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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2368A4 it is the complementary color #DC975B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2368A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2368A4 shade: #28689F, #397AB2, #4A8CC5, #5B9ED8 and #6CB0EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2368A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2368A4 shade: #2368A4, #125691, #01447E, #00326B and #002058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2368A4 shade: #2368A4, #2345A4, #2323A4, #4623A4 and #6923A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2368A4 shade: #2368A4, #2345A4 and #2323A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2368A4 shade matches the following richer shades: #2368A4, #1369B4 and #036AC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2368A4 shade: #2368A4, #336794, #436684, #536574 and #636364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2368A4 shade: #23A499, #238CA4, #236AA4, #2347A4 and #2325A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2368A4 shade: #143D60, #1C5282, #2368A4, #2A7EC6 and #4292D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2368A4 shade: #2368A4, #7723A4 and #9EA423

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2368A4 shade: #2368A4, #A4236A and #6AA423

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2368A4 shade: #2368A4, #7723A4, #A45D23 and #50A423

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2368A4 shade: #2368A4, #9E23A4, #A45D23 and #29A423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

Complementary color

CMYK 0 / 31 / 59 / 14

HEX #DC975B

RGB 220 151 91

HSL 27.91, 0.65%, 0.61%

LAB 68.1, 19.77, 41.67

 

CMYK 75 / 35 / 0 / 38

HEX #28689F

RGB 40 104 159

HSL 207.73, 0.6%, 0.39%

LAB 42.54, -0.93, -35.6

 

CMYK 68 / 31 / 0 / 30

HEX #397AB2

RGB 57 122 178

HSL 207.77, 0.51%, 0.46%

LAB 49.5, -2.38, -35.73

 

CMYK 62 / 29 / 0 / 23

HEX #4A8CC5

RGB 74 140 197

HSL 207.8, 0.51%, 0.53%

LAB 56.33, -3.48, -35.85

 

CMYK 58 / 27 / 0 / 15

HEX #5B9ED8

RGB 91 158 216

HSL 207.84, 0.62%, 0.6%

LAB 63.04, -4.33, -35.96

 

CMYK 54 / 25 / 0 / 8

HEX #6CB0EB

RGB 108 176 235

HSL 207.87, 0.76%, 0.67%

LAB 69.64, -5.02, -36.09

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 88 / 41 / 0 / 43

HEX #125691

RGB 18 86 145

HSL 207.87, 0.78%, 0.32%

LAB 35.65, 2.59, -38.18

 

CMYK 99 / 46 / 0 / 51

HEX #01447E

RGB 1 68 126

HSL 207.84, 0.98%, 0.25%

LAB 28.5, 5.54, -37.94

 

CMYK 100 / 53 / 0 / 58

HEX #00326B

RGB 0 50 107

HSL 211.96, 1%, 0.21%

LAB 21.37, 9.82, -37.37

 

CMYK 100 / 64 / 0 / 65

HEX #002058

RGB 0 32 88

HSL 218.18, 1%, 0.17%

LAB 14.05, 14.65, -36.74

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 79 / 58 / 0 / 36

HEX #2345A4

RGB 35 69 164

HSL 224.19, 0.65%, 0.39%

LAB 32.47, 23.31, -54.77

 

CMYK 79 / 79 / 0 / 36

HEX #2323A4

RGB 35 35 164

HSL 240, 0.65%, 0.39%

LAB 24.45, 44.73, -67.94

 

CMYK 57 / 79 / 0 / 36

HEX #4623A4

RGB 70 35 164

HSL 256.28, 0.65%, 0.39%

LAB 27.25, 48.24, -63.21

 

CMYK 36 / 79 / 0 / 36

HEX #6923A4

RGB 105 35 164

HSL 272.56, 0.65%, 0.39%

LAB 31.55, 53.52, -56.01

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 79 / 58 / 0 / 36

HEX #2345A4

RGB 35 69 164

HSL 224.19, 0.65%, 0.39%

LAB 32.47, 23.31, -54.77

 

CMYK 79 / 79 / 0 / 36

HEX #2323A4

RGB 35 35 164

HSL 240, 0.65%, 0.39%

LAB 24.45, 44.73, -67.94

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 89 / 42 / 0 / 29

HEX #1369B4

RGB 19 105 180

HSL 207.95, 0.81%, 0.39%

LAB 43.56, 4.52, -46.37

 

CMYK 98 / 46 / 0 / 23

HEX #036AC4

RGB 3 106 196

HSL 207.98, 0.97%, 0.39%

LAB 44.68, 9.59, -53.88

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 66 / 30 / 0 / 42

HEX #336794

RGB 51 103 148

HSL 207.84, 0.49%, 0.39%

LAB 42.07, -2.55, -29.78

 

CMYK 49 / 23 / 0 / 48

HEX #436684

RGB 67 102 132

HSL 207.69, 0.33%, 0.39%

LAB 41.79, -3.72, -20.55

 

CMYK 28 / 13 / 0 / 55

HEX #536574

RGB 83 101 116

HSL 207.27, 0.17%, 0.39%

LAB 41.86, -2.99, -10.66

 

CMYK 1 / 1 / 0 / 61

HEX #636364

RGB 99 99 100

HSL 240, 0.01%, 0.39%

LAB 41.99, 0.21, -0.57

 

CMYK 79 / 0 / 7 / 36

HEX #23A499

RGB 35 164 153

HSL 174.88, 0.65%, 0.39%

LAB 60.96, -35.75, -3.96

 

CMYK 79 / 15 / 0 / 36

HEX #238CA4

RGB 35 140 164

HSL 191.16, 0.65%, 0.39%

LAB 53.81, -20.45, -21

 

CMYK 79 / 35 / 0 / 36

HEX #236AA4

RGB 35 106 164

HSL 206.98, 0.65%, 0.39%

LAB 43.28, -0.92, -37.4

 

CMYK 79 / 57 / 0 / 36

HEX #2347A4

RGB 35 71 164

HSL 223.26, 0.65%, 0.39%

LAB 33.01, 21.96, -53.88

 

CMYK 79 / 77 / 0 / 36

HEX #2325A4

RGB 35 37 164

HSL 239.07, 0.65%, 0.39%

LAB 24.83, 43.64, -67.31

 

CMYK 79 / 36 / 0 / 62

HEX #143D60

RGB 20 61 96

HSL 207.63, 0.66%, 0.23%

LAB 24.74, -0.68, -24.82

 

CMYK 78 / 37 / 0 / 49

HEX #1C5282

RGB 28 82 130

HSL 208.24, 0.65%, 0.31%

LAB 33.76, 0.22, -32

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 79 / 36 / 0 / 22

HEX #2A7EC6

RGB 42 126 198

HSL 207.69, 0.65%, 0.47%

LAB 51.26, 0.43, -44.48

 

CMYK 69 / 32 / 0 / 16

HEX #4292D7

RGB 66 146 215

HSL 207.79, 0.65%, 0.55%

LAB 58.62, -2.19, -42.4

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 27 / 79 / 0 / 36

HEX #7723A4

RGB 119 35 164

HSL 279.07, 0.65%, 0.39%

LAB 33.57, 55.99, -52.63

 

CMYK 4 / 0 / 79 / 36

HEX #9EA423

RGB 158 164 35

HSL 62.79, 0.65%, 0.39%

LAB 64.92, -17.36, 60.62

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 0 / 79 / 35 / 36

HEX #A4236A

RGB 164 35 106

HSL 326.98, 0.65%, 0.39%

LAB 38.08, 56.71, -9.16

 

CMYK 35 / 0 / 79 / 36

HEX #6AA423

RGB 106 164 35

HSL 86.98, 0.65%, 0.39%

LAB 61.43, -38.72, 56.13

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 27 / 79 / 0 / 36

HEX #7723A4

RGB 119 35 164

HSL 279.07, 0.65%, 0.39%

LAB 33.57, 55.99, -52.63

 

CMYK 0 / 43 / 79 / 36

HEX #A45D23

RGB 164 93 35

HSL 26.98, 0.65%, 0.39%

LAB 46.77, 24.49, 43.92

 

CMYK 51 / 0 / 79 / 36

HEX #50A423

RGB 80 164 35

HSL 99.07, 0.65%, 0.39%

LAB 60.23, -47.48, 54.58

 

CMYK 79 / 37 / 0 / 36

HEX #2368A4

RGB 35 104 164

HSL 207.91, 0.65%, 0.39%

LAB 42.67, 0.32, -38.37

 

CMYK 4 / 79 / 0 / 36

HEX #9E23A4

RGB 158 35 164

HSL 297.21, 0.65%, 0.39%

LAB 39.83, 63.52, -42.22

 

CMYK 0 / 43 / 79 / 36

HEX #A45D23

RGB 164 93 35

HSL 26.98, 0.65%, 0.39%

LAB 46.77, 24.49, 43.92

 

CMYK 75 / 0 / 79 / 36

HEX #29A423

RGB 41 164 35

HSL 117.21, 0.65%, 0.39%

LAB 59.11, -56.61, 53.11

 

Description

Color code: HEX #2368A4 | qconv.com Color code: HEX #2368A4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 104 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 104 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 37 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 37% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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