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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237882 it is the complementary color #DC877D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237882 shade: #28787D, #398A90, #4A9CA3, #5BAEB6 and #6CC0C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237882 shade: #237882, #12666F, #01545C, #004249 and #003036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237882 shade: #227781, #225D81, #224481, #222A81 and #342281

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237882 shade: #227781, #225D81, #224481, #222A81 and #222281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237882 shade matches the following richer shades: #227781, #15818E and #088C9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237882 shade: #227781, #2F6D74, #3D6267, #4A5859 and #574D4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237882 shade: #228158, #228171, #227781, #225E81 and #224581

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237882 shade: #113B40, #1A5960, #227781, #2B95A2 and #34B3C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237882 shade: #237882, #3F2281 and #816522

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237882 shade: #237882, #812277 and #778122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237882 shade: #237882, #3F2281, #812C22 and #658122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237882 shade: #237882, #5B2281, #812C22 and #488122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 8 / 0 / 49

HEX #237882

RGB 35 120 130

HSL 186.32, 0.58%, 0.32%

LAB 46.18, -21.16, -12.74

 

Complementary color

CMYK 0 / 39 / 43 / 14

HEX #DC877D

RGB 220 135 125

HSL 6.32, 0.58%, 0.68%

LAB 64.98, 31.42, 19.21

 

CMYK 68 / 4 / 0 / 51

HEX #28787D

RGB 40 120 125

HSL 183.53, 0.52%, 0.32%

LAB 46.13, -21.99, -9.83

 

CMYK 60 / 4 / 0 / 44

HEX #398A90

RGB 57 138 144

HSL 184.14, 0.43%, 0.39%

LAB 53.02, -22.5, -10.59

 

CMYK 55 / 4 / 0 / 36

HEX #4A9CA3

RGB 74 156 163

HSL 184.72, 0.38%, 0.46%

LAB 59.78, -22.81, -11.27

 

CMYK 50 / 4 / 0 / 29

HEX #5BAEB6

RGB 91 174 182

HSL 185.27, 0.38%, 0.54%

LAB 66.42, -23, -11.89

 

CMYK 46 / 4 / 0 / 21

HEX #6CC0C9

RGB 108 192 201

HSL 185.81, 0.46%, 0.61%

LAB 72.96, -23.11, -12.47

 

CMYK 73 / 8 / 0 / 49

HEX #237882

RGB 35 120 130

HSL 186.32, 0.58%, 0.32%

LAB 46.18, -21.16, -12.74

 

CMYK 84 / 8 / 0 / 56

HEX #12666F

RGB 18 102 111

HSL 185.81, 0.72%, 0.25%

LAB 39.21, -20.03, -11.88

 

CMYK 99 / 9 / 0 / 64

HEX #01545C

RGB 1 84 92

HSL 185.27, 0.98%, 0.18%

LAB 32.08, -18.47, -10.9

 

CMYK 100 / 10 / 0 / 71

HEX #004249

RGB 0 66 73

HSL 185.75, 1%, 0.14%

LAB 24.88, -15.6, -9.57

 

CMYK 100 / 11 / 0 / 79

HEX #003036

RGB 0 48 54

HSL 186.67, 1%, 0.11%

LAB 17.37, -12.49, -8.16

 

CMYK 74 / 8 / 0 / 49

HEX #227781

RGB 34 119 129

HSL 186.32, 0.58%, 0.32%

LAB 45.8, -21.1, -12.73

 

CMYK 74 / 28 / 0 / 49

HEX #225D81

RGB 34 93 129

HSL 202.74, 0.58%, 0.32%

LAB 37.4, -6.24, -25.65

 

CMYK 74 / 47 / 0 / 49

HEX #224481

RGB 34 68 129

HSL 218.53, 0.58%, 0.32%

LAB 29.56, 10.05, -38.06

 

CMYK 74 / 67 / 0 / 49

HEX #222A81

RGB 34 42 129

HSL 234.95, 0.58%, 0.32%

LAB 22.23, 28, -49.95

 

CMYK 60 / 74 / 0 / 49

HEX #342281

RGB 52 34 129

HSL 251.37, 0.58%, 0.32%

LAB 21.8, 35.63, -50.61

 

CMYK 74 / 8 / 0 / 49

HEX #227781

RGB 34 119 129

HSL 186.32, 0.58%, 0.32%

LAB 45.8, -21.1, -12.73

 

CMYK 74 / 28 / 0 / 49

HEX #225D81

RGB 34 93 129

HSL 202.74, 0.58%, 0.32%

LAB 37.4, -6.24, -25.65

 

CMYK 74 / 47 / 0 / 49

HEX #224481

RGB 34 68 129

HSL 218.53, 0.58%, 0.32%

LAB 29.56, 10.05, -38.06

 

CMYK 74 / 67 / 0 / 49

HEX #222A81

RGB 34 42 129

HSL 234.95, 0.58%, 0.32%

LAB 22.23, 28, -49.95

 

CMYK 74 / 74 / 0 / 49

HEX #222281

RGB 34 34 129

HSL 240, 0.58%, 0.32%

LAB 20.32, 33.2, -53.1

 

CMYK 74 / 8 / 0 / 49

HEX #227781

RGB 34 119 129

HSL 186.32, 0.58%, 0.32%

LAB 45.8, -21.1, -12.73

 

CMYK 85 / 9 / 0 / 44

HEX #15818E

RGB 21 129 142

HSL 186.45, 0.74%, 0.32%

LAB 49.27, -23.44, -15.17

 

CMYK 95 / 10 / 0 / 39

HEX #088C9B

RGB 8 140 155

HSL 186.12, 0.9%, 0.32%

LAB 53.14, -25.47, -16.86

 

CMYK 74 / 8 / 0 / 49

HEX #227781

RGB 34 119 129

HSL 186.32, 0.58%, 0.32%

LAB 45.8, -21.1, -12.73

 

CMYK 59 / 6 / 0 / 55

HEX #2F6D74

RGB 47 109 116

HSL 186.09, 0.42%, 0.32%

LAB 42.46, -17.6, -9.93

 

CMYK 41 / 5 / 0 / 60

HEX #3D6267

RGB 61 98 103

HSL 187.14, 0.26%, 0.32%

LAB 39.08, -11.74, -7.02

 

CMYK 17 / 1 / 0 / 65

HEX #4A5859

RGB 74 88 89

HSL 184, 0.09%, 0.32%

LAB 36.28, -5.18, -2.41

 

CMYK 0 / 11 / 13 / 66

HEX #574D4C

RGB 87 77 76

HSL 5.45, 0.07%, 0.32%

LAB 33.68, 3.96, 2.11

 

CMYK 74 / 0 / 32 / 49

HEX #228158

RGB 34 129 88

HSL 154.11, 0.58%, 0.32%

LAB 47.94, -37.43, 14.55

 

CMYK 74 / 0 / 12 / 49

HEX #228171

RGB 34 129 113

HSL 169.89, 0.58%, 0.32%

LAB 48.55, -31.01, 0.84

 

CMYK 74 / 8 / 0 / 49

HEX #227781

RGB 34 119 129

HSL 186.32, 0.58%, 0.32%

LAB 45.8, -21.1, -12.73

 

CMYK 74 / 27 / 0 / 49

HEX #225E81

RGB 34 94 129

HSL 202.11, 0.58%, 0.32%

LAB 37.72, -6.86, -25.15

 

CMYK 74 / 47 / 0 / 49

HEX #224581

RGB 34 69 129

HSL 217.89, 0.58%, 0.32%

LAB 29.87, 9.37, -37.58

 

CMYK 73 / 8 / 0 / 75

HEX #113B40

RGB 17 59 64

HSL 186.38, 0.58%, 0.16%

LAB 22.36, -12.41, -7.36

 

CMYK 73 / 7 / 0 / 62

HEX #1A5960

RGB 26 89 96

HSL 186, 0.57%, 0.24%

LAB 34.41, -17.01, -9.84

 

CMYK 74 / 8 / 0 / 49

HEX #227781

RGB 34 119 129

HSL 186.32, 0.58%, 0.32%

LAB 45.8, -21.1, -12.73

 

CMYK 73 / 8 / 0 / 36

HEX #2B95A2

RGB 43 149 162

HSL 186.55, 0.58%, 0.4%

LAB 56.7, -24.83, -15.43

 

CMYK 73 / 8 / 0 / 24

HEX #34B3C2

RGB 52 179 194

HSL 186.34, 0.58%, 0.48%

LAB 67.18, -28.73, -17.52

 

CMYK 73 / 8 / 0 / 49

HEX #237882

RGB 35 120 130

HSL 186.32, 0.58%, 0.32%

LAB 46.18, -21.16, -12.74

 

CMYK 51 / 74 / 0 / 49

HEX #3F2281

RGB 63 34 129

HSL 258.32, 0.58%, 0.32%

LAB 22.95, 37.46, -48.68

 

CMYK 0 / 22 / 74 / 49

HEX #816522

RGB 129 101 34

HSL 42.32, 0.58%, 0.32%

LAB 44.36, 3.85, 40.51

 

CMYK 73 / 8 / 0 / 49

HEX #237882

RGB 35 120 130

HSL 186.32, 0.58%, 0.32%

LAB 46.18, -21.16, -12.74

 

CMYK 0 / 74 / 8 / 49

HEX #812277

RGB 129 34 119

HSL 306.32, 0.58%, 0.32%

LAB 32.13, 49.86, -27.08

 

CMYK 8 / 0 / 74 / 49

HEX #778122

RGB 119 129 34

HSL 66.32, 0.58%, 0.32%

LAB 51.54, -16.51, 47.33

 

CMYK 73 / 8 / 0 / 49

HEX #237882

RGB 35 120 130

HSL 186.32, 0.58%, 0.32%

LAB 46.18, -21.16, -12.74

 

CMYK 51 / 74 / 0 / 49

HEX #3F2281

RGB 63 34 129

HSL 258.32, 0.58%, 0.32%

LAB 22.95, 37.46, -48.68

 

CMYK 0 / 66 / 74 / 49

HEX #812C22

RGB 129 44 34

HSL 6.32, 0.58%, 0.32%

LAB 30.84, 36.04, 25.92

 

CMYK 22 / 0 / 74 / 49

HEX #658122

RGB 101 129 34

HSL 77.68, 0.58%, 0.32%

LAB 50.2, -24.41, 45.56

 

CMYK 73 / 8 / 0 / 49

HEX #237882

RGB 35 120 130

HSL 186.32, 0.58%, 0.32%

LAB 46.18, -21.16, -12.74

 

CMYK 29 / 74 / 0 / 49

HEX #5B2281

RGB 91 34 129

HSL 276, 0.58%, 0.32%

LAB 26.6, 42.99, -42.58

 

CMYK 0 / 66 / 74 / 49

HEX #812C22

RGB 129 44 34

HSL 6.32, 0.58%, 0.32%

LAB 30.84, 36.04, 25.92

 

CMYK 44 / 0 / 74 / 49

HEX #488122

RGB 72 129 34

HSL 96, 0.58%, 0.32%

LAB 48.5, -35.77, 43.3

 

Description

Color code: HEX #237882 | qconv.com Color code: HEX #237882 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 120 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 120 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 8 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 8% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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