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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235819 it is the complementary color #DCA7E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235819 shade: #285814, #396A27, #4A7C3A, #5B8E4D and #6CA060

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235819 shade: #235819, #124606, #013400, #002200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235819 shade: #235819, #345819, #455819, #555819 and #584919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235819 shade: #235819, #195820, #195831, #195842 and #195852

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235819 shade matches the following richer shades: #235819, #1C6110 and #166A07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235819 shade: #235819, #294E22, #2F452B, #353C34 and #3B333D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235819 shade: #455819, #345819, #235819, #19581F and #195830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235819 shade: #091707, #163710, #235819, #2F7822 and #3C982B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235819 shade: #235819, #195558 and #58193C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235819 shade: #235819, #192358 and #581923

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235819 shade: #235819, #195558, #4D1958 and #581B19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235819 shade: #235819, #194358, #4D1958 and #582E19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

Complementary color

CMYK 4 / 27 / 0 / 10

HEX #DCA7E6

RGB 220 167 230

HSL 290.48, 0.56%, 0.78%

LAB 75.18, 30.14, -24.16

 

CMYK 55 / 0 / 77 / 65

HEX #285814

RGB 40 88 20

HSL 102.35, 0.63%, 0.21%

LAB 32.88, -29.92, 32.68

 

CMYK 46 / 0 / 63 / 58

HEX #396A27

RGB 57 106 39

HSL 103.88, 0.46%, 0.28%

LAB 40.12, -30.27, 31.83

 

CMYK 40 / 0 / 53 / 51

HEX #4A7C3A

RGB 74 124 58

HSL 105.45, 0.36%, 0.36%

LAB 47.21, -30.29, 30.58

 

CMYK 36 / 0 / 46 / 44

HEX #5B8E4D

RGB 91 142 77

HSL 107.08, 0.3%, 0.43%

LAB 54.14, -30.17, 29.27

 

CMYK 33 / 0 / 40 / 37

HEX #6CA060

RGB 108 160 96

HSL 108.75, 0.25%, 0.5%

LAB 60.94, -29.99, 28

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 74 / 0 / 91 / 73

HEX #124606

RGB 18 70 6

HSL 108.75, 0.84%, 0.15%

LAB 25.33, -29.98, 30.58

 

CMYK 98 / 0 / 100 / 80

HEX #013400

RGB 1 52 0

HSL 118.85, 1%, 0.1%

LAB 17.75, -27.74, 24.74

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 41 / 0 / 72 / 65

HEX #345819

RGB 52 88 25

HSL 94.29, 0.56%, 0.22%

LAB 33.52, -25.09, 31.29

 

CMYK 22 / 0 / 72 / 65

HEX #455819

RGB 69 88 25

HSL 78.1, 0.56%, 0.22%

LAB 34.63, -17.84, 32.8

 

CMYK 3 / 0 / 72 / 65

HEX #555819

RGB 85 88 25

HSL 62.86, 0.56%, 0.22%

LAB 35.95, -10.3, 34.58

 

CMYK 0 / 17 / 72 / 65

HEX #584919

RGB 88 73 25

HSL 45.71, 0.56%, 0.22%

LAB 31.6, 0.15, 30.14

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 72 / 0 / 64 / 65

HEX #195820

RGB 25 88 32

HSL 126.67, 0.56%, 0.22%

LAB 32.46, -32.79, 26.29

 

CMYK 72 / 0 / 44 / 65

HEX #195831

RGB 25 88 49

HSL 142.86, 0.56%, 0.22%

LAB 32.72, -29.85, 16.95

 

CMYK 72 / 0 / 25 / 65

HEX #195842

RGB 25 88 66

HSL 159.05, 0.56%, 0.22%

LAB 33.09, -25.84, 7.04

 

CMYK 72 / 0 / 7 / 65

HEX #195852

RGB 25 88 82

HSL 174.29, 0.56%, 0.22%

LAB 33.55, -21.21, -2.33

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 71 / 0 / 84 / 62

HEX #1C6110

RGB 28 97 16

HSL 111.11, 0.72%, 0.22%

LAB 35.66, -37.26, 36.84

 

CMYK 79 / 0 / 93 / 58

HEX #166A07

RGB 22 106 7

HSL 110.91, 0.88%, 0.22%

LAB 38.71, -42.17, 42.14

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 47 / 0 / 56 / 69

HEX #294E22

RGB 41 78 34

HSL 110.45, 0.39%, 0.22%

LAB 29.5, -23.27, 21.83

 

CMYK 32 / 0 / 38 / 73

HEX #2F452B

RGB 47 69 43

HSL 110.77, 0.23%, 0.22%

LAB 26.83, -14.62, 13.04

 

CMYK 12 / 0 / 13 / 76

HEX #353C34

RGB 53 60 52

HSL 112.5, 0.07%, 0.22%

LAB 24.44, -4.79, 3.96

 

CMYK 3 / 16 / 0 / 76

HEX #3B333D

RGB 59 51 61

HSL 288, 0.09%, 0.22%

LAB 22.42, 5.79, -4.96

 

CMYK 22 / 0 / 72 / 65

HEX #455819

RGB 69 88 25

HSL 78.1, 0.56%, 0.22%

LAB 34.63, -17.84, 32.8

 

CMYK 41 / 0 / 72 / 65

HEX #345819

RGB 52 88 25

HSL 94.29, 0.56%, 0.22%

LAB 33.52, -25.09, 31.29

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 72 / 0 / 65 / 65

HEX #19581F

RGB 25 88 31

HSL 125.71, 0.56%, 0.22%

LAB 32.45, -32.93, 26.8

 

CMYK 72 / 0 / 45 / 65

HEX #195830

RGB 25 88 48

HSL 141.9, 0.56%, 0.22%

LAB 32.7, -30.05, 17.53

 

CMYK 61 / 0 / 70 / 91

HEX #091707

RGB 9 23 7

HSL 112.5, 0.53%, 0.06%

LAB 6.2, -7.98, 6.26

 

CMYK 60 / 0 / 71 / 78

HEX #163710

RGB 22 55 16

HSL 110.77, 0.55%, 0.14%

LAB 19.8, -21.28, 20.36

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 61 / 0 / 72 / 53

HEX #2F7822

RGB 47 120 34

HSL 110.93, 0.56%, 0.3%

LAB 44.45, -39.83, 38.79

 

CMYK 61 / 0 / 72 / 40

HEX #3C982B

RGB 60 152 43

HSL 110.64, 0.56%, 0.38%

LAB 55.68, -47.9, 46.94

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 72 / 3 / 0 / 65

HEX #195558

RGB 25 85 88

HSL 182.86, 0.56%, 0.22%

LAB 32.72, -17.65, -7.36

 

CMYK 0 / 72 / 32 / 65

HEX #58193C

RGB 88 25 60

HSL 326.67, 0.56%, 0.22%

LAB 20.43, 32.66, -6.85

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 72 / 60 / 0 / 65

HEX #192358

RGB 25 35 88

HSL 230.48, 0.56%, 0.22%

LAB 16.07, 15.51, -33.39

 

CMYK 0 / 72 / 60 / 65

HEX #581923

RGB 88 25 35

HSL 350.48, 0.56%, 0.22%

LAB 19.6, 29.74, 9.49

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 72 / 3 / 0 / 65

HEX #195558

RGB 25 85 88

HSL 182.86, 0.56%, 0.22%

LAB 32.72, -17.65, -7.36

 

CMYK 13 / 72 / 0 / 65

HEX #4D1958

RGB 77 25 88

HSL 289.52, 0.56%, 0.22%

LAB 19.95, 34.47, -26.82

 

CMYK 0 / 69 / 72 / 65

HEX #581B19

RGB 88 27 25

HSL 1.9, 0.56%, 0.22%

LAB 19.76, 27.98, 16.62

 

CMYK 60 / 0 / 72 / 65

HEX #235819

RGB 35 88 25

HSL 110.48, 0.56%, 0.22%

LAB 32.72, -31.02, 30.19

 

CMYK 72 / 24 / 0 / 65

HEX #194358

RGB 25 67 88

HSL 200, 0.56%, 0.22%

LAB 26.52, -6.94, -16.81

 

CMYK 13 / 72 / 0 / 65

HEX #4D1958

RGB 77 25 88

HSL 289.52, 0.56%, 0.22%

LAB 19.95, 34.47, -26.82

 

CMYK 0 / 48 / 72 / 65

HEX #582E19

RGB 88 46 25

HSL 20, 0.56%, 0.22%

LAB 24, 17.14, 21.68

 

Description

Color code: HEX #235819 | qconv.com Color code: HEX #235819 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 88 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 88 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 72 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 72% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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