12 / 61

HEX #4E6458

RGB 78 100 88

HSL 147.27, 0.12%, 0.35%

LAB 40.31, -10.99, 4.1

 

CMYK 0 / 8 / 3 / 64

HEX #5D565A

RGB 93 86 90

HSL 325.71, 0.04%, 0.35%

LAB 37.34, 3.66, -1.3

 

CMYK 67 / 0 / 76 / 44

HEX #309023

RGB 48 144 35

HSL 112.84, 0.61%, 0.35%

LAB 52.62, -48.49, 46.78

 

CMYK 76 / 0 / 65 / 44

HEX #239033

RGB 35 144 51

HSL 128.81, 0.61%, 0.35%

LAB 52.45, -49.43, 39.83

 

CMYK 76 / 0 / 44 / 44

HEX #239050

RGB 35 144 80

HSL 144.77, 0.61%, 0.35%

LAB 52.82, -45.02, 25.56

 

CMYK 76 / 0 / 24 / 44

HEX #23906D

RGB 35 144 109

HSL 160.73, 0.61%, 0.35%

LAB 53.39, -38.7, 10.1

 

CMYK 76 / 0 / 4 / 44

HEX #23908A

RGB 35 144 138

HSL 176.7, 0.61%, 0.35%

LAB 54.17, -30.76, -5.45

 

CMYK 75 / 0 / 43 / 70

HEX #134D2C

RGB 19 77 44

HSL 145.86, 0.6%, 0.19%

LAB 28.45, -27.24, 14.34

 

CMYK 75 / 0 / 43 / 57

HEX #1B6E3F

RGB 27 110 63

HSL 146.02, 0.61%, 0.27%

LAB 40.81, -36.02, 19.36

 

CMYK 76 / 0 / 44 / 44

HEX #239051

RGB 35 144 81

HSL 145.32, 0.61%, 0.35%

LAB 52.84, -44.83, 25.04

 

CMYK 76 / 0 / 44 / 31

HEX #2BB164

RGB 43 177 100

HSL 145.52, 0.61%, 0.43%

LAB 64.06, -52.65, 29.5

 

CMYK 73 / 0 / 42 / 19

HEX #37CE77

RGB 55 206 119

HSL 145.43, 0.61%, 0.51%

LAB 73.73, -58.18, 32.3

 

CMYK 76 / 0 / 43 / 43

HEX #239152

RGB 35 145 82

HSL 145.64, 0.61%, 0.35%

LAB 53.19, -45.03, 24.95

 

CMYK 76 / 47 / 0 / 44

HEX #234D90

RGB 35 77 144

HSL 216.88, 0.61%, 0.35%

LAB 33.3, 10.03, -41.3

 

CMYK 0 / 74 / 76 / 44

HEX #902523

RGB 144 37 35

HSL 1.1, 0.61%, 0.35%

LAB 32.64, 44.37, 28.13

 

CMYK 76 / 0 / 43 / 43

HEX #239152

RGB 35 145 82

HSL 145.64, 0.61%, 0.35%

LAB 53.19, -45.03, 24.95

 

CMYK 44 / 76 / 0 / 44

HEX #502390

RGB 80 35 144

HSL 264.77, 0.61%, 0.35%

LAB 26.51, 44.19, -52.15

 

CMYK 0 / 44 / 76 / 44

HEX #905023

RGB 144 80 35

HSL 24.77, 0.61%, 0.35%

LAB 40.88, 23.07, 37.05

 

CMYK 76 / 0 / 43 / 43

HEX #239152

RGB 35 145 82

HSL 145.64, 0.61%, 0.35%

LAB 53.19, -45.03, 24.95

 

CMYK 76 / 47 / 0 / 44

HEX #234D90

RGB 35 77 144

HSL 216.88, 0.61%, 0.35%

LAB 33.3, 10.03, -41.3

 

CMYK 0 / 76 / 32 / 44

HEX #902362

RGB 144 35 98

HSL 325.32, 0.61%, 0.35%

LAB 34.01, 50.41, -10.58

 

CMYK 0 / 29 / 76 / 44

HEX #906623

RGB 144 102 35

HSL 36.88, 0.61%, 0.35%

LAB 46.38, 10.35, 42.66

 

CMYK 76 / 0 / 43 / 43

HEX #239152

RGB 35 145 82

HSL 145.64, 0.61%, 0.35%

LAB 53.19, -45.03, 24.95

 

CMYK 76 / 69 / 0 / 44

HEX #232C90

RGB 35 44 144

HSL 235.05, 0.61%, 0.35%

LAB 24.23, 32.38, -56.04

 

CMYK 0 / 76 / 32 / 44

HEX #902362

RGB 144 35 98

HSL 325.32, 0.61%, 0.35%

LAB 34.01, 50.41, -10.58

 

CMYK 0 / 6 / 76 / 44

HEX #908723

RGB 144 135 35

HSL 55.05, 0.61%, 0.35%

LAB 55.46, -8.32, 51.47

 

Description

Color code: HEX #239152 | qconv.com Color code: HEX #239152 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 145 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 145 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 43 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 43% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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