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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #238979 it is the complementary color #DC7686. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #238979. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #238979 shade: #288974, #399B87, #4AAD9A, #5BBFAD and #6CD1C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #238979. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #238979 shade: #238979, #127766, #016553, #005340 and #00412D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #238979 shade: #248A7A, #248A5E, #248A43, #248A27 and #3C8A24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #238979 shade: #248A7A, #247E8A, #24638A, #24478A and #242C8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #238979 shade matches the following richer shades: #248A7A, #169883 and #07A68D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #238979 shade: #248A7A, #327C70, #406E67, #4E605D and #5C5253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #238979 shade: #248A42, #248A5E, #248A79, #24808A and #24648A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #238979 shade: #134840, #1B695D, #248A7A, #2CAB97 and #35CBB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #238979 shade: #238979, #27248A and #8A5024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #238979 shade: #238979, #79248A and #8A7924

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #238979 shade: #238979, #27248A, #8A2435 and #868A24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #238979 shade: #238979, #46248A, #8A2435 and #688A24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 12 / 46

HEX #238979

RGB 35 137 121

HSL 170.59, 0.59%, 0.34%

LAB 51.42, -32.37, 0.34

 

Complementary color

CMYK 0 / 46 / 39 / 14

HEX #DC7686

RGB 220 118 134

HSL 350.59, 0.59%, 0.66%

LAB 61.56, 41.3, 9.33

 

CMYK 71 / 0 / 15 / 46

HEX #288974

RGB 40 137 116

HSL 167.01, 0.55%, 0.35%

LAB 51.39, -33.02, 3.21

 

CMYK 63 / 0 / 13 / 39

HEX #399B87

RGB 57 155 135

HSL 167.76, 0.46%, 0.42%

LAB 58.1, -33.41, 2.08

 

CMYK 57 / 0 / 11 / 32

HEX #4AAD9A

RGB 74 173 154

HSL 168.48, 0.4%, 0.48%

LAB 64.7, -33.6, 1.07

 

CMYK 52 / 0 / 9 / 25

HEX #5BBFAD

RGB 91 191 173

HSL 169.2, 0.44%, 0.55%

LAB 71.22, -33.66, 0.16

 

CMYK 48 / 0 / 8 / 18

HEX #6CD1C0

RGB 108 209 192

HSL 169.9, 0.52%, 0.62%

LAB 77.64, -33.65, -0.68

 

CMYK 74 / 0 / 12 / 46

HEX #238979

RGB 35 137 121

HSL 170.59, 0.59%, 0.34%

LAB 51.42, -32.37, 0.34

 

CMYK 85 / 0 / 14 / 53

HEX #127766

RGB 18 119 102

HSL 169.9, 0.74%, 0.27%

LAB 44.63, -31.41, 1.62

 

CMYK 99 / 0 / 18 / 60

HEX #016553

RGB 1 101 83

HSL 169.2, 0.98%, 0.2%

LAB 37.73, -30.03, 3.09

 

CMYK 100 / 0 / 23 / 67

HEX #005340

RGB 0 83 64

HSL 166.27, 1%, 0.16%

LAB 30.78, -27.43, 4.95

 

CMYK 100 / 0 / 31 / 75

HEX #00412D

RGB 0 65 45

HSL 161.54, 1%, 0.13%

LAB 23.57, -24.62, 7

 

CMYK 74 / 0 / 12 / 46

HEX #248A7A

RGB 36 138 122

HSL 170.59, 0.59%, 0.34%

LAB 51.79, -32.42, 0.3

 

CMYK 74 / 0 / 32 / 46

HEX #248A5E

RGB 36 138 94

HSL 154.12, 0.59%, 0.34%

LAB 51.11, -39.56, 15.47

 

CMYK 74 / 0 / 51 / 46

HEX #248A43

RGB 36 138 67

HSL 138.24, 0.59%, 0.34%

LAB 50.64, -44.84, 29.76

 

CMYK 74 / 0 / 72 / 46

HEX #248A27

RGB 36 138 39

HSL 121.76, 0.59%, 0.34%

LAB 50.33, -48.45, 42.79

 

CMYK 57 / 0 / 74 / 46

HEX #3C8A24

RGB 60 138 36

HSL 105.88, 0.59%, 0.34%

LAB 51, -43.13, 44.89

 

CMYK 74 / 0 / 12 / 46

HEX #248A7A

RGB 36 138 122

HSL 170.59, 0.59%, 0.34%

LAB 51.79, -32.42, 0.3

 

CMYK 74 / 9 / 0 / 46

HEX #247E8A

RGB 36 126 138

HSL 187.06, 0.59%, 0.34%

LAB 48.43, -21.57, -14.07

 

CMYK 74 / 28 / 0 / 46

HEX #24638A

RGB 36 99 138

HSL 202.94, 0.59%, 0.34%

LAB 39.8, -6.26, -27.35

 

CMYK 74 / 49 / 0 / 46

HEX #24478A

RGB 36 71 138

HSL 219.41, 0.59%, 0.34%

LAB 31.15, 11.86, -41.08

 

CMYK 74 / 68 / 0 / 46

HEX #242C8A

RGB 36 44 138

HSL 235.29, 0.59%, 0.34%

LAB 23.71, 30.28, -53.17

 

CMYK 74 / 0 / 12 / 46

HEX #248A7A

RGB 36 138 122

HSL 170.59, 0.59%, 0.34%

LAB 51.79, -32.42, 0.3

 

CMYK 86 / 0 / 14 / 40

HEX #169883

RGB 22 152 131

HSL 170.31, 0.75%, 0.34%

LAB 56.35, -37.78, 1.74

 

CMYK 96 / 0 / 15 / 35

HEX #07A68D

RGB 7 166 141

HSL 170.57, 0.92%, 0.34%

LAB 60.99, -41.94, 2.8

 

CMYK 74 / 0 / 12 / 46

HEX #248A7A

RGB 36 138 122

HSL 170.59, 0.59%, 0.34%

LAB 51.79, -32.42, 0.3

 

CMYK 60 / 0 / 10 / 51

HEX #327C70

RGB 50 124 112

HSL 170.27, 0.43%, 0.34%

LAB 47.32, -26, -0.32

 

CMYK 42 / 0 / 6 / 57

HEX #406E67

RGB 64 110 103

HSL 170.87, 0.26%, 0.34%

LAB 43.09, -17.59, -1.06

 

CMYK 19 / 0 / 3 / 62

HEX #4E605D

RGB 78 96 93

HSL 170, 0.1%, 0.34%

LAB 39.2, -7.53, -0.57

 

CMYK 0 / 11 / 10 / 64

HEX #5C5253

RGB 92 82 83

HSL 354, 0.06%, 0.34%

LAB 35.86, 4.31, 0.91

 

CMYK 74 / 0 / 52 / 46

HEX #248A42

RGB 36 138 66

HSL 137.65, 0.59%, 0.34%

LAB 50.62, -45, 30.26

 

CMYK 74 / 0 / 32 / 46

HEX #248A5E

RGB 36 138 94

HSL 154.12, 0.59%, 0.34%

LAB 51.11, -39.56, 15.47

 

CMYK 74 / 0 / 12 / 46

HEX #248A79

RGB 36 138 121

HSL 170, 0.59%, 0.34%

LAB 51.76, -32.7, 0.84

 

CMYK 74 / 7 / 0 / 46

HEX #24808A

RGB 36 128 138

HSL 185.88, 0.59%, 0.34%

LAB 49.07, -22.62, -13.1

 

CMYK 74 / 28 / 0 / 46

HEX #24648A

RGB 36 100 138

HSL 202.35, 0.59%, 0.34%

LAB 40.12, -6.87, -26.86

 

CMYK 74 / 0 / 11 / 72

HEX #134840

RGB 19 72 64

HSL 170.94, 0.58%, 0.18%

LAB 27.14, -19.42, -0.26

 

CMYK 74 / 0 / 11 / 59

HEX #1B695D

RGB 27 105 93

HSL 170.77, 0.59%, 0.26%

LAB 39.79, -26.22, 0.01

 

CMYK 74 / 0 / 12 / 46

HEX #248A7A

RGB 36 138 122

HSL 170.59, 0.59%, 0.34%

LAB 51.79, -32.42, 0.3

 

CMYK 74 / 0 / 12 / 33

HEX #2CAB97

RGB 44 171 151

HSL 170.55, 0.59%, 0.42%

LAB 63.26, -38.45, 0.54

 

CMYK 74 / 0 / 12 / 20

HEX #35CBB3

RGB 53 203 179

HSL 170.4, 0.59%, 0.5%

LAB 74.01, -43.96, 0.86

 

CMYK 74 / 0 / 12 / 46

HEX #238979

RGB 35 137 121

HSL 170.59, 0.59%, 0.34%

LAB 51.42, -32.37, 0.34

 

CMYK 72 / 74 / 0 / 46

HEX #27248A

RGB 39 36 138

HSL 241.76, 0.59%, 0.34%

LAB 22.05, 35.7, -55.9

 

CMYK 0 / 42 / 74 / 46

HEX #8A5024

RGB 138 80 36

HSL 25.88, 0.59%, 0.34%

LAB 40.03, 20.46, 35.38

 

CMYK 74 / 0 / 12 / 46

HEX #238979

RGB 35 137 121

HSL 170.59, 0.59%, 0.34%

LAB 51.42, -32.37, 0.34

 

CMYK 12 / 74 / 0 / 46

HEX #79248A

RGB 121 36 138

HSL 290, 0.59%, 0.34%

LAB 32.17, 50.66, -38.98

 

CMYK 0 / 12 / 74 / 46

HEX #8A7924

RGB 138 121 36

HSL 50, 0.59%, 0.34%

LAB 50.93, -3.29, 46.52

 

CMYK 74 / 0 / 12 / 46

HEX #238979

RGB 35 137 121

HSL 170.59, 0.59%, 0.34%

LAB 51.42, -32.37, 0.34

 

CMYK 72 / 74 / 0 / 46

HEX #27248A

RGB 39 36 138

HSL 241.76, 0.59%, 0.34%

LAB 22.05, 35.7, -55.9

 

CMYK 0 / 74 / 62 / 46

HEX #8A2435

RGB 138 36 53

HSL 350, 0.59%, 0.34%

LAB 31.63, 43.82, 15.17

 

CMYK 3 / 0 / 74 / 46

HEX #868A24

RGB 134 138 36

HSL 62.35, 0.59%, 0.34%

LAB 55.45, -14.42, 50.79

 

CMYK 74 / 0 / 12 / 46

HEX #238979

RGB 35 137 121

HSL 170.59, 0.59%, 0.34%

LAB 51.42, -32.37, 0.34

 

CMYK 49 / 74 / 0 / 46

HEX #46248A

RGB 70 36 138

HSL 260, 0.59%, 0.34%

LAB 24.95, 40.26, -51.02

 

CMYK 0 / 74 / 62 / 46

HEX #8A2435

RGB 138 36 53

HSL 350, 0.59%, 0.34%

LAB 31.63, 43.82, 15.17

 

CMYK 25 / 0 / 74 / 46

HEX #688A24

RGB 104 138 36

HSL 80, 0.59%, 0.34%

LAB 53.22, -27.46, 47.85

 

Description

Color code: HEX #238979 | qconv.com Color code: HEX #238979 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 137 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 137 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 12 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 12% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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