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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #234281 it is the complementary color #DCBD7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #234281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #234281 shade: #28427C, #39548F, #4A66A2, #5B78B5 and #6C8AC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #234281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #234281 shade: #234281, #12306E, #011E5B, #000C48 and #000035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #234281 shade: #234280, #232980, #372380, #502380 and #692380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #234281 shade: #234280, #232980 and #232380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #234281 shade matches the following richer shades: #234280, #163D8D and #09399B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #234281 shade: #234280, #304673, #3D4B66, #4B4F59 and #58544B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #234281 shade: #237480, #235B80, #234280, #232980 and #362380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #234281 shade: #11213F, #1A3160, #234280, #2C52A1 and #3563C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #234281 shade: #234281, #742380 and #678023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #234281 shade: #234281, #802342 and #428023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #234281 shade: #234281, #742380, #806123 and #2F8023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #234281 shade: #234281, #802371, #806123 and #238033

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 49 / 0 / 49

HEX #234281

RGB 35 66 129

HSL 220.21, 0.57%, 0.32%

LAB 29, 11.58, -38.96

 

Complementary color

CMYK 0 / 14 / 43 / 14

HEX #DCBD7E

RGB 220 189 126

HSL 40.21, 0.57%, 0.68%

LAB 77.94, 2.64, 35.89

 

CMYK 68 / 47 / 0 / 51

HEX #28427C

RGB 40 66 124

HSL 221.43, 0.51%, 0.32%

LAB 28.91, 10.49, -35.97

 

CMYK 60 / 41 / 0 / 44

HEX #39548F

RGB 57 84 143

HSL 221.16, 0.43%, 0.39%

LAB 36.35, 8.92, -35.76

 

CMYK 54 / 37 / 0 / 36

HEX #4A66A2

RGB 74 102 162

HSL 220.91, 0.37%, 0.46%

LAB 43.61, 7.75, -35.6

 

CMYK 50 / 34 / 0 / 29

HEX #5B78B5

RGB 91 120 181

HSL 220.67, 0.38%, 0.53%

LAB 50.68, 6.83, -35.5

 

CMYK 46 / 31 / 0 / 22

HEX #6C8AC8

RGB 108 138 200

HSL 220.43, 0.46%, 0.6%

LAB 57.59, 6.1, -35.44

 

CMYK 73 / 49 / 0 / 49

HEX #234281

RGB 35 66 129

HSL 220.21, 0.57%, 0.32%

LAB 29, 11.58, -38.96

 

CMYK 84 / 56 / 0 / 57

HEX #12306E

RGB 18 48 110

HSL 220.43, 0.72%, 0.25%

LAB 21.46, 14.18, -39.13

 

CMYK 99 / 67 / 0 / 64

HEX #011E5B

RGB 1 30 91

HSL 220.67, 0.98%, 0.18%

LAB 13.77, 17.65, -39.2

 

CMYK 100 / 83 / 0 / 72

HEX #000C48

RGB 0 12 72

HSL 230, 1%, 0.14%

LAB 6.6, 22.19, -37.99

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 73 / 48 / 0 / 50

HEX #234280

RGB 35 66 128

HSL 220, 0.57%, 0.32%

LAB 28.93, 11.18, -38.45

 

CMYK 73 / 68 / 0 / 50

HEX #232980

RGB 35 41 128

HSL 236.13, 0.57%, 0.32%

LAB 21.95, 28.43, -49.78

 

CMYK 57 / 73 / 0 / 50

HEX #372380

RGB 55 35 128

HSL 252.9, 0.57%, 0.32%

LAB 22.21, 35.21, -49.3

 

CMYK 38 / 73 / 0 / 50

HEX #502380

RGB 80 35 128

HSL 269.03, 0.57%, 0.32%

LAB 25.16, 39.94, -44.36

 

CMYK 18 / 73 / 0 / 50

HEX #692380

RGB 105 35 128

HSL 285.16, 0.57%, 0.32%

LAB 28.81, 45.42, -38.28

 

CMYK 73 / 48 / 0 / 50

HEX #234280

RGB 35 66 128

HSL 220, 0.57%, 0.32%

LAB 28.93, 11.18, -38.45

 

CMYK 73 / 68 / 0 / 50

HEX #232980

RGB 35 41 128

HSL 236.13, 0.57%, 0.32%

LAB 21.95, 28.43, -49.78

 

CMYK 73 / 73 / 0 / 50

HEX #232380

RGB 35 35 128

HSL 240, 0.57%, 0.32%

LAB 20.51, 32.33, -52.15

 

CMYK 73 / 48 / 0 / 50

HEX #234280

RGB 35 66 128

HSL 220, 0.57%, 0.32%

LAB 28.93, 11.18, -38.45

 

CMYK 84 / 57 / 0 / 45

HEX #163D8D

RGB 22 61 141

HSL 220.34, 0.73%, 0.32%

LAB 27.93, 18.29, -48.16

 

CMYK 94 / 63 / 0 / 39

HEX #09399B

RGB 9 57 155

HSL 220.27, 0.89%, 0.32%

LAB 27.71, 25.97, -57.12

 

CMYK 73 / 48 / 0 / 50

HEX #234280

RGB 35 66 128

HSL 220, 0.57%, 0.32%

LAB 28.93, 11.18, -38.45

 

CMYK 58 / 39 / 0 / 55

HEX #304673

RGB 48 70 115

HSL 220.3, 0.41%, 0.32%

LAB 30.03, 6.12, -28.51

 

CMYK 40 / 26 / 0 / 60

HEX #3D4B66

RGB 61 75 102

HSL 219.51, 0.25%, 0.32%

LAB 31.77, 2.06, -17.51

 

CMYK 16 / 11 / 0 / 65

HEX #4B4F59

RGB 75 79 89

HSL 222.86, 0.09%, 0.32%

LAB 33.58, 0.75, -6.41

 

CMYK 0 / 5 / 15 / 65

HEX #58544B

RGB 88 84 75

HSL 41.54, 0.08%, 0.32%

LAB 35.84, -0.15, 5.84

 

CMYK 73 / 9 / 0 / 50

HEX #237480

RGB 35 116 128

HSL 187.74, 0.57%, 0.32%

LAB 44.81, -19.68, -13.63

 

CMYK 73 / 29 / 0 / 50

HEX #235B80

RGB 35 91 128

HSL 203.87, 0.57%, 0.32%

LAB 36.74, -5.23, -26.07

 

CMYK 73 / 48 / 0 / 50

HEX #234280

RGB 35 66 128

HSL 220, 0.57%, 0.32%

LAB 28.93, 11.18, -38.45

 

CMYK 73 / 68 / 0 / 50

HEX #232980

RGB 35 41 128

HSL 236.13, 0.57%, 0.32%

LAB 21.95, 28.43, -49.78

 

CMYK 58 / 73 / 0 / 50

HEX #362380

RGB 54 35 128

HSL 252.26, 0.57%, 0.32%

LAB 22.11, 35.04, -49.47

 

CMYK 73 / 48 / 0 / 75

HEX #11213F

RGB 17 33 63

HSL 219.13, 0.58%, 0.16%

LAB 13.02, 4.96, -21.19

 

CMYK 73 / 49 / 0 / 62

HEX #1A3160

RGB 26 49 96

HSL 220.29, 0.57%, 0.24%

LAB 21.06, 8.73, -30.65

 

CMYK 73 / 48 / 0 / 50

HEX #234280

RGB 35 66 128

HSL 220, 0.57%, 0.32%

LAB 28.93, 11.18, -38.45

 

CMYK 73 / 49 / 0 / 37

HEX #2C52A1

RGB 44 82 161

HSL 220.51, 0.57%, 0.4%

LAB 36.26, 14.58, -46.81

 

CMYK 73 / 49 / 0 / 24

HEX #3563C1

RGB 53 99 193

HSL 220.29, 0.57%, 0.48%

LAB 43.55, 16.81, -53.9

 

CMYK 73 / 49 / 0 / 49

HEX #234281

RGB 35 66 129

HSL 220.21, 0.57%, 0.32%

LAB 29, 11.58, -38.96

 

CMYK 9 / 73 / 0 / 50

HEX #742380

RGB 116 35 128

HSL 292.26, 0.57%, 0.32%

LAB 30.58, 47.96, -35.35

 

CMYK 20 / 0 / 73 / 50

HEX #678023

RGB 103 128 35

HSL 76.13, 0.57%, 0.32%

LAB 50.03, -22.99, 45.04

 

CMYK 73 / 49 / 0 / 49

HEX #234281

RGB 35 66 129

HSL 220.21, 0.57%, 0.32%

LAB 29, 11.58, -38.96

 

CMYK 0 / 73 / 48 / 50

HEX #802342

RGB 128 35 66

HSL 340, 0.57%, 0.32%

LAB 29.87, 42.08, 3.86

 

CMYK 48 / 0 / 73 / 50

HEX #428023

RGB 66 128 35

HSL 100, 0.57%, 0.32%

LAB 47.9, -37.3, 42.2

 

CMYK 73 / 49 / 0 / 49

HEX #234281

RGB 35 66 129

HSL 220.21, 0.57%, 0.32%

LAB 29, 11.58, -38.96

 

CMYK 9 / 73 / 0 / 50

HEX #742380

RGB 116 35 128

HSL 292.26, 0.57%, 0.32%

LAB 30.58, 47.96, -35.35

 

CMYK 0 / 24 / 73 / 50

HEX #806123

RGB 128 97 35

HSL 40, 0.57%, 0.32%

LAB 43.15, 5.78, 38.77

 

CMYK 63 / 0 / 73 / 50

HEX #2F8023

RGB 47 128 35

HSL 112.26, 0.57%, 0.32%

LAB 47.19, -42.84, 41.23

 

CMYK 73 / 49 / 0 / 49

HEX #234281

RGB 35 66 129

HSL 220.21, 0.57%, 0.32%

LAB 29, 11.58, -38.96

 

CMYK 0 / 73 / 12 / 50

HEX #802371

RGB 128 35 113

HSL 309.68, 0.57%, 0.32%

LAB 31.77, 48.26, -23.86

 

CMYK 0 / 24 / 73 / 50

HEX #806123

RGB 128 97 35

HSL 40, 0.57%, 0.32%

LAB 43.15, 5.78, 38.77

 

CMYK 73 / 0 / 60 / 50

HEX #238033

RGB 35 128 51

HSL 130.32, 0.57%, 0.32%

LAB 47.02, -43.66, 33.61

 

Description

Color code: HEX #234281 | qconv.com Color code: HEX #234281 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 66 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 66 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 49 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 49% 0% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

100% - 트리 오브 세이비어
Link: http://tos.nexon.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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