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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2381AF it is the complementary color #DC7E50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2381AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2381AF shade: #2881AA, #3993BD, #4AA5D0, #5BB7E3 and #6CC9F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2381AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2381AF shade: #2381AF, #126F9C, #015D89, #004B76 and #003963

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2381AF shade: #2381AF, #235BAF, #2335AF, #3623AF and #5C23AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2381AF shade: #2381AF, #235BAF, #2335AF and #2323AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2381AF shade matches the following richer shades: #2381AF, #1286C0 and #018CD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2381AF shade: #2381AF, #337B9E, #44758D, #556F7C and #66696B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2381AF shade: #23AF90, #23A8AF, #2382AF, #235DAF and #2338AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2381AF shade: #154E6A, #1C678C, #2381AF, #299AD1 and #49ABDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2381AF shade: #2381AF, #6B23AF and #AFA323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2381AF shade: #2381AF, #AF2382 and #82AF23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2381AF shade: #2381AF, #6B23AF, #AF4F23 and #66AF23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2381AF shade: #2381AF, #9523AF, #AF4F23 and #3CAF23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

Complementary color

CMYK 0 / 43 / 64 / 14

HEX #DC7E50

RGB 220 126 80

HSL 19.71, 0.67%, 0.59%

LAB 62.27, 32.35, 40.42

 

CMYK 76 / 24 / 0 / 33

HEX #2881AA

RGB 40 129 170

HSL 198.92, 0.62%, 0.41%

LAB 50.75, -11.75, -29.18

 

CMYK 70 / 22 / 0 / 26

HEX #3993BD

RGB 57 147 189

HSL 199.09, 0.54%, 0.48%

LAB 57.47, -12.96, -29.58

 

CMYK 64 / 21 / 0 / 18

HEX #4AA5D0

RGB 74 165 208

HSL 199.25, 0.59%, 0.55%

LAB 64.1, -13.88, -29.93

 

CMYK 60 / 19 / 0 / 11

HEX #5BB7E3

RGB 91 183 227

HSL 199.41, 0.71%, 0.62%

LAB 70.62, -14.59, -30.26

 

CMYK 56 / 18 / 0 / 4

HEX #6CC9F6

RGB 108 201 246

HSL 199.57, 0.88%, 0.69%

LAB 77.05, -15.15, -30.58

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 88 / 29 / 0 / 39

HEX #126F9C

RGB 18 111 156

HSL 199.57, 0.79%, 0.34%

LAB 44.09, -8.61, -31.43

 

CMYK 99 / 32 / 0 / 46

HEX #015D89

RGB 1 93 137

HSL 199.41, 0.99%, 0.27%

LAB 37.19, -6.18, -30.9

 

CMYK 100 / 36 / 0 / 54

HEX #004B76

RGB 0 75 118

HSL 201.86, 1%, 0.23%

LAB 30.25, -2.68, -30.13

 

CMYK 100 / 42 / 0 / 61

HEX #003963

RGB 0 57 99

HSL 205.45, 1%, 0.19%

LAB 23.09, 1.19, -29.41

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 80 / 48 / 0 / 31

HEX #235BAF

RGB 35 91 175

HSL 216, 0.67%, 0.41%

LAB 39.47, 12.93, -49.98

 

CMYK 80 / 70 / 0 / 31

HEX #2335AF

RGB 35 53 175

HSL 232.29, 0.67%, 0.41%

LAB 29.41, 37.96, -66.37

 

CMYK 69 / 80 / 0 / 31

HEX #3623AF

RGB 54 35 175

HSL 248.14, 0.67%, 0.41%

LAB 26.97, 49.74, -70.37

 

CMYK 47 / 80 / 0 / 31

HEX #5C23AF

RGB 92 35 175

HSL 264.43, 0.67%, 0.41%

LAB 30.81, 54.19, -63.89

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 80 / 48 / 0 / 31

HEX #235BAF

RGB 35 91 175

HSL 216, 0.67%, 0.41%

LAB 39.47, 12.93, -49.98

 

CMYK 80 / 70 / 0 / 31

HEX #2335AF

RGB 35 53 175

HSL 232.29, 0.67%, 0.41%

LAB 29.41, 37.96, -66.37

 

CMYK 80 / 80 / 0 / 31

HEX #2323AF

RGB 35 35 175

HSL 240, 0.67%, 0.41%

LAB 25.73, 48.31, -72.46

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 91 / 30 / 0 / 25

HEX #1286C0

RGB 18 134 192

HSL 200, 0.83%, 0.41%

LAB 52.93, -8.46, -38.43

 

CMYK 100 / 33 / 0 / 18

HEX #018CD0

RGB 1 140 208

HSL 199.71, 0.99%, 0.41%

LAB 55.4, -6.55, -43.63

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 68 / 22 / 0 / 38

HEX #337B9E

RGB 51 123 158

HSL 199.63, 0.51%, 0.41%

LAB 48.68, -10.91, -25.38

 

CMYK 52 / 17 / 0 / 45

HEX #44758D

RGB 68 117 141

HSL 199.73, 0.35%, 0.41%

LAB 46.81, -9.51, -18.2

 

CMYK 31 / 10 / 0 / 51

HEX #556F7C

RGB 85 111 124

HSL 200, 0.19%, 0.41%

LAB 45.3, -6.14, -10.29

 

CMYK 5 / 2 / 0 / 58

HEX #66696B

RGB 102 105 107

HSL 204, 0.02%, 0.41%

LAB 44.22, -0.73, -1.53

 

CMYK 80 / 0 / 18 / 31

HEX #23AF90

RGB 35 175 144

HSL 166.71, 0.67%, 0.41%

LAB 64.19, -43.08, 5.76

 

CMYK 80 / 4 / 0 / 31

HEX #23A8AF

RGB 35 168 175

HSL 183, 0.67%, 0.41%

LAB 62.89, -31.05, -13.45

 

CMYK 80 / 26 / 0 / 31

HEX #2382AF

RGB 35 130 175

HSL 199.29, 0.67%, 0.41%

LAB 51.17, -11.1, -31.42

 

CMYK 80 / 47 / 0 / 31

HEX #235DAF

RGB 35 93 175

HSL 215.14, 0.67%, 0.41%

LAB 40.05, 11.62, -49.05

 

CMYK 80 / 68 / 0 / 31

HEX #2338AF

RGB 35 56 175

HSL 231, 0.67%, 0.41%

LAB 30.11, 36.07, -65.22

 

CMYK 80 / 26 / 0 / 58

HEX #154E6A

RGB 21 78 106

HSL 199.76, 0.67%, 0.25%

LAB 30.99, -7.59, -21.4

 

CMYK 80 / 26 / 0 / 45

HEX #1C678C

RGB 28 103 140

HSL 199.82, 0.67%, 0.33%

LAB 40.96, -8.99, -26.76

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 80 / 26 / 0 / 18

HEX #299AD1

RGB 41 154 209

HSL 199.64, 0.67%, 0.49%

LAB 60.06, -11.89, -36.84

 

CMYK 67 / 22 / 0 / 14

HEX #49ABDB

RGB 73 171 219

HSL 199.73, 0.67%, 0.57%

LAB 66.26, -13.76, -32.67

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 39 / 80 / 0 / 31

HEX #6B23AF

RGB 107 35 175

HSL 270.86, 0.67%, 0.41%

LAB 32.75, 56.43, -60.64

 

CMYK 0 / 7 / 80 / 31

HEX #AFA323

RGB 175 163 35

HSL 54.86, 0.67%, 0.41%

LAB 66.08, -9.33, 62.21

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 0 / 80 / 26 / 31

HEX #AF2382

RGB 175 35 130

HSL 319.29, 0.67%, 0.41%

LAB 41.1, 62.3, -19.34

 

CMYK 26 / 0 / 80 / 31

HEX #82AF23

RGB 130 175 35

HSL 79.29, 0.67%, 0.41%

LAB 66.16, -34.45, 61.01

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 39 / 80 / 0 / 31

HEX #6B23AF

RGB 107 35 175

HSL 270.86, 0.67%, 0.41%

LAB 32.75, 56.43, -60.64

 

CMYK 0 / 55 / 80 / 31

HEX #AF4F23

RGB 175 79 35

HSL 18.86, 0.67%, 0.41%

LAB 45.4, 36.56, 43.14

 

CMYK 42 / 0 / 80 / 31

HEX #66AF23

RGB 102 175 35

HSL 91.29, 0.67%, 0.41%

LAB 64.65, -44.81, 59.07

 

CMYK 80 / 26 / 0 / 31

HEX #2381AF

RGB 35 129 175

HSL 199.71, 0.67%, 0.41%

LAB 50.87, -10.53, -31.9

 

CMYK 15 / 80 / 0 / 31

HEX #9523AF

RGB 149 35 175

HSL 288.86, 0.67%, 0.41%

LAB 39.05, 63.71, -50.13

 

CMYK 0 / 55 / 80 / 31

HEX #AF4F23

RGB 175 79 35

HSL 18.86, 0.67%, 0.41%

LAB 45.4, 36.56, 43.14

 

CMYK 66 / 0 / 80 / 31

HEX #3CAF23

RGB 60 175 35

HSL 109.29, 0.67%, 0.41%

LAB 63.13, -56.64, 57.1

 

Description

Color code: HEX #2381AF | qconv.com Color code: HEX #2381AF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 129 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 129 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 26 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 26% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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