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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23742C it is the complementary color #DC8BD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23742C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23742C shade: #287427, #39863A, #4A984D, #5BAA60 and #6CBC73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23742C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23742C shade: #23742C, #126219, #015006, #003E00 and #002C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23742C shade: #23762C, #307623, #477623, #5D7623 and #737623

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23742C shade: #23762C, #237643, #237659, #23766F and #236676

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23742C shade matches the following richer shades: #23762C, #178223 and #0A8F19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23742C shade: #23762C, #306936, #3C5D40, #485149 and #554453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23742C shade: #477623, #317623, #23762B, #237641 and #237658

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23742C shade: #103614, #1A5620, #23762C, #2D9638 and #36B544

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23742C shade: #23742C, #235D76 and #76233C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23742C shade: #23742C, #2B2376 and #762B23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23742C shade: #23742C, #235D76, #76236E and #763C23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23742C shade: #23742C, #234476, #76236E and #765523

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 62 / 55

HEX #23742C

RGB 35 116 44

HSL 126.67, 0.54%, 0.3%

LAB 42.81, -40.05, 32.2

 

Complementary color

CMYK 0 / 37 / 4 / 14

HEX #DC8BD3

RGB 220 139 211

HSL 306.67, 0.54%, 0.7%

LAB 68.3, 41.61, -24.23

 

CMYK 66 / 0 / 66 / 55

HEX #287427

RGB 40 116 39

HSL 119.22, 0.5%, 0.3%

LAB 42.9, -39.53, 34.78

 

CMYK 57 / 0 / 57 / 47

HEX #39863A

RGB 57 134 58

HSL 120.78, 0.4%, 0.37%

LAB 49.77, -40, 33.49

 

CMYK 51 / 0 / 49 / 40

HEX #4A984D

RGB 74 152 77

HSL 122.31, 0.35%, 0.44%

LAB 56.53, -40.11, 32.11

 

CMYK 46 / 0 / 44 / 33

HEX #5BAA60

RGB 91 170 96

HSL 123.8, 0.32%, 0.51%

LAB 63.19, -40.04, 30.75

 

CMYK 43 / 0 / 39 / 26

HEX #6CBC73

RGB 108 188 115

HSL 125.25, 0.37%, 0.58%

LAB 69.75, -39.86, 29.46

 

CMYK 70 / 0 / 62 / 55

HEX #23742C

RGB 35 116 44

HSL 126.67, 0.54%, 0.3%

LAB 42.81, -40.05, 32.2

 

CMYK 82 / 0 / 74 / 62

HEX #126219

RGB 18 98 25

HSL 125.25, 0.69%, 0.23%

LAB 35.86, -38.8, 33.4

 

CMYK 99 / 0 / 93 / 69

HEX #015006

RGB 1 80 6

HSL 123.8, 0.98%, 0.16%

LAB 28.79, -36.57, 33.6

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 70 / 0 / 63 / 54

HEX #23762C

RGB 35 118 44

HSL 126.51, 0.54%, 0.3%

LAB 43.5, -40.82, 33

 

CMYK 59 / 0 / 70 / 54

HEX #307623

RGB 48 118 35

HSL 110.6, 0.54%, 0.3%

LAB 43.81, -38.67, 37.68

 

CMYK 40 / 0 / 70 / 54

HEX #477623

RGB 71 118 35

HSL 93.98, 0.54%, 0.3%

LAB 44.83, -31.12, 39.07

 

CMYK 21 / 0 / 70 / 54

HEX #5D7623

RGB 93 118 35

HSL 78.07, 0.54%, 0.3%

LAB 46.18, -22.21, 40.9

 

CMYK 3 / 0 / 70 / 54

HEX #737623

RGB 115 118 35

HSL 62.17, 0.54%, 0.3%

LAB 47.91, -12.35, 43.22

 

CMYK 70 / 0 / 63 / 54

HEX #23762C

RGB 35 118 44

HSL 126.51, 0.54%, 0.3%

LAB 43.5, -40.82, 33

 

CMYK 70 / 0 / 43 / 54

HEX #237643

RGB 35 118 67

HSL 143.13, 0.54%, 0.3%

LAB 43.83, -37.08, 21.07

 

CMYK 70 / 0 / 25 / 54

HEX #237659

RGB 35 118 89

HSL 159.04, 0.54%, 0.3%

LAB 44.28, -32.16, 8.89

 

CMYK 70 / 0 / 6 / 54

HEX #23766F

RGB 35 118 111

HSL 174.94, 0.54%, 0.3%

LAB 44.89, -26.09, -3.35

 

CMYK 70 / 14 / 0 / 54

HEX #236676

RGB 35 102 118

HSL 191.57, 0.54%, 0.3%

LAB 39.86, -15.32, -15.13

 

CMYK 70 / 0 / 63 / 54

HEX #23762C

RGB 35 118 44

HSL 126.51, 0.54%, 0.3%

LAB 43.5, -40.82, 33

 

CMYK 82 / 0 / 73 / 49

HEX #178223

RGB 23 130 35

HSL 126.73, 0.7%, 0.3%

LAB 47.33, -48.14, 41.21

 

CMYK 93 / 0 / 83 / 44

HEX #0A8F19

RGB 10 143 25

HSL 126.77, 0.87%, 0.3%

LAB 51.59, -54.32, 48.93

 

CMYK 70 / 0 / 63 / 54

HEX #23762C

RGB 35 118 44

HSL 126.51, 0.54%, 0.3%

LAB 43.5, -40.82, 33

 

CMYK 54 / 0 / 49 / 59

HEX #306936

RGB 48 105 54

HSL 126.32, 0.37%, 0.3%

LAB 39.58, -30.61, 23.04

 

CMYK 35 / 0 / 31 / 64

HEX #3C5D40

RGB 60 93 64

HSL 127.27, 0.22%, 0.3%

LAB 36.29, -18.81, 12.94

 

CMYK 11 / 0 / 10 / 68

HEX #485149

RGB 72 81 73

HSL 126.67, 0.06%, 0.3%

LAB 33.44, -5.37, 3.49

 

CMYK 0 / 20 / 2 / 67

HEX #554453

RGB 85 68 83

HSL 307.06, 0.11%, 0.3%

LAB 31.09, 10.28, -6.21

 

CMYK 40 / 0 / 70 / 54

HEX #477623

RGB 71 118 35

HSL 93.98, 0.54%, 0.3%

LAB 44.83, -31.12, 39.07

 

CMYK 58 / 0 / 70 / 54

HEX #317623

RGB 49 118 35

HSL 109.88, 0.54%, 0.3%

LAB 43.84, -38.39, 37.73

 

CMYK 70 / 0 / 64 / 54

HEX #23762B

RGB 35 118 43

HSL 125.78, 0.54%, 0.3%

LAB 43.49, -40.94, 33.48

 

CMYK 70 / 0 / 45 / 54

HEX #237641

RGB 35 118 65

HSL 141.69, 0.54%, 0.3%

LAB 43.79, -37.47, 22.16

 

CMYK 70 / 0 / 25 / 54

HEX #237658

RGB 35 118 88

HSL 158.31, 0.54%, 0.3%

LAB 44.26, -32.41, 9.45

 

CMYK 70 / 0 / 63 / 79

HEX #103614

RGB 16 54 20

HSL 126.32, 0.54%, 0.14%

LAB 19.22, -22.11, 17.3

 

CMYK 70 / 0 / 63 / 66

HEX #1A5620

RGB 26 86 32

HSL 126, 0.54%, 0.22%

LAB 31.76, -31.73, 25.48

 

CMYK 70 / 0 / 63 / 54

HEX #23762C

RGB 35 118 44

HSL 126.51, 0.54%, 0.3%

LAB 43.5, -40.82, 33

 

CMYK 70 / 0 / 63 / 41

HEX #2D9638

RGB 45 150 56

HSL 126.29, 0.54%, 0.38%

LAB 54.72, -49.18, 40.14

 

CMYK 70 / 0 / 62 / 29

HEX #36B544

RGB 54 181 68

HSL 126.61, 0.54%, 0.46%

LAB 65.16, -57.02, 46.58

 

CMYK 70 / 0 / 62 / 55

HEX #23742C

RGB 35 116 44

HSL 126.67, 0.54%, 0.3%

LAB 42.81, -40.05, 32.2

 

CMYK 70 / 21 / 0 / 54

HEX #235D76

RGB 35 93 118

HSL 198.07, 0.54%, 0.3%

LAB 36.92, -10.1, -19.65

 

CMYK 0 / 70 / 49 / 54

HEX #76233C

RGB 118 35 60

HSL 341.93, 0.54%, 0.3%

LAB 27.79, 38.19, 4.63

 

CMYK 70 / 0 / 62 / 55

HEX #23742C

RGB 35 116 44

HSL 126.67, 0.54%, 0.3%

LAB 42.81, -40.05, 32.2

 

CMYK 64 / 70 / 0 / 54

HEX #2B2376

RGB 43 35 118

HSL 245.78, 0.54%, 0.3%

LAB 20.14, 29.91, -46.36

 

CMYK 0 / 64 / 70 / 54

HEX #762B23

RGB 118 43 35

HSL 5.78, 0.54%, 0.3%

LAB 28.64, 32.37, 22.21

 

CMYK 70 / 0 / 62 / 55

HEX #23742C

RGB 35 116 44

HSL 126.67, 0.54%, 0.3%

LAB 42.81, -40.05, 32.2

 

CMYK 70 / 21 / 0 / 54

HEX #235D76

RGB 35 93 118

HSL 198.07, 0.54%, 0.3%

LAB 36.92, -10.1, -19.65

 

CMYK 0 / 70 / 7 / 54

HEX #76236E

RGB 118 35 110

HSL 305.78, 0.54%, 0.3%

LAB 29.86, 45.15, -25.07

 

CMYK 0 / 49 / 70 / 54

HEX #763C23

RGB 118 60 35

HSL 18.07, 0.54%, 0.3%

LAB 32.27, 23.09, 26.48

 

CMYK 70 / 0 / 62 / 55

HEX #23742C

RGB 35 116 44

HSL 126.67, 0.54%, 0.3%

LAB 42.81, -40.05, 32.2

 

CMYK 70 / 42 / 0 / 54

HEX #234476

RGB 35 68 118

HSL 216.14, 0.54%, 0.3%

LAB 28.9, 5.88, -32.23

 

CMYK 0 / 70 / 7 / 54

HEX #76236E

RGB 118 35 110

HSL 305.78, 0.54%, 0.3%

LAB 29.86, 45.15, -25.07

 

CMYK 0 / 28 / 70 / 54

HEX #765523

RGB 118 85 35

HSL 36.14, 0.54%, 0.3%

LAB 38.67, 8.17, 33.66

 

Description

Color code: HEX #23742C | qconv.com Color code: HEX #23742C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 116 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 116 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 62 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 62% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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