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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23878F it is the complementary color #DC7870. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23878F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23878F shade: #28878A, #39999D, #4AABB0, #5BBDC3 and #6CCFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23878F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23878F shade: #23878F, #12757C, #016369, #005156 and #003F43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23878F shade: #238890, #236A90, #234D90, #233090 and #332390

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23878F shade: #238890, #236A90, #234D90, #233090 and #232390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23878F shade matches the following richer shades: #238890, #14949E and #06A0AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23878F shade: #238890, #317B81, #406F73, #4E6364 and #5D5656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23878F shade: #23905D, #23907A, #238890, #236B90 and #234E90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23878F shade: #13494D, #1B686E, #238890, #2BA7B1 and #37C3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23878F shade: #23878F, #402390 and #906B23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23878F shade: #23878F, #902388 and #889023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23878F shade: #23878F, #402390, #902A23 and #739023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23878F shade: #23878F, #612390, #902A23 and #529023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 6 / 0 / 44

HEX #23878F

RGB 35 135 143

HSL 184.44, 0.61%, 0.35%

LAB 51.46, -24.75, -12.41

 

Complementary color

CMYK 0 / 45 / 49 / 14

HEX #DC7870

RGB 220 120 112

HSL 4.44, 0.61%, 0.65%

LAB 61.5, 38, 21.81

 

CMYK 71 / 2 / 0 / 46

HEX #28878A

RGB 40 135 138

HSL 181.84, 0.55%, 0.35%

LAB 51.4, -25.66, -9.58

 

CMYK 64 / 3 / 0 / 38

HEX #39999D

RGB 57 153 157

HSL 182.4, 0.47%, 0.42%

LAB 58.12, -26.29, -10.41

 

CMYK 58 / 3 / 0 / 31

HEX #4AABB0

RGB 74 171 176

HSL 182.94, 0.41%, 0.49%

LAB 64.74, -26.69, -11.14

 

CMYK 53 / 3 / 0 / 24

HEX #5BBDC3

RGB 91 189 195

HSL 183.46, 0.46%, 0.56%

LAB 71.25, -26.96, -11.82

 

CMYK 50 / 3 / 0 / 16

HEX #6CCFD6

RGB 108 207 214

HSL 183.96, 0.56%, 0.63%

LAB 77.68, -27.12, -12.44

 

CMYK 76 / 6 / 0 / 44

HEX #23878F

RGB 35 135 143

HSL 184.44, 0.61%, 0.35%

LAB 51.46, -24.75, -12.41

 

CMYK 85 / 6 / 0 / 51

HEX #12757C

RGB 18 117 124

HSL 183.96, 0.75%, 0.28%

LAB 44.67, -23.52, -11.48

 

CMYK 99 / 6 / 0 / 59

HEX #016369

RGB 1 99 105

HSL 183.46, 0.98%, 0.21%

LAB 37.75, -21.87, -10.42

 

CMYK 100 / 6 / 0 / 66

HEX #005156

RGB 0 81 86

HSL 183.49, 1%, 0.17%

LAB 30.78, -19.12, -9.06

 

CMYK 100 / 6 / 0 / 74

HEX #003F43

RGB 0 63 67

HSL 183.58, 1%, 0.13%

LAB 23.54, -16.18, -7.63

 

CMYK 76 / 6 / 0 / 44

HEX #238890

RGB 35 136 144

HSL 184.4, 0.61%, 0.35%

LAB 51.81, -24.94, -12.46

 

CMYK 76 / 26 / 0 / 44

HEX #236A90

RGB 35 106 144

HSL 200.92, 0.61%, 0.35%

LAB 42.28, -8.41, -27.1

 

CMYK 76 / 47 / 0 / 44

HEX #234D90

RGB 35 77 144

HSL 216.88, 0.61%, 0.35%

LAB 33.3, 10.03, -41.3

 

CMYK 76 / 67 / 0 / 44

HEX #233090

RGB 35 48 144

HSL 232.84, 0.61%, 0.35%

LAB 25.21, 29.76, -54.43

 

CMYK 65 / 76 / 0 / 44

HEX #332390

RGB 51 35 144

HSL 248.81, 0.61%, 0.35%

LAB 23.4, 39.74, -57.36

 

CMYK 76 / 6 / 0 / 44

HEX #238890

RGB 35 136 144

HSL 184.4, 0.61%, 0.35%

LAB 51.81, -24.94, -12.46

 

CMYK 76 / 26 / 0 / 44

HEX #236A90

RGB 35 106 144

HSL 200.92, 0.61%, 0.35%

LAB 42.28, -8.41, -27.1

 

CMYK 76 / 47 / 0 / 44

HEX #234D90

RGB 35 77 144

HSL 216.88, 0.61%, 0.35%

LAB 33.3, 10.03, -41.3

 

CMYK 76 / 67 / 0 / 44

HEX #233090

RGB 35 48 144

HSL 232.84, 0.61%, 0.35%

LAB 25.21, 29.76, -54.43

 

CMYK 76 / 76 / 0 / 44

HEX #232390

RGB 35 35 144

HSL 240, 0.61%, 0.35%

LAB 22.21, 37.97, -59.38

 

CMYK 76 / 6 / 0 / 44

HEX #238890

RGB 35 136 144

HSL 184.4, 0.61%, 0.35%

LAB 51.81, -24.94, -12.46

 

CMYK 87 / 6 / 0 / 38

HEX #14949E

RGB 20 148 158

HSL 184.35, 0.78%, 0.35%

LAB 55.88, -27.86, -14.41

 

CMYK 97 / 8 / 0 / 32

HEX #06A0AD

RGB 6 160 173

HSL 184.67, 0.93%, 0.35%

LAB 60.07, -29.55, -16.62

 

CMYK 76 / 6 / 0 / 44

HEX #238890

RGB 35 136 144

HSL 184.4, 0.61%, 0.35%

LAB 51.81, -24.94, -12.46

 

CMYK 62 / 5 / 0 / 49

HEX #317B81

RGB 49 123 129

HSL 184.5, 0.45%, 0.35%

LAB 47.5, -20.72, -10.12

 

CMYK 44 / 3 / 0 / 55

HEX #406F73

RGB 64 111 115

HSL 184.71, 0.28%, 0.35%

LAB 43.79, -14.86, -7.26

 

CMYK 22 / 1 / 0 / 61

HEX #4E6364

RGB 78 99 100

HSL 182.73, 0.12%, 0.35%

LAB 40.35, -7.6, -3.18

 

CMYK 0 / 8 / 8 / 64

HEX #5D5656

RGB 93 86 86

HSL 0, 0.04%, 0.35%

LAB 37.22, 2.84, 1.02

 

CMYK 76 / 0 / 35 / 44

HEX #23905D

RGB 35 144 93

HSL 151.93, 0.61%, 0.35%

LAB 53.05, -42.41, 18.69

 

CMYK 76 / 0 / 15 / 44

HEX #23907A

RGB 35 144 122

HSL 167.89, 0.61%, 0.35%

LAB 53.72, -35.32, 3.1

 

CMYK 76 / 6 / 0 / 44

HEX #238890

RGB 35 136 144

HSL 184.4, 0.61%, 0.35%

LAB 51.81, -24.94, -12.46

 

CMYK 76 / 26 / 0 / 44

HEX #236B90

RGB 35 107 144

HSL 200.37, 0.61%, 0.35%

LAB 42.59, -9, -26.61

 

CMYK 76 / 46 / 0 / 44

HEX #234E90

RGB 35 78 144

HSL 216.33, 0.61%, 0.35%

LAB 33.6, 9.36, -40.82

 

CMYK 75 / 5 / 0 / 70

HEX #13494D

RGB 19 73 77

HSL 184.14, 0.6%, 0.19%

LAB 27.95, -15.66, -7.5

 

CMYK 75 / 5 / 0 / 57

HEX #1B686E

RGB 27 104 110

HSL 184.34, 0.61%, 0.27%

LAB 40.01, -20.36, -10.04

 

CMYK 76 / 6 / 0 / 44

HEX #238890

RGB 35 136 144

HSL 184.4, 0.61%, 0.35%

LAB 51.81, -24.94, -12.46

 

CMYK 76 / 6 / 0 / 31

HEX #2BA7B1

RGB 43 167 177

HSL 184.48, 0.61%, 0.43%

LAB 62.78, -29.13, -14.72

 

CMYK 73 / 5 / 0 / 19

HEX #37C3CE

RGB 55 195 206

HSL 184.37, 0.61%, 0.51%

LAB 72.43, -32.48, -16.15

 

CMYK 76 / 6 / 0 / 44

HEX #23878F

RGB 35 135 143

HSL 184.44, 0.61%, 0.35%

LAB 51.46, -24.75, -12.41

 

CMYK 56 / 76 / 0 / 44

HEX #402390

RGB 64 35 144

HSL 255.96, 0.61%, 0.35%

LAB 24.66, 41.56, -55.25

 

CMYK 0 / 26 / 76 / 44

HEX #906B23

RGB 144 107 35

HSL 39.63, 0.61%, 0.35%

LAB 47.71, 7.45, 43.98

 

CMYK 76 / 6 / 0 / 44

HEX #23878F

RGB 35 135 143

HSL 184.44, 0.61%, 0.35%

LAB 51.46, -24.75, -12.41

 

CMYK 0 / 76 / 6 / 44

HEX #902388

RGB 144 35 136

HSL 304.4, 0.61%, 0.35%

LAB 35.81, 55.87, -31.72

 

CMYK 6 / 0 / 76 / 44

HEX #889023

RGB 136 144 35

HSL 64.4, 0.61%, 0.35%

LAB 57.37, -16.73, 53.03

 

CMYK 76 / 6 / 0 / 44

HEX #23878F

RGB 35 135 143

HSL 184.44, 0.61%, 0.35%

LAB 51.46, -24.75, -12.41

 

CMYK 56 / 76 / 0 / 44

HEX #402390

RGB 64 35 144

HSL 255.96, 0.61%, 0.35%

LAB 24.66, 41.56, -55.25

 

CMYK 0 / 71 / 76 / 44

HEX #902A23

RGB 144 42 35

HSL 3.85, 0.61%, 0.35%

LAB 33.36, 42.39, 28.94

 

CMYK 20 / 0 / 76 / 44

HEX #739023

RGB 115 144 35

HSL 75.96, 0.61%, 0.35%

LAB 55.8, -25.86, 50.98

 

CMYK 76 / 6 / 0 / 44

HEX #23878F

RGB 35 135 143

HSL 184.44, 0.61%, 0.35%

LAB 51.46, -24.75, -12.41

 

CMYK 33 / 76 / 0 / 44

HEX #612390

RGB 97 35 144

HSL 274.13, 0.61%, 0.35%

LAB 28.79, 47.34, -48.33

 

CMYK 0 / 71 / 76 / 44

HEX #902A23

RGB 144 42 35

HSL 3.85, 0.61%, 0.35%

LAB 33.36, 42.39, 28.94

 

CMYK 43 / 0 / 76 / 44

HEX #529023

RGB 82 144 35

HSL 94.13, 0.61%, 0.35%

LAB 53.88, -38.69, 48.46

 

Description

Color code: HEX #23878F | qconv.com Color code: HEX #23878F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 135 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 135 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 6 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 6% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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