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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237DED it is the complementary color #DC8212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237DED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237DED shade: #287DE8, #398FFB, #4AA1FF, #5BB3FF and #6CC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237DED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237DED shade: #237DED, #126BDA, #0159C7, #0047B4 and #0035A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237DED shade: #217CED, #2145ED, #3421ED, #6B21ED and #A221ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237DED shade: #217CED, #2145ED and #2121ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237DED shade matches the following richer shades: #217CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237DED shade: #217CED, #357EDA, #4880C6, #5B82B3 and #6F859F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237DED shade: #21EAED, #21B3ED, #217DED, #2147ED and #3221ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237DED shade: #0E55AE, #1168D4, #217CED, #4793F0 and #6EA9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237DED shade: #237DED, #BA21ED and #CEED21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237DED shade: #237DED, #ED217D and #7DED21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237DED shade: #237DED, #BA21ED, #ED9121 and #54ED21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237DED shade: #237DED, #ED21E3, #ED9121 and #21ED2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 47 / 0 / 7

HEX #237DED

RGB 35 125 237

HSL 213.27, 0.85%, 0.53%

LAB 53.1, 15.13, -63.54

 

Complementary color

CMYK 0 / 41 / 92 / 14

HEX #DC8212

RGB 220 130 18

HSL 33.27, 0.85%, 0.47%

LAB 62.7, 27.86, 65.94

 

CMYK 83 / 46 / 0 / 9

HEX #287DE8

RGB 40 125 232

HSL 213.44, 0.81%, 0.53%

LAB 52.89, 13.62, -61.08

 

CMYK 77 / 43 / 0 / 2

HEX #398FFB

RGB 57 143 251

HSL 213.4, 0.96%, 0.6%

LAB 59.42, 11.24, -61.11

 

CMYK 71 / 37 / 0 / 0

HEX #4AA1FF

RGB 74 161 255

HSL 211.16, 1%, 0.65%

LAB 65.09, 4.06, -54.22

 

CMYK 64 / 30 / 0 / 0

HEX #5BB3FF

RGB 91 179 255

HSL 207.8, 1%, 0.68%

LAB 70.65, -3.6, -45.41

 

CMYK 58 / 23 / 0 / 0

HEX #6CC5FF

RGB 108 197 255

HSL 203.67, 1%, 0.71%

LAB 76.28, -10.37, -36.59

 

CMYK 85 / 47 / 0 / 7

HEX #237DED

RGB 35 125 237

HSL 213.27, 0.85%, 0.53%

LAB 53.1, 15.13, -63.54

 

CMYK 92 / 51 / 0 / 15

HEX #126BDA

RGB 18 107 218

HSL 213.3, 0.85%, 0.46%

LAB 46.59, 18.22, -63.38

 

CMYK 99 / 55 / 0 / 22

HEX #0159C7

RGB 1 89 199

HSL 213.33, 0.99%, 0.39%

LAB 40.04, 21.84, -63.12

 

CMYK 100 / 61 / 0 / 29

HEX #0047B4

RGB 0 71 180

HSL 216.33, 1%, 0.35%

LAB 33.57, 26.2, -62.55

 

CMYK 100 / 67 / 0 / 37

HEX #0035A1

RGB 0 53 161

HSL 220.25, 1%, 0.32%

LAB 27.07, 30.75, -61.82

 

CMYK 86 / 48 / 0 / 7

HEX #217CED

RGB 33 124 237

HSL 213.24, 0.85%, 0.53%

LAB 52.79, 15.62, -64.04

 

CMYK 86 / 71 / 0 / 7

HEX #2145ED

RGB 33 69 237

HSL 229.41, 0.85%, 0.53%

LAB 39.06, 50.02, -86.46

 

CMYK 78 / 86 / 0 / 7

HEX #3421ED

RGB 52 33 237

HSL 245.59, 0.85%, 0.53%

LAB 33.84, 68.23, -95.09

 

CMYK 55 / 86 / 0 / 7

HEX #6B21ED

RGB 107 33 237

HSL 261.76, 0.85%, 0.53%

LAB 38.42, 71.91, -87.35

 

CMYK 32 / 86 / 0 / 7

HEX #A221ED

RGB 162 33 237

HSL 277.94, 0.85%, 0.53%

LAB 45.47, 78.2, -75.51

 

CMYK 86 / 48 / 0 / 7

HEX #217CED

RGB 33 124 237

HSL 213.24, 0.85%, 0.53%

LAB 52.79, 15.62, -64.04

 

CMYK 86 / 71 / 0 / 7

HEX #2145ED

RGB 33 69 237

HSL 229.41, 0.85%, 0.53%

LAB 39.06, 50.02, -86.46

 

CMYK 86 / 86 / 0 / 7

HEX #2121ED

RGB 33 33 237

HSL 240, 0.85%, 0.53%

LAB 32.97, 67.59, -96.56

 

CMYK 86 / 48 / 0 / 7

HEX #217CED

RGB 33 124 237

HSL 213.24, 0.85%, 0.53%

LAB 52.79, 15.62, -64.04

 

CMYK 86 / 48 / 0 / 7

HEX #217CED

RGB 33 124 237

HSL 213.24, 0.85%, 0.53%

LAB 52.79, 15.62, -64.04

 

CMYK 76 / 42 / 0 / 15

HEX #357EDA

RGB 53 126 218

HSL 213.45, 0.69%, 0.53%

LAB 52.66, 9.08, -53.56

 

CMYK 64 / 35 / 0 / 22

HEX #4880C6

RGB 72 128 198

HSL 213.33, 0.53%, 0.53%

LAB 52.83, 3.57, -41.92

 

CMYK 49 / 27 / 0 / 30

HEX #5B82B3

RGB 91 130 179

HSL 213.41, 0.37%, 0.53%

LAB 53.43, 0.25, -30.04

 

CMYK 30 / 16 / 0 / 38

HEX #6F859F

RGB 111 133 159

HSL 212.5, 0.2%, 0.53%

LAB 54.72, -1.59, -16.44

 

CMYK 86 / 1 / 0 / 7

HEX #21EAED

RGB 33 234 237

HSL 180.88, 0.85%, 0.53%

LAB 84.63, -43.08, -14.43

 

CMYK 86 / 24 / 0 / 7

HEX #21B3ED

RGB 33 179 237

HSL 197.06, 0.85%, 0.53%

LAB 68.52, -16.34, -39.08

 

CMYK 86 / 47 / 0 / 7

HEX #217DED

RGB 33 125 237

HSL 212.94, 0.85%, 0.53%

LAB 53.06, 15, -63.6

 

CMYK 86 / 70 / 0 / 7

HEX #2147ED

RGB 33 71 237

HSL 228.82, 0.85%, 0.53%

LAB 39.49, 48.85, -85.76

 

CMYK 79 / 86 / 0 / 7

HEX #3221ED

RGB 50 33 237

HSL 245, 0.85%, 0.53%

LAB 33.73, 68.15, -95.28

 

CMYK 92 / 51 / 0 / 32

HEX #0E55AE

RGB 14 85 174

HSL 213.38, 0.85%, 0.37%

LAB 37.2, 14.86, -53.08

 

CMYK 92 / 51 / 0 / 17

HEX #1168D4

RGB 17 104 212

HSL 213.23, 0.85%, 0.45%

LAB 45.32, 17.75, -62.02

 

CMYK 86 / 48 / 0 / 7

HEX #217CED

RGB 33 124 237

HSL 213.24, 0.85%, 0.53%

LAB 52.79, 15.62, -64.04

 

CMYK 70 / 39 / 0 / 6

HEX #4793F0

RGB 71 147 240

HSL 213.02, 0.85%, 0.61%

LAB 60.34, 6.64, -53.56

 

CMYK 55 / 30 / 0 / 5

HEX #6EA9F3

RGB 110 169 243

HSL 213.38, 0.85%, 0.69%

LAB 68.14, 1.74, -42.78

 

CMYK 85 / 47 / 0 / 7

HEX #237DED

RGB 35 125 237

HSL 213.27, 0.85%, 0.53%

LAB 53.1, 15.13, -63.54

 

CMYK 22 / 86 / 0 / 7

HEX #BA21ED

RGB 186 33 237

HSL 285, 0.85%, 0.53%

LAB 49.06, 81.61, -69.51

 

CMYK 13 / 0 / 86 / 7

HEX #CEED21

RGB 206 237 33

HSL 69.12, 0.85%, 0.53%

LAB 88.83, -32.65, 82.94

 

CMYK 85 / 47 / 0 / 7

HEX #237DED

RGB 35 125 237

HSL 213.27, 0.85%, 0.53%

LAB 53.1, 15.13, -63.54

 

CMYK 0 / 86 / 47 / 7

HEX #ED217D

RGB 237 33 125

HSL 332.94, 0.85%, 0.53%

LAB 52.48, 76.92, 1.95

 

CMYK 47 / 0 / 86 / 7

HEX #7DED21

RGB 125 237 33

HSL 92.94, 0.85%, 0.53%

LAB 84.5, -61.61, 77.56

 

CMYK 85 / 47 / 0 / 7

HEX #237DED

RGB 35 125 237

HSL 213.27, 0.85%, 0.53%

LAB 53.1, 15.13, -63.54

 

CMYK 22 / 86 / 0 / 7

HEX #BA21ED

RGB 186 33 237

HSL 285, 0.85%, 0.53%

LAB 49.06, 81.61, -69.51

 

CMYK 0 / 39 / 86 / 7

HEX #ED9121

RGB 237 145 33

HSL 32.94, 0.85%, 0.53%

LAB 68.29, 27.32, 67.34

 

CMYK 65 / 0 / 86 / 7

HEX #54ED21

RGB 84 237 33

HSL 105, 0.85%, 0.53%

LAB 83.21, -71.96, 75.94

 

CMYK 85 / 47 / 0 / 7

HEX #237DED

RGB 35 125 237

HSL 213.27, 0.85%, 0.53%

LAB 53.1, 15.13, -63.54

 

CMYK 0 / 86 / 4 / 7

HEX #ED21E3

RGB 237 33 227

HSL 302.94, 0.85%, 0.53%

LAB 56.72, 88.37, -51.11

 

CMYK 0 / 39 / 86 / 7

HEX #ED9121

RGB 237 145 33

HSL 32.94, 0.85%, 0.53%

LAB 68.29, 27.32, 67.34

 

CMYK 86 / 0 / 82 / 7

HEX #21ED2B

RGB 33 237 43

HSL 122.94, 0.85%, 0.53%

LAB 82.41, -78.74, 72.68

 

Description

Color code: HEX #237DED | qconv.com Color code: HEX #237DED | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 125 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 125 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 47 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 47% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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