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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2370CACE it is the complementary color #DC8F35CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2370CACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2370CACE shade: #2870C5CE, #3982D8CE, #4A94EBCE, #5BA6FECE and #6CB8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2370CACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2370CACE shade: #2370CACE, #125EB7CE, #014CA4CE, #003A91CE and #00287ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2370CACE shade: #236FC7, #2343C7, #3023C7, #5C23C7 and #8923C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2370CACE shade: #236FC7, #2343C7 and #2323C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2370CACE shade matches the following richer shades: #236FC7 and #106DDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2370CACE shade: #236FC7, #3670B4, #4972A1, #5C738E and #6F757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2370CACE shade: #23C7C7, #239CC7, #2370C7, #2344C7 and #2E23C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2370CACE shade: #174881, #1D5BA4, #236FC7, #3884DC and #5B99E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2370CACE shade: #2370CA, #9C23C7 and #B2C723

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2370CACE shade: #2370CA, #C72370 and #70C723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2370CACE shade: #2370CA, #9C23C7, #C77B23 and #4FC723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2370CACE shade: #2370CA, #C723C2, #C77B23 and #23C729

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 36 / 0 / 17

HEX #2370CACE

RGBA 35 112 202 0.81

HSLA 212.34, 0.7%, 0.46%, 0.81

LABA 47.25, 9.9, -53.17, 0.81

 

Complementary color

CMYK 0 / 28 / 61 / 11

HEX #DC8F35CE

RGBA 220 143 53 0.81

HSLA 32.34, 0.7%, 0.54%, 0.81

LABA 65.84, 21.87, 57.2, 0.81

 

CMYK 65 / 35 / 0 / 18

HEX #2870C5CE

RGBA 40 112 197 0.81

HSLA 212.48, 0.66%, 0.46%, 0.81

LABA 47.07, 8.47, -50.59, 0.81

 

CMYK 60 / 32 / 0 / 12

HEX #3982D8CE

RGBA 57 130 216 0.81

HSLA 212.45, 0.67%, 0.54%, 0.81

LABA 53.81, 6.4, -50.61, 0.81

 

CMYK 55 / 30 / 0 / 6

HEX #4A94EBCE

RGBA 74 148 235 0.81

HSLA 212.42, 0.8%, 0.61%, 0.81

LABA 60.46, 4.75, -50.6, 0.81

 

CMYK 52 / 28 / 0 / 0

HEX #5BA6FECE

RGBA 91 166 254 0.81

HSLA 212.39, 0.99%, 0.68%, 0.81

LABA 67.02, 3.4, -50.59, 0.81

 

CMYK 47 / 23 / 0 / 0

HEX #6CB8FFCE

RGBA 108 184 255 0.81

HSLA 208.98, 1%, 0.71%, 0.81

LABA 72.69, -3.33, -42.18, 0.81

 

CMYK 67 / 36 / 0 / 17

HEX #2370CACE

RGBA 35 112 202 0.81

HSLA 212.34, 0.7%, 0.46%, 0.81

LABA 47.25, 9.9, -53.17, 0.81

 

CMYK 73 / 39 / 0 / 23

HEX #125EB7CE

RGBA 18 94 183 0.81

HSLA 212.36, 0.82%, 0.39%, 0.81

LABA 40.5, 12.76, -53.05, 0.81

 

CMYK 81 / 43 / 0 / 29

HEX #014CA4CE

RGBA 1 76 164 0.81

HSLA 212.39, 0.99%, 0.32%, 0.81

LABA 33.68, 16.24, -52.83, 0.81

 

CMYK 81 / 49 / 0 / 35

HEX #003A91CE

RGBA 0 58 145 0.81

HSLA 216, 1%, 0.28%, 0.81

LABA 26.93, 20.7, -52.27, 0.81

 

CMYK 81 / 55 / 0 / 41

HEX #00287ECE

RGBA 0 40 126 0.81

HSLA 220.95, 1%, 0.25%, 0.81

LABA 20.14, 25.44, -51.54, 0.81

 

CMYK 82 / 44 / 0 / 22

HEX #236FC7

RGB 35 111 199

HSL 212.2, 0.7%, 0.46%

LAB 46.78, 9.38, -52.21

 

CMYK 82 / 66 / 0 / 22

HEX #2343C7

RGB 35 67 199

HSL 228.29, 0.7%, 0.46%

LAB 34.99, 37.88, -71.35

 

CMYK 76 / 82 / 0 / 22

HEX #3023C7

RGB 48 35 199

HSL 244.76, 0.7%, 0.46%

LAB 29.3, 56.49, -80.74

 

CMYK 54 / 82 / 0 / 22

HEX #5C23C7

RGB 92 35 199

HSL 260.85, 0.7%, 0.46%

LAB 33.14, 60.33, -74.26

 

CMYK 31 / 82 / 0 / 22

HEX #8923C7

RGB 137 35 199

HSL 277.32, 0.7%, 0.46%

LAB 38.97, 66.4, -64.47

 

CMYK 82 / 44 / 0 / 22

HEX #236FC7

RGB 35 111 199

HSL 212.2, 0.7%, 0.46%

LAB 46.78, 9.38, -52.21

 

CMYK 82 / 66 / 0 / 22

HEX #2343C7

RGB 35 67 199

HSL 228.29, 0.7%, 0.46%

LAB 34.99, 37.88, -71.35

 

CMYK 82 / 82 / 0 / 22

HEX #2323C7

RGB 35 35 199

HSL 240, 0.7%, 0.46%

LAB 28.6, 55.8, -81.92

 

CMYK 82 / 44 / 0 / 22

HEX #236FC7

RGB 35 111 199

HSL 212.2, 0.7%, 0.46%

LAB 46.78, 9.38, -52.21

 

CMYK 93 / 50 / 0 / 15

HEX #106DDA

RGB 16 109 218

HSL 212.38, 0.86%, 0.46%

LAB 47.12, 16.85, -62.53

 

CMYK 82 / 44 / 0 / 22

HEX #236FC7

RGB 35 111 199

HSL 212.2, 0.7%, 0.46%

LAB 46.78, 9.38, -52.21

 

CMYK 70 / 38 / 0 / 29

HEX #3670B4

RGB 54 112 180

HSL 212.38, 0.54%, 0.46%

LAB 46.54, 3.94, -41.58

 

CMYK 55 / 29 / 0 / 37

HEX #4972A1

RGB 73 114 161

HSL 212.05, 0.38%, 0.46%

LAB 47.01, -0.19, -29.68

 

CMYK 35 / 19 / 0 / 44

HEX #5C738E

RGB 92 115 142

HSL 212.4, 0.21%, 0.46%

LAB 47.61, -1.44, -17.45

 

CMYK 10 / 5 / 0 / 52

HEX #6F757B

RGB 111 117 123

HSL 210, 0.05%, 0.46%

LAB 48.92, -0.97, -4.08

 

CMYK 82 / 0 / 0 / 22

HEX #23C7C7

RGB 35 199 199

HSL 180, 0.7%, 0.46%

LAB 73.11, -38.34, -11.35

 

CMYK 82 / 22 / 0 / 22

HEX #239CC7

RGB 35 156 199

HSL 195.73, 0.7%, 0.46%

LAB 60.12, -17.03, -31.14

 

CMYK 82 / 44 / 0 / 22

HEX #2370C7

RGB 35 112 199

HSL 211.83, 0.7%, 0.46%

LAB 47.07, 8.75, -51.75

 

CMYK 82 / 66 / 0 / 22

HEX #2344C7

RGB 35 68 199

HSL 227.93, 0.7%, 0.46%

LAB 35.23, 37.24, -70.96

 

CMYK 77 / 82 / 0 / 22

HEX #2E23C7

RGB 46 35 199

HSL 244.02, 0.7%, 0.46%

LAB 29.18, 56.37, -80.95

 

CMYK 82 / 44 / 0 / 49

HEX #174881

RGB 23 72 129

HSL 212.26, 0.7%, 0.3%

LAB 30.4, 5.84, -36.73

 

CMYK 82 / 45 / 0 / 36

HEX #1D5BA4

RGB 29 91 164

HSL 212.44, 0.7%, 0.38%

LAB 38.59, 7.97, -44.88

 

CMYK 82 / 44 / 0 / 22

HEX #236FC7

RGB 35 111 199

HSL 212.2, 0.7%, 0.46%

LAB 46.78, 9.38, -52.21

 

CMYK 75 / 40 / 0 / 14

HEX #3884DC

RGB 56 132 220

HSL 212.2, 0.7%, 0.54%

LAB 54.56, 6.52, -51.65

 

CMYK 60 / 32 / 0 / 11

HEX #5B99E2

RGB 91 153 226

HSL 212.44, 0.7%, 0.62%

LAB 62.08, 1.72, -43.01

 

CMYK 83 / 45 / 0 / 21

HEX #2370CA

RGB 35 112 202

HSL 212.34, 0.7%, 0.46%

LAB 47.25, 9.9, -53.17

 

CMYK 22 / 82 / 0 / 22

HEX #9C23C7

RGB 156 35 199

HSL 284.27, 0.7%, 0.46%

LAB 41.83, 69.44, -59.69

 

CMYK 11 / 0 / 82 / 22

HEX #B2C723

RGB 178 199 35

HSL 67.68, 0.7%, 0.46%

LAB 76.33, -26.17, 71.23

 

CMYK 83 / 45 / 0 / 21

HEX #2370CA

RGB 35 112 202

HSL 212.34, 0.7%, 0.46%

LAB 47.25, 9.9, -53.17

 

CMYK 0 / 82 / 44 / 22

HEX #C72370

RGB 199 35 112

HSL 331.83, 0.7%, 0.46%

LAB 44.96, 66.24, -1.96

 

CMYK 44 / 0 / 82 / 22

HEX #70C723

RGB 112 199 35

HSL 91.83, 0.7%, 0.46%

LAB 72.5, -51.15, 66.39

 

CMYK 83 / 45 / 0 / 21

HEX #2370CA

RGB 35 112 202

HSL 212.34, 0.7%, 0.46%

LAB 47.25, 9.9, -53.17

 

CMYK 22 / 82 / 0 / 22

HEX #9C23C7

RGB 156 35 199

HSL 284.27, 0.7%, 0.46%

LAB 41.83, 69.44, -59.69

 

CMYK 0 / 38 / 82 / 22

HEX #C77B23

RGB 199 123 35

HSL 32.2, 0.7%, 0.46%

LAB 58.44, 23.08, 56.44

 

CMYK 60 / 0 / 82 / 22

HEX #4FC723

RGB 79 199 35

HSL 103.9, 0.7%, 0.46%

LAB 71.3, -60.49, 64.86

 

CMYK 83 / 45 / 0 / 21

HEX #2370CA

RGB 35 112 202

HSL 212.34, 0.7%, 0.46%

LAB 47.25, 9.9, -53.17

 

CMYK 0 / 82 / 3 / 22

HEX #C723C2

RGB 199 35 194

HSL 301.83, 0.7%, 0.46%

LAB 48.56, 76.28, -45.6

 

CMYK 0 / 38 / 82 / 22

HEX #C77B23

RGB 199 123 35

HSL 32.2, 0.7%, 0.46%

LAB 58.44, 23.08, 56.44

 

CMYK 82 / 0 / 79 / 22

HEX #23C729

RGB 35 199 41

HSL 122.2, 0.7%, 0.46%

LAB 70.43, -67.81, 62.07

 

Description

Color code: HEX #2370CACE | qconv.com Color code: HEX #2370CACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 112 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 112 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 36 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 36% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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