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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #238531 it is the complementary color #DC7ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #238531. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #238531 shade: #28852C, #39973F, #4AA952, #5BBB65 and #6CCD78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #238531. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #238531 shade: #238531, #12731E, #01610B, #004F00 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #238531 shade: #238531, #308523, #4A8523, #648523 and #7F8523

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #238531 shade: #238531, #23854C, #238566, #238580 and #236F85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #238531 shade matches the following richer shades: #238531, #169328 and #08A01E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #238531 shade: #238531, #31773B, #3F6A45, #4C5C4E and #5A4E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #238531 shade: #4A8523, #308523, #238530, #23854A and #238564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #238531 shade: #124419, #1B6425, #238531, #2CA63D and #35C649

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #238531 shade: #238531, #236485 and #85233D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #238531 shade: #238531, #302385 and #853023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #238531 shade: #238531, #236485, #852378 and #854423

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #238531 shade: #238531, #234785, #852378 and #856123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

Complementary color

CMYK 0 / 45 / 6 / 14

HEX #DC7ACE

RGB 220 122 206

HSL 308.57, 0.58%, 0.67%

LAB 64.64, 49.53, -27.07

 

CMYK 70 / 0 / 67 / 48

HEX #28852C

RGB 40 133 44

HSL 122.58, 0.54%, 0.34%

LAB 48.77, -45.38, 38.97

 

CMYK 62 / 0 / 58 / 41

HEX #39973F

RGB 57 151 63

HSL 123.83, 0.45%, 0.41%

LAB 55.44, -46.1, 37.73

 

CMYK 56 / 0 / 51 / 34

HEX #4AA952

RGB 74 169 82

HSL 125.05, 0.39%, 0.48%

LAB 62.03, -46.4, 36.36

 

CMYK 51 / 0 / 46 / 27

HEX #5BBB65

RGB 91 187 101

HSL 126.25, 0.41%, 0.55%

LAB 68.54, -46.46, 34.99

 

CMYK 47 / 0 / 41 / 20

HEX #6CCD78

RGB 108 205 120

HSL 127.42, 0.49%, 0.61%

LAB 74.96, -46.38, 33.67

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 84 / 0 / 74 / 55

HEX #12731E

RGB 18 115 30

HSL 127.42, 0.73%, 0.26%

LAB 41.97, -44.23, 37.67

 

CMYK 99 / 0 / 89 / 62

HEX #01610B

RGB 1 97 11

HSL 126.25, 0.98%, 0.19%

LAB 35.16, -41.71, 37.8

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 64 / 0 / 74 / 48

HEX #308523

RGB 48 133 35

HSL 112.04, 0.58%, 0.33%

LAB 48.91, -44.47, 43.03

 

CMYK 44 / 0 / 74 / 48

HEX #4A8523

RGB 74 133 35

HSL 96.12, 0.58%, 0.33%

LAB 49.92, -36.73, 44.38

 

CMYK 25 / 0 / 74 / 48

HEX #648523

RGB 100 133 35

HSL 80.2, 0.58%, 0.33%

LAB 51.39, -26.75, 46.33

 

CMYK 5 / 0 / 74 / 48

HEX #7F8523

RGB 127 133 35

HSL 63.67, 0.58%, 0.33%

LAB 53.39, -14.97, 48.98

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 74 / 0 / 43 / 48

HEX #23854C

RGB 35 133 76

HSL 145.1, 0.58%, 0.33%

LAB 49.07, -41.46, 22.88

 

CMYK 74 / 0 / 23 / 48

HEX #238566

RGB 35 133 102

HSL 161.02, 0.58%, 0.33%

LAB 49.61, -35.64, 8.78

 

CMYK 74 / 0 / 4 / 48

HEX #238580

RGB 35 133 128

HSL 176.94, 0.58%, 0.33%

LAB 50.32, -28.41, -5.35

 

CMYK 74 / 17 / 0 / 48

HEX #236F85

RGB 35 111 133

HSL 193.47, 0.58%, 0.33%

LAB 43.39, -15.23, -18.79

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 85 / 0 / 73 / 42

HEX #169328

RGB 22 147 40

HSL 128.64, 0.74%, 0.33%

LAB 53.16, -53.35, 45.26

 

CMYK 95 / 0 / 81 / 37

HEX #08A01E

RGB 8 160 30

HSL 128.68, 0.9%, 0.33%

LAB 57.35, -59.19, 52.86

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 59 / 0 / 50 / 53

HEX #31773B

RGB 49 119 59

HSL 128.57, 0.42%, 0.33%

LAB 44.46, -35.7, 26.43

 

CMYK 41 / 0 / 35 / 58

HEX #3F6A45

RGB 63 106 69

HSL 128.37, 0.25%, 0.33%

LAB 40.89, -23.57, 16.21

 

CMYK 17 / 0 / 15 / 64

HEX #4C5C4E

RGB 76 92 78

HSL 127.5, 0.1%, 0.33%

LAB 37.37, -9.28, 6.02

 

CMYK 0 / 13 / 2 / 65

HEX #5A4E58

RGB 90 78 88

HSL 310, 0.07%, 0.33%

LAB 34.65, 7.02, -4.03

 

CMYK 44 / 0 / 74 / 48

HEX #4A8523

RGB 74 133 35

HSL 96.12, 0.58%, 0.33%

LAB 49.92, -36.73, 44.38

 

CMYK 64 / 0 / 74 / 48

HEX #308523

RGB 48 133 35

HSL 112.04, 0.58%, 0.33%

LAB 48.91, -44.47, 43.03

 

CMYK 74 / 0 / 64 / 48

HEX #238530

RGB 35 133 48

HSL 127.96, 0.58%, 0.33%

LAB 48.69, -45.88, 37

 

CMYK 74 / 0 / 44 / 48

HEX #23854A

RGB 35 133 74

HSL 143.88, 0.58%, 0.33%

LAB 49.04, -41.84, 23.94

 

CMYK 74 / 0 / 25 / 48

HEX #238564

RGB 35 133 100

HSL 159.8, 0.58%, 0.33%

LAB 49.56, -36.14, 9.88

 

CMYK 74 / 0 / 63 / 73

HEX #124419

RGB 18 68 25

HSL 128.4, 0.58%, 0.17%

LAB 24.74, -27.08, 21.01

 

CMYK 73 / 0 / 63 / 61

HEX #1B6425

RGB 27 100 37

HSL 128.22, 0.57%, 0.25%

LAB 36.89, -36.45, 28.85

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 73 / 0 / 63 / 35

HEX #2CA63D

RGB 44 166 61

HSL 128.36, 0.58%, 0.41%

LAB 60.02, -54.4, 43.85

 

CMYK 73 / 0 / 63 / 22

HEX #35C649

RGB 53 198 73

HSL 128.28, 0.58%, 0.49%

LAB 70.61, -62.36, 50.52

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 74 / 25 / 0 / 48

HEX #236485

RGB 35 100 133

HSL 200.2, 0.58%, 0.33%

LAB 39.86, -8.85, -24.25

 

CMYK 0 / 74 / 54 / 48

HEX #85233D

RGB 133 35 61

HSL 344.08, 0.58%, 0.33%

LAB 30.7, 43.22, 8.48

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 64 / 74 / 0 / 48

HEX #302385

RGB 48 35 133

HSL 247.96, 0.58%, 0.33%

LAB 22.03, 35.75, -52.76

 

CMYK 0 / 64 / 74 / 48

HEX #853023

RGB 133 48 35

HSL 7.96, 0.58%, 0.33%

LAB 32.31, 35.69, 27.19

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 74 / 25 / 0 / 48

HEX #236485

RGB 35 100 133

HSL 200.2, 0.58%, 0.33%

LAB 39.86, -8.85, -24.25

 

CMYK 0 / 74 / 10 / 48

HEX #852378

RGB 133 35 120

HSL 307.96, 0.58%, 0.33%

LAB 33.02, 50.65, -26.27

 

CMYK 0 / 49 / 74 / 48

HEX #854423

RGB 133 68 35

HSL 20.2, 0.58%, 0.33%

LAB 36.45, 25.07, 31.82

 

CMYK 74 / 0 / 63 / 48

HEX #238531

RGB 35 133 49

HSL 128.57, 0.58%, 0.33%

LAB 48.7, -45.76, 36.53

 

CMYK 74 / 47 / 0 / 48

HEX #234785

RGB 35 71 133

HSL 217.96, 0.58%, 0.33%

LAB 30.78, 9.74, -38.59

 

CMYK 0 / 74 / 10 / 48

HEX #852378

RGB 133 35 120

HSL 307.96, 0.58%, 0.33%

LAB 33.02, 50.65, -26.27

 

CMYK 0 / 27 / 74 / 48

HEX #856123

RGB 133 97 35

HSL 37.96, 0.58%, 0.33%

LAB 43.74, 8.14, 39.55

 

Description

Color code: HEX #238531 | qconv.com Color code: HEX #238531 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 133 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 133 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 63 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 63% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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