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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237F0F it is the complementary color #DC80F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237F0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237F0F shade: #287F0A, #39911D, #4AA330, #5BB543 and #6CC756

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237F0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237F0F shade: #237F0F, #126D00, #015B00, #004900 and #003700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237F0F shade: #23800F, #42800F, #60800F, #7E800F and #80630F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237F0F shade: #23800F, #0F8019, #0F8038, #0F8056 and #0F8075

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237F0F shade matches the following richer shades: #23800F and #1C8B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237F0F shade: #23800F, #2B741B, #326926, #395D32 and #41523D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237F0F shade: #60800F, #42800F, #24800F, #0F8018 and #0F8036

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237F0F shade: #0F3606, #195B0B, #23800F, #2DA513 and #37CA18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237F0F shade: #237F0F, #0F7E80 and #800F51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237F0F shade: #237F0F, #0F2480 and #800F24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237F0F shade: #237F0F, #0F7E80, #6B0F80 and #80110F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237F0F shade: #237F0F, #0F5C80, #6B0F80 and #80330F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 88 / 50

HEX #237F0F

RGB 35 127 15

HSL 109.29, 0.79%, 0.28%

LAB 46.41, -46.55, 47.08

 

Complementary color

CMYK 8 / 47 / 0 / 6

HEX #DC80F0

RGB 220 128 240

HSL 289.29, 0.79%, 0.72%

LAB 67.24, 52.67, -41.92

 

CMYK 69 / 0 / 92 / 50

HEX #287F0A

RGB 40 127 10

HSL 104.62, 0.85%, 0.27%

LAB 46.51, -45.69, 48.34

 

CMYK 61 / 0 / 80 / 43

HEX #39911D

RGB 57 145 29

HSL 105.52, 0.67%, 0.34%

LAB 53.18, -47.11, 49.51

 

CMYK 55 / 0 / 71 / 36

HEX #4AA330

RGB 74 163 48

HSL 106.43, 0.55%, 0.41%

LAB 59.77, -47.91, 49.35

 

CMYK 50 / 0 / 63 / 29

HEX #5BB543

RGB 91 181 67

HSL 107.37, 0.46%, 0.49%

LAB 66.27, -48.32, 48.57

 

CMYK 46 / 0 / 57 / 22

HEX #6CC756

RGB 108 199 86

HSL 108.32, 0.5%, 0.56%

LAB 72.7, -48.49, 47.52

 

CMYK 72 / 0 / 88 / 50

HEX #237F0F

RGB 35 127 15

HSL 109.29, 0.79%, 0.28%

LAB 46.41, -46.55, 47.08

 

CMYK 83 / 0 / 100 / 57

HEX #126D00

RGB 18 109 0

HSL 110.09, 1%, 0.21%

LAB 39.69, -44.13, 44.75

 

CMYK 99 / 0 / 100 / 64

HEX #015B00

RGB 1 91 0

HSL 119.34, 1%, 0.18%

LAB 32.89, -40.48, 39.21

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 73 / 0 / 88 / 50

HEX #23800F

RGB 35 128 15

HSL 109.38, 0.79%, 0.28%

LAB 46.75, -46.9, 47.39

 

CMYK 48 / 0 / 88 / 50

HEX #42800F

RGB 66 128 15

HSL 92.92, 0.79%, 0.28%

LAB 47.79, -38.51, 48.7

 

CMYK 25 / 0 / 88 / 50

HEX #60800F

RGB 96 128 15

HSL 76.99, 0.79%, 0.28%

LAB 49.45, -26.96, 50.78

 

CMYK 2 / 0 / 88 / 50

HEX #7E800F

RGB 126 128 15

HSL 61.06, 0.79%, 0.28%

LAB 51.73, -13.54, 53.62

 

CMYK 0 / 23 / 88 / 50

HEX #80630F

RGB 128 99 15

HSL 44.6, 0.79%, 0.28%

LAB 43.58, 3.76, 46.97

 

CMYK 73 / 0 / 88 / 50

HEX #23800F

RGB 35 128 15

HSL 109.38, 0.79%, 0.28%

LAB 46.75, -46.9, 47.39

 

CMYK 88 / 0 / 80 / 50

HEX #0F8019

RGB 15 128 25

HSL 125.31, 0.79%, 0.28%

LAB 46.46, -49.26, 44.06

 

CMYK 88 / 0 / 56 / 50

HEX #0F8038

RGB 15 128 56

HSL 141.77, 0.79%, 0.28%

LAB 46.74, -45.72, 30.66

 

CMYK 88 / 0 / 33 / 50

HEX #0F8056

RGB 15 128 86

HSL 157.7, 0.79%, 0.28%

LAB 47.25, -39.81, 14.71

 

CMYK 88 / 0 / 9 / 50

HEX #0F8075

RGB 15 128 117

HSL 174.16, 0.79%, 0.28%

LAB 48.04, -31.43, -2.31

 

CMYK 73 / 0 / 88 / 50

HEX #23800F

RGB 35 128 15

HSL 109.38, 0.79%, 0.28%

LAB 46.75, -46.9, 47.39

 

CMYK 80 / 0 / 98 / 45

HEX #1C8B03

RGB 28 139 3

HSL 108.97, 0.96%, 0.28%

LAB 50.36, -52.14, 52.77

 

CMYK 73 / 0 / 88 / 50

HEX #23800F

RGB 35 128 15

HSL 109.38, 0.79%, 0.28%

LAB 46.75, -46.9, 47.39

 

CMYK 63 / 0 / 77 / 55

HEX #2B741B

RGB 43 116 27

HSL 109.21, 0.62%, 0.28%

LAB 42.89, -39.95, 40

 

CMYK 52 / 0 / 64 / 59

HEX #326926

RGB 50 105 38

HSL 109.25, 0.47%, 0.28%

LAB 39.45, -32.28, 31.48

 

CMYK 39 / 0 / 46 / 64

HEX #395D32

RGB 57 93 50

HSL 110.23, 0.3%, 0.28%

LAB 35.85, -22.45, 20.68

 

CMYK 21 / 0 / 26 / 68

HEX #41523D

RGB 65 82 61

HSL 108.57, 0.15%, 0.28%

LAB 32.91, -11.29, 10.2

 

CMYK 25 / 0 / 88 / 50

HEX #60800F

RGB 96 128 15

HSL 76.99, 0.79%, 0.28%

LAB 49.45, -26.96, 50.78

 

CMYK 48 / 0 / 88 / 50

HEX #42800F

RGB 66 128 15

HSL 92.92, 0.79%, 0.28%

LAB 47.79, -38.51, 48.7

 

CMYK 72 / 0 / 88 / 50

HEX #24800F

RGB 36 128 15

HSL 108.85, 0.79%, 0.28%

LAB 46.77, -46.69, 47.42

 

CMYK 88 / 0 / 81 / 50

HEX #0F8018

RGB 15 128 24

HSL 124.78, 0.79%, 0.28%

LAB 46.45, -49.33, 44.39

 

CMYK 88 / 0 / 58 / 50

HEX #0F8036

RGB 15 128 54

HSL 140.71, 0.79%, 0.28%

LAB 46.72, -46.03, 31.66

 

CMYK 72 / 0 / 89 / 79

HEX #0F3606

RGB 15 54 6

HSL 108.75, 0.8%, 0.12%

LAB 19.03, -24.21, 23.91

 

CMYK 73 / 0 / 88 / 64

HEX #195B0B

RGB 25 91 11

HSL 109.5, 0.78%, 0.2%

LAB 33.38, -36.03, 36.31

 

CMYK 73 / 0 / 88 / 50

HEX #23800F

RGB 35 128 15

HSL 109.38, 0.79%, 0.28%

LAB 46.75, -46.9, 47.39

 

CMYK 73 / 0 / 88 / 35

HEX #2DA513

RGB 45 165 19

HSL 109.32, 0.79%, 0.36%

LAB 59.45, -57.09, 57.73

 

CMYK 73 / 0 / 88 / 21

HEX #37CA18

RGB 55 202 24

HSL 109.55, 0.79%, 0.44%

LAB 71.64, -66.79, 67.39

 

CMYK 72 / 0 / 88 / 50

HEX #237F0F

RGB 35 127 15

HSL 109.29, 0.79%, 0.28%

LAB 46.41, -46.55, 47.08

 

CMYK 88 / 2 / 0 / 50

HEX #0F7E80

RGB 15 126 128

HSL 181.06, 0.79%, 0.28%

LAB 47.73, -27.01, -9.26

 

CMYK 0 / 88 / 37 / 50

HEX #800F51

RGB 128 15 81

HSL 324.96, 0.79%, 0.28%

LAB 28.18, 49.92, -8.61

 

CMYK 72 / 0 / 88 / 50

HEX #237F0F

RGB 35 127 15

HSL 109.29, 0.79%, 0.28%

LAB 46.41, -46.55, 47.08

 

CMYK 88 / 72 / 0 / 50

HEX #0F2480

RGB 15 36 128

HSL 228.85, 0.79%, 0.28%

LAB 19.73, 29.84, -53.47

 

CMYK 0 / 88 / 72 / 50

HEX #800F24

RGB 128 15 36

HSL 348.85, 0.79%, 0.28%

LAB 26.9, 46.24, 19.9

 

CMYK 72 / 0 / 88 / 50

HEX #237F0F

RGB 35 127 15

HSL 109.29, 0.79%, 0.28%

LAB 46.41, -46.55, 47.08

 

CMYK 88 / 2 / 0 / 50

HEX #0F7E80

RGB 15 126 128

HSL 181.06, 0.79%, 0.28%

LAB 47.73, -27.01, -9.26

 

CMYK 16 / 88 / 0 / 50

HEX #6B0F80

RGB 107 15 128

HSL 288.85, 0.79%, 0.28%

LAB 26.81, 52.55, -41.48

 

CMYK 0 / 87 / 88 / 50

HEX #80110F

RGB 128 17 15

HSL 1.06, 0.79%, 0.28%

LAB 26.8, 44.98, 32.81

 

CMYK 72 / 0 / 88 / 50

HEX #237F0F

RGB 35 127 15

HSL 109.29, 0.79%, 0.28%

LAB 46.41, -46.55, 47.08

 

CMYK 88 / 28 / 0 / 50

HEX #0F5C80

RGB 15 92 128

HSL 199.12, 0.79%, 0.28%

LAB 36.58, -8.26, -26.35

 

CMYK 16 / 88 / 0 / 50

HEX #6B0F80

RGB 107 15 128

HSL 288.85, 0.79%, 0.28%

LAB 26.81, 52.55, -41.48

 

CMYK 0 / 60 / 88 / 50

HEX #80330F

RGB 128 51 15

HSL 19.12, 0.79%, 0.28%

LAB 31.79, 31.41, 37.09

 

Description

Color code: HEX #237F0F | qconv.com Color code: HEX #237F0F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 127 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 127 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 88 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 88% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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