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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237BAF it is the complementary color #DC8450. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237BAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237BAF shade: #287BAA, #398DBD, #4A9FD0, #5BB1E3 and #6CC3F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237BAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237BAF shade: #237BAF, #12699C, #015789, #004576 and #003363

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237BAF shade: #237BAF, #2355AF, #232FAF, #3C23AF and #6223AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237BAF shade: #237BAF, #2355AF, #232FAF and #2323AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237BAF shade matches the following richer shades: #237BAF, #127FC0 and #0183D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237BAF shade: #237BAF, #33769E, #44728D, #556E7C and #66696B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237BAF shade: #23AF97, #23A1AF, #237BAF, #2356AF and #2331AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237BAF shade: #154A6A, #1C628C, #237BAF, #2993D1 and #49A5DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237BAF shade: #237BAF, #7223AF and #AFAA23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237BAF shade: #237BAF, #AF237B and #7BAF23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237BAF shade: #237BAF, #7223AF, #AF5623 and #5FAF23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237BAF shade: #237BAF, #9C23AF, #AF5623 and #35AF23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

Complementary color

CMYK 0 / 40 / 64 / 14

HEX #DC8450

RGB 220 132 80

HSL 22.29, 0.67%, 0.59%

LAB 63.59, 29.17, 41.98

 

CMYK 76 / 28 / 0 / 33

HEX #287BAA

RGB 40 123 170

HSL 201.69, 0.62%, 0.41%

LAB 48.91, -8.3, -32.05

 

CMYK 70 / 25 / 0 / 26

HEX #398DBD

RGB 57 141 189

HSL 201.82, 0.54%, 0.48%

LAB 55.68, -9.61, -32.37

 

CMYK 64 / 24 / 0 / 18

HEX #4A9FD0

RGB 74 159 208

HSL 201.94, 0.59%, 0.55%

LAB 62.34, -10.61, -32.65

 

CMYK 60 / 22 / 0 / 11

HEX #5BB1E3

RGB 91 177 227

HSL 202.06, 0.71%, 0.62%

LAB 68.91, -11.38, -32.91

 

CMYK 56 / 21 / 0 / 4

HEX #6CC3F6

RGB 108 195 246

HSL 202.17, 0.88%, 0.69%

LAB 75.37, -12, -33.16

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 88 / 33 / 0 / 39

HEX #12699C

RGB 18 105 156

HSL 202.17, 0.79%, 0.34%

LAB 42.2, -5.01, -34.39

 

CMYK 99 / 36 / 0 / 46

HEX #015789

RGB 1 87 137

HSL 202.06, 0.99%, 0.27%

LAB 35.26, -2.41, -33.95

 

CMYK 100 / 42 / 0 / 54

HEX #004576

RGB 0 69 118

HSL 204.92, 1%, 0.23%

LAB 28.29, 1.31, -33.27

 

CMYK 100 / 48 / 0 / 61

HEX #003363

RGB 0 51 99

HSL 209.09, 1%, 0.19%

LAB 21.09, 5.46, -32.62

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 80 / 51 / 0 / 31

HEX #2355AF

RGB 35 85 175

HSL 218.57, 0.67%, 0.41%

LAB 37.75, 16.89, -52.75

 

CMYK 80 / 73 / 0 / 31

HEX #232FAF

RGB 35 47 175

HSL 234.86, 0.67%, 0.41%

LAB 28.08, 41.63, -68.57

 

CMYK 66 / 80 / 0 / 31

HEX #3C23AF

RGB 60 35 175

HSL 250.71, 0.67%, 0.41%

LAB 27.46, 50.31, -69.54

 

CMYK 44 / 80 / 0 / 31

HEX #6223AF

RGB 98 35 175

HSL 267, 0.67%, 0.41%

LAB 31.56, 55.06, -62.63

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 80 / 51 / 0 / 31

HEX #2355AF

RGB 35 85 175

HSL 218.57, 0.67%, 0.41%

LAB 37.75, 16.89, -52.75

 

CMYK 80 / 73 / 0 / 31

HEX #232FAF

RGB 35 47 175

HSL 234.86, 0.67%, 0.41%

LAB 28.08, 41.63, -68.57

 

CMYK 80 / 80 / 0 / 31

HEX #2323AF

RGB 35 35 175

HSL 240, 0.67%, 0.41%

LAB 25.73, 48.31, -72.46

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 91 / 34 / 0 / 25

HEX #127FC0

RGB 18 127 192

HSL 202.41, 0.83%, 0.41%

LAB 50.82, -4.36, -41.77

 

CMYK 100 / 37 / 0 / 18

HEX #0183D0

RGB 1 131 208

HSL 202.32, 0.99%, 0.41%

LAB 52.72, -1.25, -47.87

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 68 / 25 / 0 / 38

HEX #33769E

RGB 51 118 158

HSL 202.43, 0.51%, 0.41%

LAB 47.14, -8.02, -27.77

 

CMYK 52 / 19 / 0 / 45

HEX #44728D

RGB 68 114 141

HSL 202.19, 0.35%, 0.41%

LAB 45.89, -7.77, -19.62

 

CMYK 31 / 11 / 0 / 51

HEX #556E7C

RGB 85 110 124

HSL 201.54, 0.19%, 0.41%

LAB 45, -5.56, -10.74

 

CMYK 5 / 2 / 0 / 58

HEX #66696B

RGB 102 105 107

HSL 204, 0.02%, 0.41%

LAB 44.22, -0.73, -1.53

 

CMYK 80 / 0 / 14 / 31

HEX #23AF97

RGB 35 175 151

HSL 169.71, 0.67%, 0.41%

LAB 64.36, -41.23, 2.13

 

CMYK 80 / 8 / 0 / 31

HEX #23A1AF

RGB 35 161 175

HSL 186, 0.67%, 0.41%

LAB 60.73, -27.62, -16.71

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 80 / 51 / 0 / 31

HEX #2356AF

RGB 35 86 175

HSL 218.14, 0.67%, 0.41%

LAB 38.04, 16.23, -52.29

 

CMYK 80 / 72 / 0 / 31

HEX #2331AF

RGB 35 49 175

HSL 234, 0.67%, 0.41%

LAB 28.51, 40.43, -67.85

 

CMYK 80 / 30 / 0 / 58

HEX #154A6A

RGB 21 74 106

HSL 202.59, 0.67%, 0.25%

LAB 29.66, -5.06, -23.48

 

CMYK 80 / 30 / 0 / 45

HEX #1C628C

RGB 28 98 140

HSL 202.5, 0.67%, 0.33%

LAB 39.37, -5.97, -29.26

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 80 / 30 / 0 / 18

HEX #2993D1

RGB 41 147 209

HSL 202.14, 0.67%, 0.49%

LAB 57.98, -7.96, -40.09

 

CMYK 67 / 25 / 0 / 14

HEX #49A5DB

RGB 73 165 219

HSL 202.19, 0.67%, 0.57%

LAB 64.52, -10.49, -35.38

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 35 / 80 / 0 / 31

HEX #7223AF

RGB 114 35 175

HSL 273.86, 0.67%, 0.41%

LAB 33.72, 57.55, -59.02

 

CMYK 0 / 3 / 80 / 31

HEX #AFAA23

RGB 175 170 35

HSL 57.86, 0.67%, 0.41%

LAB 68.01, -12.98, 63.91

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 0 / 80 / 30 / 31

HEX #AF237B

RGB 175 35 123

HSL 322.29, 0.67%, 0.41%

LAB 40.81, 61.45, -15.46

 

CMYK 30 / 0 / 80 / 31

HEX #7BAF23

RGB 123 175 35

HSL 82.29, 0.67%, 0.41%

LAB 65.74, -37.18, 60.47

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 35 / 80 / 0 / 31

HEX #7223AF

RGB 114 35 175

HSL 273.86, 0.67%, 0.41%

LAB 33.72, 57.55, -59.02

 

CMYK 0 / 51 / 80 / 31

HEX #AF5623

RGB 175 86 35

HSL 21.86, 0.67%, 0.41%

LAB 46.83, 32.93, 44.53

 

CMYK 46 / 0 / 80 / 31

HEX #5FAF23

RGB 95 175 35

HSL 94.29, 0.67%, 0.41%

LAB 64.33, -47.13, 58.66

 

CMYK 80 / 30 / 0 / 31

HEX #237BAF

RGB 35 123 175

HSL 202.29, 0.67%, 0.41%

LAB 49.03, -7.05, -34.77

 

CMYK 11 / 80 / 0 / 31

HEX #9C23AF

RGB 156 35 175

HSL 291.86, 0.67%, 0.41%

LAB 40.19, 65.03, -48.23

 

CMYK 0 / 51 / 80 / 31

HEX #AF5623

RGB 175 86 35

HSL 21.86, 0.67%, 0.41%

LAB 46.83, 32.93, 44.53

 

CMYK 70 / 0 / 80 / 31

HEX #35AF23

RGB 53 175 35

HSL 112.29, 0.67%, 0.41%

LAB 62.96, -58.07, 56.88

 

Description

Color code: HEX #237BAF | qconv.com Color code: HEX #237BAF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 123 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 123 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 30 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 30% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Farmácia Avenida
Link: http://www.farmaciaavenida.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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