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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #236002 it is the complementary color #DC9FFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #236002. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #236002 shade: #286000, #397210, #4A8423, #5B9636 and #6CA849

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #236002. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #236002 shade: #236002, #124E00, #013C00, #002A00 and #001800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #236002 shade: #235F02, #3C5F02, #555F02, #5F5002 and #5F3702

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #236002 shade: #235F02, #0A5F02, #025F13, #025F2D and #025F46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #236002 shade matches the following richer shades: #235F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #236002 shade: #235F02, #25570A, #274F12, #2A4719 and #2C4021

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #236002 shade: #565F02, #3D5F02, #245F02, #0B5F02 and #025F11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #236002 shade: #050E00, #143701, #235F02, #318703 and #40B004

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #236002 shade: #236002, #025F4F and #5F0249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #236002 shade: #236002, #02245F and #5F0224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #236002 shade: #236002, #025F4F, #3D025F and #5F0211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #236002 shade: #236002, #02535F, #3D025F and #5F0E02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 98 / 62

HEX #236002

RGB 35 96 2

HSL 98.94, 0.96%, 0.19%

LAB 35.45, -35.86, 40.94

 

Complementary color

CMYK 13 / 37 / 0 / 1

HEX #DC9FFD

RGB 220 159 253

HSL 278.94, 0.96%, 0.81%

LAB 74.26, 39.03, -38.06

 

CMYK 58 / 0 / 100 / 62

HEX #286000

RGB 40 96 0

HSL 95, 1%, 0.19%

LAB 35.63, -34.47, 41.77

 

CMYK 50 / 0 / 86 / 55

HEX #397210

RGB 57 114 16

HSL 94.9, 0.75%, 0.25%

LAB 42.68, -35.65, 43.74

 

CMYK 44 / 0 / 73 / 48

HEX #4A8423

RGB 74 132 35

HSL 95.88, 0.58%, 0.33%

LAB 49.59, -36.3, 44.04

 

CMYK 39 / 0 / 64 / 41

HEX #5B9636

RGB 91 150 54

HSL 96.88, 0.47%, 0.4%

LAB 56.39, -36.6, 43.4

 

CMYK 36 / 0 / 57 / 34

HEX #6CA849

RGB 108 168 73

HSL 97.89, 0.39%, 0.47%

LAB 63.07, -36.7, 42.37

 

CMYK 64 / 0 / 98 / 62

HEX #236002

RGB 35 96 2

HSL 98.94, 0.96%, 0.19%

LAB 35.45, -35.86, 40.94

 

CMYK 77 / 0 / 100 / 69

HEX #124E00

RGB 18 78 0

HSL 106.15, 1%, 0.15%

LAB 28.32, -33.48, 35.67

 

CMYK 98 / 0 / 100 / 76

HEX #013C00

RGB 1 60 0

HSL 119, 1%, 0.12%

LAB 20.97, -30.47, 28.45

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 63 / 0 / 98 / 63

HEX #235F02

RGB 35 95 2

HSL 98.71, 0.96%, 0.19%

LAB 35.1, -35.47, 40.64

 

CMYK 37 / 0 / 98 / 63

HEX #3C5F02

RGB 60 95 2

HSL 82.58, 0.96%, 0.19%

LAB 36.27, -26.59, 42.08

 

CMYK 11 / 0 / 98 / 63

HEX #555F02

RGB 85 95 2

HSL 66.45, 0.96%, 0.19%

LAB 38.06, -15.27, 44.24

 

CMYK 0 / 16 / 98 / 63

HEX #5F5002

RGB 95 80 2

HSL 50.32, 0.96%, 0.19%

LAB 34.34, -1.6, 41.87

 

CMYK 0 / 42 / 98 / 63

HEX #5F3702

RGB 95 55 2

HSL 34.19, 0.96%, 0.19%

LAB 27.21, 13.89, 36.42

 

CMYK 63 / 0 / 98 / 63

HEX #235F02

RGB 35 95 2

HSL 98.71, 0.96%, 0.19%

LAB 35.1, -35.47, 40.64

 

CMYK 89 / 0 / 98 / 63

HEX #0A5F02

RGB 10 95 2

HSL 114.84, 0.96%, 0.19%

LAB 34.51, -40.53, 39.92

 

CMYK 98 / 0 / 80 / 63

HEX #025F13

RGB 2 95 19

HSL 130.97, 0.96%, 0.19%

LAB 34.49, -40.36, 34.42

 

CMYK 98 / 0 / 53 / 63

HEX #025F2D

RGB 2 95 45

HSL 147.74, 0.96%, 0.19%

LAB 34.78, -36.77, 21.85

 

CMYK 98 / 0 / 26 / 63

HEX #025F46

RGB 2 95 70

HSL 163.87, 0.96%, 0.19%

LAB 35.28, -30.95, 7.59

 

CMYK 63 / 0 / 98 / 63

HEX #235F02

RGB 35 95 2

HSL 98.71, 0.96%, 0.19%

LAB 35.1, -35.47, 40.64

 

CMYK 63 / 0 / 98 / 63

HEX #235F02

RGB 35 95 2

HSL 98.71, 0.96%, 0.19%

LAB 35.1, -35.47, 40.64

 

CMYK 57 / 0 / 89 / 66

HEX #25570A

RGB 37 87 10

HSL 98.96, 0.79%, 0.19%

LAB 32.33, -31.18, 35.81

 

CMYK 51 / 0 / 77 / 69

HEX #274F12

RGB 39 79 18

HSL 99.34, 0.63%, 0.19%

LAB 29.58, -26.38, 30.16

 

CMYK 41 / 0 / 65 / 72

HEX #2A4719

RGB 42 71 25

HSL 97.83, 0.48%, 0.19%

LAB 26.93, -20.56, 23.84

 

CMYK 31 / 0 / 48 / 75

HEX #2C4021

RGB 44 64 33

HSL 98.71, 0.32%, 0.19%

LAB 24.68, -14.79, 16.45

 

CMYK 9 / 0 / 98 / 63

HEX #565F02

RGB 86 95 2

HSL 65.81, 0.96%, 0.19%

LAB 38.14, -14.78, 44.35

 

CMYK 36 / 0 / 98 / 63

HEX #3D5F02

RGB 61 95 2

HSL 81.94, 0.96%, 0.19%

LAB 36.33, -26.17, 42.15

 

CMYK 62 / 0 / 98 / 63

HEX #245F02

RGB 36 95 2

HSL 98.06, 0.96%, 0.19%

LAB 35.13, -35.18, 40.69

 

CMYK 88 / 0 / 98 / 63

HEX #0B5F02

RGB 11 95 2

HSL 114.19, 0.96%, 0.19%

LAB 34.52, -40.41, 39.93

 

CMYK 98 / 0 / 82 / 63

HEX #025F11

RGB 2 95 17

HSL 129.68, 0.96%, 0.19%

LAB 34.47, -40.53, 35.17

 

CMYK 64 / 0 / 100 / 95

HEX #050E00

RGB 5 14 0

HSL 98.57, 1%, 0.03%

LAB 3.13, -4.49, 4.6

 

CMYK 64 / 0 / 98 / 78

HEX #143701

RGB 20 55 1

HSL 98.89, 0.96%, 0.11%

LAB 19.57, -23.59, 26.62

 

CMYK 63 / 0 / 98 / 63

HEX #235F02

RGB 35 95 2

HSL 98.71, 0.96%, 0.19%

LAB 35.1, -35.47, 40.64

 

CMYK 64 / 0 / 98 / 47

HEX #318703

RGB 49 135 3

HSL 99.09, 0.96%, 0.27%

LAB 49.48, -46.62, 52.27

 

CMYK 64 / 0 / 98 / 31

HEX #40B004

RGB 64 176 4

HSL 99.07, 0.96%, 0.35%

LAB 63.47, -57.21, 63.58

 

CMYK 64 / 0 / 98 / 62

HEX #236002

RGB 35 96 2

HSL 98.94, 0.96%, 0.19%

LAB 35.45, -35.86, 40.94

 

CMYK 98 / 0 / 17 / 63

HEX #025F4F

RGB 2 95 79

HSL 169.68, 0.96%, 0.19%

LAB 35.52, -28.35, 2.37

 

CMYK 0 / 98 / 23 / 63

HEX #5F0249

RGB 95 2 73

HSL 314.19, 0.96%, 0.19%

LAB 19.87, 43.84, -16.56

 

CMYK 64 / 0 / 98 / 62

HEX #236002

RGB 35 96 2

HSL 98.94, 0.96%, 0.19%

LAB 35.45, -35.86, 40.94

 

CMYK 98 / 62 / 0 / 63

HEX #02245F

RGB 2 36 95

HSL 218.06, 0.96%, 0.19%

LAB 16.01, 15, -38.21

 

CMYK 0 / 98 / 62 / 63

HEX #5F0224

RGB 95 2 36

HSL 338.06, 0.96%, 0.19%

LAB 18.38, 39.89, 7.36

 

CMYK 64 / 0 / 98 / 62

HEX #236002

RGB 35 96 2

HSL 98.94, 0.96%, 0.19%

LAB 35.45, -35.86, 40.94

 

CMYK 98 / 0 / 17 / 63

HEX #025F4F

RGB 2 95 79

HSL 169.68, 0.96%, 0.19%

LAB 35.52, -28.35, 2.37

 

CMYK 36 / 98 / 0 / 63

HEX #3D025F

RGB 61 2 95

HSL 278.06, 0.96%, 0.19%

LAB 14.74, 41.57, -40.07

 

CMYK 0 / 98 / 82 / 63

HEX #5F0211

RGB 95 2 17

HSL 350.32, 0.96%, 0.19%

LAB 17.99, 38.83, 20.14

 

CMYK 64 / 0 / 98 / 62

HEX #236002

RGB 35 96 2

HSL 98.94, 0.96%, 0.19%

LAB 35.45, -35.86, 40.94

 

CMYK 98 / 13 / 0 / 63

HEX #02535F

RGB 2 83 95

HSL 187.74, 0.96%, 0.19%

LAB 31.87, -16.7, -13.12

 

CMYK 36 / 98 / 0 / 63

HEX #3D025F

RGB 61 2 95

HSL 278.06, 0.96%, 0.19%

LAB 14.74, 41.57, -40.07

 

CMYK 0 / 85 / 98 / 63

HEX #5F0E02

RGB 95 14 2

HSL 7.74, 0.96%, 0.19%

LAB 19.02, 34.98, 28.06

 

Description

Color code: HEX #236002 | qconv.com Color code: HEX #236002 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 96 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 96 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 98 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 98% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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