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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235ABACE it is the complementary color #DCA545CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235ABACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235ABACE shade: #285AB5CE, #396CC8CE, #4A7EDBCE, #5B90EECE and #6CA2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235ABACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235ABACE shade: #235ABACE, #1248A7CE, #013694CE, #002481CE and #00126ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235ABACE shade: #2359B8, #2331B8, #3D23B8, #6523B8 and #8E23B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235ABACE shade: #2359B8, #2331B8 and #2323B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235ABACE shade matches the following richer shades: #2359B8 and #1155CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235ABACE shade: #2359B8, #355EA6, #476395, #586883 and #6A6D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235ABACE shade: #23A9B8, #2382B8, #235AB8, #2332B8 and #3C23B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235ABACE shade: #163873, #1C4996, #2359B8, #2D6BD7 and #5084DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235ABACE shade: #235ABA, #9F23B8 and #95B823

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235ABACE shade: #235ABA, #B8235A and #5AB823

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235ABACE shade: #235ABA, #9F23B8, #B88223 and #3CB823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235ABACE shade: #235ABA, #B823A4, #B88223 and #23B837

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 42 / 0 / 22

HEX #235ABACE

RGBA 35 90 186 0.81

HSLA 218.15, 0.68%, 0.43%, 0.81

LABA 39.94, 17.89, -55.68, 0.81

 

Complementary color

CMYK 0 / 20 / 56 / 11

HEX #DCA545CE

RGBA 220 165 69 0.81

HSLA 38.15, 0.68%, 0.57%, 0.81

LABA 71.25, 10.83, 55.83, 0.81

 

CMYK 63 / 41 / 0 / 24

HEX #285AB5CE

RGBA 40 90 181 0.81

HSLA 218.72, 0.64%, 0.43%, 0.81

LABA 39.75, 16.47, -53.06, 0.81

 

CMYK 58 / 37 / 0 / 17

HEX #396CC8CE

RGBA 57 108 200 0.81

HSLA 218.6, 0.57%, 0.5%, 0.81

LABA 46.66, 14.21, -52.92, 0.81

 

CMYK 54 / 34 / 0 / 11

HEX #4A7EDBCE

RGBA 74 126 219 0.81

HSLA 218.48, 0.67%, 0.57%, 0.81

LABA 53.48, 12.4, -52.77, 0.81

 

CMYK 50 / 32 / 0 / 5

HEX #5B90EECE

RGBA 91 144 238 0.81

HSLA 218.37, 0.81%, 0.65%, 0.81

LABA 60.2, 10.93, -52.63, 0.81

 

CMYK 47 / 30 / 0 / 0

HEX #6CA2FFCE

RGBA 108 162 255 0.81

HSLA 217.96, 1%, 0.71%, 0.81

LABA 66.71, 9.08, -51.57, 0.81

 

CMYK 66 / 42 / 0 / 22

HEX #235ABACE

RGBA 35 90 186 0.81

HSLA 218.15, 0.68%, 0.43%, 0.81

LABA 39.94, 17.89, -55.68, 0.81

 

CMYK 72 / 46 / 0 / 28

HEX #1248A7CE

RGBA 18 72 167 0.81

HSLA 218.26, 0.81%, 0.36%, 0.81

LABA 33.03, 21.02, -55.67, 0.81

 

CMYK 80 / 51 / 0 / 34

HEX #013694CE

RGBA 1 54 148 0.81

HSLA 218.37, 0.99%, 0.29%, 0.81

LABA 26.11, 24.81, -55.47, 0.81

 

CMYK 81 / 58 / 0 / 40

HEX #002481CE

RGBA 0 36 129 0.81

HSLA 223.26, 1%, 0.25%, 0.81

LABA 19.42, 29.45, -54.63, 0.81

 

CMYK 81 / 68 / 0 / 46

HEX #00126ECE

RGBA 0 18 110 0.81

HSLA 230.18, 1%, 0.22%, 0.81

LABA 12.97, 33.66, -53.09, 0.81

 

CMYK 81 / 52 / 0 / 28

HEX #2359B8

RGB 35 89 184

HSL 218.26, 0.68%, 0.43%

LAB 39.52, 17.77, -55.2

 

CMYK 81 / 73 / 0 / 28

HEX #2331B8

RGB 35 49 184

HSL 234.36, 0.68%, 0.43%

LAB 29.45, 43.58, -71.66

 

CMYK 67 / 81 / 0 / 28

HEX #3D23B8

RGB 61 35 184

HSL 250.47, 0.68%, 0.43%

LAB 28.52, 53.05, -73.14

 

CMYK 45 / 81 / 0 / 28

HEX #6523B8

RGB 101 35 184

HSL 266.58, 0.68%, 0.43%

LAB 32.77, 57.7, -66

 

CMYK 23 / 81 / 0 / 28

HEX #8E23B8

RGB 142 35 184

HSL 283.09, 0.68%, 0.43%

LAB 38.57, 64.17, -56.28

 

CMYK 81 / 52 / 0 / 28

HEX #2359B8

RGB 35 89 184

HSL 218.26, 0.68%, 0.43%

LAB 39.52, 17.77, -55.2

 

CMYK 81 / 73 / 0 / 28

HEX #2331B8

RGB 35 49 184

HSL 234.36, 0.68%, 0.43%

LAB 29.45, 43.58, -71.66

 

CMYK 81 / 81 / 0 / 28

HEX #2323B8

RGB 35 35 184

HSL 240, 0.68%, 0.43%

LAB 26.79, 51.17, -76.07

 

CMYK 81 / 52 / 0 / 28

HEX #2359B8

RGB 35 89 184

HSL 218.26, 0.68%, 0.43%

LAB 39.52, 17.77, -55.2

 

CMYK 92 / 58 / 0 / 21

HEX #1155CA

RGB 17 85 202

HSL 217.95, 0.84%, 0.43%

LAB 39.38, 26.24, -65.93

 

CMYK 81 / 52 / 0 / 28

HEX #2359B8

RGB 35 89 184

HSL 218.26, 0.68%, 0.43%

LAB 39.52, 17.77, -55.2

 

CMYK 68 / 43 / 0 / 35

HEX #355EA6

RGB 53 94 166

HSL 218.23, 0.52%, 0.43%

LAB 40.44, 10.02, -43.07

 

CMYK 52 / 34 / 0 / 42

HEX #476395

RGB 71 99 149

HSL 218.46, 0.35%, 0.43%

LAB 41.9, 4.61, -30.57

 

CMYK 33 / 21 / 0 / 49

HEX #586883

RGB 88 104 131

HSL 217.67, 0.2%, 0.43%

LAB 43.67, 0.87, -16.93

 

CMYK 6 / 4 / 0 / 56

HEX #6A6D71

RGB 106 109 113

HSL 214.29, 0.03%, 0.43%

LAB 45.9, -0.3, -2.63

 

CMYK 81 / 8 / 0 / 28

HEX #23A9B8

RGB 35 169 184

HSL 186.04, 0.68%, 0.43%

LAB 63.5, -28.72, -17.56

 

CMYK 81 / 29 / 0 / 28

HEX #2382B8

RGB 35 130 184

HSL 201.74, 0.68%, 0.43%

LAB 51.59, -7.83, -35.94

 

CMYK 81 / 51 / 0 / 28

HEX #235AB8

RGB 35 90 184

HSL 217.85, 0.68%, 0.43%

LAB 39.8, 17.11, -54.74

 

CMYK 81 / 73 / 0 / 28

HEX #2332B8

RGB 35 50 184

HSL 233.96, 0.68%, 0.43%

LAB 29.66, 42.99, -71.31

 

CMYK 67 / 81 / 0 / 28

HEX #3C23B8

RGB 60 35 184

HSL 250.07, 0.68%, 0.43%

LAB 28.44, 52.96, -73.28

 

CMYK 81 / 51 / 0 / 55

HEX #163873

RGB 22 56 115

HSL 218.06, 0.68%, 0.27%

LAB 24.44, 11.02, -37.51

 

CMYK 81 / 51 / 0 / 41

HEX #1C4996

RGB 28 73 150

HSL 217.87, 0.69%, 0.35%

LAB 32.29, 14.28, -46.6

 

CMYK 81 / 52 / 0 / 28

HEX #2359B8

RGB 35 89 184

HSL 218.26, 0.68%, 0.43%

LAB 39.52, 17.77, -55.2

 

CMYK 79 / 50 / 0 / 16

HEX #2D6BD7

RGB 45 107 215

HSL 218.12, 0.68%, 0.51%

LAB 46.95, 18.99, -61.07

 

CMYK 64 / 41 / 0 / 13

HEX #5084DE

RGB 80 132 222

HSL 218.03, 0.68%, 0.59%

LAB 55.57, 10.79, -51.12

 

CMYK 81 / 52 / 0 / 27

HEX #235ABA

RGB 35 90 186

HSL 218.15, 0.68%, 0.43%

LAB 39.94, 17.89, -55.68

 

CMYK 14 / 81 / 0 / 28

HEX #9F23B8

RGB 159 35 184

HSL 289.93, 0.68%, 0.43%

LAB 41.27, 67.19, -51.79

 

CMYK 19 / 0 / 81 / 28

HEX #95B823

RGB 149 184 35

HSL 74.09, 0.68%, 0.43%

LAB 70.03, -31, 64.94

 

CMYK 81 / 52 / 0 / 27

HEX #235ABA

RGB 35 90 186

HSL 218.15, 0.68%, 0.43%

LAB 39.94, 17.89, -55.68

 

CMYK 0 / 81 / 51 / 28

HEX #B8235A

RGB 184 35 90

HSL 337.85, 0.68%, 0.43%

LAB 41.42, 60.47, 6.3

 

CMYK 51 / 0 / 81 / 28

HEX #5AB823

RGB 90 184 35

HSL 97.85, 0.68%, 0.43%

LAB 66.96, -52.17, 61.02

 

CMYK 81 / 52 / 0 / 27

HEX #235ABA

RGB 35 90 186

HSL 218.15, 0.68%, 0.43%

LAB 39.94, 17.89, -55.68

 

CMYK 14 / 81 / 0 / 28

HEX #9F23B8

RGB 159 35 184

HSL 289.93, 0.68%, 0.43%

LAB 41.27, 67.19, -51.79

 

CMYK 0 / 29 / 81 / 28

HEX #B88223

RGB 184 130 35

HSL 38.26, 0.68%, 0.43%

LAB 58.3, 12.65, 55.62

 

CMYK 67 / 0 / 81 / 28

HEX #3CB823

RGB 60 184 35

HSL 109.93, 0.68%, 0.43%

LAB 66.03, -59.66, 59.82

 

CMYK 81 / 52 / 0 / 27

HEX #235ABA

RGB 35 90 186

HSL 218.15, 0.68%, 0.43%

LAB 39.94, 17.89, -55.68

 

CMYK 0 / 81 / 11 / 28

HEX #B823A4

RGB 184 35 164

HSL 308.05, 0.68%, 0.43%

LAB 44.34, 68.89, -34.79

 

CMYK 0 / 29 / 81 / 28

HEX #B88223

RGB 184 130 35

HSL 38.26, 0.68%, 0.43%

LAB 58.3, 12.65, 55.62

 

CMYK 81 / 0 / 70 / 28

HEX #23B837

RGB 35 184 55

HSL 128.05, 0.68%, 0.43%

LAB 65.68, -62.19, 52.51

 

Description

Color code: HEX #235ABACE | qconv.com Color code: HEX #235ABACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 90 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 90 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 42 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 42% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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