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Color name
HEX #238F12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #238F12 it is the complementary color #DC70ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #238F12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #238F12 shade: #288F0D, #39A120, #4AB333, #5BC546 and #6CD759

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #238F12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #238F12 shade: #238F12, #127D00, #016B00, #005900 and #004700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #238F12 shade: #239112, #469112, #689112, #8A9112 and #917612

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #238F12 shade: #239112, #129123, #129145, #129168 and #12918A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #238F12 shade matches the following richer shades: #239112 and #1A9E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #238F12 shade: #239112, #2D841F, #36772C, #406A3A and #4A5C47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #238F12 shade: #699112, #479112, #259112, #129121 and #129143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #238F12 shade: #114809, #1A6D0D, #239112, #2CB616 and #35DB1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #238F12 shade: #238F12, #128B91 and #911258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #238F12 shade: #238F12, #122591 and #911225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #238F12 shade: #238F12, #128B91, #7E1291 and #911812

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #238F12 shade: #238F12, #126591, #7E1291 and #913F12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 87 / 44

HEX #238F12

RGB 35 143 18

HSL 111.84, 0.78%, 0.32%

LAB 51.89, -51.77, 51.23

 

Complementary color

CMYK 7 / 53 / 0 / 7

HEX #DC70ED

RGB 220 112 237

HSL 291.84, 0.78%, 0.68%

LAB 64.09, 59.99, -45.2

 

CMYK 72 / 0 / 91 / 44

HEX #288F0D

RGB 40 143 13

HSL 107.54, 0.83%, 0.31%

LAB 51.98, -51.06, 52.44

 

CMYK 65 / 0 / 80 / 37

HEX #39A120

RGB 57 161 32

HSL 108.37, 0.67%, 0.38%

LAB 58.47, -52.67, 53.59

 

CMYK 59 / 0 / 72 / 30

HEX #4AB333

RGB 74 179 51

HSL 109.22, 0.56%, 0.45%

LAB 64.91, -53.65, 53.52

 

CMYK 54 / 0 / 64 / 23

HEX #5BC546

RGB 91 197 70

HSL 110.08, 0.52%, 0.52%

LAB 71.28, -54.21, 52.82

 

CMYK 50 / 0 / 59 / 16

HEX #6CD759

RGB 108 215 89

HSL 110.95, 0.61%, 0.6%

LAB 77.58, -54.51, 51.82

 

CMYK 76 / 0 / 87 / 44

HEX #238F12

RGB 35 143 18

HSL 111.84, 0.78%, 0.32%

LAB 51.89, -51.77, 51.23

 

CMYK 86 / 0 / 100 / 51

HEX #127D00

RGB 18 125 0

HSL 111.36, 1%, 0.25%

LAB 45.35, -49.21, 49.27

 

CMYK 99 / 0 / 100 / 58

HEX #016B00

RGB 1 107 0

HSL 119.44, 1%, 0.21%

LAB 38.76, -45.39, 43.92

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 76 / 0 / 88 / 43

HEX #239112

RGB 35 145 18

HSL 111.97, 0.78%, 0.32%

LAB 52.57, -52.42, 51.83

 

CMYK 52 / 0 / 88 / 43

HEX #469112

RGB 70 145 18

HSL 95.43, 0.78%, 0.32%

LAB 53.6, -43.96, 53.13

 

CMYK 28 / 0 / 88 / 43

HEX #689112

RGB 104 145 18

HSL 79.37, 0.78%, 0.32%

LAB 55.32, -31.65, 55.29

 

CMYK 5 / 0 / 88 / 43

HEX #8A9112

RGB 138 145 18

HSL 63.31, 0.78%, 0.32%

LAB 57.75, -16.98, 58.31

 

CMYK 0 / 19 / 88 / 43

HEX #917612

RGB 145 118 18

HSL 47.24, 0.78%, 0.32%

LAB 50.71, 0.99, 52.78

 

CMYK 76 / 0 / 88 / 43

HEX #239112

RGB 35 145 18

HSL 111.97, 0.78%, 0.32%

LAB 52.57, -52.42, 51.83

 

CMYK 88 / 0 / 76 / 43

HEX #129123

RGB 18 145 35

HSL 128.03, 0.78%, 0.32%

LAB 52.4, -53.56, 46.38

 

CMYK 88 / 0 / 52 / 43

HEX #129145

RGB 18 145 69

HSL 144.09, 0.78%, 0.32%

LAB 52.74, -49.36, 31.26

 

CMYK 88 / 0 / 28 / 43

HEX #129168

RGB 18 145 104

HSL 160.63, 0.78%, 0.32%

LAB 53.36, -42.2, 12.86

 

CMYK 88 / 0 / 5 / 43

HEX #12918A

RGB 18 145 138

HSL 176.69, 0.78%, 0.32%

LAB 54.25, -32.84, -5.36

 

CMYK 76 / 0 / 88 / 43

HEX #239112

RGB 35 145 18

HSL 111.97, 0.78%, 0.32%

LAB 52.57, -52.42, 51.83

 

CMYK 84 / 0 / 97 / 38

HEX #1A9E05

RGB 26 158 5

HSL 111.76, 0.94%, 0.32%

LAB 56.77, -58.16, 57.67

 

CMYK 76 / 0 / 88 / 43

HEX #239112

RGB 35 145 18

HSL 111.97, 0.78%, 0.32%

LAB 52.57, -52.42, 51.83

 

CMYK 66 / 0 / 77 / 48

HEX #2D841F

RGB 45 132 31

HSL 111.68, 0.62%, 0.32%

LAB 48.46, -45.15, 44.08

 

CMYK 55 / 0 / 63 / 53

HEX #36772C

RGB 54 119 44

HSL 112, 0.46%, 0.32%

LAB 44.46, -36.38, 34.26

 

CMYK 40 / 0 / 45 / 58

HEX #406A3A

RGB 64 106 58

HSL 112.5, 0.29%, 0.32%

LAB 40.74, -25.16, 22.41

 

CMYK 20 / 0 / 23 / 64

HEX #4A5C47

RGB 74 92 71

HSL 111.43, 0.13%, 0.32%

LAB 37.05, -11.49, 9.86

 

CMYK 28 / 0 / 88 / 43

HEX #699112

RGB 105 145 18

HSL 78.9, 0.78%, 0.32%

LAB 55.38, -31.24, 55.37

 

CMYK 51 / 0 / 88 / 43

HEX #479112

RGB 71 145 18

HSL 94.96, 0.78%, 0.32%

LAB 53.64, -43.65, 53.18

 

CMYK 74 / 0 / 88 / 43

HEX #259112

RGB 37 145 18

HSL 111.02, 0.78%, 0.32%

LAB 52.61, -52.07, 51.88

 

CMYK 88 / 0 / 77 / 43

HEX #129121

RGB 18 145 33

HSL 127.09, 0.78%, 0.32%

LAB 52.39, -53.72, 47.1

 

CMYK 88 / 0 / 54 / 43

HEX #129143

RGB 18 145 67

HSL 143.15, 0.78%, 0.32%

LAB 52.71, -49.68, 32.26

 

CMYK 76 / 0 / 88 / 72

HEX #114809

RGB 17 72 9

HSL 112.38, 0.78%, 0.16%

LAB 26.08, -30.77, 30.08

 

CMYK 76 / 0 / 88 / 57

HEX #1A6D0D

RGB 26 109 13

HSL 111.88, 0.79%, 0.24%

LAB 39.89, -42.19, 41.68

 

CMYK 76 / 0 / 88 / 43

HEX #239112

RGB 35 145 18

HSL 111.97, 0.78%, 0.32%

LAB 52.57, -52.42, 51.83

 

CMYK 76 / 0 / 88 / 29

HEX #2CB616

RGB 44 182 22

HSL 111.75, 0.78%, 0.4%

LAB 65, -62.48, 61.95

 

CMYK 76 / 0 / 88 / 14

HEX #35DB1B

RGB 53 219 27

HSL 111.88, 0.78%, 0.48%

LAB 76.98, -72.1, 71.44

 

CMYK 76 / 0 / 87 / 44

HEX #238F12

RGB 35 143 18

HSL 111.84, 0.78%, 0.32%

LAB 51.89, -51.77, 51.23

 

CMYK 88 / 4 / 0 / 43

HEX #128B91

RGB 18 139 145

HSL 182.83, 0.78%, 0.32%

LAB 52.55, -27.74, -11.95

 

CMYK 0 / 88 / 39 / 43

HEX #911258

RGB 145 18 88

HSL 326.93, 0.78%, 0.32%

LAB 32.16, 54.28, -6.88

 

CMYK 76 / 0 / 87 / 44

HEX #238F12

RGB 35 143 18

HSL 111.84, 0.78%, 0.32%

LAB 51.89, -51.77, 51.23

 

CMYK 88 / 74 / 0 / 43

HEX #122591

RGB 18 37 145

HSL 231.02, 0.78%, 0.32%

LAB 21.93, 35.84, -60.48

 

CMYK 0 / 88 / 74 / 43

HEX #911225

RGB 145 18 37

HSL 351.02, 0.78%, 0.32%

LAB 30.85, 50.49, 24.87

 

CMYK 76 / 0 / 87 / 44

HEX #238F12

RGB 35 143 18

HSL 111.84, 0.78%, 0.32%

LAB 51.89, -51.77, 51.23

 

CMYK 88 / 4 / 0 / 43

HEX #128B91

RGB 18 139 145

HSL 182.83, 0.78%, 0.32%

LAB 52.55, -27.74, -11.95

 

CMYK 13 / 88 / 0 / 43

HEX #7E1291

RGB 126 18 145

HSL 291.02, 0.78%, 0.32%

LAB 31.61, 58.42, -44.17

 

CMYK 0 / 83 / 88 / 43

HEX #911812

RGB 145 24 18

HSL 2.83, 0.78%, 0.32%

LAB 31.15, 48.37, 36.42

 

CMYK 76 / 0 / 87 / 44

HEX #238F12

RGB 35 143 18

HSL 111.84, 0.78%, 0.32%

LAB 51.89, -51.77, 51.23

 

CMYK 88 / 30 / 0 / 43

HEX #126591

RGB 18 101 145

HSL 200.79, 0.78%, 0.32%

LAB 40.38, -6.86, -30.7

 

CMYK 13 / 88 / 0 / 43

HEX #7E1291

RGB 126 18 145

HSL 291.02, 0.78%, 0.32%

LAB 31.61, 58.42, -44.17

 

CMYK 0 / 57 / 88 / 43

HEX #913F12

RGB 145 63 18

HSL 21.26, 0.78%, 0.32%

LAB 37.15, 32.2, 41.51

 

Description

Color code: HEX #238F12 | qconv.com Color code: HEX #238F12 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 143 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 143 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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