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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237349 it is the complementary color #DC8CB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237349. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237349 shade: #287344, #398557, #4A976A, #5BA97D and #6CBB90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237349. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237349 shade: #237349, #126136, #014F23, #003D10 and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237349 shade: #237148, #237133, #287123, #3D7123 and #527123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237349 shade: #237148, #23715D, #237071, #235B71 and #234671

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237349 shade matches the following richer shades: #237148, #177D47 and #0B8947

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237349 shade: #237148, #2F6549, #3B5949, #474D4A and #53414A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237349 shade: #287123, #237132, #237147, #23715C and #237171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237349 shade: #0F3220, #195234, #237148, #2C915C and #36B070

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237349 shade: #237349, #233D71 and #712823

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237349 shade: #237349, #472371 and #714723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237349 shade: #237349, #233D71, #71234D and #715723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237349 shade: #237349, #232571, #71234D and #716F23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 37 / 55

HEX #237349

RGB 35 115 73

HSL 148.5, 0.53%, 0.29%

LAB 42.91, -34.57, 16.4

 

Complementary color

CMYK 0 / 36 / 17 / 14

HEX #DC8CB6

RGB 220 140 182

HSL 328.5, 0.53%, 0.71%

LAB 67.54, 36.25, -9.2

 

CMYK 65 / 0 / 41 / 55

HEX #287344

RGB 40 115 68

HSL 142.4, 0.48%, 0.3%

LAB 42.96, -34.56, 19.38

 

CMYK 57 / 0 / 35 / 48

HEX #398557

RGB 57 133 87

HSL 143.68, 0.4%, 0.37%

LAB 49.9, -34.64, 17.9

 

CMYK 51 / 0 / 30 / 41

HEX #4A976A

RGB 74 151 106

HSL 144.94, 0.34%, 0.44%

LAB 56.71, -34.54, 16.58

 

CMYK 46 / 0 / 26 / 34

HEX #5BA97D

RGB 91 169 125

HSL 146.15, 0.31%, 0.51%

LAB 63.41, -34.34, 15.39

 

CMYK 42 / 0 / 23 / 27

HEX #6CBB90

RGB 108 187 144

HSL 147.34, 0.37%, 0.58%

LAB 70, -34.11, 14.3

 

CMYK 70 / 0 / 37 / 55

HEX #237349

RGB 35 115 73

HSL 148.5, 0.53%, 0.29%

LAB 42.91, -34.57, 16.4

 

CMYK 81 / 0 / 44 / 62

HEX #126136

RGB 18 97 54

HSL 147.34, 0.69%, 0.23%

LAB 35.88, -33.92, 18.1

 

CMYK 99 / 0 / 56 / 69

HEX #014F23

RGB 1 79 35

HSL 146.15, 0.98%, 0.16%

LAB 28.69, -32.69, 19.99

 

CMYK 100 / 0 / 74 / 76

HEX #003D10

RGB 0 61 16

HSL 135.74, 1%, 0.12%

LAB 21.49, -29.24, 22.08

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 69 / 0 / 36 / 56

HEX #237148

RGB 35 113 72

HSL 148.46, 0.53%, 0.29%

LAB 42.21, -33.92, 16.04

 

CMYK 69 / 0 / 55 / 56

HEX #237133

RGB 35 113 51

HSL 132.31, 0.53%, 0.29%

LAB 41.86, -37.86, 27.43

 

CMYK 65 / 0 / 69 / 56

HEX #287123

RGB 40 113 35

HSL 116.15, 0.53%, 0.29%

LAB 41.82, -38.8, 35.45

 

CMYK 46 / 0 / 69 / 56

HEX #3D7123

RGB 61 113 35

HSL 100, 0.53%, 0.29%

LAB 42.65, -32.46, 36.59

 

CMYK 27 / 0 / 69 / 56

HEX #527123

RGB 82 113 35

HSL 83.85, 0.53%, 0.29%

LAB 43.84, -24.35, 38.22

 

CMYK 69 / 0 / 36 / 56

HEX #237148

RGB 35 113 72

HSL 148.46, 0.53%, 0.29%

LAB 42.21, -33.92, 16.04

 

CMYK 69 / 0 / 18 / 56

HEX #23715D

RGB 35 113 93

HSL 164.62, 0.53%, 0.29%

LAB 42.7, -28.77, 4.25

 

CMYK 69 / 1 / 0 / 56

HEX #237071

RGB 35 112 113

HSL 180.77, 0.53%, 0.29%

LAB 42.97, -22.4, -7.4

 

CMYK 69 / 19 / 0 / 56

HEX #235B71

RGB 35 91 113

HSL 196.92, 0.53%, 0.29%

LAB 36.05, -10.69, -17.91

 

CMYK 69 / 38 / 0 / 56

HEX #234671

RGB 35 70 113

HSL 213.08, 0.53%, 0.29%

LAB 29.23, 2.59, -28.55

 

CMYK 69 / 0 / 36 / 56

HEX #237148

RGB 35 113 72

HSL 148.46, 0.53%, 0.29%

LAB 42.21, -33.92, 16.04

 

CMYK 82 / 0 / 43 / 51

HEX #177D47

RGB 23 125 71

HSL 148.24, 0.69%, 0.29%

LAB 46.05, -41.05, 21.67

 

CMYK 92 / 0 / 48 / 46

HEX #0B8947

RGB 11 137 71

HSL 148.57, 0.85%, 0.29%

LAB 50, -46.71, 26.74

 

CMYK 69 / 0 / 36 / 56

HEX #237148

RGB 35 113 72

HSL 148.46, 0.53%, 0.29%

LAB 42.21, -33.92, 16.04

 

CMYK 53 / 0 / 28 / 60

HEX #2F6549

RGB 47 101 73

HSL 148.89, 0.36%, 0.29%

LAB 38.54, -25.21, 10.48

 

CMYK 34 / 0 / 18 / 65

HEX #3B5949

RGB 59 89 73

HSL 148, 0.2%, 0.29%

LAB 35.11, -15.03, 5.75

 

CMYK 8 / 0 / 4 / 70

HEX #474D4A

RGB 71 77 74

HSL 150, 0.04%, 0.29%

LAB 32.13, -3.1, 0.94

 

CMYK 0 / 22 / 11 / 67

HEX #53414A

RGB 83 65 74

HSL 330, 0.12%, 0.29%

LAB 29.7, 9.5, -2.48

 

CMYK 65 / 0 / 69 / 56

HEX #287123

RGB 40 113 35

HSL 116.15, 0.53%, 0.29%

LAB 41.82, -38.8, 35.45

 

CMYK 69 / 0 / 56 / 56

HEX #237132

RGB 35 113 50

HSL 131.54, 0.53%, 0.29%

LAB 41.84, -38.01, 27.95

 

CMYK 69 / 0 / 37 / 56

HEX #237147

RGB 35 113 71

HSL 147.69, 0.53%, 0.29%

LAB 42.19, -34.13, 16.59

 

CMYK 69 / 0 / 19 / 56

HEX #23715C

RGB 35 113 92

HSL 163.85, 0.53%, 0.29%

LAB 42.67, -29.04, 4.81

 

CMYK 69 / 0 / 0 / 56

HEX #237171

RGB 35 113 113

HSL 180, 0.53%, 0.29%

LAB 43.3, -22.92, -6.9

 

CMYK 70 / 0 / 36 / 80

HEX #0F3220

RGB 15 50 32

HSL 149.14, 0.54%, 0.13%

LAB 17.86, -17.85, 7.79

 

CMYK 70 / 0 / 37 / 68

HEX #195234

RGB 25 82 52

HSL 148.42, 0.53%, 0.21%

LAB 30.61, -26.46, 12.32

 

CMYK 69 / 0 / 36 / 56

HEX #237148

RGB 35 113 72

HSL 148.46, 0.53%, 0.29%

LAB 42.21, -33.92, 16.04

 

CMYK 70 / 0 / 37 / 43

HEX #2C915C

RGB 44 145 92

HSL 148.51, 0.53%, 0.37%

LAB 53.56, -41.56, 19.96

 

CMYK 69 / 0 / 36 / 31

HEX #36B070

RGB 54 176 112

HSL 148.52, 0.53%, 0.45%

LAB 64.16, -48.29, 23.31

 

CMYK 70 / 0 / 37 / 55

HEX #237349

RGB 35 115 73

HSL 148.5, 0.53%, 0.29%

LAB 42.91, -34.57, 16.4

 

CMYK 69 / 46 / 0 / 56

HEX #233D71

RGB 35 61 113

HSL 220, 0.53%, 0.29%

LAB 26.41, 8.73, -33.04

 

CMYK 0 / 65 / 69 / 56

HEX #712823

RGB 113 40 35

HSL 3.85, 0.53%, 0.29%

LAB 27.16, 31.93, 20.19

 

CMYK 70 / 0 / 37 / 55

HEX #237349

RGB 35 115 73

HSL 148.5, 0.53%, 0.29%

LAB 42.91, -34.57, 16.4

 

CMYK 37 / 69 / 0 / 56

HEX #472371

RGB 71 35 113

HSL 267.69, 0.53%, 0.29%

LAB 22.77, 33.94, -38.73

 

CMYK 0 / 37 / 69 / 56

HEX #714723

RGB 113 71 35

HSL 27.69, 0.53%, 0.29%

LAB 34.27, 14.27, 28.59

 

CMYK 70 / 0 / 37 / 55

HEX #237349

RGB 35 115 73

HSL 148.5, 0.53%, 0.29%

LAB 42.91, -34.57, 16.4

 

CMYK 69 / 46 / 0 / 56

HEX #233D71

RGB 35 61 113

HSL 220, 0.53%, 0.29%

LAB 26.41, 8.73, -33.04

 

CMYK 0 / 69 / 32 / 56

HEX #71234D

RGB 113 35 77

HSL 327.69, 0.53%, 0.29%

LAB 27.43, 38.57, -7.37

 

CMYK 0 / 23 / 69 / 56

HEX #715723

RGB 113 87 35

HSL 40, 0.53%, 0.29%

LAB 38.64, 4.58, 33.44

 

CMYK 70 / 0 / 37 / 55

HEX #237349

RGB 35 115 73

HSL 148.5, 0.53%, 0.29%

LAB 42.91, -34.57, 16.4

 

CMYK 69 / 67 / 0 / 56

HEX #232571

RGB 35 37 113

HSL 238.46, 0.53%, 0.29%

LAB 19.53, 25.52, -44.17

 

CMYK 0 / 69 / 32 / 56

HEX #71234D

RGB 113 35 77

HSL 327.69, 0.53%, 0.29%

LAB 27.43, 38.57, -7.37

 

CMYK 0 / 2 / 69 / 56

HEX #716F23

RGB 113 111 35

HSL 58.46, 0.53%, 0.29%

LAB 45.64, -9.4, 40.85

 

Description

Color code: HEX #237349 | qconv.com Color code: HEX #237349 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 115 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 115 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 37 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 37% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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